Old poems and appreciation about summer
Article 1: Appreciation and appreciation of ancient poems about summer
"Summer in the Mountains"
Tang Dynasty: Li Bai
Lan Yao Bai Feather fan, naked in the green forest.
Take off your towel and hang it on the stone wall, exposing the top to let in the pine breeze.
Appreciation and appreciation:
"Summer in the Mountains" is a five-character quatrain composed by the romantic poet Li Bai of the Tang Dynasty. The scenes of life in summer described in the poem truly and appropriately show the scenes of summer in the mountains and in the mountains.
"I am too lazy to shake my white feather fan, naked in the green forest." Because it is summer, there is a "white feather fan"; because in the mountains, the weather is cooler, so I have a fan but am too lazy to shake it. There are few people passing by in the mountains and forests, and the poet dares to take off his headscarf, showing a leisurely and informal image. The use of "lazy" and "naked" in the sentence highlights the poet's leisurely enjoyment of enjoying the cool in the mountains in summer, and depicts a vivid picture of summer leisure.
“Take off your turban and hang it on the stone wall, exposing the top to let in the pine breeze.” The poet took off his turban and hung it on the stone wall in the mountain. How cool and pleasant it was. Bare-chested and topless, living under the forest is a great way to relieve the burden of dust and return to nature. Through "taking off" and "exposing", the poet expresses his unrestrained and yearning for nature. "Ren" embodies the poet's unbridledness and uninhibitedness, letting the mountain wind blow over his head, showing an open-minded and refreshing feeling.
The whole poem depicts the image of the author who is unrestrained in the mountains and forests, broad-minded and unrestrained, not bound by etiquette and law, and has the style of the Wei and Jin Dynasties. The poet indulges himself in the "summer mountains", enjoying a leisurely and self-sufficient life, especially the indulgence and catharsis of personal emotions, which can be said to have reached the extreme. In "Summer in the Mountains" the feather fan does not need to be shaken, and the clothes and shoes do not need to be worn. "Naked in the green forest" and "Opening the top to spread the pine breeze" further reflect the poet's leisurely and contented mood, close to nature. The poem highlights the heat of summer by describing the poet's own state. At the same time, the hot summer environment is used to express the poet's unrestrained and unrestrained state in the mountains and forests. In the poem, under the hot summer environment, the poet's state is vividly described, and there is a sense of leisure and leisure.
Part 2: Appreciation and appreciation of ancient poems about summer
"Summer in the Mountain Pavilion"
Tang Dynasty: Gao Pian
Green The shade of the trees is thick and the summer is long, and the balcony is reflected into the pond.
The crystal curtain moves and the breeze rises, filling the courtyard with roses and incense.
Appreciation and appreciation:
"The green trees are dense and the summer is long" seems to be ordinary, but if you think about the word "dense" carefully, it is not only the lushness of the trees, but also the It implies that this time is around noon in summer, when the sun is scorching and the sun is strong, the "shade" can be "dense". In addition to the special meaning of tree shade, this "dense" also has the meaning of "deep" in terms of depth, that is, the shade of a tree is dense and deep. "A Dream of Red Mansions" describes the scene of the Grand View Garden at noon in summer, saying that "the sun is blazing in the sky and the trees are shaded on the ground." This is what it means. Summer time around noon best gives people the feeling of a long summer. Yang Wanli's "Idle House in Early Summer and Rising from a Noon Nap" said, "When the day is long, there is no emotion in my sleep", which is what he wrote with this kind of sentiment.
"The balcony reflects into the pond" Here the poet writes about summer visually and the landscape he sees. When the poet saw the reflections of pavilions and pavilions at different distances in the calm pond, he felt naturally refreshed, so he wrote such a beautiful poem. The word "enter" in "entering the pond" is used well. He not only writes the clarity and freshness, but also the dynamic feeling. He writes that the pond is full of mountains, water, pavilions and pavilions, and makes the pond bigger.
