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Tao Yuanming’s poem about helplessly retreating to the countryside

1. Poems about returning to the countryside

Poems about returning to the countryside 1. What are the poems that praise "the beautiful scenery of the countryside" and "returning to the countryside"

The poems praising "the beautiful scenery of the countryside" and "returning to the countryside" include:

1. Sitting alone in the secluded bamboo, playing the piano and whistling loudly.

2. After the new rain in the empty mountains, the weather comes late in autumn.

3. Returning to the deep forest, the light shines on the moss again.

4. An old friend invited me to Tian’s house with chicken and millet.

5. There is no way out in the mountains and rivers, but there is another village with dark flowers and bright flowers.

1. Landscape pastoral poetry refers to poetry that mainly describes pastoral scenery and farmers, shepherds, fishermen, etc. Xie Lingyun and Tao Yuanming are the founders of landscape poetry and pastoral poetry respectively, and they became important in the Tang Dynasty. Poetry school. Wang Wei, Meng Haoran, Li Bai, Chu Guangxi, Chang Jian in the Tang Dynasty, Yang Wanli and Fan Chengda in the Song Dynasty are all outstanding representatives of this school of poets.

2. The full text of the above poems is as follows:

(1) From "Zhuli Pavilion" by Wang Wei of the Tang Dynasty: Sitting alone in the secluded bamboo, playing the piano and whistling loudly. People deep in the forest don't know that the bright moon comes to shine. Wang Wei: 701-761 (some say 699-761), courtesy name Mojie, Han nationality, native of Puzhou, Hedong (now Yuncheng, Shanxi), ancestral home in Qixian County, Shanxi, a poet of the Tang Dynasty, known as the "Buddha of Poetry" . Su Shi commented on it: "When you taste Mojie's poems, there are paintings in the poems; when you look at Mojie's paintings, there are poems in the paintings.

(2) From "Dwelling in the Mountains in the Autumn Mist" by Wang Wei of the Tang Dynasty: Kong Shan Xin After the rain, the weather comes late. The bright moon shines among the pines, the clear spring rocks flow up to the water, and the lotus leaves are resting on the fishing boat.

(3) From the Tang Dynasty. ·Wang Wei's "Deer and Chai": No one can be seen in the empty mountain, but the sound of people's voices can be heard. Returning to the deep forest, the light shines on the moss again.

(4) From "Crossing the Old Friend's Village" by Meng Haoran of the Tang Dynasty. 》: An old friend invited me to Tian's house, where the green trees were on the edge of the village, and the green hills were sloping outside. We drank wine and talked about mulberry trees and flowers. Meng Haoran: (689-740) ), male, Han nationality, poet of the Tang Dynasty. His real name is unknown (one theory is that his name is Hao), and his courtesy name is Haoran. He was born in Xiangyang, Xiangzhou (now Xiangyang, Hubei Province), and was known as "Meng Xiangyang" in the world. He was very honest and liked to help people in need. , work in poetry.

(5) From "Visiting Shanxi Village" by Lu You in the Song Dynasty: Mo Xiao's farmers are full of wax and wine, and there are enough chickens and dolphins in the harvest years. . The flute and drum follow the spring society, and the simple clothes and clothes remain. From now on, if you take a leisurely ride in the moon, you will knock on the door at night with your stick. (now Shaoxing, Zhejiang), a famous poet in the Southern Song Dynasty

Reference materials

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I hope my answer will be helpful to you and I hope you will adopt it. p>

4. Poems about the scenery of Tianyuan

"A Thousand Residences in the Mountains" Wang Wei's loneliness covers the wood door, and the vast sky is facing the falling light

Cranes' nests are full of pine trees, and people visit. The pigeons are sparse. The green bamboos contain new powder, and the red lotuses are falling from their old clothes.

Fireworks are going up on the ferry, and water chestnuts are picking up everywhere. "Autumn comes late after the new rain in the mountains" by Wang Wei. /p>

The bright moon shines among the pines, the clear spring rocks flow upstream. The bamboos rustle and return to the Huannu, and the lotus leaves the fishing boat.

