What teapot says Nanshan famous pot?
Purple Sand Tuned Pot: During the Wanli period of the Ming Dynasty, three famous pot makers appeared: Shi Dabin, Li Zhongfang and Xu Youquan. Shi Dabin was born in Shaoshan, and his father Shi Peng was also a famous pot maker. The technical level of his works surpasses that of his father. Nanjing Museum has a Shi Dabin teapot for lifting beams. The height of the pot is 20.5cm, the transverse width is 19. 1cm, the pot height is 10.5cm, the belly width is 15.9cm, and the caliber is 9.5cm. The pot has a round bottom, a bulging abdomen and shoulders, a short neck and a flat cover. The pot is curved and has a hexagonal side. The bottom of the pot is big and divided into four petals. Make it beam-lifting and cut it into diamonds. The pot shape is vigorous, the shape is steady, the production is elegant, simple and beautiful. The mud used in the pot is chestnut coarse sand mixed with yellow steel sand, commonly known as "pear skin mud" and "osmanthus sand". The surface of the pot glows with dazzling golden spots, just like the stars in the quiet night sky, and it seems that the fragrance of osmanthus is floating outside the clouds.
The basic idea of this pot modeling is a "round" word. Seen from the front, the circular pot body overlaps with the circular hanging beam, and the contour lines are staggered and blocked, which makes the characters' sense of subjectivity particularly strong; Looking down, the bottom of the pot is a big circular plane, the lid is another small circular plane, and the pot is buckled in the center of these two concentric circles. The circular shape of the hanging beam of the pot is particularly high, arched like a Hongqiao, which seems to leave endless space for people, in contrast to the circular shape of the pot body, making the whole stretch generous. The lid of this pot has the word "big guest" on the edge and "Tianxiangge" seal script on the left.
Three-legged round pot: This round pot is 1 1.3 cm in height and 8.4 cm in diameter. Now it is owned by Wuxi County Cultural Management Association of Jiangsu Province. In the "Yixing Zisha Pot" stamp issued by the Ministry of Posts and Telecommunications 1994, this big pot was the first design subject.
Its pot body looks like a ball, and its surface is plain, except that there are four persimmons stuck around the lid of the pot. There are three feet under the pot, which change in curvature and blend with the pot body. The kettle flows outward, symmetrically, echoing the handle. Under the pot handle, the words "big guest" are carved horizontally on the ventral surface, which are irregular, skillful and powerful, neat and free and easy. The clay in the pot is brown. Careful observation shows that the surface of the pot is covered with light-colored tiny particles, which is what connoisseurs call the "flash point of silver sand" and is also the characteristic of clay in Shi Dabin's period, and it has the reputation of "coarse sand with uniform ancient texture".
Monk hat pot: Shi Dabin's monk hat pot is now in the Hong Kong Tea Ware Museum. Legend has it that the old monk of Jinsha Temple founded a teapot, which was made of a monk's hat, and the shape of the teapot imitated his own monk's hat. Gong Chun also made a monk's hat pot. Shi Dabin's pot is also imitation of a monk's hat. This pot is 9.3 cm high and 9.4 cm wide. The bottom of the pot is square, the neck of the pot is not long, the line and surface are bright, the outline is clear, and the charm is refreshing.
Eight-petal Chrysanthemum Pot: Li Maolin is a famous teapot maturing in Ming Dynasty, which is famous for its simplicity. One of his great contributions in the history of teapot is "making another tile bag and sealing it in the pottery cave". The tile sac is a sagger. In the past, when the pot blank was fired without packaging, it was inevitable that it would be stained with oil and tears. With the tile bag, the pot blank is protected when it is fired, and it is no longer contaminated with oil tears and glaze spots. This eight-petal chrysanthemum pot made in Li Maolin is 9.6 cm high and 1 1.5 cm wide. Pots are mainly ribbed and are also natural in chrysanthemums. The pot is shaped like a jar, but with a handle and a flow. The overall look is simple and elegant, and the style is elegant. The Hong Kong Museum of Tea Wares is now in collection.
Flat round pot: Li Zhongfang, the tallest among Shi Dabin, was born from Wanli to the early Qing Dynasty. His father, Li Maolin, is also a master pot maker, and most of his works come from Gu Zhuo Park. On the other hand, Li Zhongfang found another way, and his pot shape competed with originality. This oblate pot, now in private collection, is 6 cm high. The lid is large and flat, and the lid is in close contact with the spout, which can be described as "no room for it". The pot is made of iron chestnut, with distinct layers, smooth lines and flexibility. Fiona Fang's life is harmonious, showing dignity in the tall and straight, and showing steadiness in the chic. Wu Meiding commented that Li Zhongfang's pot was "better than showing off", and it was just right.