"The crystal curtain moves and the breeze rises" is the most subtle and subtle line in the poem. This sentence can be divided into two meanings. First, the pool water under the scorching sun is crystal clear; when the breeze blows, the water is shimmering and the blue waves are sparkling. The poet uses "crystal curtain moving" to describe this scene, which is beautiful and realistic - the entire water surface is like a curtain made of crystal, which is blown by the wind and ripples, and under the rippling water waves are the swaying towers. Reflection, very beautiful. Secondly, the poet admiring the scenery first sees the fluctuation of the pool water, and then feels the wind. The summer breeze will not be felt all at once. You will feel it only when you see the water waves, so it is said that "the breeze rises when the crystal curtain moves". If you write "the breeze rises" first and then "the crystal curtain moves", it will be useless.
In "A Shelf Full of Roses and a Yard Full of Fragrance", the poet writes about summer from the perspective of smell. Just as the poet was intoxicated with the beautiful scenery of summer, a burst of floral fragrance suddenly came. The fragrance was refreshing and the poet's spirit was lifted. The rose was not what the poet saw, and the poet may not have known that there were still roses in the courtyard, but the intoxicating fragrance reminded the poet. In the quiet and fresh scenery of the mountain pavilion under the scorching sun in midsummer, the "frame full of roses" is added, adding bright colors and full of intoxicating fragrance, making the work overflowing with the unique agility of summer. and vitality. In addition, "the fragrance of a courtyard" is not unrelated to the "breeze rises" in the previous sentence. If there is no breeze, the fragrance of roses will not float over, and the poet naturally does not know that there are "full shelves of roses".
The poem describes the summer scenery, using a technique similar to painting: the dense green trees, the reflection of the balcony, the ripples of the pond, and the full frame of roses form a picture with bright colors and a gentle mood. All this is described by the poet standing on the mountain pavilion. Although the mountain pavilion and the poet do not appear in the poem, when people appreciate this poem, they seem to see the mountain pavilion and the leisurely poet.
Part 3: Appreciation and appreciation of ancient poems about summer
"Tianjingsha·Xia"
Yuan Dynasty: Bai Pu
The clouds gather and the rain passes, the waves add. The buildings are high, the water is cold and the melons are sweet, and the green trees hang down and draw eaves. The gauze kitchen is covered with rattan mats, and the beauty’s fan is light.
Appreciation and appreciation:
The author chose a unique angle: using sketching techniques to outline a peaceful summer picture. Although the rhyme and meaning are not as good as the spring and autumn songs, they are full of sweetness. After the clouds and rain have subsided, the building is high, the air is cool, and the green trees are shady, hanging from the eaves of the corridor, trembling slightly, and it is extremely cute. Through the window screen as thin as a cicada's wings, I could vaguely see a woman wearing silk gauze and holding a fan lying on a rattan mat in the gauze tent. The fan was slowly fanning. The woman closed her eyes and fell asleep, enjoying the coolness of the house in summer. It's so beautiful that it's heart-warming. The whole poem does not have the familiar hot and noisy characteristics of summer, but it depicts a quiet and refreshing scene, which makes people feel refreshed.
"Tianjingsha·Xia" is a small order composed by Bai Pu, a composer of Yuan Dynasty music. This song uses sketching techniques to outline a peaceful summer picture. The whole poem does not have the familiar characteristics of hot and noisy summer, but it depicts a quiet and refreshing scene, which makes people feel refreshed. The author deliberately chooses the moment after the rain to turn the restless characteristics of summer into static: the clouds have collected and the rain has passed, and the green shade is drooping, giving people a refreshing, quiet and leisurely feeling. Third, like Bai Pu's "Tian Jing Sha Spring", this poem can also be seen as being described from the perspective of the woman upstairs. However, in "Tian Jing Sha Spring", the author focuses on the vision and hearing of the "characters" in the work, and this piece highlights an emotional experience, "The building is high, the water is cold, the melon is sweet", it is this A unique feeling in a specific situation.
Part 4: Appreciation and appreciation of ancient poems about summer
"Summer South Pavilion Huai Xin Da"
Tang Dynasty: Meng Haoran
Shan The light suddenly sets in the west, and the moon gradually rises in the east.
Breathe the evening coolness, open the pavilion and lie down in an open space.
The lotus breeze brings fragrance, and the bamboo dew drops make a clear sound.
I want to play the piano, but I hate the ignorance of the music.
I feel nostalgic for my old friend, and I am tired of dreaming at night.
