Appreciation of ancient poetry with beautiful artistic conception
Appreciation of an ancient poem with beautiful artistic conception: a plum, a boat crossing the Wujiang River
Song: Jie Jiang.
A piece of spring worries about wine. The boat on the river rocked and the curtain moved upstairs. Qiuniangdu and Tainiangqiao, the wind is fluttering and the rain is whispering.
When will you go home and wash your robe? The silver word is the tone, and the heart word is the fragrance. The streamer easily dumped people, turning cherries into red and plantains into green.
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This is the writer's feeling of fatigue and homesickness when drifting by boat. The inscription "Zhoudu Wujiang River" shows that he was passing Wujiang County near the east bank of Taihu Lake by boat. The first sentence "A piece of spring sorrow is waiting for wine" reveals the theme of "spring sorrow" and points out the time sequence. One Piece describes his persistent melancholy. Waiting for the wine to pour shows his sadness from the urgent need for forgiveness. Zhuang's poem "Don't Buy Wine" says: "The sorrow of spring can't disappear", which is not because there is no wine to drown. So, under what circumstances did the poet's melancholy arise? What are the sorrows? The following description answers these two questions.
"The boat on the river shakes and the curtain moves upstairs. Qiuniangdu and Tainiangqiao, the wind is fluttering and the rain is rustling. " The first five sentences describe the scene of "boating on the Wujiang River" with beating pen and ink. This "river" is the Wusong River which flows through Wujiang County, namely Wujiang River. The word "shake" depicts his boat rowing forward in waves, bringing out the feeling of turbulence and drift of the protagonist who is driving the boat. The word "Zhao" describes the wine signboard hanging on the riverside restaurant to attract customers, and also reveals his psychology of being attracted by the restaurant and hoping to drown his sorrows. Both sentences focus on the dynamics of the scene. Two striking place names in Wujiang are highlighted in the sentence, indicating that his ship passed the Hetainiang Bridge to highlight the word "country". This ferry and bridge are named after the singers of the Tang Dynasty, and it is easy for people to think of ships passing by. The author just picked out these two place names, and said that he was moved by the scene, eager to reunite with his mistress, and was homesick, but he happened to meet the nasty weather. The author used "fluttering" and "rustling" to describe the wind and rain, and used the word "you" in succession. Express his anger at this "incomprehensible" storm.
In the first movie, the scenery is depicted with white lines, and there are feelings in the scene; The next movie is written in a positive way, with scenes in it. "When to go home to wash the guest robe? The three sentences of "singing songs and carving, burning hearts" imagine the warm life after returning home and show his eagerness to return home. The word "when to go home" has always been in charge of the next three things: washing guest robes, tuning the voice and burning incense. " "Guest robe" is the clothes worn on the trip. "Washing guest robe" means at least temporarily ending the tired life of the guest trip; It goes without saying that these three things are all done by his girlfriends, namely, tuning the sheng, fiddling with the silver-inlaid sheng, burning incense and lighting the heart-shaped incense in the fumigator. This means that he can enjoy the warmth of a comfortable family life with a beautiful family. The two decorative terms "silver character" and "heart character" add a beautiful and harmonious meaning to his yearning family life.
The wanderer's weariness of returning home is the first meaning of his "spring worry", and related to it, there is a second meaning, that is, lamenting the passage of time. The latter is shown in the last three sentences. The old formula is abandoned in the sentence, and the anthropomorphic and visualized sentence "Time can easily throw people away" is adopted, which highlights the rapid passage of time. In particular, the author creatively uses the color changes of cherries and bananas to show the galloping of time more concretely. Although Li Yu once revealed the seasonal changes in spring and summer with "all cherries fall, and spring returns", Jie Jiang grasped the characteristics of cherry turning red and banana leaves changing from light green to dark green in long summer from different angles, and made a visual supplement to "Time is fleeting". Turn the invisible time into an elusive image. Here, "red" and "green" are both causative verbs, and a word "le" is added to indicate the dynamic change of color. Of course, the author is not only writing about the scenery here, but also expressing his feelings and lamenting the passage of time. This second layer of spring worry is actually the deepening of the first layer of spring worry. This sigh of "Spring has gone to summer in a blink of an eye" includes his sigh for long-lost guests, his urgency for homesickness, and his perception of life as time goes by.
