Poems about Sword Gate of Shu Road
Difficult Road to Shu, Ten Songs of Visiting Nanjing on the West by Emperor though Dagger-Tower Pass be firm and grim, and while one man guards it and ten thousand cannot force it.
—— Li Bai's translation of Shu Dao Nan: Not to mention the majestic and Cui Wei's Jiange, where and while one man guards it is open to all. Hu Chen gently brushed the building platform, and the Lord came to the west to patrol the Shu Road.
The sword-walled gate is five thousands of feet high, and the stone is a castle for nine days. Jiange closed the north gate of Shu again, and the emperor returned to Ma Ruoyun Tun.
Shaodi Chang 'an opens purple pole, and the sun and moon shine on Kun. -"Ten Songs of the Emperor's Journey to the West in Nanjing" Translation: The war dust in Hu Bing polluted the palace in Chang 'an, and Saint Sanxi came to Shu Road.
The sword gate is towering, reaching more than five feet, and the stone wall holds its head like a pavilion for nine days. The fragments in the above two poems by Li Bai describe "the sword closes the door".
Li Bai (71-762), whose name was Taibai, was called the violet layman, and was also called "fallen immortal". He was a great romantic poet in the Tang Dynasty and was praised as a "poetic immortal" by later generations.
Du Fu and Du Fu are both called "Li Du". In order to distinguish them from the other two poets, Li Shangyin and Du Mu, namely "Little Li Du", Du Fu and Li Bai are also called "Great Li Du". He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Since the Tang Dynasty, there have been many speculations about the creation background of Shu Dao Nan, and there are four main opinions: the first one is that this poem is worried about Fang Yi and Du Fu, hoping that they will leave Sichuan as soon as possible to avoid the evil hands of Yanwu, who is our correspondent in Jiannan; The second view is that this poem was written for Li Longji, the Emperor Xuanzong of the Tang Dynasty who fled to Shu to avoid the Anshi Rebellion, and advised him to return to Chang 'an to avoid being taken hostage by local warlords in Sichuan. Thirdly, this poem aims at satirizing Zhang Qiu, the governor of Shu at that time, and Joan wanted to separate herself by risks, not listening to the court's restraint; Fourth, this poem is purely about mountains and rivers, with no implication. The creation background of "Ten Songs of the Emperor's West Tour to Nanjing" is as follows. This group of poems is regarded as the poet's later years. On the whole, it was written after the recovery of Chang 'an.
in June of the 15th year of Tianbao (756), An Lushan defeated Tongguan, and Emperor Xuanzong of Tang Dynasty was lucky in the west, which was called a western tour. In July, Prince Li Heng was located in Lingwu, for Su Zong, and for Emperor Xuanzong.
in the second year of zhide (757), in October, Su Zong returned to Chang 'an and sent an envoy to welcome Xuanzong. At the end of December, Xuanzong returned to Chang 'an, and in Wuwu, Shudu (Chengdu) was taken as Nanjing, Fengxiang as Xijing and Xijing (Chang 'an) as Zhongjing.
At this time, Li Bai was sentenced to a long-term imprisonment in Xunyang, and he wrote this group of poems with grief. 2. Poets of past dynasties chanted poems about the sword gate
The sword gate (Du Fu)
Only when there are dangers in heaven, the sword gate is strong in the world. Even the mountains are southwest, and the stone corners are north.
the two cliffs lean on each other, depicting the shape of a fortress. When a man is angry, he can't be near a million.
Zhu Yu walked in the Central Plains, and he was very sad. Before the Three Emperors and Five Emperors, chickens and dogs were released.
the late king was still soft and far away, and his official tribute was lost. Up to now, heroes look up to bullies.
annexation and separatism, trying not to give way. I will really kill the crime, and I want to shovel it.
I'm afraid this will happen again, and I'm disappointed in the breeze.
sword gate (land tour)
the sword gate is set in danger, and the northern town controls the letter to Qin.
the guest is the master, and the survival depends on the person.
the clouds are cold and rainy, and the willow knows the spring in the dark.
when a guest is aged, he will look up to the gods.
ten songs of the emperor's westward tour of Nanjing (Li Bai)
Hu Chen gently brushed the building platform, and the Lord came westward to tour the Shu Road.
The sword-walled gate is five thousands of feet high, and the stone is a castle for nine days. 3. What are the poems describing Shu Dao?
"Man Jianghong sent Li Zhengzhi to be sentenced to Shu" Year: Song Author: Xin Qiji went to heaven on Shu Dao, and a cup of clothes was given to the guests.
I still sigh, and I am sick in middle age, so I can't bear to leave. The northeast is surprised by Zhuge Biao, and the southwest is even more grassy.
give fame and fortune, such as a pen. Tears of children, don't drop.