Appreciation and analysis:
This poem is published in Volume 159 of "Complete Poems of the Tang Dynasty". The following is an appreciation of this poem by Zhou Xiaotian, director of the Sichuan Poetry Society and professor at the School of Literature and Journalism of Sichuan University.
The characteristic of Meng Haoran's poems is that he "sings when he encounters the scene, and he is not limited to the strange and unusual" (Pi Rixiu). Although he only writes clear and understated descriptions of leisure and leisure, he can often lead people to a better state. "Summer Nan Pavilion Huai Xin Da" is a representative masterpiece.
The content of the poem can be divided into two parts, one describing the refreshing and leisurely feeling of enjoying the cool air in the water pavilion on a summer night, and at the same time expressing the longing for friends.
Meng Haoran is good at capturing the poetic feelings in life. This poem is just about a leisurely and contented mood, with a bit of silent emotion, and does not have very heavy ideological content; however, it writes about various feelings in a delicate and subtle way, and is full of poetic flavor. The words are like flowing clouds and flowing water, with simple formal beauty, natural layers, and a seamless integration of scenery and meaning, which is full of charm.
Part 5 Appreciation and Appreciation of Ancient Poems About Summer
"Bodhisattva Man: Palindrome on Summer's Grudges"
Song Dynasty: Su Shi
The wind in the willow garden is quiet, and people sleep in the daytime. People sleep in the daytime and the wind is still in the willow garden. A thin shirt with fragrant sweat is cool, a thin cool shirt is fragrant with sweat.
The hands are red and the lotus root is in the bowl of ice. The lotus root is in the bowl of ice and the hands are red. The man laughs at the long silk lotus root, and the long silk lotus root laughs at the man.
Appreciation and appreciation:
Usually palindrome poems mainly refer to poems that can be read backwards. Although palindrome poetry can only be accomplished by those with high ability to control words, and requires a lot of effort on the part of the author, it is, after all, a word game for literati to show off their literary talents, and there are not many valuable works. There are not many palindrome poems in Song poetry. There are seven palindromic poems of "Bodhisattva Man" in "Dongpo Yuefu".
Su Dongpo’s palindrome poems are composed of two sentences in a group, with the next sentence reading backwards. This is easier than the general practice of reading the entire palindrome poem backwards, and therefore has less constraints on the author’s thoughts. some. Among Dongpo's seven palindrome poems, such as "If you are shy, you will ask someone to send you a post." "If you return home late, you will regret opening it late; if you open late you will regret not returning", etc. The next sentence complements and develops the previous sentence, so it is a wonderful composition.
This palindrome is "Summer's Grudge" in the author's "Four Seasons of Grudges". The upper column describes the scene of sleeping during the day, and the lower column describes the regrets and thoughts after waking up. Although the meaning is not very profound, the words are clear and beautiful and can be recited. The key to the two sentences "Liu Ting" is the word "quiet". The first sentence says "the wind is quiet" and the second sentence says "the people are quiet". When the wind is calm, the willows in the garden hang low, and the lady is sleepy and asleep; when the daytime sleep is ripe, the breeze blows the willows in the garden again. Both write "quiet", but write from different angles. Movement can be seen in the stillness, and stillness can be seen in the movement, which is quite a sight of ingenuity. Three or four sentences, detailing the person who sleeps during the day. The wind blows the fragrance of sweat, and the thin shirt is cool; and the slight fragrance of sweat is revealed in the cool shirt. The change is in the words "thin shirt" and "thin sweat". When writing about the thinness of the shirt, it points out the meaning of "summer"; The image can be imagined. Two sentences after the film are the activities after waking up from sleep. Her rosy hands held a jade bowl filled with ice cubes and lotus roots, and the jade bowl filled with ice cubes and lotus roots froze her rosy hands. The "ice" in the previous sentence is a noun, and the "ice" in the next sentence is a verb.
Part 6 Appreciation and Appreciation of Ancient Poems about Summer
"Chasing the Cold on a Summer Night"
Song Dynasty: Yang Wanli
The night heat is still there The heat is the same at noon. Open the door and the moon will shine brightly.
Where the bamboos are deep and the trees are densely buzzing with insects, there is sometimes a slight coolness that is not the wind.