There are two ways to write the inscription of Plum: Ye Liuping Yun and Ye Yun sentence by sentence. The author adopts the sentence-by-sentence Ye Yun format, which is more sonorous and pleasant to read. He also gave full play to the characteristics of four groups of parallelism sentences in this format, and strengthened the expressive force and rhythm of his works. All this makes it more like a melodious homesick song, adding to its lingering beauty.
Appreciation of ancient poetry with beautiful artistic conception: flowers in Tang and Chun are a generation of a lifetime.
Qing Dynasty: Nalan Xingde
Two people in a generation fight for two ecstasy all their lives. Acacia does not face each other, who is spring?
Begging from the blue bridge is easy, but rushing into the blue shipwreck. If you allow me to visit Oxford, I will forget my poverty relatively.
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This poem about love, Flower in Tang Chun, is different from most of Unalan and Rong Ruo's previous love stories. In the past, Rong Ruo's love words were always lingering, and there were only grievances, regrets and sentimentality in the depths of his emotions. This is a murmur of self-talk, a voice of humility. And this word seems to have changed a person, and the rapid confession of love is pale, and there are still some sorrows.
The last film, "Two people in a generation, win two ecstasy", understands that there is no need for makeup at all; Plain face, for Tian Zi's heritage. Such a sentence has never been conceived in the brow, scrutinized in amazing words, pondered in poetry, but it just blurted out for no other reason.
Obviously, they are a match made in heaven, but they have to be separated and fall in love. They spend a hundred years in an ordinary day and grow old in an ordinary ten minutes. Even Fei Ying in the north of Hebei, the grassland in the south of the Yangtze River, Lu Chen in Pengshan and Bo Yang in the vast sea are all just changing the world for no reason, not real life. Strange things are nothing more than external things, which concern thousands of people in Qian Qian, not you and me.
In the next movie, allusions are used one after another. Generally speaking, the frequent use of allusions is taboo in poetry, and no matter how many taboos a talented person writes, he should avoid them. This is Rong Ruo. "Slurry is easy to find in the blue bridge." This is a story of Pei Hang. On his way back to Beijing, Pei Hang helped Mrs. Fan in the same boat and presented a poem to make her feel better. However, Mrs. Fan wrote a strange poem: "I've seen Yunying, and she's full of love. The blue bridge is a fairy cave, why is it jade? "
Hang Hai saw this poem, but he didn't know what it meant. Later, he went to the Blue Bridge Post Station. Because of sharbat, he met a woman named Yunying and fell in love at first sight. At this time, Pei Hangnian thought of Mrs. Fan's poems, and if he realized something in a trance, he applied for Yunying's mother with a large sum of money. Yunying's mother gave Pei Hang a difficult problem: "You can marry my daughter if you want, but you have to find me a baby named jade pestle mortar." I have some elixirs here, which can only be pounded with a pestle mortar. "Pei Hang got away with it, and finally found the jade pestle mortar, and used it for one hundred days. This is Yunying's mother's answer. -This is not only a love story, but also a plot after Peihang and Yunying got married: Peihang and Yunying are both dead, not an ordinary couple.
"Easy to get from the blue bridge", the other way around, is actually "easy to get from the blue bridge". Rong Ruo made it clear here that it is not difficult for me to meet such an opportunity as Pei Hang. The implication seems to imply some karma in the past. What are the past events? Only the poet knows himself very well.
