Historical weather 23456
Sentence is the basic unit of language use, which consists of words and phrases (phrases) and can express a complete meaning, such as telling someone something, asking a question, asking or stopping, expressing some emotion, and indicating the continuation or omission of a paragraph. There is a big pause between sentences. It should end with a period, question mark, ellipsis or exclamation point.
A period is a sentence, or a symbol as big as a period, such as an exclamation point. So "stop" is a sentence. Although short-lived, "it is not enough for a person to have this life, but also to have a poetic world." This sentence was said by Wang Xiaobo, and it is also a sentence.
Sentences are the basic components of an article. In the past, you didn't pay attention to vocabulary and sentences, thinking that a full stop would achieve your goal. In fact, this difference may be the difference with history. Everyone knows that China is the ugliest woman in history, but the most beautiful one. Sentences must be beautiful, which doesn't sound like a necessary option. We write narrative literature, so we just have to make things clear. Why does it have to be beautiful? Can't it be beautiful? No
There are many ways to make sentences beautiful: simplicity is beauty, and complexity is beauty; Long sentences are beautiful, and short sentences are beautiful; For no reason, it's beautiful, gorgeous and beautiful. You can choose any beauty method, but you can't do it without beauty. Open the works of any master, and you will find that there is no beauty anywhere, and there is no sentence that is not beautiful.
I told you before that your contribution to literary journals was rejected. What was the reason? In order to have a hard lever, it is language. No matter how good the language is, no matter how good the story is. Whether a sentence is beautiful is the main basis for judging whether a language is good or not.
Now I'm going to read you a passage:
Did you hear that? Who is this? This is Lao She, a master of Chinese studies. This passage is from Lao She's masterpiece Divorce. You didn't notice it before, did you? "He thinks feudalism is a romantic historical relic, he thinks class struggle is a poetic road, and he doesn't know that this smelly soil is more important than the whole of Peiping." So you found out, it's called parallelism. You have known this parallelism since you were a child, and there is still a little opposition. When you read it or read it, you have a poetic rhythm. Then came to another conclusion. But when you find the front row, you seem to be expecting something. Repeating the same meaning means prolonging your expectations.
So when the latter conclusion comes, it is just full of strength, especially calm and painful, but there is also an effortless world. What is this? This is the rhythm. Sentence patterns are rhythmic, and emotions are rhythmic. It draws your heart and makes you not only understand the meaning of the article, but also deeply integrate into the emotions behind it. What are all these? How beautiful! Look at another paragraph:
Who is this? Did you hear that? It's Zhang ailing. This passage is from Zhang Ailing's little reunion. How do you feel compared with Lao She in front of you? You can't say it. I will speak for you. See if it's right? Lao She looks whole, while Zhang Ailing looks scattered.
What is the whole? It is the whole sentence. What is the whole sentence? Parallelism connects several sentences into a whole, or one sentence leads to 23456 clauses, or 23456 clauses are followed by a conclusion sentence. What is this? This is deduction or induction. Did this deduction lead to the formation of these sentences? These sentences, one by one, are quite imposing. When you read this sentence, you feel that you have to dress up beautifully, sit still and look serious, and you have to nod and wave from time to time to show your approval of what the author said.
However, when you read these sentences of Zhang Ailing, you think you can lie in bed in your pajamas. These sentences are scattered rather than paired. It's all a sentence of a stray soldier who is brave enough to sneak out and go on sentence by sentence. When I read it just now, I also found that the whole sentence is cadenced and particularly powerful to read. As for the scattered sentences, soft and quiet, we can't help but lower our voices. We have no strength all over, and we want to go to bed and dream. But at the same time, you also found that Zhang Ailing's prose sentences are also very rhythmic. What rhythm is this? This is the rhythm of long sentences and short sentences.