Take a rest in the spring breeze, and Wang Sun will stay at the Tonglu River to send an old trip to Guangling. Meng Haoran spends his time in the dark mountains listening to the rush of the Cangjiang River at night. The wind blows on the leaves on both sides, and the moon shines on a lonely boat.

Jiande is not returning to my land, but Wei Yang will still shed two lines of tears, far away. Send it to the west of the sea.

"Passing an old friend's village" Meng Haoran's old friend invited me to meet at the edge of Tian's house, outside the green mountain.

Let’s talk about mulberry and hemp in the garden. Wait until the Double Ninth Festival to see the chrysanthemums.

"Spring Dawn" Meng Haoran sleeps in the spring and hears the sound of birds singing everywhere. < /p>

5. Who are the poets who retired to the countryside? Apart from Tao Yuanming, it is best to express it in poetry

Fan Cheng thanked Ling Yun, Meng Haoran and Wang Wei

"Pastoral Miscellany in Four Seasons" Fan Chengda

Works in the fields during the day and harvests hemp at night.

The children and grandchildren in the village are busy farming and weaving.

"Climb the Pond and Climb the Stairs" by Xie Lingyun

The beauty of Qiu Qiu is hidden, and the distant sound of the flying dragon is heard.

The thin sky is ashamed of the floating clouds, and the Qichuan is sinking into the abyss.

Advancing morally and intellectually is inferior, and leaving the farmland weak.

Liu Lu is against Qinghai, lying in bed is against Konglin.

The quilt pillow is waiting for the festival, and the quilt is opened for a while to peek.

Listen to the waves with your ears, and look at the rugged mountains with your eyes.

The first scene changes the wind, and the new yang changes the old yin.

Spring grass grows in the pond, and willows in the garden turn into songbirds.

Praying for pain hurts Bin's song, and the luxuriant flowers feel the song of Chu.

It is easy to stay alone forever, but it is difficult to live in isolation.

How can the practice be unique in ancient times? There is no such thing as boredom today.

"Passing an Old Friend's Village" by Meng Haoran

An old friend brought chicken and millet and invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside.

Open a dining room and chat over wine.

On the Double Ninth Festival, I will still come to see chrysanthemums.

"Dwelling in the Mountains in the Twilight of Autumn" by Wang Wei

After the new rain in the empty mountains, autumn comes late.

The bright moon shines among the pines, and the clear spring flows upstream from the rocks.

The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.

Let the spring fragrance rest at will, and the kings and grandsons can stay.

6. What are the poems about pastoral seclusion

Drinking · Part 5 Jin · Tao Yuanming

The house is in a human environment, without the noise of cars and horses.

How can you do this? The mind is far away from itself.

Picking chrysanthemums under the eastern fence, you can see Nanshan leisurely.

The mountain air is getting better day by day, and the birds are flying back and forth.

There is a true meaning in this, but I have forgotten to explain it.

Era: Wei and Jin

Author: Tao Yuanming

Two poems about migration

One:

Past Desires Living in Nancun is not for divination.

Hearing many honest people makes me happy to count the mornings and evenings.

I have had this in mind for quite some time, so I am here to serve you today.

Why should my house be so wide? Just enough to cover the bed and mat.

Neighbor songs come from time to time, but protest and talk are in the past.

Appreciation of wonderful articles, analysis of doubts

Second:

There are many beautiful days in spring and autumn, so I climb high and compose new poems.

We greet each other when we pass the door and have some wine to drink.

We all go back to our farm work, and miss each other in our free time.

When I love you, I wear my clothes and talk and laugh endlessly.

This principle will be defeated, and it will disappear suddenly without doing anything.

You must be disciplined in food and clothing, and do not bully me if you work hard.

Tao Yuanming wrote the most of these poems, followed by Wang Wei!

7. Poems about landscapes and pastoral areas

Wang Wei Wang Wei, also known as Mojie, was the official of Shangshu Youcheng. It is customary to call him Wang Youcheng.