Therefore, it is both easy and difficult to beg for pulp at Blue Bridge. It is for the sake of "medicine becomes a blue ocean, and it is difficult to run." This is the Goddess Chang'e flying to the moon's allusion, which is quite understandable, and Rong Ruo borrowed this allusion, so it is difficult to go to heaven even if there is an elixir of life, and it is difficult to meet his lover by analogy with the deep affection of the seas run dry and the rocks crumble. This sigh reminds people of the "silent meeting" in the deep palace, so far away.
Later, he wrote, "If you go to Oxford, you will forget poverty relatively", which is also an allusion. Legend has it that the end of the sea is Tianhe, where people used to go back and forth between Tianhe and the world every August. Never lose time, curious people follow suit and embark on the road of exploration. After drifting for a few days, the man saw the houses in the town and many men and women working. He asked a man what this place was, and that man just told him to go to Shuxian and ask Yan Junping, a psychic. Yan Junping counted his fingers and found that this was where the Cowherd and the Weaver Girl met. The poet used this allusion to say that although he knew that the person he loved and himself had no chance, he still longed to meet her one day and fall in love in Tianhe. The conclusion adopts the power implied in China's poetry allusions. Nalan Rong Ruo intends to change the meaning of this word from "drinking Oxford" to "crying in cow clothes". He is the son of the pearl of power, and his family wealth is not bad. Now he uses the language of "relatively forgetting poverty", which is nothing more than saying that if he can meet her, one is like a cowherd and the other is like a weaver girl, a poor couple sleeping in cow clothes.
The whole poem is straightforward, natural and graceful, which perfectly presents a kind of sadness for the loved one who ends up fruitless or even lifelong, without any other feminine euphemism in love words, and expresses the poet's good wishes even if he can't be together.
Appreciation of ancient poetry with beautiful artistic conception: one-word poetry
Qing Dynasty: Chen Ling
A sail, an oar, a fishing boat, a fisherman and a hook.
A bow and a smile, a bright moon and an autumn.
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This poem was written in Jiaqing period of Qing Dynasty. Chen Ling, a poet, went to Huangzhou to take part in the provincial examination in order to select a juren and gain fame. Just arrived at the bank of Bahe River, unfortunately, the ferry just landed, and the ship was already full of scholars from all over the country. Chen Lin begged Gong Li to do him a favor, drive the boat back to the shore and cross the river with him. Seeing that the man standing on the shore is a gentle scholar, the ferryman said cheerfully, "If Xianggong goes to catch the exam, he must be brilliant in literary talent. If you can write a seven-character quatrain containing ten' one' words, I will immediately turn around and cross you to the other side. If not, please wait patiently for the old lady to send this talent to Huangzhou first, then go ashore to drink two or two old wines, and then pick you up slowly. " Hearing this, Chen Ling stamped his feet in a hurry and said, "I am obedient. I asked the wise man to sail back first so that I could write a poem. The wise man could listen clearly and give me some advice. " The old ferryman stroked his beard and said with a smile, "All right." Then put the boat back to the shore. Chen Ling stepped on it. At this time, a fishing boat happened to pass by in the middle of the river. I saw a fisherman sitting at the bow, with a fishing rod beside him, paddling with his hands, leaning forward, leisurely and happily singing a fishing song. When Chen Lin looked around, he saw his eyes in the heart, rippling with the water waves. Chen Ling had a brainwave and immediately wrote this poem.
The whole poem describes that on the vast blue waves, far away, I saw a fishing boat swinging, and the fisherman caught the fish with a hook and was full of joy. It's a blue sky, with the bright moon at the head and autumn all over the river. Four short poems, vivid and colorful, with characters and movements, depict colorful fishing pictures, which are full of poetry and painting, and are memorable.
Appreciation of Ancient Poetry with Beautiful Artistic Conception: Autumn Night in a Mountain Residence
Don
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
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This poem is a masterpiece of landscape, which embodies the poet's noble feelings and pursuit of ideal realm in poetic imagery.
