Poetry about river lanterns plus analysis
1. Sentences describing placing river lanterns
1. The river lanterns floated past. The sounds of fighting on the ancient battlefield are gone, the old boatman’s desolate Linghe chants are gone, and the ancient customs of the ancient city on the river bank are gone. The river lanterns floated here, the smiling faces of old and young men and women in Liaoxi, the praises of distinguished guests and friends for this wonderful scene in the world, and the peace, tranquility and beauty of Lushan Lingshui. future.
2. Setting off river lanterns on the Daling River in Beiguan is a traditional folk custom in Yixian County. Every year on the Magu Festival on July 15th, that night, the river bank is crowded with people. One, two, ten, a hundred... countless river lanterns are floating on the Daling River in a vast and dense manner. With. The blue waves hold the pink river lanterns, and the red candlelight reflects the blue water. The stars in the sky are twinkling in the water. The river lanterns in the water and the stars in the sky are intertwined. It is difficult to tell which is the sky and which is the water. There is only a Milky Way of heaven and earth. Slowly surging... 2. Poems related to the full moon and lighting of river lanterns
"Chu Shuhao went to Shanyin and the Jing Temple"
Era: Song Dynasty Author: Dai Biaoyuan
This old man is really wise and broad, and he will come out of the mountain only when he is old.
A light behind the river and Luo, a thousand foundations in the lake.
The drums make the clouds move, and the book boat carries the moon.
There is no room for me to sit on the ground, but for me to climb up.
"Five Wonderful Evening Views of Wanghai Tower"
Su Shi of the Song Dynasty
The waves on the sea are coming, and there are piles of snow in front of the building. You must go up to the current tide, and look at Yinshan twenty times. When the wind blows and the rain pours into the building, the splendor deserves a good word of praise. After the rain, the tide is flat, the river and the sea are blue, and the lightning catches the purple golden snake. There are layers of towers at the break of the green mountain, and people on the other side are calling for help. The autumn wind on the river comes late and is urgent, and the bells and drums are transmitted to Xixing. Whose house is burning night incense downstairs? Yu Sheng complains about the cold weather. There are guests singing autumn fans in the wind, and no one sees the late makeup while worshiping the moon. The lights on the Shahe River shine brightly on the mountains, and there are noisy songs and drums and laughter. In order to ask the young man if he was still in his heart, he curled up his hair with a scarf on his temples. 3. What are the sentences that describe "putting out river lanterns"
1. Gradually, some river lanterns go fast, some go slowly, and the river lanterns no longer line up. It spread freely on the river, turning the dark river into a colorful river. Of course, this Yellow River is not the Yellow River or the Black River, it is just a bright and dark colorful river. The river lanterns flicker quietly on the river, just like souls shining with the light of prayer.
2. The watery corridor and quiet path~I walked alone. Water ~ within reach ~ wide view. The river lanterns are dotted here, and the lotus flowers are bright. There are also some river lanterns that are blocked in the bends or in the grass, crowded in twos and threes, but more lotus flowers are flowing straight down the river. I followed the trend of the river lanterns and lotus flowers.
3. The river lanterns floated past. The sounds of fighting on the ancient battlefield are gone, the old boatman's desolate Linghe chants are gone, and the ancient customs of the ancient city on the river bank are gone. The river lanterns floated here, the smiling faces of old and young men and women in Liaoxi came, the praises of distinguished guests and friends for this wonderful scene in the world came, the peace, tranquility and beauty of Lushan Lingshui floated. future.
4. River lanterns and lotus flowers ~ the lights are flickering ~ carry people's good wishes for a long journey. The clear river ~ the bright moonlight; remembering the love ~ sending blessings from afar!
5. The lamp drifting in the river danced with red flames until it went out. If you think about it carefully, as long as there is life, there will be death. If there is a cause, there will be an effect. From the birth of a baby to the end of life, life runs through an inseparable bond formed by family affection. There are many fates intertwined in it. Life is like dust in the air. I don’t know where it will settle.
6. Setting off river lanterns on the Daling River in Beiguan is a traditional folk custom in Yixian County. Every year on the Magu Festival on July 15th, that night, the river bank is crowded with people. One, two, ten, a hundred... countless river lanterns are floating on the Daling River in a vast and dense manner. With.