Influenced by Buddhist thought, he was tired of bureaucratic life and lived in seclusion in Cheshu River for a long time. He loved nature and was familiar with the countryside. His poems were written quietly and leisurely, with a kind of static beauty. For example, "Weichuan Tianjia": The slanting light illuminates the countryside, and the cattle and sheep return to the back alleys.

The old man in the wild misses the shepherd boy and leans on his stick to wait for the thorn tree. The pheasants are flying and the wheat seedlings are showing, and the silkworms are sleeping and the mulberry leaves are sparse.

Tianfu came to hoe, and we met each other and talked to each other. That's why I am so envious and leisurely, and I recite "Shi Wei" sadly.

The afterglow of the setting sun reflects on the village (rural), and the returning cattle and sheep pour into the village lanes. The old man was thinking about his grandson who had gone to graze, and he was leaning on crutches outside the firewood gate to watch his return.

Amidst the crowing of pheasants, the ears of wheat are already showing, and the silkworms that have eaten enough mulberry leaves are beginning to go dormant. With a good harvest in sight, farmers returning from their hoeing days met each other and chatted passionately about their daily routines.

This beautiful scene reminded the poet of the disgusting infighting in the officialdom, and how quiet and comfortable it would be to live in seclusion in such a rural area; while melancholy, he couldn't help but recite the words "Decline, decline, Hu Bu" in the Book of Songs. "Go home?" (meaning: It's getting dark, it's getting dark, why don't you go home?), indicating his interest in returning to the countryside. Wang Wei was proficient in music, painting, and calligraphy, and had profound artistic accomplishment; Su Dongpo commented that there were paintings in his poems and poems in his paintings.

The above poem can be said to be a pastoral painting. Meng Haoran is as famous as Wang Wei as a poet. He was originally from Xiangyang (in today's Hubei Province) and is often called Meng Xiangyang. It is said that he once met Emperor Xuanzong of Tang Dynasty by chance at Zhang Jiuling's official residence.

Xuanzong knew the name of his poem and ordered him to recite it. He recited "Returning to Nanshan at the End of the Year", which included the sentence "I am not talented, so the wise monarch does not use me" (I lack talent, so the wise monarch does not use me). Xuanzong was very unhappy after hearing this, and said: "It's you who don't want to be an official, it's not I won't let you be an official, how can you blame me!" Later, he was not admitted to the Jinshi examination and did not officially become an official. He wandered and lived in seclusion for a long time, and became famous for his landscape poems.

His poem "Passing Through an Old Friend's Village" is the most widely circulated: An old friend brought chicken and millet and invited me to Tian's house. The green trees border the village, and the green mountains and hills slope outside.

Open a dining room and chat over wine. When the Double Ninth Festival comes, there will be chrysanthemums.

An old friend killed a chicken to cook and invited him to the village as a guest. From a closer look, the dense green trees strictly surround the village; from a distance, the green mountains stretch into the distance.

When you open the window, you can see the yard with piles of grains and the green vegetable garden; holding a glass of wine, they chatted enthusiastically about the growth and harvest of mulberry and hemp. How happy and comfortable it would be to drink wine, eat delicious food, talk and laugh with friends in such a natural picture! After drinking, the friends were still reluctant to part with each other, and agreed to get together again on the Double Ninth Festival to drink wine and admire the chrysanthemums.

Chu Guangxi was also a frustrated hermit. His "Fishing Bay" wrote about the taste of seclusion: fishing in the green bay in spring, the spring is deep and the apricot flowers are in bloom. The pond is clear but the water is shallow, and the fish are scattered when the lotus moves.

Waiting for my lover at dusk, the boat is green and the poplar banks are green. The sky is covered with green shade, falling flowers are floating on the ground, the bottom of the clear pool is bottomed out, the lotus is moving and the fish are scattered. The fisherman does not care about the fish. This beautiful scenery alone is the best enjoyment.

