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Wang Xizhi's Appreciation of Traditional Calligraphy Fonts

Traditional Chinese characters are an ancient font form in China, which has made great contributions to the development of simplified Chinese characters. So, have you ever enjoyed Wang Xizhi's traditional calligraphy font pictures? Below are the pictures of Wang Xizhi's traditional calligraphy fonts that I arranged.

Appreciation of Wang Xizhi's Traditional Calligraphy Fonts and Pictures

Wang Xizhi's traditional calligraphy font picture 1

Wang Xizhi's traditional calligraphy font picture 2

Wang Xizhi's traditional calligraphy font picture 3

Wang Xizhi's traditional calligraphy font picture 4

Wang Xizhi's traditional calligraphy font picture 5

Wang Xizhi's traditional calligraphy font picture 6

Wang Xizhi's traditional calligraphy font picture 7

Wang Xizhi's traditional calligraphy font picture 8

Wang Xizhi's Calligraphy Attainment Wang Xizhi loved calligraphy since childhood and was enlightened by his father Wang Kuang and his uncle Wang Biao. He was a good book at the age of seven. At the age of twelve, he stole the pen theory of the previous generation from his father's pillow. Wang Kuang's good deeds and official letters; Wang Xun is good at calligraphy and painting. Wang Sengqian once commented in On Books. Before crossing the river east and the right army, it is the most important. This painting is Jin Mingdi's teacher, and this book is the correct military law. ? Wang Xizhi was deeply influenced by the Wangs in calligraphy since he was a child. Liu Duo, a rookie of contemporary calligraphy studying in the United States, once praised: The only good word (namely Wang Xizhi)? .

Wang Xizhi studied under Mrs. Wei in his early years. Wei Shuo, who studied under Zhong You, inherited his method brilliantly. She taught Wang Xizhi's method of Zhong You, Wei's method of learning calligraphy in past dynasties, and her own calligraphy style and method. Book Review of Tang Dynasty:? Mrs. Wei's books are like flower arranging dancers, with low beauty. Another example is the beauty on the stage, the fairy moth as the shadow, the red lotus reflecting the water, and the blue marsh floating clouds. ? Today, Shen analyzed:? Xihe studied books with Mrs. Wei, which was naturally influenced by her. She followed the clock method and learned charm, which was also formed by it. Later, since Qin and Han Dynasties, she was different from the new school of Zhong Fa taught by Mrs. Wei, so she was dissatisfied with the teacher's biography. This is the same as the afterlife. Once they saw the tablet, they became interested and wanted to change their research. This is equally understandable. We can appreciate the charming customs and endless changes of Xizhi, which have deep roots. ? (On the Calligraphy of Two Kings)

Wang Xizhi is good at changing from one teacher to another. When he broke away from Mrs. Wei's calligraphy, he reached a new historical height. He once described this historical turning point as follows: It would be great to learn from Mrs. Wei's books. And crossing the river to visit the famous mountains in the north, comparing books such as Lisi and Cao; And make a promise, see Zhong You, Liang Yu book; See Cai Yong's Three-body Book of The Book of Songs; At the meeting place with my brother, I saw Zhang Chang's Hua Yue Monument. It took me several years to learn Mrs. Wei's book. So I changed my subject and still studied in the historic sites. ? From this passage, we can see Wang Xizhi's experience and intention of constantly broadening his horizons, studying extensively and exploring the source of enlightenment.