I believe many of our classmates like reading Zhang Ailing's novels, but you have never discovered the secret of Zhang Ailing's sentence rhythm. It will always be like this, which is the characteristic of her narrative. "It is a conscientious ant, climbing a mountain on a fiery red mountain, falling down and climbing again. Suddenly lavender lightning lit up the room, one bright and one dark three or four times. A long time ago, a deafening thunder rolled over, and "I fell three or four times and got up again" and "for a long time" were short sentences; In front, there are long sentences What role do short sentences play in Zhang Ailing's articles? We can say that the short sentences written by Zhang Ailing are like punctuation marks of feelings. Now I want to tell you, where are the long sentences? Long sentences are lingering sentences, which express feelings. If you show your love all the time, what effect will it bring? Will bring the flood of affection. If you don't believe me, I'll write a long sentence to give you a hint:
Have you finished reading this article? Draw a conclusion that anyone who writes long sentences without restraint should be sent to a mental hospital. Why? Because emotions have been accumulating and accumulating indefinitely. Then he became hysterical. Therefore, many unsuccessful female writers are lovers of long sentences, and their basic attitude in writing is noisy. Besides, what reason do we have to be exclusive lovers of long sentences and only write long sentences? Yes, when you write about mental patients, if you use long sentences, you will write about mental patients vividly. A very successful example is Tennessee Williams' A Streetcar Named Desire, which is a very famous film. What are Blanche's lines like?
Are there any short sentences in it? What are short sentences? Father, mother, I saw it, saw it, saw it. How about these short sentences? Every sentence is an emotional explosion point. So you find that a series of long sentences followed by a short sentence is a terrible thing, because it is an explosion of emotional concentration accumulated by long sentences! They achieved an effect, that is, "Ahahahaha". Is this a mental illness? The accumulation of long sentences leads to neuropathy; What about the accumulation of short sentences? Let's look at an example:
Who is this? This is grandma Qiong Yao. People get a little excited when they talk. "Are you accusing me?" Bai Yuwen asked. What does the accumulation of short sentences produce? The accumulation of short sentences leads to accusations. What is an accusation? Accusations are quarrels. In fact, you are already familiar with this routine.
"Idiot, bastard, bastard, smelly rascal, shameless person, go to hell, why don't you go to death?"
Why do we say such a long list? Instead of just saying one thing? If you just say "go to hell, asshole", you will feel that the quarrel is unhappy and not intense enough. We will feel that we haven't finished the performance yet. Unfortunately, there is still a breath stuck in our chest, which makes people unhappy.
We have to put this series of "fools, assholes, assholes, smelly hooligans, shameless, go to hell, why don't you go to death?" Only then did I think it would be a terrible scolding for him. At least I gave him bad breath. This guy who peeped into the ladies' room, I finally scolded him for running away. Why do we curse like this? Quite simply, the short sentences we want to use have accumulated enough momentum, which is really strong enough to scold the hooligans away.
"You are so bad, I hate you." "No, I hate you." This is an extreme word, and we are shocked. It seems serious, but because it is only said once, there is no accumulation of short sentences. Really? This tone should be like this: "You are bad, I hate you", and then I cried, so we know that this "hate" should actually be "love". "I hate you" is used to express an emotion, which is "I love you". It's just that you wronged me. I was just being sarcastic. What should real hatred be like? "You are a bad guy, you are shameless, you are shameless, I kill you, kill you, kill you, kill you", this is the real "hate".
Therefore, the accumulation of short sentences is quite frightening. The accumulation of long sentences means that you are crazy; The accumulation of short sentences means driving others crazy. I advise all the students here not to apply the accumulation of short sentences to their loved ones. The accumulation of short sentences is for hooligans, thieves and class enemies, but it is unbearable to use them on relatives.
Have you ever taught your children this:
This is a daily verbal violence in many families. There is only one way to change this situation, that is, just say the first sentence, not the second sentence, "I haven't done my homework yet. What time is it? " Write quickly ",then, don't say it, insist on the accumulation of short sentences, the meaning of accusation will accumulate, the intensity will increase geometrically with the increase of sentences, and violence will arise.
If we want to express good meaning, what effect will the accumulation of short sentences have? "I love you, I really love you, I love you very much, I love you very much, I love you all the time, I love you every minute", which is a strong feeling and extremely strong. What if each short sentence has a different meaning, but it is still one short sentence after another, and no long sentence appears?
This is a classic line from Jiang Wen's The Devil Comes. Generally speaking, stupid people or dumb or uneducated people all talk like this. When a writer wants to write a fool, he is often asked to say short sentences. This short sentence sequence doesn't emphasize the tone like the accumulation of short sentences, but it looks silly. Because it lacks the most basic Chinese organization and ideographic function, it can only tell simple facts. Besides being stupid, what else did you just say? "Cui Hua's son, he came, came, they came, the devil came, and went into the village. I saw it, run. Run! " What's the situation? This is a very worrying situation.