The blue waves hold the pink river lanterns, and the red candlelight reflects the blue water. The stars in the sky are twinkling in the water. The river lanterns in the water and the stars in the sky are intertwined with each other. It is difficult to tell which is the sky and which is the water. There is only a Milky Way of heaven and earth. Slowly surging...
7. The bright moon is in the sky, and the mountains, rivers and plains are clearly visible, like Chang'e, the Jade Rabbit, and Wu Gang, and are lifelike; the moonlight is like steel, and scattered shadows are reflected on the water, shining brightly. Oh, one, two, or three "Kongming" lanterns slowly rise up, accompanied by the joyful cheers of the lovers, eager to try, soaring into the sky to chase the moon.
8. Maybe it’s a custom~or maybe it’s a secret call~Following this, villagers from almost all other villages along the river kept placing their carefully crafted lotus lanterns, boat-shaped lanterns, etc. Entering the river, thousands of river lanterns are like an endless light strip. Reflected by countless stars on both sides of the Milky Way in the sky, they twine and gather from the Xiangjiang River, Congzijiang River, Congmi River and other rivers. Then they turn from bright to dark. , gradually decreasing from dense to thin, slowly flowing north towards the vast Dongting Lake...
8. This year, Hequ County had good weather and the harvest was very good. Folks spontaneously launched river lantern releasing activities. Come, let’s worship the River God. The people here haven’t worshiped the River God in thirty or forty years. They must be feeling very depressed. In fact, the more important thing is that after the reform and opening up, the economic life has indeed become better, and people are more relaxed and want to make a fuss.
9. The custom of setting off river lanterns in Jilin City began in the early Qing Dynasty. Paste red paper into a lotus-shaped lamp, dip the bottom into wax, and use a candle for the wick. During major festivals and celebrations, especially the Lantern Festival, most of them are set off. At that time, thousands of lotus lanterns will cover the river surface, candlelight reflects the green river water, and stars will twinkle, making the Songhua River look like a Milky Way falling from the sky.
10. Releasing river lanterns has become a cultural celebration ~ taking advantage of the characteristics of the Daling River surrounding the ancient city ~ releasing river lanterns at night in July when the green water is clear and the moon is full ~ the ancient city on the river bank ~ aerial Colorful fireworks and river lanterns of various shapes in the river weave a beautiful folk custom picture of the ancient town in Beiguo.
11. The thick land of the ancient city nurtures the people of this area. People continue the tradition and place their hopes on the river lanterns. The river lanterns light up Lijiang. In the old days, people in the ancient city had already incorporated the Buddha's thoughts into their minds, thinking about charity. As long as they had a compassionate heart, a bright light would light up in their hearts.
12. To put out river lanterns is to fix lit candles on paper boxes or paper boats or other shaped objects, and then put them on the river in the dark, and the river will be filled with them. lights. Think about it~ The river surface was originally pitch black at night~ Countless lights suddenly flashed on the pitch-black river surface~ The lights moved up and down on the river with the flowing water~ The layers were staggered~ It was amazingly beautiful.
13. The night is getting darker ~ the lights are blooming. The adjacent Dashi is filled with lights and traffic, attracting crowds of people to watch: the night is bright and the air is clear, and there are microwave ripples on the water. The boat goes back and forth, and the river is covered with river lanterns and lotus flowers, red, orange, yellow, green, blue, and purple, sparkling and colorful, and the lotus flowers are colorful.
14. Put out river lanterns to commemorate the deceased relatives and bless the living people. When putting out river lanterns, people will place pasted river lanterns of various shapes and colors on the river. Floating lights suddenly flashed on the originally dark river. The lights moved with the flowing water on the river. The layers were staggered. It made people feel beautiful and spectacular.
15. The devout villagers held the river lanterns in their hands one by one, placed them flat in the water, then closed their eyes and raised their heads, clasped their hands together, called the deceased’s name, and recited Buddhist scriptures silently... At this moment, the nursery rhyme of the water town also started: "Let go River lanterns~ put river lanterns~ the lights are in my heart; put river lanterns~ put river lanterns~ I hope my relatives will be born soon... put river lanterns~ put river lanterns~ tonight I put the tomorrow spirit." 4. Describe the river lanterns. Sentences about lamps
1. The river lanterns floated past.
The sounds of fighting on the ancient battlefield are gone, the old boatman’s desolate Linghe chants are gone, and the ancient style of the ancient city on the river bank is gone.
