About the general idea of the full text of "Zhong Jing Banner"
Zhong Jing Banners was written by Li in Xiling, but Long Er is still detailed. We know nothing about the original author Li. Long ziyou, who revised this script, was a famous popular writer Feng Menglong in the late Ming Dynasty. Feng's name is dragon, but he doesn't sign the dragon. The house is called Mohan Zhai, so it is also called the owner of Hei Han Zhai. People from Wuxian County, Jiangsu Province. He was born in the second year of Wanli in Ming Dynasty (1754) and died in the second or third year of Shunzhi in Qing Dynasty (1645 or 1646). Chongzhen served as the magistrate of Shouning County, Fujian Province, and soon retired from home. There are ten operas adapted and revised by him, among which Zhongjing Banna is one. His operas advocate approaching Wujiang School. He also collected, adapted, arranged and created novels such as Sanyan, Biography of New Kingdom, Legend of Pingyao, Sanqu, Under the Stage, Guazhier of Folk Songs, Jokes, Notes, An Introduction to Ancient and Modern Tan, A Supplement to Think Tank, and Love History. The collection of poems includes Qi Lezhai's Poems,
The Banner of Zhong Jing tells the story of Yue Fei, a national hero in the Southern Song Dynasty, who was killed by the traitor Qin Gui. It is an excellent tragic work in China's classical opera. The story of Yue Fei has been circulated among the people for a long time. In the Song and Yuan Dynasties, there were "An Incident Occurred in the East Window of Qin Taishi" and "Song General Yue Fei Loyalty and Righteousness". Legends of the Ming dynasty include stories about the incident and loyalty. After the middle of Qing dynasty, the flower department flourished, and many stories and plays of Yue Fei appeared in local operas, all of which showed Yue Fei's patriotic spirit to varying degrees. Especially when ethnic conflicts intensified, Yue Fei's image played an important role in encouraging people to unite against the enemy.
"Zhongjing Banner" describes that under the situation that the Jin army captured Bianjing, captured Hui Di and Emperor Qin, and was about to sweep the whole country, there were two diametrically opposed opinions within the Southern Song regime. One school, represented by General Yue Fei, advocates "sweeping away Chen Hu and rebuilding Jin 'ou". One faction represented by Premier Qin Gui advocates "reconciliation". The dramatic conflict that runs through the whole drama is the conflict between Yue Fei and Qin Gui, and the conflict between "serving the country faithfully" and "poor traitors and traitors".
The author intends to write a historical tragedy that conforms to the historical truth, so he tries to conceive and summarize it according to historical records to enhance the touching power of the characters in the play. But since drama is an art, it will inevitably change historical materials and allow some details to be fictional. On the one hand, the script focuses on Yue Fei's strong determination to resist the nomadic people, recover the land, meet the two saints, and care and love for the people in the occupied areas; On the other hand, Song Gaozong and Qin Gui's traitorous crimes of obstructing and sabotaging the anti-gold struggle and conspiring against Yue Fei were deeply exposed. Qin Gui was a spy. He had sold himself to the rulers of the Jin Dynasty and was sent back to the Southern Song Dynasty. After stealing his photo, he used all his power and tricks to obstruct and destroy Yue Fei's anti-gold struggle. Yue Feiyue won one victory after another, and the more he was persecuted by Qin Gui. Yue Fei wanted to welcome back the second emperor who endangered Song Gaozong's throne, and let him go from resisting gold to supporting Qin Gui to frame Yue Fei. Moreover, Yue Fei managed the army well, gained great prestige and won the hearts of the people, which aroused the suspicion of Emperor Gaozong, so Qin Gui was able to sow discord among them. The script shows the complexity and sharpness of the conflict between these two forces through rich storylines and vivid characters. In this antagonistic conflict, Song Gaozong and Qin Gui mastered the power of the imperial court and took the initiative. Yue Fei, who was loyal to the monarch and patriotic, could not avoid being framed by the traitors and capitulators, which led to tragedy.
The description of contradictions and conflicts in reality in the script is extremely true and profound, but when expressing ideal wishes, it looks pale and powerless because of the loss of realistic foundation, and even helplessly uses immortals, Yan and ghosts and gods, which makes the work fall into the fog of karma and superstition.
Zhong Jing Banner successfully created the tragic hero image of national hero Yue Fei and the villain image of traitor Qin Gui. The author is good at portraying characters in sharp and complicated contradictions. When northern Xinjiang fell and Hui Di and Emperor Qin were exiled, Yue Fei's Nie Bei showed his strong patriotism. He showed his outstanding military ability in the battle of "sworn brigade" and "turning defeat into victory" with the nomads from Shanxi Province. With the depth and details of 12 gold medals, "Fake Call for Gold" has been pushed forward step by step, which not only shows the ambivalence between loyalty and patriotism of Yue Fei, but also convincingly writes the necessity of Yue Fei's team, thus listening to the foolish and loyal paint that has been smearing his face in Yue Fei's story, and making Yue Fei's image more lofty and perfect. In the face of Qin Gui's persecution plot, he risked his life and never forgot to kill the enemy to serve the country, making Yue Fei, a typical patriotic hero, higher and more educational. Qin Gui, a traitor opposed to Yue Fei, was sent by the enemy as a traitor when the nation was in danger in the Southern Song Dynasty. On the occasion of Yue Fei's successive victories, he and the Jin people "vowed to form a wax pill", colluded inside and outside, and finally directed a scam of "calling for a gold medal falsely". After transferring troops, Yue Fei colluded with Wang and others and plotted to kill Yue Fei. Through one drama conflict after another, Qin Gui's treacherous and treacherous treason was vividly described, and a typical successful traitor in literary history was created.