"The empty mountain after the rain stands in the autumn evening." The poem clearly says that there are female fishing boats, but the poet writes "the empty mountain". This is because the dense trees on the mountain cover up the traces of people's activities. The so-called "there seems to be no one on the empty mountain, but I think I heard a voice" (Chai Lu). Because there are few people here, "no one in the cave knows about foreign affairs, and outsiders only see the empty mountains and thick clouds" ("Peach Blossom Garden"), naturally someone came from Fugui Mountain. The word "empty mountain" points out that besides, it is like a paradise. In the early days of Shan Yu, everything was new. It was early autumn evening. It is conceivable that the air is fresh and the scenery is wonderful.
"Moonlight in the pine forest, crystal stone in the stream." It was dark, but there was a bright moon in the sky. The flowers have withered, but there are pine trees covered. The mountain spring is clear, flowing through the rocks, like a pure white plain, shining in the moonlight, vividly showing the quiet and clear natural beauty. Wang Wei's Ode to the Four Saints on Economy once praised the noble sentiments of the two sages, saying that "there is no evil wood in the shade, and drinking water must be extreme." The poet himself is such a noble-minded person. He once said: "It is better to drink its water and rest in the wild forest, instead of sitting on the beam and seeing the princes in the rugged." This month, pine trees and clear springs on rocks are exactly the ideal realm he pursues. These two sentences are picturesque, free and easy, and have little strength. This touching writing of natural scenery has reached the level of artistic perfection, which is really beyond the ordinary people's learning.
"The bamboo whispers that the laundry girl returns, and the lotus leaves bend in front of the fishing boat." A burst of joy and laughter broke out in the bamboo forest. It was some innocent girls who washed their clothes and came back with a smile. The graceful lotus leaves spread out to both sides one after another, overturning countless pearl-like crystal drops. It's a fishing boat going down the river, which cuts the tranquility of the moonlight in the lotus pond. There are such carefree, hard-working and kind people under this pine and bright moon and among this green bamboo and violet. This pure and beautiful picture of life reflects the poet's ideal of living a quiet simple living, and at the same time, it shows his aversion to dirty officialdom from the opposite side. These two sentences are skillfully written, but the pen does not show traces, which makes people feel very clever. The poet wrote "Bamboo Noisy" and "Lotus Moving" first, because the Huan girl was hidden in the bamboo forest and the fishing boat was covered with lotus leaves. At first, I didn't see it. It was not until I heard the noise of the bamboo forest and saw the lotus leaves in full bloom that I found the Huannv and the Lotus Boat. This writing is more realistic and poetic.
The two couplets in the middle of the poem are all about scenery, but each has its own emphasis. Zhuan Xu re-writes, fragrant and clear; Neck ties focus on writing people and hope for political communication with people. At the same time, the two complement each other. Spring water, pine, bamboo and purple can be said to be a portrayal of the poet's noble sentiment and an ideal environment for the poet.
Since the poet is so noble, and he found a satisfactory paradise in that seemingly "empty mountain", he couldn't help saying, "My friend's prince, spring has passed, and you are still here. What does it matter? ! "The original" Songs of the South Calling Hermits "said:" When the king returns, he can't stay in the mountains for a long time! " The poet's experience is just the opposite. He felt that "in the mountains" was better than "in the DPRK", clean and simple, and he could stay away from officialdom and lead a totally clean life, so he decided to retire.
An important artistic technique of this poem is to express the poet's personality beauty and an ideal social beauty with natural beauty. On the surface, this poem only uses the method of "Fu" to shape mountains and rivers, and gives a detailed and touching description of the scenery. Actually, it's full of comparisons. The poet expresses his ambition through the description of the scenery, which is rich in content and intriguing.
Appreciation of ancient poetry with beautiful artistic conception: the first night of spring rain in Lin' an
Song luyou
For years, the taste of this world was as thin as gauze. Who made the riders in China?