Jingchu road, I can say. To prepare new poems, Lujiang Mountain Scenery.
the head of Chibi Rock is full of waves, and the bronze cymbals are unknown to the third night. When plum blossom and Wan Li are snowing deeply, we must remember each other.
"Entering Jiangxi at the Beginning of August 7th and Crossing the Beach of Fear" Time: Song Author: Su Shi is a hairy man 7, miles away, with a body on the 18th beach. Shan Yi likes to dream long and hard, (Shu Dao is wrong and likes to shop, which is on the big pass. )
place names are scared and cry. Changfeng sends guests off to add sails, and accumulates rain to help boats reduce stone scales.
I joined the official and served as a sailor, so I know more about Tianjin in my life. "Remember the Dream" years: Song Author: Lu You, my dream ended, I traveled to Hebang, and I took a nap in the wild house near the secluded window.
there is a splendid valley on Mount Lushan, a thousand peaks, and a glass river on the Shu Road. Spring ploughing scolds the calf, and Xiao Ji bears the pair of horns and women's buns.
suddenly, the dream is over, and the rooster sings, hugging him and waiting for the next clock to hit him. Poet Li Bai's poem "Difficult Road to Shu": Alas, the danger is high! Such travelling is harder than scaling the blue sky.
until two rulers of this region, pushed their way through in the misty ages. Forty-eight thousand years had passed, don't talk to Qin Sai.
and the Great White Mountain, westward, still has only a bird's path can cross Mount Emei. Which was broken once by an earthquake and there were brave men lost, and then the ladder stone stack is hooked.
There is a high standard of six dragons returning to Japan, while the river, far below, lashes its twisted course. Such height would be hard going for even a yellow crane, apes are anxious to climb.
the Mountain of Green Clay is formed of many circles, each hundred steps, we have to turn nine turns among its mound. Panting, we brush Orion and pass the Well Star, then, holding our chests with our hands and sinking to the ground with a groan.
we wonder if this westward trail will never have an end, the formidable path ahead grows darker, darker still. With nothing heard but the call of birds hemmed in by the ancient forest, male birds smoothly wheeling, following the females.
jathyapple, and there come to us the melancholy voices of the cuckoos, is a lonely mountain. Such travelling is harder than scaling the blue sky, even to hear of it turns the cheek pale.
with the highest crag barely a foot below heaven, dry pines hang, head down, from the face of the cliffs. And a thousand plunging cataracts outroar one another, Shi Shui cliff turns to stone.
even if it's dangerous, why are you calling from afar? Though Dagger-Tower Pass be firm and grim, and while one man guards it, ten thousand cannot force it. What if he be not loyal, but a wolf toward his fellows?.
there are ravenous tigers to fear in the day, and venomous reptiles in the night. With their teeth and their fangs ready, killing people like hemp.
though the City of Silk be delectable, I would rather turn home quickly. Such travelling is harder than scaling the blue sky, looking sideways at the west for a long time.
poet du fu's poem "yellow grass": the boat in the west of the yellow grass gorge does not return, and there are few pedestrians under chijia mountain. There is no news from the post in Qin, and there is right and wrong in Shu Dao.
autumn wind blows brocade water in Wan Li, so don't let your clothes get wet with tears. Mochow's Jiange was finally found, and it was learned that Songzhou had been besieged.
Li Shangyin's poem "Preparing a Post": monkeys and birds are still alert for your orders, and winds and clouds eager to shield your fortress. You were master of the brush, and a sagacious general, but your Emperor, defeated, rode the prison-cart.
wind music is never enough, yet less fortunate than the two Shu generals who were killed in action. And, though at your birth-place a temple has been built to you, you never finished singing your Song of the Holy Mountain. 4. Poems describing Shu Dao
Bai vividly depicts the difficulty of Shu Dao with unpredictable brushwork, artistically shows the winding, majestic and rugged face of the ancient Shu Dao, and depicts a colorful landscape picture. The moving scenes in the poem seem vivid.
Li Bai's description is so touching because of the romantic passion that runs through it. The poet sends his feelings to the mountains and rivers. He is not indifferent to the natural scenery, but enthusiastically admires it to express his ideal feelings. The turbulent flow, strange peaks and dangerous valleys endow the poet with emotional temperament, thus presenting a flying soul and a magnificent gesture. Poets are good at combining imagination, exaggeration and myths and legends to write scenery and express feelings. Nowadays, some people say that this poem is difficult to write about Shu Road on the surface, but in fact it is bumpy in career, which reflects the poet's life experience and resentment of not being able to meet his talents in the long-term roaming. So far, there is no conclusion. 5. The poem describing Langyuan
The first Tang Dynasty Du Fu Langshan song is Lingshanbai in the east of Langzhou and Yutaibi in the north of Langzhou.
there are endless clouds, and the river movement will not collapse. Knowing that there is no meeting of ghosts and gods, that person has become angry with Song Hua's enemies.