Tripod pot: Xu Youquan, also a disciple of Shi Dabin. He gave up his official career and devoted himself to pot art, eventually becoming a famous hand. Xu Youquan, Shi Dabin and Li Zhongfang are also called "the three great pot makers". Its famous cup-shaped pot, which imitates the form of bronze cup, gives people a very simple aesthetic feeling. Cups are ancient bronze vessels for holding warm wine. It is shaped like a pot and has three legs. Xu Youquan's three-legged pot is12.4cm high and 8.2cm wide. The Hong Kong Museum of Tea Wares is now in collection.
Zhu Mud Round Pot: From Wanli of Ming Dynasty to Kangxi of Qing Dynasty, another pot-making expert Hui appeared. He specially made a small pot called ochre, which was as small as citron and contained 50 ml of water. The bottom of the pot is engraved with the words "Chen Meng". His works are called Chen Meng Pot, Meng Gong Pot and Chen Meng Pot. Mainly used for brewing oolong tea, it is one of the tea sets of congou tea. The pear-shaped pot he created was introduced to Europe, and the famous Queen Anne customized the silver tea set and copied Hui's pear-shaped pot.
Chen Meng pot is rarely passed down from generation to generation, and most users today imitate it. Hui's round pot is now collected by the Cultural Relics Museum of the Chinese University of Hong Kong. Its pot body is short, with a total height of 7.6 cm, wide shoulders, straight walls, slightly closed bottom, false round feet, flat cover and short DC. The bottom of the pot is engraved with regular script "Thirteen Years of Qianlong", the bells "Hui" and ""are printed with Yang Zhuan, and the word "tea" is engraved on the lid of the pot.
Silkworm and mulberry pot: "Gong Zhongyan said that the pot is big, and overseas competes for distant vegetables." During the reign of Kangxi and Yongzheng in Qing Dynasty, another pot maker, Chen Mingyuan, appeared. He inherited the primitive, elegant and generous national form of the Ming Dynasty pot and developed a natural and realistic style. The sericulture pot is Chen Mingyuan's masterpiece imitating the natural pot. The pot is flat and round, with plain belly and carved mulberry leaves on the upper part. The lid of the pot is mulberry leaf, on which lies a gold silkworm. All the other silkworms in the pot are Shimada Hanzo's half-exposed mulberry leaves, which are lifelike and vivid. The mud is white and slightly gray, and the sand is adjusted, which is more realistic like silkworm.
Four-legged square pot: the second special stamp of Yixing Zisha pottery issued by the Ministry of Posts and Telecommunications 1994. The center of the pattern is a four-legged square pot made by Chen Mingyuan, a master of purple sand in Qing Dynasty. Also known as Yuan,No. Hefeng and Huyin. In the history of purple sand craft, Chen Mingyuan occupied a peak. He likes to make friends with literati. At that time, many literati in Jiangsu and Zhejiang provinces were proficient in piano, chess, calligraphy and painting, which greatly inspired him to make pots. The teapot he made is exquisite in craftsmanship, high in cultural taste and gorgeous, peculiar and delicate in style. This four-legged square pot is round and square with four legs. Its height is 10.3cm, and its caliber is 6.7cm, with reasonable structure, exquisite manufacture, simplicity and generosity. The pot body is engraved with an inscription: "Not enough to drink, not enough to read. Yu and I are brothers. " Department under the word "far", and "Chen Mingyuan" seal. The inscribed calligraphy is vigorous and quaint, and the visual effect is excellent. Now in Shanghai Museum.
Lotus-shaped silver lifting beam pot: Lotus-shaped silver lifting beam pot is now collected by Suzhou Cultural Relics Store. 8 cm high, the pot body is surrounded by lotus petals, and the tips of the petals are slightly upturned, which looks pretty and slim; The top of the whole pot body is wide and the bottom is closed. The lid of the pot is served by a lotus flower in the flower heart, and there are several movable lotus seeds embedded in it. The one in the middle is the lid button. A lotus petal protrudes from the spout, and the veins of the lotus leaf are clear; This pot has no handle, but it is equipped with a silver hanging beam on which the lotus root section is cut. On the central petal of the pot, there is a running script inscription: "Zi De, Xian Jie, Friends of Gentlemen, Forever and ever", and there are seals in two Yang languages: "Chen" and "Ming Yuan".