The river lanterns floated here, the smiling faces of old and young men and women in Liaoxi, the praises of distinguished guests and friends for this wonderful scene in the world, and the peace, tranquility and beauty of Lushan Lingshui. future.
2. Setting off river lanterns on the Daling River in Beiguan is a traditional folk custom in Yixian County. Every year on the Magu Festival on July 15th, that night, the river bank is crowded with people. One, two, ten, a hundred... countless river lanterns are floating on the Daling River in a vast and dense manner. With.
The blue waves hold the pink river lanterns, the red candlelight reflects the blue water, and the stars in the sky are twinkling in the water. The river lanterns in the water and the stars in the sky are intertwined, and it is difficult to tell which is the sky and which is. In the water, there is only a Milky Way of heaven and earth surging slowly... 5. Appreciation of poems about the moon
Drinking alone under the moon by Li Bai
A pot of wine among the flowers, drinking alone without any blind date.
Raise your glass to the bright moon, and look at each other as three people.
The moon does not know how to drink, but its shadow follows me.
For now, the moon will be shadowed, and we must have fun until spring.
My song is lingering in the moon, my dancing shadows are chaotic.
They make love together when they are awake, but they separate when they are drunk.
We will travel together forever, and we will meet each other in Miao Yunhan.
There are *** four original poems, and this is the first one. It expresses the extreme loneliness of having ambitions that are hard to achieve, grand plans that are hard to realize, and no one to talk to.
Li Bai loved drinking and writing poems. Drinking alone under the moon is a very lonely, depressing and boring thing, but the author sings, dances and drinks drunkenly, which is really lively! The moon and the shadow are originally ignorant and heartless things, but the author prefers to personify them, regard them as confidants, and draw them into the same tune. Compared with the despicable and dirty world, they are really more heartless than sentimental.
When the poet came on stage, the background was among flowers, and with a bottle of wine in his hand, he could only "drink alone without a blind date", so he raised a glass and invited the bright moon that he loved most in his life, plus his own beauty under the moonlight. The shadows turned into three people, toasting and drinking, and the deserted scene became lively.
But after all, the bright moon is just a bright spot on the horizon. It cannot understand the meaning of the poet who is good at drinking, and the shadow is just a companion, not human.
At this time, the poet, who was gradually getting drunk, started to get drunk, so he sang and danced. The moonlight lingers, lingering, as if quietly listening to the good news; the silent shadows underground also turn, as if dancing with the poet. When I woke up, the moon and shadow made love, but they separated from each other until I was drunk. It seemed that the moon and the shadow were deeply in love with the poet, so he made an affectionate promise: "We will never travel without love, and we will meet again in the future."
The title of the poem is "Drinking Alone under the Moon", and Li Bai's rich imagination describes a lonely but not lonely scene. On the surface, it seems that the poet can really enjoy himself, but the background is Infinite desolation. The whole poem gives people a breathtaking power. It may be this unparalleled sense of loneliness that made this eternal genius possible. 6. Appreciation of ancient and modern poems describing the moon
Shui Tiao Ge Tou·When will the bright moon come? Su Shi (Small Preface) Bingchen Mid-Autumn Festival, drinking till the end of the day, getting drunk, I wrote this article because I was pregnant with my son.
When will the bright moon appear? Ask the sky for wine. I don’t know what year it is today in the palace in the sky.
I want to ride the wind back home, but I am afraid that it will be cold in the high places. Dance to figure out the shadow, how does it seem to be in the human world.
Turning to the Zhu Pavilion, the Qihu is low, and the light is sleepless. There shouldn't be any hatred, so what's the point of saying goodbye? People have joys and sorrows, separations and reunions, and the moon waxes and wanes. This is a difficult thing in ancient times.
I wish you a long life and a long life. This poem is a poem about looking at the full moon in the Mid-Autumn Festival and expressing the infinite nostalgia for my younger brother Su Che.