There are many successful examples in scene layout, eye care, monologues and dialogues. Many scenes absorbed the experience of stage performance at that time. Bai Bin's characteristic is to organize the simple classical Chinese and folk sayings into easy-to-understand antitheses, which are close to the prose in rap literature, so that it is convenient to concentrate on depicting the characters' personality characteristics and cooperate with the gongs and drums on the stage. This is probably because long ziyou, an expert in popular literature, has written more. The lyrics are relatively plain, which may retain more of Li's original appearance.
The popular versions of this play include Zheng Zhenduo's Mo Han Zhai edition, two photocopies of ancient dramas, and China Drama Publishing House 1960' s Ten New Songs, which is titled The Legend of Mo Han Zhai, but all of them are the same book. We are now revising and punctuation marks and correcting some mistakes and omissions.
Please see the original script: /bbs/a/a.asp? B = 5 & ampID= 15344
The second loyalty flag you mentioned is a fragment of the modern Hong Kong TV series "Xiaogan Moving Heaven":
Doomsday edge
Yu Shun, your son. Filial piety Father is stubborn, mother is arrogant and brother is proud. There are elephants and birds for farming in Mount Li. Its filial piety is like this. Hearing this, Emperor Yao married nine men and two women, so he gave way to the world.
Shun, a legendary ancient emperor and one of the five emperors, was named Yao, Zhong Hua and Shi Yu, and was called Yu Shun in history. According to legend, his father Gu Sou, stepmother and half-brother tried to kill him many times: Shun set fire to the barn while repairing the roof of the barn, and Shun jumped off with two hats to escape; Shun dug a well and Xiang Ke went down to fill it. Shun dug a tunnel to escape. Afterwards, Shun was not jealous, but still obeyed his father and loved his younger brother. His filial piety touched the Emperor of Heaven. Shun plowed the fields in Lishan Mountain, the elephants plowed the fields for him and the birds mowed the grass for him. Hearing that Shun was very filial and capable of handling political affairs, Emperor Yaodi married his two daughters. After years of observation and test, Shun was chosen as his successor. After Shun ascended the throne, he went to see his father, still respectfully, and made him a vassal.
Later generations have a poem: the team is like spring ploughing, and the grass and birds are ploughing. Inheriting Yao Deng's position, Xiaogan was moved.
Dong Tian communication
TV plays
Xiaogan touched heaven.
Region: Hongkong, China (TVB)
Type: legend of ancient costume
Number of episodes: 20 episodes
Premiere: 1995
Producer: Zhuang
Editor: Wu Zhaotong
Actor: Gallen Lo Ada Choi Wei Junjie Ye Yunyi
Plot introduction
"Filial piety moves the sky" is based on four ancient touching stories to commend the virtue of putting filial piety first. The cast is flourishing and the plot is touching.
Ti Ying saves his father-Ti Ying (Ada Choi) has lived with his father (Hu Feng) since childhood and has always been filial to his father. Later, her father was accidentally injured and went to prison. In order to save her father, she did not hesitate to go to bed on a needle, walk barefoot, drink poisonous wine, and even be punished for her father. Her filial piety finally moved the emperor, pardoned her father's sins and abolished the five punishments.
After becoming Yue Fei, Jing Zhongqi (Wei Junjie) is loyal and patriotic, and is determined to maintain the faith of his ancestors. After obtaining the evidence, he could reverse the verdict for Yue Fei, but in order to save the emperor's face, he finally destroyed the evidence with blood. This move touched the reigning emperor, restored the reputation of Yue family, followed the legacy of ancestors, showed filial piety, and left his name in history.
Mulian saves his mother-Mulian (Ye Yunyi) was abandoned since childhood. After many hardships, she found her own mother-Liu Qingti (Wei Qiuhua), but her mother was sentenced to prison for murder, and later died of a strange disease and was trapped in hell. In order to save her mother, Mulian broke the door of hell, gave her life to feed the ghosts, moved her mother to repent, and made the world a success.
Yes, an orphan. He was originally a loyal minister and a good soldier, but his father was killed by a traitor. Wu was rescued and brought up by his loyal servant (Liu Jiang), and the baby sacrificed himself to help Wu Zhu's enemies. Wu Hou is grateful for the kindness of raising his father and son. As a high official, he put the baby in the ancestral hall of Zhao family to show filial piety to the sun and the moon.