Pumpkin pot: Pumpkin pot, now in Nanjing Museum, is 10.7 cm high, and its body is a complete pumpkin shape. Up small and down big. The stem of the melon is the lid of the pot, and the vine is the handle of the pot. The vines are exposed, and the melon leaves are rolled into a spout. Natural modeling, ingenious conception, realistic depiction and strong pastoral atmosphere. There are two lines of calligraphy inscriptions on the surface of the pot: "Imitation of Dongling style, with snow frankincense." In addition, there is the seal of Chen Mingyuan and Yang Wen.
Three Friends Pot for Bundling Wood: The Three Friends Pot for Bundling Wood in Chen Mingyuan was built in the forty-first year of Kangxi (1702), with a height of 8. 1cm. The pot body is made of pine branches, plum branches and bamboo branches, and the pot cover is hidden in the cross section of the branches. The texture of the branches of pine, plum and bamboo is lifelike, and the handle and spout of the pot also imitate the branches growing on the trunk. This pot is exquisite in craftsmanship, ingenious and wonderful.
Purple sand bamboo pot: During Jiaqing period of Qing Dynasty, it is worth mentioning that it is a famous full pot. Man Sheng Pot is the product of the cooperation between Yang Pengnian and Chen Hongshou (No.1 in 1999). Orchid bamboo, a lifelong famous flower in Chen Hongshou, has exquisite calligraphy and seal cutting, which can combine calligraphy and seal cutting with superb purple sand technology, and is called "Mansheng Pot". Man Sheng pot is mostly produced in Yang Pengnian, inscribed with Chen Hongshou. Purple sand bamboo pot is the masterpiece of full pot. This pot of mud is purple, black and red, purple but not bright, red but not bright, harmonious, delicate and not dazzling. Shaped as dry bamboo, the pot body is carved into two straight bamboo poles, which flow branches, branches and leaves are bent and attached to the trunk, and three branches flow out. Although short and straight, five branches are vigorous, and two branches are like new branches, giving people a sense of exuberance from modesty to steadiness. This pot is 8.8 cm high, 6.5 cm high, with an abdominal diameter of 12.2 cm, a flow length of 3 cm and a handle width of 3.7 cm. Now it's in Shanghai Museum.
Xue Mei Pot: This pot is engraved with master pot makers Yang Pengnian and Chen Hongshou (numbered Mansheng), one of the eight famous masters of Xiling, and it is a masterpiece of purple sand craft and calligraphy. The lid of the pot has the seal script of "Peng Nian", and the pot body is engraved with the words "Xue Meizhi is fried with live fire, and the people in the mountains are immortal". "Man Sheng", the seal script of "Chen Man Sheng System" at the bottom of the pot was printed. This pot has a solid body and a smooth surface. Pot-shaped like steamed bread, below the shoulder, there is air flowing through; The pot body is smooth as a pot, and the bottom is as big as a plate, which is extremely stable; The lid buckle is arched, which is consistent with the radian of the pot body; The handle and spout occupy similar space, which increases the integrity and balance of the pot respectively. In addition, the spout is made of stuffing, but the producer makes the root of the spout into an arc from top to bottom, and gently presses it with the pot body, without any traces of adhesion. It's really "a gazelle hanging on the corner, there is no trace to be found". Because the handle of the kettle rotates outward to a great extent, the producer specially makes the spout very long and slightly upturned to achieve the harmony in perspective. This teapot is 7 cm high, with a diameter of 6. 1 cm and a base diameter of 1 1.8 cm. Now it is in Nanjing Museum.
