Couplet with two characters headed by dragon and tiger

1. The roar of the tiger is far away, the sound of the wind is far away, and the waves of the dragon are high

2. The dragon hides the crimson spirit, and the tiger lies in the Qiong Pavilion with great power.

3. Dragons and phoenixes dance in the sky, tigers leap and wolves crawl on the ground.

4. The dragon is always peaceful and happy, and the tiger is roaring and enjoying peace.

5. The power of the dragon spreads all over the world, and the power of the tiger vibrates the five mountains.

The dragon is a mythical animal in ancient myths and legends in China and other East Asian regions. It is the leader of scale insects. Often used to symbolize auspiciousness, it is one of the most representative traditional cultures of East Asian nations such as the Chinese nation. Dragon culture is very rich, including dragon legends.

Tiger is a large cat with light yellow or brown fur color, full of black horizontal stripes; round head, short ears, black backs, and a prominent white spot in the center; strong and powerful limbs; thick and long tail, with Black ring pattern, black at the end

Couplets are also called couplets, door pairs, spring stickers, spring couplets, pairs, peach charms, and couplets (named after the couplets that were often hung in the halls and houses in ancient times) ), etc., is a kind of dual literature, originating from Taofu. They are dual sentences written on paper, cloth or carved on bamboo, wood, or pillars. The words are concise and the meaning is profound, the contrast is neat, the oblique and oblique are coordinated, the number of words is the same, and the structure is the same. It is a unique art form of the Chinese language.

Couplets are a treasure of traditional Chinese culture. The earliest recorded couplets appeared in the Three Kingdoms era. During the Hongwu period of the Ming Dynasty (1368-1399), a large iron cross was unearthed in Luling, Jiangxi (now Ji'an City, Jiangxi Province), with the Chiwu reign number of Sun Quan of the Three Kingdoms era (238-250) cast on it. An artistically exquisite couplet is cast on the iron cross: "The four seas celebrate Anlan, the iron pillars leave the cross with precious light; all the people cherish the great marsh, and the golden furnace incense and seals are written with kindness for eternity." Judging from its form and content, it is similar to the early Christians in China. association. The couplets hung during the Spring Festival are called Spring Festival couplets, the couplets hung for funerals are called elegiac couplets, and the couplets hung for happy events are called celebratory couplets. Couplets are a national style written using the characteristics of Chinese characters, and generally do not need to rhyme (only the couplets in rhymed poetry need to rhyme).

Parallel prose and rhymed poetry are the two direct sources of couplets. In the process of its own development, couplets also absorbed the characteristics of ancient poetry, prose, lyrics and music. Therefore, the sentence patterns used in couplets include not only rhymed verse and parallel prose, but also ancient poetry, prose, and imitation of lyrics and music. Different sentence patterns have different applicable rhythms and different leniency and severity. Among them, the regular verse style has the strictest requirements for level and obliqueness, while the ancient verse style has requirements for the level and obliqueness at the end of the sentence, and other positions are unrestricted.

Spring couplets have a long history. According to legend, they originated from Meng Chang, the lord of Shu after the Five Dynasties. His inscription on the peach charms on the door panel of his bedroom: "New Year's greetings, good festivals and Changchun", which means "inscription on peach charms" (see "Shu Shu"). This is the earliest couplet in China and also the first Spring Festival couplet. Different historical materials from the Song Dynasty have different opinions on this, and some attribute the author to Meng Chang's son. Therefore, who is the author of this couplet is still an unsolved mystery.

As a custom, couplets are an important part of Chinese traditional culture. In 2005, the State Council of China listed the custom of couplets in the first batch of national intangible cultural heritage lists. The custom of couplets has been passed down and spread among the Chinese and even in regions around the world where Chinese is spoken and among ethnic groups that have cultural origins with Chinese characters. It is of great value to the promotion of Chinese national culture.

Reference materials

Baidu knows: /question/1929807217396748467.html

Chinese calligraphy report: /html/z/72547/283449.html