Stop fishing and moor the boat at dusk, and wait for your good friend (lover) to meet you among the green poplars and grass. Isn’t such a carefree life the same as being a god? In fact, their lives will not be without troubles and troubles. However, when writing poems, they must temporarily put them aside, seize a certain beautiful scene and emotion, and display and render it to their heart's content. The poet satisfies the desire for creation and also brings beauty to the readers. Enjoyment, this is called poetry.

8. Who are the poets who live in seclusion in the countryside?

The poems of Tao Yuanming (352 or 365 or 372 or 376-427) are famous for their natural style, simple and concise language, and meaningful artistic conception. He is praised for his works, especially the large number of works based on pastoral life, which are a beautiful and unique work in the poetry world. Tao Yuanming's pastoral poems may seem dull to people at first, but when they are read again, they have the feeling of "the ordinary contains wonders, and the dead trees are lush and graceful." The poet has reached a high level of attainment in refining and using language. He combines his understanding of nature and pastoral life. The deep love is integrated into the poems, making people read as if they are immersed in the scene, strolling in the natural and tranquil countryside, giving people endless reverie. Tao Yuanming created the unity of pastoral poetry and developed classical poetry to a new level. By the Tang Dynasty, the landscape pastoral poetry school represented by Wang Wei and Meng Haoran had formed. Many great poets in later generations, such as Bai Juyi, Su Shi, etc., were all influenced by Tao Yuanming's poetry style. .

Meng Haoran (689~740) was a poet in the Tang Dynasty. Most of Meng's poems are five-character short stories, mostly describing landscapes, pastoral scenes, the joy of living in seclusion, and the mood of traveling and traveling. Meng's poems do not engage in carving and decoration, but sit back and create thoughts. They are full of wonderful contentment and do not become frugal and barren. He is good at exploring the beauty of nature and life, understanding the scene and writing about his true feelings at the moment. The pastoral landscape poetry of the prosperous Tang Dynasty, on the basis of inheriting Tao and Xie, had new developments and formed a poetic school. Among its representative writers, Meng Haoran was the oldest, pioneered the trend, and had a great influence on that time and later generations.

Wang Wei (701-761), whose courtesy name was Mojie. There are less than 400 Wang Wei's poems in existence. Among them, the most representative of his creative features are poems depicting natural scenery such as mountains, rivers and pastoral areas, and singing about hermit life. Wang Wei's landscape and pastoral works not only depict the natural beauty, but also reveal the leisurely and leisurely taste of leisurely life. Poets especially like to express a quiet and tranquil state. Some works are desolate or lonely, expressing the thoughts and emotions of being indifferent to reality and even the desolation of Zen.

Wei Yingwu (737~792) was a poet of the Tang Dynasty. Later generations often called him Wang Meng, Wei Liu and others. His landscape poems are beautiful in scenery, profound in feeling, fresh, natural and full of business. Wei Shi has the highest achievement in the Five Ancients, with a style that dilutes the leisure and distance, and a simple and plain language. But it also has a beautiful and elegant side. In the Five Ancients, he mainly studied Tao Yuanming, but in terms of landscape painting and other aspects, he was influenced by Xie Lingyun and Xie Tiao.

Fan Chengda (1126-1193) was known as Zhineng and also known as Shihu Jushi. He is as famous as You Miao, Yang Wanli and Lu You, and is known as one of the "four great poets of the ZTE". His poems have a wide range of themes and their styles are simple, fresh and charming. Poetry has a wide range of themes, and the works that reflect the content of rural social life have the highest achievements. In his later years, he wrote 60 "Pastoral Miscellaneous Poems in Four Seasons", which depict rural scenery, customs and farmers' lives. The style is fresh and lively, graceful and smooth, rich in charm and has the characteristics of folk songs. It is a collection of pastoral poems in the Song Dynasty. It had a great influence on the pastoral poetry of later generations.