The poet uses image description techniques to outline an atmosphere of a bright moon in the sky, a beautiful woman thousands of miles away, and a lonely and vast atmosphere. The mood of independence from the world is integrated with the myths and legends of the past. In the moon There is a strong philosophical meaning infiltrated into the clouds and the clear sky. It can be said to be a piece of sentimental work that highly integrates nature and society. The upper part of the poem describes the strange thoughts of looking at the moon, and imagining traveling among immortals in the moon palace.
The next part is about the physical condition and hope after admiring the moon. The poet regards the moon as a living and emotional companion. He can not only feel the objective beauty of nature, but also appreciate the love of human beings. He can achieve the state of interaction between things and myself, and the integration of man and moon, which embodies the good wishes of a very humane touch.
From the changes of the moon, the waxing and waning, we associate it with the joys and sorrows of life, and thus come to the conclusion that perfection should not be sought in everything. The whole poem is fantastic in conception, bold and graceful, with Yongyue as the center expressing the "return" of the wandering immortals and the direct dance of "the world", the contradictions and confusions of separation and joining the world, as well as the broad-minded and self-adapted, long-term optimism and hope of life. Good wishes, rich in philosophy and human feelings.
The intention is high, the concept is novel, and the artistic conception is fresh and picturesque. Finally, it ends with broad-minded feelings, which is a natural expression of the poet's feelings.
It has both emotional charm and magnificent state, and has high aesthetic value. This poem is full of beautiful sentences. Because of its beautiful artistic conception, rich philosophy and touching emotions, it has been sung to this day.
This word is known as the "Mid-Autumn Festival Word Master". 7. Appreciation of homesick poems about the moon
Look at the moon and embrace the distance
Zhang Jiuling
The bright moon rises on the sea, and the end of the world is at this moment.
Lovers complain about the distant night, but they start to miss each other at night.
When the candle is extinguished, it is filled with pity and light, and when I put on my clothes, I feel the dew.
I can't bear to give away gifts, but I still have a good night's sleep.
Explanation of the poem
A bright moon rises on the sea. People far away in the world look at the moon like me and miss each other. Passionate people complain about the long nights and miss their loved ones throughout the night. I extinguished the candles and loved the moonlight in the room. I put on my clothes and felt the dew getting heavier. I can’t give you this hand full of moonlight, so I’d better go back to sleep and hope to meet you in my dreams.
Word explanation
Remote night: long night.
Jingxi: stay up all night
Phi Yi: means leaving the house.
Luzi: Wetting with dew.
Go back to bed: Go back to the bedroom and sleep again.
Poetry Appreciation
This is a poem about looking at the moon and cherishing people. Looking at the moon caused lovesickness, so I stayed up all night. The moonlight was both the cause and the witness of lovesickness. The poet expresses the protagonist's inner emotions by writing the protagonist's actions.
The artistic conception of the whole poem is powerful and quiet, the language and images are real, the emotions and scenery are organically blended together, gentle and lingering, and endless aftertaste.
Appreciation of "Silent Night Thoughts" by Li Bai
"Silent Night Thoughts" by Li Bai
There is a bright moonlight in front of the bed, which is suspected to be frost on the ground.
Raise your head to look at the bright moon, lower your head to think of your hometown.
Hu Yinglin said: "The quatrains in Taibai are composed of words. The so-called people who do not intend to work but do not work hard." (Volume 6 of "Shisou? Neibian") Wang Shimao believes: "(Quequatrains) in the prosperous Tang Dynasty are only young. Lian (Li Bai) and Long Biao (Wang Changling) are extremely accomplished. Li Gengzi, the former resident of Wangshang. "("Yifu Yiyu") What is "natural" and "does nothing without working". ? This song "Quiet Night Thoughts" is an example. Therefore, Hu specially brought it up and said it was "wonderful both in ancient and modern times".
This little poem has neither strange and novel imagination, nor sophisticated and beautiful rhetoric; it only uses a narrative tone to describe the homesickness of distant visitors, but it is meaningful and intriguing. , has attracted readers so widely for thousands of years. A person visiting a foreign country will probably feel like this: it's fine during the day, but in the dead of night, homesickness will inevitably surge in his heart; let alone a moonlit night, let alone a bright moon like frost. autumn night!