If you don't return from fighting in the Central Plains, you should make a pilgrimage to see the blue wall. The second Tang Dynasty Du Fu's water song "What is the color of Jialing River?".
positive compassion breaks the waves every day, and returns from the sand in spring. Batong paddled sideways, and the water chicken came and went with fish.
the victory in Langzhong can be heartbroken, and the world is sparse in the south of Langzhou. The third song, "China Light Building", is a towering building in Zhenjiang for thousands of years, and the scenery of Langyuan is at a glance.
Green mountains and green hills surround the city wall, and the bamboo eaves and green tiles lie on the river. Jianmen is full of pride and glory in the new city, and Baling male soul casts the ancient state.
the scenic spots of Shu and Han dynasties are vivid today, and you can read them for several spring and autumn periods. The fourth song "I am waiting for you in Langzhong".
ah, the wind and water started in the ancient city, which reminded us of the thoughts of the future generations. In the old street infiltrated by geomantic omen, it rained incessantly. Staring at the horseshoe of Shu Road, dreaming back to the legend of the ages, Jiangshan is so affectionate, ah, how can I be without you?
in this place where heaven and man are one, alas, I don't want to leave when I come! When will you come back to meet me? I dream of you, miss you in my heart, and I will wait for you in Langzhong. The fifth one is a sunny autumn day, and I came to the ancient city of Langzhong.
Langzhong is located in the middle reaches of Jialing River, surrounded by water on three sides and mountains on the north, which is actually a peninsula. Because the city is between Langshan and Langshui, it is named.
It is true that Langzhong is an ancient city. As early as the Warring States period, it was the capital of Pakistan for a period of time. After the Qin Dynasty destroyed Bashu, Langzhong County was established in 314 BC, and it has been more than 23 years since the county was established.
Langzhong ancient city is in the south of Langzhong New City, and it, together with Pingyao in Shanxi, Lijiang in Yunnan and Shexian in Anhui, is called the four most well-protected ancient cities in China. Walking on the chessboard-like, criss-crossing streets and lanes with colorful shops, the all-wood tile houses, antique doors and windows, lanterns at the eaves of colonnades and the guise of fluttering in the wind are enough to make tourists' eyes shine with novel light.
In the streets and lanes, there is a strong smell of vinegar everywhere. In the shops, large jars and small jars of Baoning vinegar are neatly stacked, and the rough and flat stone roads lead to the depths of the ancient city. The ancient city is slow-paced, and even the wind is gentle, so soft that even the air can't ripple a little. With Huaguang Building as the center, the streets of the ancient city extend in all directions. The further you go down, the more curved the streets are, just like the corner of a bend in a river, impacting into a beach. At the arc of the beach, two huge yellow trees stretch out a huge shade on the street. Perhaps it is this shade, the bluestone board under the tree, and the fence.
There are two bamboo chairs under the tree. Two old people are lying on the chairs, shaking the cattail leaf fan, and a little light is leaking between the leaves, shining on the vicissitudes of the old man's face. The old man squints his eyes, enjoying himself and relaxing, and the light moves inch by inch. I understand the wandering and stagnation of time. The ancient city of Langzhong is really a fascinating place. Although there are many people in the ancient city, there are still many quiet alleys, and the buildings in the ancient city still seem to show the historical past.
the silence of the ancient city makes people's hearts not impetuous, and makes people feel like they have entered a dream, like they have entered a feudal dynasty. Streets and houses don't have the indifference of modern cities. People in the past were at ease. Most local people were doing businesses that their ancestors had thousands of years ago. The detached temperament and culture revealed by the ancient city made people dream and forget.
Gucheng Street is very clean, that is, patches of fallen leaves are occasionally spread on the bluestone floor, some are lying quietly, which is in contrast with the muddy bluestone street, and some are rolled into blue-yellow tubes, just like conchs scattered sporadically on the calm beach. When the camera sweeps, the image left on the camera disk is like a light ink to write intentions, which is quiet, elegant and pure. There is a breeze blowing, and some dead leaves on the ground do not move, while others fly up and down, moving the original position, and this picture changes accordingly. At this time, you will feel that you have entered a painting when you stroll through the ancient city of Langzhong.
The beauty of the ancient city not only brings people visual sense, but also contains cultural connotation. A Jialing River, a building, a house, a street name, an antique, a delicacy and even a tree all have their stories and legends. The architectural style in the ancient city follows the Yin and Yang Five Elements, two instruments and four images and Fuxi Eight Diagrams mentioned in the Book of Changes, and the ancient city is built around water.