Well~~The teacher said that Wang Wei and Meng Haoran are very famous~~ Hehe, the most famous one is Tao Yuanming, I admire them very much. He is one of the greatest writers in China and a pastoral poet. The founder of the school, "the sect of reclusive poets". Haha, it’s not bad to live in seclusion alone for so long

9. Poems about seclusion

Poems about "seclusion" include:

1. Tao Yuanming of the Eastern Jin Dynasty "Drinking·Jiehu in a human environment"

Original text:

Jiehu in a human environment without the noise of cars and horses.

How can you do this? The mind is far away from itself.

Picking chrysanthemums under the eastern fence, you can see Nanshan leisurely.

The mountain air is getting better day by day, and the birds are flying back and forth.

There is a true meaning in this, but I have forgotten to explain it.

Translation:

Living in the human world, but without the hustle and bustle of cars and horses.

Ask me why I can do this. As long as you are ambitious, you will naturally feel that the place you are in is secluded.

Picking chrysanthemums under the east fence, leisurely, the Nanshan Mountain in the distance comes into view.

The atmosphere in the mountains and the scenery in the evening are very good. There are birds flying back with their companions.

This contains the true meaning of life. I want to identify it, but I don’t know how to express it.

2. "Dwelling in the Mountains in the Twilight of Autumn" by Wang Wei of the Tang Dynasty

Original text:

After the new rain in the empty mountains, autumn comes late. The bright moon shines among the pines, and the clear spring flows over the rocks.

The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat. The spring fragrance rests at will, and the king and grandson can stay.

Translation:

The empty mountains were bathed in a new rain, and the fall of night made people feel that it was early autumn. The bright moon sheds clear light from the gaps in the pines, and clear spring water flows on the rocks.

The noisy sound in the bamboo forest is thought to be the return of the washer girl, and the swaying of the lotus leaves is thought to be wandering up and down the boat. The fragrance of spring may as well be allowed to fade away, but the kings and grandsons of the mountains in autumn can stay for a long time.

3. "Returning to the Garden and Living in the Fields (Part 3)" by Tao Yuanming of the Eastern Jin Dynasty

Original text:

At the foot of the southern mountain where beans are planted, the grass is thick and the bean seedlings are sparse. I wake up in the morning to sort out the wasteland and filth, and return with a hoe in the moonlight.

The road is narrow and the grass and trees are long, and the evening dew touches my clothes. It's not enough to regret the stain on your clothes, but your wishes are fulfilled.

Translation:

Beans are planted in the fields at the foot of Nanshan Mountain. The result is lush grass and sparse bean seedlings.

I get up early in the morning and go to the fields to weed out weeds. At dusk, I carry the hoe back under the moonlight.

The narrow path is overgrown with vegetation, and in the evening dew wets my clothes. It's not a pity that my clothes are wet, I just hope I don't violate my intention to go into seclusion.

4. "Residence in the Mountains" by Wang Wei of the Tang Dynasty

Original text:

Loneliness covers the wood door, and the vastness faces the falling light. There are crane nests and pine trees everywhere, and few people visit the pigeon gate.

The green bamboo contains new powder, and the red lotus sheds its old clothes. Fireworks are going up at the crossing, and water chestnuts are being collected everywhere.

Translation:

She closed the fence door tightly in silence and looked at the setting sun in the vast twilight. Cranes roosted all over the surrounding pine trees, and visitors to Chaimen were sparsely neglected.

The tender bamboo joints have been covered with a new layer of pink, and the old lotus flowers have long shed their red robes. There are dots of fishing sparks at the ferry, and people fishing for water chestnuts are coming and going in boats everywhere.

5. "Questions and Answers in the Mountains" by Li Bai of the Tang Dynasty

Original text:

Ask me why I want to live in the green mountains, and I will smile without answering and my heart will be at ease.

The peach blossoms disappear in the flowing water, and there is no other world than this world.

Translation:

Someone asked me why I live in seclusion in Bishan. I smiled and didn't answer, feeling at ease.

The peach blossoms are in full bloom and the flowing water disappears into the distance. There is a different world here, how can it be the human world.

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