The moon is white and the frost is clear, which is a clear autumn night scene; the use of frost to describe the moonlight is also often seen in classical poetry. For example, Emperor Wen of the Liang Dynasty Xiao Gang's poem "Enjoying the Coolness in Xuanpu" contains the sentence "The night moon is like autumn frost"; and Zhang Ruoxu, a poet of the Tang Dynasty who was slightly earlier than Li Bai, used "The frost is flowing in the sky without noticing" in "Spring River Flower Moonlight Night". "Fly" is used to describe the clear and clear moonlight, which gives people a three-dimensional sense, especially the wonderful conception. But these all appear in poetry as a rhetorical device.
The poem's "suspected to be frost on the ground" is a narrative rather than an imitation of an object. It is an illusion that the poet had in a specific environment for a moment. Why is there such an illusion? It is not difficult to imagine that these two sentences describe the scene of being unable to fall asleep late at night in the guest house and having the first short dream. The courtyard was lonely at this time, and the bright moonlight through the window shone in front of the bed, bringing with it the cold autumn night chill. The poet took a hazy first glance, and in his confused mood, it really seemed as if the ground was covered with a layer of thick white frost; but when he took a closer look, the surrounding environment told him that this was not frost marks but moonlight. The moonlight inevitably attracted him to look up and see a round of beautiful women hanging in front of the window. The space in the autumn night was so bright and clear! At this time, he was fully awake.
The autumn moon is exceptionally bright, but it is also cold. For travelers who are far away alone, it is most likely to trigger the nostalgia for travel, making people feel that the guest situation is bleak and the years are fleeting. Staring at the moon is also the easiest way for people to have reverie, thinking of everything in their hometown and their relatives at home. Thinking, thinking, his head gradually lowered, completely immersed in contemplation.
From "doubt" to "raise head", from "raise head" to "lower head", it vividly reveals the poet's inner activities and vividly outlines a vivid picture of homesickness on a moonlit night.
A short four-line poem, written in a fresh and simple way, as clear as words. Its content is simple, but at the same time it is rich. It is easy to understand, but it is difficult to appreciate. What the poet does not say is much more than what he has said. Its conception is meticulous and profound, but it is also composed without any trace. From here, it is not difficult for us to understand the wonderful realm of "nature" and "no intention of work but no lack of work" in Li Bai's quatrains. 8. Urgently looking for appreciation of poems about bamboo
The modest bamboo has low-headed leaves;
The proud plum has no two-sided branches.
——Written by Zheng Xie
Notes Zheng Xie (1693-1765): Banqiao, a native of Xinghua, Jiangsu. His family was poor when he was young, but he was intelligent, studious, and wild-tempered. In the first year of Qianlong's reign, he became a Jinshi and served as magistrate of Fan County and Weixian County in Shandong Province. Later, he offended a powerful official by asking for aid to farmers, so he resigned from office and returned to Yangzhou to make a living by poetry, calligraphy and painting. Banqiao was accomplished in poetry, calligraphy and painting, and was known as the "Three Wonders" and one of the "Eight Eccentrics of Yangzhou". Banqiao was good at writing orchids and bamboos, and painted with long cursive script, developing traditional Chinese ink, bamboo and orchid paintings to a new stage. Today, there are "The Complete Works of Banqiao" and various calligraphy and paintings handed down to the world.
One of the remarkable features of this couplet is its use of symbolism. "Symbol" is not only an artistic technique that uses a certain perception or imaginary image to mark or imply some invisible meaning, but also refers to a way of connecting literary and artistic works with the viewer. The establishment of symbolic connections is based on the consistency of structural features, rather than seeking a complete qualitative fit. For example, pine trees have different qualities with pride, and bamboo has different qualities with upright personality. However, the majestic and majestic image of pine trees are similar to the characteristics of pride, and the straight and soaring shape of bamboo corresponds to the structural characteristics of upright personality, so people think Pine trees are often used to symbolize pride, and bamboo is used to symbolize upright personality. Therefore, symbolism is a way of contacting heterogeneous and isomorphic people. The ancients were most adept at using symbolic techniques to personify things in their literary and artistic works to praise or denounce them, such as praising bamboo for its humility, plum blossoms for their pride, orchids for their noble demeanor, etc.
