Characters in Ni Xing Pottery in Qinzhou
Hu Laoliu: A ceramist in the late Qing Dynasty, who first made exquisite pipes and dolls with exquisite purple flowers on the west bank of the Qin River, initiated a new era of ceramics in Ni Xing, Qinzhou, and was called the originator of modern Ni Xing pottery.
Li Changchun: Also known as Li Bulao, a master of pottery making from the late Qing Dynasty to the Republic of China, and his younger brother Li, created a kind of high-quality pottery by combining soft and hard methods in the eastern and western sides of Qin, which was the first of its kind in mixed pottery making. He is good at carving Bo Gu, Zhong Ding and Oracle Bone Inscriptions. 19 15 and 1930 Ni Xing ceramic vases jointly produced by two brothers won gold medals in American and Belgian exhibitions. It is the founder of the name "Li Jiayuan".
Li: A ceramist in the late Qing Dynasty and the Republic of China, he was one of the founders of Qinjiang Miscellaneous Pottery. He is good at drawing blank and precise shapes. Ni Xing and his brother Li Changchun won gold medals in the San Francisco and Belgian Expositions respectively. He is the founder of "Li Jiayuan".
Yan Fei: During the Republic of China, he was an outstanding ceramic craftsman and lathe worker. The car blank is unique and creates many styles. This vase is his masterpiece.
Yan Liu: During the period of the Republic of China, ceramic craftsmen and lathe workers worked hard, and the ceramic blank was even, and the produced ceramic blank was excellent.
Lu Da, Mo San and Yan Qi: Ceramic craftsmen and calciners in the Republic of China. The calcination temperature can be accurately grasped, and the quality of the fired pottery is high.
Li Zhenyu, a ceramic technician in the Republic of China, was good at learning from each other's strong points and often referred to ancient drawings to create new samples. He is an outstanding planner and can also make samples.
Fan Niantang: Carver in the Republic of China, good at painting flowers, insects, feathers and figures. The patterns he carved are flexible, exquisite and lifelike. Its relief is better. It created the image of a scrawny fairy digging her ears and the image of Tie Guai Li aiming at the gourd, which was vivid and expressive.
Yan: Modern ceramic craftsman, blank puller, precise modeling and exquisite technology.
Li Qiquan: a modern ceramic craftsman, with fine carving and swelling.
Li Sida: A modern ceramic craftsman can not only write, but also draw, and has good carving skills.
Pan: A modern ceramic craftsman, he has been engaged in ceramic carving since childhood, and is especially good at carving by Lohan and Oracle Bone Inscriptions.
Pan Jiansan: A modern ceramic craftsman, the son of Pan, is good at painting and carving, especially at carving dragons and phoenixes, which is a show for the younger generation.
Yan Zhaoming: A modern ceramist, a generalist, can also paint, carve and draw blanks. From 65438 to 0979, he participated in the National Congress of Arts and Crafts Designers on behalf of Ni Xing Craft Factory in Qinzhou County, and was received by the party and state leaders.
Lin, a modern ceramic craftsman, is good at craft design and sculpture. His ceramic works won prizes in national competitions and exhibitions.
Yan Changjin: A modern ceramist, he is good at ceramic modeling and decoration, and his ceramic works have won many awards in national competitions.
Li Shiqing: A modern ceramist, he is good at selecting raw materials, mixing ingredients and drawing blanks.
Hao Yuan (word: Hao Wei,No.: Zhichangju): Ceramic carving artist, the founder of ceramic "cicada wing carving" carving technique. Nixing pottery clapping pot artist, female, was born in Tao Dou, Qinzhou, Ni Xing, and grew up in a noble family in Nixing Taodu. She was deeply influenced by Ni Xing's ceramic masters since childhood and worked in her brother's Ni Xing factory when she grew up. She experienced the whole process of Ni Xing pottery, learned the clapping pot technology, made bold innovations, and tried a new Nixing pottery pot-making technology based on Qinzhou clay sculpture characteristics, positioning the clapping pot technology in the square pot technology, which was unique.
She has overcome the technical problems in Ni Xing's pottery making, such as delicate clay, difficulty in mastering wet and dry, etc. Now she has become one of the few skilled craftsmen in Qinzhou and is interested in becoming a master.
Her works, with feminine delicacy and master charm, have attracted the attention of many collectors. ( 1935-)
Contemporary calligrapher, seal engraver, member of China Calligraphers Association, master of arts and crafts in Guangxi, honorary chairman of Qinzhou Calligraphers Association. He inherited his family studies, and his calligraphy style is good at seal script, official script, calligraphy and calligraphy. He has been invited to hold solo calligraphy exhibitions and give lectures in Singapore, Australia and the United States. He has won the first prize and international gold medal in many national and international major painting and calligraphy exhibitions. His works have been carved by many scenic spots such as "The Analects of Confucius Monument" in Qufu Confucius Museum, and collected by dozens of units such as China Cultural Center in Sydney, Australia, Monsanto Library in the United States, California House and Monterey House. From 2005 to 2006, he was invited to carve Ni Xing pottery. Because of his sharp knife technique and simple and vigorous handwriting, the carved bells and ding have high appreciation value and collection value. In 20 12, his "Eight Scenes and Eight Styles of Calligraphy Bottles in Qinzhou" won the "Nomination Award of Judges" in the 4th China Art Ceramics Competition of China Arts and Crafts Association, which was a high affirmation of his ceramic attainments. Word: Hao Wei,No.: Zhichangju.
In his early years, he studied under Mr. Liu, a famous painter and senior national arts and crafts artist. Member of China Arts and Crafts Association. Pottery artist. The carving technique of "cicada wing carving", the founder of ceramics.
The carving technique of pottery "cicada wing carving" was originally created by Hao Yuan and used in the carving process of Ni Xing pottery. Based on bas-relief (thin carving), by reflecting the artistic conception of Chinese painting, the perspective effect of oil painting and the three-dimensional view of plastic sculpture, a carving art technique of carving patterns with delicate knife method.
The pictures carved by "Cicada Wing Carving" are generally about 0.5 mm thick, and the thickest is less than 1mm, which is really "as thin as cicada wings, overlapping views and touching Youlong".
Hao Wei's "Cicada Wing Carving" series of works are all handmade and belong to single items. The carved classical figures, flowers, birds, fish and insects are three-dimensional, delicate and vivid, with great collection value and appreciation space. Tao Yinyi is a member of Guangxi Artists Association, a painter and a young ceramic sculptor. He studied under the famous watercolor painter Song Shouhong and China painter Professor Yu Zhiyuan. Good at oil painting, ceramic design and sculpture. Solid painting skills and exquisite carving skills make each ceramic work elegant, unique, profound and beautiful. Mei Ping's work "Fu Gui Xiang He" won the silver prize in the "golden phoenix Qingdao Division" Innovative Product Design Competition of China (Qingdao) Arts and Crafts Expo on 20 12, and the Ni Xing pottery "Eighteen Arhats" won the gold prize in the first "intoxicating China Caiyun Ceramic Festival" on 20 12. Its unique creativity and superb skills make its works more collectible.