Appreciation and appreciation:
The whole poem has only four sentences and 28 characters. The poem puts aside the feeling of unbearable heat, and only writes about "chasing the coolness", with a few lines of light. The pen outlines a picture of chasing the cold on a summer night, which shows the author's incomparable love for nature.
"Chasing coolness" means seeking coolness and getting coolness. Compared with "seeking" and "taking", "chasing" can better express the desire for "coolness". The poetic meaning of Du Fu can be seen in "Recalling the past, I liked to pursue the coolness, so I walked around the trees by the pond" (Part 2 of "Three Poems of Qiang Village"). But this poem has its own uniqueness in artistic treatment: it puts aside the feeling of unbearable heat, and only writes about "chasing the coolness". With a few light strokes, it outlines a picture of chasing the coolness on a summer night, including The bright moonlight, the dense shade of trees, the whirling bamboo forest, the melodious chirping of insects, and the author's figure standing quietly.
The first sentence seems to be straight, but in fact there is a twist: at noon, the scorching sun is the hottest time of the day. Now, "night fever" is actually similar to "noon fever", then One can imagine how serious the "night fever" is. Only this leads to the independent image of the poet Yuexia in the second sentence. "Open the door" points out that the author is indoors. Perhaps he had already gone to bed, but because of the heat at night, he was tossing and turning and had difficulty falling asleep, so he had no choice but to go out to cool down. The "bright moon" points out the "bright moonlight" on March 5th night. In this way, the author's purpose of "independence" should be said to be a combination of "chasing the cold" and "appreciating the moon". Chasing the cold can provide physical comfort, while admiring the moon can provide spiritual pleasure. No wonder he wants to be independent and independent. This is the end of attachment.
Obviously, the coolness in silence is exactly what the author wants to express, but this meaning is not directly stated. Without the words "not wind", readers are likely to associate "cool" with "wind". Chen Yan's "Shi Shi Shi Shi Hua" has long pointed out: "If you cover up the last three characters, you will guess what the wind is, and you don't know what it is." However, the beauty of this poem lies precisely in this. The author deliberately waits until the end to give the reader a hint of his original intention. Since it is clearly stated that "it is not the wind", readers who are good at divine understanding should naturally think of the causal relationship between tranquility and coolness; and then they should think of the moonlight and the coldness that appeared in front of them. Bamboo groves, shades of trees, and the chirping of insects are all just paving the way to reveal the principle of coolness in silence. In this way, it is naturally more poetic than simply stating the original intention. Probably this is the purpose of what "Shi Yi Shi Shi Hua" praises as "the shallow meaning is explained at the deep level, and the direct meaning is expressed at the wrong level".
Part 7: Appreciation and appreciation of ancient poems about summer
"Early Summer in Guesthouse"
Song Dynasty: Sima Guang
Qinghe in April The rain suddenly clears up, and the scene in Nanshan becomes clear.
There are no catkins blowing in the wind, only sunflowers leaning toward the sun.
Appreciation and appreciation:
Through the scenery of early summer, especially the contrast between catkins and sunflowers, the poet implicitly describes the poet's own political ambitions. In politics, you should be opportunistic and agree with others casually, but you should be as loyal to the emperor as the sunflower. The poet compared Wang Anshi and others to "catkins" and compared himself with "sunflowers" to express the poet's loyalty to the king.
"April is clear and the rain suddenly clears" describes the warm summer weather in early April, which happens to be the time when the rain comes and the sky clears again. Through the simple language of description, at the end of spring and the beginning of summer, a beautiful picture of clarity and warmth after the rain jumps into the reader's field of vision.
"Nanshan becomes clearer every time" describes that after the rain, the Nanshan opposite the door becomes clearer, greener and more pleasant. The poet mobilized the familiar scenery to create a clear and warm atmosphere, making the whole poem full of the flavor of rain and summer.
"There are no catkins blowing in the wind" by describing the scene in front of us where there are no catkins blowing in the wind. This sentence has a sustenance, which means that the poet is not a catkin dancing in the wind, which means that he will never take political opportunism and agree casually.
"Only the sunflowers lean towards the sun" points out the sight of sunflowers opening towards the sun, which also has sustenance. Look at those little people who turn with the wind like catkins. Only the sunflowers in full bloom are worthy of respect.