Living in a small building and listening to the falling spring rain, you will hear the sound of selling apricots in the depths of the alley early in the morning.
Slowly spread out small pieces of paper sideways, every word is organized, carefully boil water and tea under the sun window, skim it and try to taste famous tea.
Oh, don't sigh that the dust in Kyoto will stain the white clothes, and there is still time to return to the mirror house in Lake Ubak.
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If the author's name is hidden, when we read this song "The Beginning of Spring Rain in Lin 'an", we may think that it was not written by Lu Fangweng who was "an iron horse" and "swallowed the remnants". Although there is apricot blossom-like spring scenery in the poem, it also implies the sentimental feeling of "the taste of the world is as thin as yarn" and the boring mood of "doing nothing to do grass" and "playing with tea", which is very inconsistent with Lu You's majestic and tragic style of singing "defending the country and serving the country".
Lu You has not been taken seriously since Xiaozong Xichun summoned him for five years, but he worked as an official twice in Fujian and Jiangxi to promote Changping tea and salt. After five years of family, he stayed away from politics, but he understood the changes in politics and the indifference of the world. Therefore, the poem begins with a unique and ingenious metaphor, lamenting that the world is as thin as translucent yarn. So the first couplet began to talk about the thinness of "the taste of the world" and asked "who made the riders in Beijing". Lu You is 62 years old, not only because of his long career ups and downs, but also because of his unpaid ambitions and various misfortunes in his personal life. The old man, who had a rough life, sighed and expressed his inner feelings about this cold world. This kind of lamentation may be beyond doubt to others, but it is not reasonable for Lu You who died in decadence without feeling sorry for himself and still wanted to defend his country. This letter was sent to Beijing and was appointed as Yanzhou well-known. For Lu You, who has struggled all his life and unswervingly realized the ideal of serving the country, granting him the right to report to the country will actually cause his "who" problem.
Zhuan Xu pointed out "poetic eye", which is also a famous sentence of Lu You. Language is fresh and meaningful. The poet lives alone in a small building and listens to the spring rain all night; The next morning, the sound of selling apricot flowers came from the depths of the alley, telling people that spring was deep. Continuous spring rain is written by the poet's hearing; The faint spring scenery is revealed in the sound of selling flowers. It is vivid and profound. Legend has it that these two poems were later introduced into the palace and praised by Xiaozong, which shows that they were widely circulated for a period of time. People who have been commenting on this poem think that these two sentences are meticulous and appropriate, depicting a bright and vivid picture of spring scenery, but they don't notice that its role in the whole poem is not only to depict spring scenery, but to integrate with the poems before and after. In fact, "the small building listens to the spring rain all night" means that the continuous spring rain is like a sad miss. When reading this poem, don't let go of the word "overnight" easily. It just implies that the poet stayed up all night, worrying about the country and the people, and with the sound of rain, he rushed to his brow. Li Shangyin's "Autumn frost flies late, leaving dry lotus to listen to the rain" is based on the premise of dry lotus to listen to the rain. Lu You writes more implicitly and profoundly here. Although he used more lively words, his intention was to express his depression and melancholy. It was against the background of beautiful spring scenery that he was in sharp contrast with his feeling of loneliness.
The next tie revealed his feelings. In this beautiful spring, the poet can only do "short paper and idle grass", and Lu You is good at cursive writing. Judging from Lu You's existing calligraphy, his cursive script is elegant and elegant. This sentence is really a dark allusion to Zhang Zhi. It is said that Zhang Zhi is good at cursive writing, but he usually writes in print. When asked why, people replied that "cursive writing is urgent", which means that cursive writing takes too long, so there is no time to write. Lu You lives in Beijing, and his leisure time is extremely boring, so he entertains himself with cursive script. Because it is the first day of light rain, it is said that "Sunny Window" and "Fine Milk Play Tea" are here to taste tea and play tea ceremony. On the surface, the idle cursive script, drinking tea under the sunny window, is a very leisurely and quiet realm. However, behind this, the poet's infinite feelings and complaints are hidden. Lu you has always had the ambition to make a vigorous career for the country, but the position of Yanzhou magistrate does not meet his ambition, let alone an audience with the emperor. I don't know how long I have to wait in the guest house! The country is in troubled times, but the poet is killing time by writing books and drinking tea. Really boring and sad! So I couldn't hold back the resentment in my heart any longer, and wrote two sentences about the ending.