When we finish the long sentences and short sentences, now let's go back to Zhang Ailing. Zhang Ailing is a master of romanticism. Her feelings are not strong, but she is different from ordinary female writers who just want to vent their feelings, and also different from Meng Jinghui. She is called the ancestor of young women in literature and art. First of all, her sentences are admirable. We find that although these sentences are scattered, there is always an internal rhythm, and this internal rhythm is the strewn at random of long sentences and short sentences. Long sentences are a kind of tearful sentence patterns, and Zhang Ailing's long sentences are particularly tearful because they contain many subtle meanings. The so-called "oblique glow and long water, heartbroken Baipingzhou" contains infinite affection.
"It was too hot that summer. When we put it together, it was unbearable, but after getting out of the way, we would lean up again, as hot as smoke choking our throats, but we would come back later." A pair of men and women who love each other, to what extent? It's so hot that it's hard to stay together, but I still want to stay together.
In a word, it is actually a small triangle conflict, near-hot, separation, love. Finally, love triumphed over heat. Has anyone ever said a sweet word? No, it's all fireworks, but is it romantic or not? "It's an ant with a conscience that climbed the mountain in that part of the Flame Mountain, fell down and got up again. Suddenly lavender lightning lit up the room, one bright and one dark three or four times. "
"Conscientious ant" is a typical cliche. What kind of rhetoric is this? She's a bit metaphorical, but she's not. She is creating a similar situation, alluding to this matter with one thing, watching, she is talking about this matter, in fact, every sentence is talking about that matter. This sentence, the short sentence is cut in twice, and every time I let my feelings catch my breath here. Like I said, emotional punctuation.
Let me change these two short sentences into long ones: "Those who climb the mountain on the endless flame mountain are ants with conscience. Every time they fall, they will get up indomitable. Suddenly, lavender lightning lit up the room, lit up the room three or four times, and then went out. " Have you noticed that this is not Zhang Ailing, but Meng Jinghui. What's the difference between long and short sentences scattered randomly and long sentences only? If it weren't for Zhang ailing, it wouldn't be beautiful. The emotions spread and accumulated in long sentences are closed by short sentences.
As mentioned earlier, short sentences are very powerful and shocking. There is a saying that "people don't talk much", and that is to describe the power of short sentences. In Zhang Ailing's novels, the short sentences in the middle of these long sentences represent her restraint of emotion. I forcibly closed the emotional door so as not to look like a psycho. Although my feelings are strong, they are not overflowing, but are bound by enough reason. "It's raining hard. It's rustled for so long, and it almost grows from the ground. In the dark, there are colorful glass tree, pale Artemisia and rainy forests everywhere. " Beautiful, isn't it? Beauty is reinforced by short sentences. Slow rhetoric of long sentences. And short sentences express the same direct and primitive feelings as two idiots. Zhang Ailing applied the emotional rhythm and sound rhythm of long and short sentences to the extreme.
Now I'll read you something to make you understand whole sentences and loose sentences.
Although both are words, not poems, it is obvious that the former is as neat as poetry. What about the latter? This is a long and short sentence. Do we find the latter more casual, casual, intimate and romantic?
Now, I want you to practice your sentences. What is a couple? Couple refers to the antithesis of the article
Parallel prose is a beautiful classical Chinese. Six-word or four-word antitheses often appear in this text. You may not know that the eight-part essay that hurts people's hearts is also very particular about couples. Let's see:
This is Wang Bo's Preface to Wang Tengting, which is familiar to everyone. Isn't it beautiful? Don't think that if we don't use classical Chinese now, we can't use our skills. That's not the case at all. Now I will find some sentence groups to show you:
Next, I will start driving at high speed. Please sit down. My car is those classic works that you are not familiar with!
Why do Dong Qiao's essays look good? You can find many ingredients in it, such as emotion to emotion, sadness to anger, forehead to lips, rock sugar to hooves, mutton wrapped in onion to steamed sea bass, and braised tofu. Stir up a cup of the past and cut off a piece of homesickness. The longer you think about distractions, the shorter your article will be.
In a word, we all use duality, from classic to popular slang, that is to say, we use couples everywhere. Learning antithesis is the first step towards beautiful writing and beautiful sentences.