Zheng Banqiao loved and respected bamboo all his life; he painted about bamboo and wrote poems about bamboo. Zheng Banqiao was wild and unruly, proud and upright, so he often chanted bamboo and painted bamboo to encourage others and himself. For example, "I am lying in the Yazhai and listening to the rustling bamboos, which is suspected to be the sound of suffering among the people. I am a small official in Caozhou County, and I always care about each branch and leaf." ("The Bamboo Painting in the Weixian County Office, Presented to the Nianbo Bao Dazhong Chengkuo") "Stick to the green mountains and never relax, the roots are still in the broken rocks. After thousands of blows, they are still strong, regardless of the east, west, north, and south winds." ("Bamboo and Stone") "Poetry on Paintings") Plum blossoms, orchids, bamboos, and pine trees are often the subjects of works by poets and painters, and of course Zheng Banqiao wrote more. The above couplet also reflects Zheng Banqiao's consistent style of poetry, calligraphy and painting, and also reflects Zheng's personality.
The first couplet chants bamboo.
Bamboo has knots in the hollow, and its leaves grow downward in pairs relative to each other, like the character "一", so it is said to be "humbly" and "bowed down". "Bowing its head and humbly" not only describes the external natural state of bamboo, but also It refers to the inner spiritual character of a person. The two are different but have the same structure and correspond to each other; the second couplet praises plum blossoms. Plum blossoms are not afraid of frost and bloom in the wind and cold, so they are called proud. Plum blossoms also have another characteristic. Their flowers all bloom on the sunny side of the branches, always facing upwards, and never on the shady side downwards. This is not necessarily true for flowers (for example, peach blossoms have flowers that bloom downward, so they are criticized as "frivolous"). Therefore, it is said that "there are no two-faced branches". This image characteristic of Mei is heterogeneous and isomorphic with the upright personality that people praise for not bowing to evil forces and being consistent on the outside. Although the couplet is about chanting bamboos and praising plum blossoms, it actually portrays others and oneself. The first couplet talks about the spirit of scholarship, and the second couplet talks about the character of life. Zheng Banqiao was academically outstanding in poetry, calligraphy and painting, and was proud and upright as a person. Didn't future generations see the spirit of bamboo and the style of plum in him? 9. Appreciation of poems about the Mid-Autumn Festival
"Playing with the Moon on the 15th of August" (Tang Dynasty) Liu Yuxi The moon will wash over the world again tonight.
The summer heat has retreated and the sky is clear, and the autumn scenery is clear and clear. The stars make them shine, and the wind and dew make them shine.
The one who can change the world is Yu Jing. Appreciation: The poem is titled "Autumn Wind"; the first sentence, "Where does the autumn wind come?" asks a question in a swaying manner, and through this sudden and erratic question, it also shows the unknown and sudden nature of the autumn wind. And to the characteristics.
If you further explore its subtext, this question may also imply resentment about autumn, which is similar to the sentence "The spring breeze does not recognize you, why should you enter the Luo curtain" in Li Bai's "Spring Thoughts". Of course, the autumn wind comes with no trace and is omnipresent. Where it comes from and where it comes is beyond question.
Although it is uttered as a question, the poet's true meaning is not to get to the bottom of the matter. Then he breaks down the poem and writes about the wind that he heard with the sentence "Shuo Xiao sending the wild geese". The sound and sight of the geese coming in the wind. In this way, the invisible wind is transformed into an audible and visible scene, thereby vividly writing the unknown autumn wind into the poem.
Taken together, the first two lines of the poem may be derived from Qu Yuan's "Nine Songs" "The wind rustles and the trees rustle" and Emperor Wu of the Han Dynasty's "Autumn Wind Ci" "The autumn wind blows and white clouds fly, and the grass and trees fall yellow." The wild geese return to the south." Wei Yingwu's poem "Hearing the Wild Geese" can be combined with these two poems: "Where is my hometown? It's so leisurely to think about it.
On an autumn rainy night in Huainan, I heard the wild geese coming from Gaozhai." But Wei's poem Therefore, I feel things and understand scenes with emotion. I first write "Returning to Thinking" and then "hearing the wild geese".
Shen Deqian pointed out in "Collection of Tang Poems" that when written in this way, "the emotion is deep". If it is "reversed", it will become an ordinary work that ordinary people can write. However, poetry has no fixed rules and cannot be adhered to.