Baiguohu (1): Qu Ying Shao, a native of Yixing in Qing Dynasty. Qu's poems, calligraphy and painting, seal cutting, identification of ancient Chinese characters, especially the making of sand pots, were named "Gong Hu" and asked Deng Kui to make them. The fruit basin is made of pomegranate, lotus root as flower, water chestnut as handle and mushroom. The upper part of the pot body is molded with various sand to attach peanuts, melon seeds, cowpeas, white lentils, chestnuts, dates and sunflower seeds. The three legs are walnuts, lilies and water chestnuts, a total of 18. The inscription on the pot reads, "There are many seeds in durian house, how about lotus root crystal?" . A bunch of autumn colors, the second song in the orchard. "
Yuhua Dragon Pot: Shao Daheng, a native of Shang 'anli, Yixing, lived between Daoguang and Tongzhi, and was a famous pot maker after Yang Pengnian. Its pot is famous for its ingenuity, fine production and elegant style. Tycoon and Peng Nian, if Chunlan Qiuju, have their own merits, but the tycoon pot has not been handed down from generation to generation, so it is not as famous as Peng Nian. Fish Dragon Pot is Shao Daheng's masterpiece. The pot is 9.3 cm high and 7.5 cm in diameter. The pot is spherical, with wavy lines and smooth and bright lines. A faucet sticks out in the waves, opens its mouth and eyes, raises its ears and stretches its beard. The dragon's mouth spits out a treasure ball, which is very vivid. There is also Haibo on the lid of the pot, and the button of the pot is a faucet protruding from the Haibo, which is three-dimensional and flexible. The handle of the pot is a curved dragon tail, which is quite interesting. The pot is chestnut, but tends to be cold, with a sense of purity and a state of the sea. On the inside of the lid, there is a "tycoon" seal script in the shape of a melon seed of Yang Hangshu. This pot is now hidden by the king of Nanjing.
Bagua Bamboo Pot: This bagua bamboo teapot is surrounded by 64 thin bamboos, each thin bamboo is uniform in thickness, neat and smooth. The waist is tied tightly with another round bamboo, which is slightly thinner. There are four bamboos protruding from the abdomen around the bottom of the pot, which are integrated from top to bottom, which is very harmonious and enhances the stability of the pot body. There is a slightly raised Fuxi gossip orientation map on the lid of the pot, and the lid button is also made into a pool pattern. The handle and spout of the pot are decorated with dragon images. The color of the pot is crab green, which has a cool feeling. Bagua bamboo pot is not only ancient in shape, but also profound in philosophy. This pot body made of 64 bamboos and four legs made of 32 small bamboos is a symbol of the dichotomy of "easy to have Tai Chi, that is, there are two utensils, two utensils have four elephants, and four elephants have eight diagrams". Through artistic techniques, the producers divided the Book of Changes into two parts, and then divided them into all things, vividly reappearing the basic idea that all roads lead to the same goal. This bagua bamboo teapot is the work of Shao Daheng, a famous artist during Jiaqing and Daoguang periods in Qing Dynasty. On the bell of the lid of the pot, there is a small seal of Yang Wenkai's book "Tycoon" in the shape of melon seeds. The pot is 8 cm high and 9.6 cm in diameter. 1994 The Ministry of Posts and Telecommunications issued a special stamp on Yixing Zisha Pot, and the third stamp was Bagua Bamboo Pot.
Fang Douhu: Huang Yulin, a native of Yixing, lived in the reign of Qing Daoguang and Guangxu. /kloc-at the age of 0/3, he studied pottery from Shao Xiangfu in Tongli, and he was successful for 3 years. He was employed by Wu Dacheng and Gu Chalin's family to make pots for them as a collection. He is the best pot maker after Shao Daheng. In his later years, he cooperated with some famous painters living in Shanghai. This square barrel pot is a measuring tool used by farmers to antique rice and wheat. This pot consists of four trapezoids, with a square lid and a square handle. It looks tall and straight, tough, neat, fresh and unique. On one side of the pot, Huang Shen, one of the eight eccentrics in Yangzhou, carved a picture of picking tea: an old man sat on the ground with a basket of tea and a long stick beside him. The top left of the picture is engraved with "Tea Picking Map". Lianfu imitates gourd painting gourd ladle. "Lian Fu, namely Lu Hui, is a famous painter and connoisseur in modern times. Thin ladle, that is, ginseng. On the other wall of the pot body, Huang Shen's tea-picking poem written by Wu Daxiao is engraved: "Picking tea goes deep into deer and elk, cutting lotus clothes and dyeing Lv Yun. Send me 36 peaks, please. This is a slap in the face. "Square barrel pot is now hidden in Nelson, Kansas City, USA? Aikins Museum.
