Elaborating the puppet characteristics of Puppet Manchuria Palace Puyi was called "the emperor of toilet".
When I arrived at the Puppet Manchu Palace in Changchun, I realized that Puyi was called "the emperor of the toilet" because she cut files on the toilet. Yoshioka Satoshi, the "Emperor's Secretary" sent by the Japanese Kwantung Army to Puyi, was promoted from a small army to a lieutenant general without going to the battlefield in 10. What kind of historical truth is hidden behind this? In this issue, Wang Wenfeng, a researcher at the Palace Museum of Puppet Manchukuo and deputy secretary-general of Changchun Puyi Research Association, will elaborate on the puppet characteristics of Puppet Manchukuo for readers.
One of the "puppet characteristics" is the architectural style of the Puppet Manchuria Palace.
The Palace Museum of the Puppet Manchukuo, located in the northeast corner of Changchun City, is the palace site of Aisin Giorro Puyi, the last emperor of the Qing Dynasty, when he was the emperor of the Puppet Manchukuo. Wang Wenfeng, a researcher at Manzhouli Palace Museum, said that the architecture of Manzhouli Palace Museum did not match it. There are Chinese old-fashioned tile houses with corridors, "Zhonghe" hall and European architecture. The style of Chinese and foreign mashups makes it somewhat nondescript. It can be said that this is a typical colonial feature.
In addition, the Puppet Manchu Palace is different from other palaces in ancient China. Other palaces are former palaces and manors, with the front dealing with state affairs and the back residential areas. On the contrary, the Puppet Manchuria Palace is the front palace, Jixi Building in the south and Qinmin Building in the north. The reason why this style is formed is to use the houses that have been built by Jilin and Heilongjiang Transportation Bureau.
In the middle of Jixi Building and Qin Min Building is Zhonghe Gate, which separates the residential area from the office area. There are five houses next to Zhonghemen. These five houses were allocated by the Japanese gendarmerie in the palace. Here, people who come to the palace, whether in the outer court or the inner court, can see clearly, and the Japanese gendarmerie is responsible for writing it down. It can be said that every move of the people in the Puppet Manchuria Palace is under the surveillance of the Japanese military police.
Puppet Feature 2-Puyi's Cutting Ability Sitting on the Toilet
When Puyi first became emperor of Manchukuo, he was still ambitious and full of "political ideals" of "restoring his ancestral business". At that time, he often went to the People's Building to review the memorial, hoping to make great efforts and make great achievements like Emperor Kangxi, whom he admired most. Gradually, he found that he had no right to change what the Japanese had decided, and he could not change it. When he found that he had no real power, he simply didn't bother to go to Qin Min Building.
For Emperor Puyi, the Japanese did a good job on the surface. They respect him in public, but respect is respect and they don't give him any real power at all. For example, the important laws and regulations of the puppet Manchukuo, big and small events, must be approved by the emperor. These major policies and colonial policies of the Puppet Manchukuo were decided at the meeting of Japanese ministers held by the Japanese every Tuesday, and the decisions had to be examined and approved by the last the State Council of the Puppet Manchukuo.
In the Puppet Manchukuo Palace Museum, Puyi's bathroom is located opposite the bedroom. There is a small wooden table next to the toilet in the bathroom with some newspapers on it. According to Wang Wenfeng, Puyi suffers from constipation. Every morning he sits on the toilet, and the clerk raises his hand to cut the paper. In Puyi's words, he doesn't look at some things, because he can only cut "yes" and not "no". This "possibility" is a general statement, sometimes referring to "knowing" and "seeing". In short, it is unconditional recognition. This is the number of orders issued during the puppet Manchukuo period. Puyi is also known as the "toilet emperor".
Puppet characteristics No.3 Palace ministers and ministers are all Japanese.
All the ministers in Manchukuo except the ministers have second ministers, all of whom are Japanese. The weekly ministerial meeting is the most important meeting, and the "minister" who is a traitor is only nominal. Therefore, it is the Japanese authorities that really exercise power over the Northeast. In the Imperial Palace of the Puppet Manchukuo, just like the government, there is a Japanese leader, nominally an assistant minister, who actually controls all administrative powers such as personnel and finance in the Imperial Palace. The minister must obey the deputy minister in every detail. This system of enfeoffment was a means for Japanese colonial rulers to control the puppet Manchukuo regime.
Puppet characteristics four-imperial room hanging is rapidly popularized.
Puyi once said in his memoirs that the Kwantung Army is a powerful high-voltage power supply and I am an accurate and sensitive engine. It was Yoshioka who linked me with the Kwantung Army, and my every move was instructed by Yoshioka.
Yoshioka Yasunari was a "Imperial Crane" sent by the Japanese Kwantung Army to the Puppet Manchukuo Palace. "Hanging in the palace" is Japanese, which means "walking in the palace" or "imperial secretary". Yoshioka Yasunari, a Japanese, is a senior spy of the Japanese Kwantung Army stationed beside Puyi. He is also a senior staff officer of the Kwantung Army and an "Imperial Cabinet". Puyi said that what he said, what he did and who he met were all told by Yoshioka Kangcheng in advance. Yoshioka Kangcheng can speak some Chinese and English, Puyi knows some English, and Yoshioka Kangcheng conveys his meaning to Puyi in his half-baked Chinese and English.
As a puppet emperor, Puyi, who had nothing to do all day, was gradually too lazy to go to Qinmin Building to handle government affairs, and spent most of his time in Jixi Building. The study became another office of Puyi, where Puyi often met with Yoshioka Kangcheng, the "Royal Hanging Room". Originally, without the approval of Puyi, no one could enter or leave the study at will, but Yoshioka Kangcheng was an exception. He sometimes comes several times a day. Whenever Yoshioka arrives, Puyi will get up to meet him and dare not neglect him.
Yoshioka Kangcheng 1935 was an assistant of the Japanese army when he came to Puyi. 1945 before Japan surrendered, he was promoted to lieutenant general in the Japanese army, which is rare in Japanese history. A man who has never been to the battlefield or fought a war has created such a miracle of promotion just by controlling Puyi. It can be seen that his control over Puyi was very effective and he faithfully implemented Japan's colonial policy.