What should I pay attention to when hanging Feng Shui paintings in the living room?
Yi Tian is also a cornucopia of landscape paintings.
Clouds roll and clouds are comfortable, the mountains are covered with Danxia, the trees are red, and the picture scroll is full of vitality. In the picture scroll, the mountains are winding and undulating, surrounded by mountains, and the sky is vigorous, lush and full of vitality. The geographical elements of geomantic omen are organically integrated, and the artistic conception of "green dragon winding, white tiger taming, Xuanwu hanging its head and Suzaku dancing" is perfectly drawn.
The mountains are full of people, and there are talents in the water pipes. On the left, the Qinglong is stout, and in the middle, the "main mountain" is in Dabao style, showing wealth and good luck; After the winding and ups and downs of Xuanwu, the dense gas rises, and the purple gas comes from the east, which is peaceful and prosperous; Once Suzaku, it came naturally, the boat came naturally, the career space was broad, the financial resources were rolling, and the future was bright.
This painting "Oriental Rising Sun" has auspicious meaning, strong artistic expression and appeal, cleverly woven into the geographical feng shui element of "harmony between man and nature", with a long artistic conception and auspicious meaning.
What's in the mountains? He Xin's cornucopia landscape paintings.
This piece of heaven and earth, its mountains are yellow and turbid, and its land is thick; Its water is mysterious and clear, taking the wisdom of heaven; Its colorful trees, taking people for nothing, the intersection of heaven, earth and people, are also quite natural avenues and saints. In addition, people in the painting are free and easy, the clouds are light and the wind is light, and the artistic conception in the painting is natural.
In the use of pen and ink, Mr. He copied Mr. Wang Shigu himself. This painting is also quite elegant. Rich in style, magnificent, dense in pictures, rigorous in composition, and well rendered in ink and light crimson. The teacher's serious attitude and profound attainments in Chinese painting can be seen.
If this painting is based on feng shui, the mountains are continuous and not dangerous, and it is safe and stable; Water gathers without rushing, wealth is not easy to die, and Baoyuan is abundant; The tree is tall and straight without twists and turns, with a prosperous career and a bright future; The mountain ring becomes a basin and meets Feng Shui, which is precious and harmonious; And the dazzling white clouds, which is a beautiful symbol of stepping forward. ...
In fact, for the author, Mr. He, painting mountains, water, trees, people, pavilions, bridges and boats is just to paint light clouds ... The Qi Emperor of the Southern Dynasty asked Tao Jinghong, a hermit in the mountains, "What's in the mountains?" Advised him to go out of the mountain, the "Prime Minister in the Mountain" replied that "there are many white clouds on the mountain" and refuted the emperor's invitation. He Laoshi is really a light-hearted person. He did not seek fame and fortune all his life, but was obsessed with mountains and rivers. In this painting, the teacher pays attention to clouds, and many of them coincide with Feng Shui, thinking that the teacher has no intention of inserting them.