Guling pot: This is a fine product in Huang Yulin pot. The pot is square, with rounded corners, small on the top and large on the bottom, which looks steady and strong. Soft and round lines have the beauty of harmony and the beauty of hidden front; The inner hole of the cover button is circular, and the outer side is three-petal arc, which corresponds to the circle surrounded by the kettle handle. The whole pot is like a quiet girl, and its graceful charm and romantic charm are memorable. Guling pot is more elegant because of the inscription by Wu Changshuo, a master of seal cutting calligraphy. One side of the pot is engraved with: "recite autumn water, try Lingquan Spring, and the green hills and white clouds are around me." Chang Hao Yin Shuo was in the middle of summer. Zhuangzi? There is a saying in Qiu Shui: "Be complacent and take the beauty of the world as your own." It's really a pot of heaven and earth, a pot in hand, chanting "autumn water", but it's like a god wandering between green mountains and white clouds. There is an inscription on the other side of the pot: "Gengzi Jiuqiu, Changshuo wrote an inscription for the eight brothers of Yongtai, and Baozhai held it as a gift." Yun Geng sculpture. "The year of Gengzi should be the 26th year of Guangxu (1900). There is a small seal of Yulin on the lid and a seal of Huang Yulin on the bottom of the pot. This pot is 8.9 cm high and 5.8 cm in diameter. Now it is hidden in Yixing Zisha Craft Factory.
Beam-lifting pot: the lid of the beam-lifting pot is a complete oblate sphere, and the lid buckle is a oblate particle with a slightly curved short mouth. The beam-lifting pot is a round stick bent into an arc, and one end near the spout is divided into two forks. The mud color of the pot is ochre red, and the whole body is covered with golden spots similar to osmanthus patterns, commonly known as "osmanthus sand". The height of Lian Lianghu is13.8cm.. This round and solid pot body, tall and straight hanging beam and small columnar cover button are simple in shape, exquisite in workmanship and full of vitality. There is an oval seal of Yulin in Yang Wen on the lid of the pot, and a seal of Luzhai in Yang Wen on the bottom of the pot. Zhai Ling is the name of Wu Dacheng, a collector in Qing Dynasty. This pot should be made by Huang Yulin at the request of Wu Dacheng. Now it is a private collection in Suzhou.
Tibihu: Gu Jingzhou, also known as Jingzhou, was born in Shangyuan Village, Chuanbu, Yixing in 19 15. He has outstanding knowledge and accomplishment, and has high attainments in literature, painting and calligraphy, epigraphy, archaeology and so on. On the basis of comprehensively inheriting the tradition of pot art, his works created his own unique artistic style. He was a master, and some people called him Shi Dabin of the Ming Dynasty and called him a "master". 1988, the state awarded the title of "China Master of Arts and Crafts". This teaspoon is named because its lid looks like an ancient jade. The pot is 14.5cm in height and 7.8cm in diameter. The pot body is a flat cylinder with a flat cover, a flat button and a flat hanging beam. The lid of the pot has a square seal of "Gu Jingzhou", and the seal at the bottom of the pot is engraved with the words "Jingzhou after 70". Because of the micro-curve modeling, the spout and hanging beam naturally relax, and the concept is both formal and practical. The overall structure of the work is rigorous and the rhythm of reality and reality is harmonious. Ceramics museum, Yixing, China. From 65438 to 0994, the Ministry of Posts and Telecommunications issued a special stamp on Yixing Zisha Pot, and the main body of the fourth stamp was Gu Jingzhou's pen pot.
Stone Spoon and Pot: Gu Jingzhou, a contemporary master of pot arts, should undoubtedly be pushed. He believes that a perfect purple sand work must have four elements: "shape, spirit, qi and state". Form, that is, formal beauty, refers to the external outline of a work; God, namely verve, embodies the charm of spiritual beauty; Qi, that is, temperament, the harmonious color beauty contained in ceramic art; State, that is, the form, the height of the work, Fiona Fang's various postures. Tang Yun, a master of contemporary Chinese painting, loved the stone gourd ladle made in Gu Jingzhou before his death. This pot is oblate, narrow at the top and wide at the bottom, and looks very steady. Equipped with a flat lid, the button of the pot is like an arch bridge with a gentle slope. There are three round feet at the bottom of the pot, and the lines are smooth and the artistic conception is stretched. The pot surface painting was trimmed with several branches, and the money fell into the "lake sail". On the other side is the inscription in Wu Hufan's running script: "It's quiet when there are no guests, and it's cool when it's windy all night. Yaocheng is a brother. " There is the seal of Jingzhou on the lid and Gu Jingzhou on the bottom of the pot.