The first two sentences of the poem "Introduction to the Autumn Wind" describe the beginning of the autumn wind and the coming of wild geese from the south. This is exactly the content of the last two sentences of Wei's poem, which is exactly what Wei's poem is said in reverse. It is written in the distance, written in the sky, from opposite to the person who hears the wild geese thinking about their return, and creates a scene based on the autumn wind sending the wild geese away.
As for the content of the first two sentences of Wei's poem, I left it to the end of the chapter. The last two lines of the poem, "The solitary guest is the first to smell the garden tree when he comes from the morning", move the brushwork from the "flocks of wild geese" in the autumn sky to the "courtyard tree" on the ground, and then focus on being alone in a foreign land, "it's leisurely to return home and think about it" The "Chu Ke" moves from far to near, changing the scenery step by step.
The sentence "Chaolai" not only inherits the "autumn wind arrives" in the first sentence, but also inherits the "Xiao Xiao" sound in the second sentence. It does not answer but seems to answer the question at the beginning of the article. It shows that although the coming and going of the autumn wind is nowhere to be found, it is attached to other things and exists everywhere. Now the wind is shaking the trees in the courtyard and the leaves are rustling, the invisible autumn wind is clearly close to the courtyard and coming to the ears.
At this point in the poem, the "Autumn Wind" as the title of the poem has been fully written, and three-quarters of the page has been used up. However, the person in the poem has not yet appeared, and the feelings in the scenery have not yet been revealed. Click out. It is not until the last sentence that the finishing touch comes, saying that the autumn wind has been "heard" by the "lonely guest".
Here, if we refer to the author's other poem "The First Smell of the Autumn Wind", in which the two sentences "Five nights of swaying in front of the pillow, one year's appearance is reflected in the mirror", we can use the word "smell" Supplementary instructions. Of course, as a "lonely guest", he will not only be saddened by the passage of time due to the change in appearance, but one can also imagine his feelings of being away from home and longing for home.
What this poem mainly wants to express is actually the feeling of traveling and the longing for home, but the beauty is that it does not write from the front, and always only writes about the autumn wind. At the end of the poem, although it introduces " "A solitary guest" only ends when he "smells" the autumn wind. As for his reflection on his journey, the word "first" is used to express it.
As Li Yong said in "The Book of Poetry", the two words "to convey the spirit to the lonely guest" make "infinite feelings beyond words". It is said that when the autumn wind blows against the trees in the courtyard, everyone can hear it at the same time, and there should be no distinction in order.
Why was Guke the only one who heard it “first”? As you can imagine, he is particularly sensitive to timing and phenology. And why is he so sensitive? Tang Ruxun said in "Interpretation of Tang Poetry": "The heart of a solitary guest is autumn before it falls, so he is the first to hear it."
This is the explanation of "the first to hear". Zhong Xing also pointed out in "Return of Tang Poems": "If you don't say 'unbearable to hear', but say 'hear it first', the meaning will be profound."
Shen Deqian also stated in "Collection of Tang Poems" Said: "If you say 'unbearable', it would be shallow." These comments all praised this conclusion for its twists and turns and implicit meaning, leaving readers with a depth to ponder.
However, as mentioned before, there is no fixed method for poetry. Although this conclusion is wonderful in its twist, it is also wonderful in its straightforwardness. Su Ting has a poem "Awesome Autumn on Fen": "The north wind blows white clouds, and I cross the river Fen for thousands of miles.
When my mood is shaken, the sound of autumn cannot be heard." Here, from the perspective of the whole poem, it must be said "Inaudible" blends well with its desolate and generous artistic conception and high-pitched and vigorous style.
The two concluding sentences have similar content. One uses a curved pen and the other uses a straight pen, but each has its own unique charm. By contrast, one can understand the poetic method.
"Walking with the Moon on the Night of August 15th" (Tang Dynasty) Liu Yuxi The moon will wash over the world tonight. The summer heat has retreated and the skies are clear, and the autumn scenery is clear and clear.
The stars make them shine, and the wind and dew make them beautiful. The one who can change the human world is Yu Jing.
God uses tonight’s watery moonlight to cleanse the entire sky and the world. The summer heat has receded, the heaven and earth are clean, the autumn colors are clear, and everything is beautiful. The stars in the sky hide their brilliance, giving way to the moonlight, and the golden wind and water dew reflect The world is constantly changing with its dazzling light, but the moon remains eternal.