The whole poem describes the scene of change. The poet does not like the misty rain in Nanshan, nor does he praise the catkins flying in the wind, but gives his special love to sunflowers. It is not difficult to find that the poet not only loves sunflowers, but also loves sunflowers. The words are here and the meaning is there. The poet has been in the officialdom for a long time, and he has seen enough of catkins that everyone else says. He does not want the poet himself to "break his eyebrows and bend his waist" to flutter in the wind, so he finally chooses sunflowers, and he knows how to cherish the sunshine. This may be the cuteness of sunflowers.
Part 8 Appreciation and Appreciation of Ancient Poems About Summer
"Midnight Wu Ge·Xia Ge"
Tang Dynasty: Li Bai
Mirror Lake is three hundred miles away, full of lotus flowers.
In May, Xishi is collected, and people look at it as if it is narrow.
He returned to the boat without waiting for the moon, and returned to the Yue Wang family.
Appreciation and appreciation:
This poem tells the story of Xishi Ruoye picking lotus. The first line of the poem is "Three hundred miles across Jinghu Lake, lotuses bloom." When the lotuses bloomed in Jinghu Lake, which is three hundred miles wide, Xishi appeared on the boat and became a lotus picker, but her beauty and splendor The name caused a sensation.
"People see narrow Ruoye", everyone competes for food and beautiful scenery, which makes the wide Ruoye River narrow. The lively scene all over the bank seems to be presented before the readers' eyes, turning the virtual description of "the world is full of beauty" in Wang Wei's "Ode to Xi Shi" into a realistic description that shocked the local area.
It stops abruptly here, no longer focusing on Xi Shi, but leaving a lot of room: Gou Jian has already decided to use a beauty trap to deal with Wu State, and Xi Shi’s beauty overwhelmed all living beings and caused a sensation in the local area. , then the monarchs and ministers of the Yue Kingdom did not need to bother to visit. After having this perfect beauty candidate, they "returned to the boat and returned to the Yue King's house without waiting for the moon." The more dimensional poem "I am a Yue River girl in the morning and a concubine in the Wu Palace in the evening" has different words but the same meaning. Wang Wei's poem has an added twist and omits the process of Gou Jian's monarch and his ministers implementing the beauty trap; Li Bai's poem implements "intersection". "cut off", cutting off the result of choosing to be the concubine of Wu Palace, also expresses the meaning of "the beauty in the world is heavy". This cut-off has some more subtleties and hints: since it was "returning to the Yue Wang family", Gou Jian could also keep this beauty, but he restrained himself under the goals of "repaying Wu" and "revenge"; and Xi Shi's Entering Wu became one of the reasons for the death of Wu.
Xishi picking lotus in Ruoye River is not only a legend, but also reasonable; as for rafting in Sanbaijing Lake, it is the author's imagination. But this imagination is suspected of changing the facts, because if the clear water of Jinghu Lake is used to express Xi Shi's "self-learning of beauty", or the three hundred miles of water is used to express the large number of people who worship Xi Shi, then the following sentence "People see ai Ruoye" seems redundant. This may be a clerical error made by Li Bai Baimi.
Article 9: Appreciation and appreciation of ancient poems about summer
"Ruan Langgui·Early Summer"
Song Dynasty: Su Shi
Green Sophora The tall willow swallows the new cicada. Xunfeng first entered the string. The water under the blue screen window was filled with smoke. The sound of chess frightened me into sleeping during the day.
After the light rain, the lotuses turned. The pomegranate flowers are blooming. The delicate hand of the jade basin makes clear the spring. The pearls are broken but round.
Appreciation and appreciation:
This word expresses the boudoir life in early summer. The first part depicts quiet beauty, starting from the sense of hearing, and uses sound to resemble the silence of the environment, forming a beautiful and peaceful picture of beauty in early summer; the second part depicts dynamic beauty, but starts from the visual perspective, using silent paintings to show the vitality of nature. , creating a clear and cheerful mood, which is elegant, fresh and full of life interest. The whole poem is mainly description, using the technique of writing from the reverse side, describing people and scenery delicately and exquisitely, paying attention to the cross-use of scenery description, environment description and character description, thus achieving excellent artistic effect.