Ginkgo pot (2): The producer of Ginkgo pot is Jiang Rong, a female ceramist, who was born in Qian Ji Village, Chuanbu Township, Yixing in 19 19. 1 1 years old, began to follow his father to make purple sand craft pottery. Nine years later, my uncle and I made antique purple sand crafts together. I used to make pots in Tiehuaxuan, Shanghai, and I especially like making natural pots, especially watermelon lotus leaf pots. Since 1950s, Jiang Rong has created many treasures of purple clay pottery, including 20 sets of purple clay fruits created in 1955, which were selected as gifts for Premier Zhou's overseas visit. The water chestnut pot, created in 198 1, is collected by the Victoria and Albert Museum of Lunjiao in Britain. The loquat pen container created by 1987 was selected as Zhongnanhai furnishings by the State Council. His masterpiece Lotus Pot won the National Special Craft Award. 1989 was rated as a senior craftsman. Now he is honorary director of Jiangsu Fine Arts Association.
The spout of this 100-fruit pot is lotus root festival, the handle is water chestnut, the lid is mushroom, the foot is taro, and there are some melon seeds and peanuts around the pot body, which is natural. The ingenious idea of the pot maker really made people forget that it was a pot, but tasted the life of fresh fruits and vegetables. The pot is14cm high and 25cm wide, and is collected in Yixing Zisha Craft Factory.
Haiyunhu: Tang Yun, a native of Hangzhou, Zhejiang, alias Dashi and Yaoweng, is a famous contemporary Chinese painting master in China. Tang Yun likes purple sand pottery. As early as 1930s, he was in Shanghai to discuss pot art with pot-making experts such as Gu Jingzhou, Zhu Kexin and Wang Yinchun. Since 1980s, Tang Yun has been more interested in creating teapot, or conceiving designs or writing inscriptions, and has collected nearly 100 pieces of ancient and modern teapot.
Xu, the word Ziyun, was a scavenger and a layman at first. His pot-making is ingenious, strange and unusual. Cooperate with calligraphers to make pots, push things honestly, resist adversity and make extraordinary achievements.
He and Xu successively cooperated in making pots, called "Yunhai Pot", with 58 pieces, 28 of which were numbered. The style and painting of the "sea of clouds pot" are the same. Some of them are collected by Shanghai Hayes Tea Set Museum.
Stone ladle pot (the ninth of "Sea of Clouds Pot"). The pot is like a stone ladle, with a bottom of three feet. The buttons on the lid are as curved as Jiangnan stone arch bridge, handle and spout, and the lines are as elegant as water ripples. Tang Yun painted the landscape of the West Lake on the pot, and the inscription was based on Su Shi's poem quoted by the predecessors: "If you want to compare the West Lake to Chinese calligraphy, there is no beauty." Compared with beautiful mountains and rivers, it is better than beautiful and beautiful, so that pot art and calligraphy complement each other, and pot and tea enjoy the same.
Grapefruit pots ("sea of clouds pots, ten). The pot surface is specially made coarse sand, which just shows the texture of pomelo peel and has a simple and honest style. Tang Yun didn't paint on it, but borrowed a passage containing Zen machine: "All four sit empty for a while, regardless of you and me;" "Eat a bowl at both ends and go your separate ways." Holding a pot in hand and reciting the inscription make people feel calm as water.
Li-style pot (19th Sea of Clouds Pot). The pot body is a very flat cone, like a bamboo hat in the south of the Yangtze River. Although the warp and weft of bamboo weaving are not engraved, it has revealed the charm of bamboo hat. Tang Yun painted "Dongpo Tea Tasting": Under the shade of a tree, Po Weng sat on the floor, drinking tea alone, and a big bamboo hat was put aside. Another title: "Is Li Yin drinking tea to quench his thirst, two or one? I have nothing to say." Pots, paintings and topics are integrated into one, which makes people enjoy themselves in the floating tea fragrance.
A bunch of firewood and three friends pots: Xu Hushang, a pot master, is famous at home and abroad, and his works are unforgettable. Three Friends Pot is one of his representative works. The shape of the pot is a bundle of sticks, and this bundle of more than 20 sticks is a mixture of pine branches, plum piles and bamboo branches. Among them, the natural derivative branches of the two plum piles become the spout and the handle respectively; A slightly protruding bamboo knot in the firewood bundle is skillfully used as a cover button; As for the bundle of firewood, it is a thin bamboo tip that can be used as a rope. Carefully appreciate this pot, the scales and holes on the pine stem are ingenious, and the saw marks, creases and even annual rings on the cross section of the log are lifelike. The most amazing thing is that a clever little squirrel, with a hollow heart, is peeping into the hole on the upper edge of a pine tree.