Although the couplets don't complain about "plain clothes's cocoon" like the ancients (writing "Good Things First for Gu Yan": "Beijing is dusty, plain clothes's cocoon"), they not only express the bitterness of the journey, but also imply that Beijing is filthy and has been transformed by it for a long time. The poet claimed that Qingming is not far away, so he should go home as soon as possible, instead of staying in Lin 'an, the so-called "paradise on earth" in the south of the Yangtze River. The poet was called to Beijing, but he hurried by and left. Lu you uses his meaning here, but he is actually laughing at himself.
Among Lu You's many poems, there are works with strong patriotic feelings and people's concern, such as Guan Shanyue and the feeling of going out of the fence to meet the cold in autumn night. There are works that express dreams, grief and sadness, such as 1 1 The Storm on the 4th of the month. These poems are not straightforward and painful, but they are magnificent and magnificent. The author also has a beautiful and simple description of rural life, such as "Traveling to Shanxi Village"; There are also sentimental works that cherish the memory of love and the happiness of the past, such as Shen Yuan. Such things are very similar to "the first spring rain in Lin 'an". No songs, no wailing, no angry poems, no bitter tears, only a gloomy colon and a faint sigh, "That's the taste of my heart".
The harsh reality forced him to draw some gloomy conclusions about the court, the emperor, life and society. Different from many of his dream poems, the author has no real life scenes to disturb him in the middle of the night when all is silent. In front of the vast starry sky and rainy night, he can fantasize and say anything. But in the bustling imperial city, the author can't help it. Although the city of Lin 'an is beautiful in spring, the bureaucrats are partial to the corner, forgetting to serve the country and whitewashing the peace. The author is always awake. He saw the numbness of the world and the court in the superficial weather and prosperity, and thought of his ambition of not getting paid. But he can neither sing nor dream, so he has to express his sadness with spring and write spring as a heartless thing.
It can be said that The First Night of Spring Rain in Lin 'an reflects the author's inner world on the other hand. In addition to singing to serve the country on the battlefield, in tents and under the night sky, the author occasionally wanders. In the book of indignation, which was written almost at the same time, the author showed his consistent lofty sentiments in a completely different way. In a sense, Anger is the author's summary of his tragic life. "I knew when I was young that things were difficult", but I finally got up the courage to say "Who is like a thousand years ago" and left my life to history to judge. The comparison between The Beginning of Spring Rain in Lin 'an and Anger can reveal a short-term repetition of the poet's feelings and thoughts. After all, Lu You is a Lu You, and he will not stay in "leisure" and "drama" forever. Shortly after he took office in Yanzhou, he still insisted on resisting gold and put it into action, expressing it in poetry. Finally, he was dismissed on charges of "mocking romantics". His continuous "apricot blossom spring rain" developed into a storm in The Storm on November 4th.
A poet's personality is complex, and a martyr who is always strong and unyielding will inevitably feel melancholy from time to time. This kind of depression and melancholy is not in contradiction with its grandeur and tragic. Only when he is depressed and miserable will there be a stronger emotional explosion. At the beginning of the poem, it is said that "the taste of the world is as thin as yarn", which is the author's denial of reality and also reflects the author's integrity. The departure at the end of the poem is also the poet's disdain for the flashy imperial city. Therefore, through the surface of the original poem, we can still vaguely see a mighty and unyielding image, which is the author's true and consistent self.