The appearance of the Forbidden City in Beijing
The Palace Museum is arranged along a north-south central axis, and the three main halls, the last three palaces and the imperial garden are all located on this central axis. And spread to both sides, straight from north to south, symmetrical left and right. This central axis runs through the Forbidden City, Yongdingmen in the south, Drum Tower and Bell Tower in the north, and runs through the whole city. It is magnificent, carefully planned and extremely spectacular.
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572020-05-20
What are the sentences describing the appearance of the Forbidden City?
(1) The steep stone mountain leaning against the wall of North Miyagi is the famous Duxiu Mountain. Climb the mountain along a steep and winding ramp. There is a royal pavilion on the mountain, from which you can see the beautiful scenery around you. It is said that it is a place where emperors and empresses climb mountains to play on the Double Ninth Festival. (2) Located in the center of Beijing, the Forbidden City is the largest and most well-preserved ancient palace complex in the world, with rigorous structure, exquisite decoration and numerous cultural relics. The whole building is resplendent and magnificent. (3) The Forbidden City, also known as the Forbidden City, strictly abides by the feudal hierarchical etiquette system. It is orderly, ordinary people can not only enter, but also can not get close to it, which embodies the supreme imperial power in feudal times. (4) At the noon gate, there is a heavy building at a height of more than ten meters. The pavilion with double eaves and spires is as prominent as five phoenixes spreading their wings, so it is also called the Five Peaks Tower. (5) The Forbidden City is surrounded by city walls and rivers, forming a perfect defense system of the Forbidden City, which embodies the wisdom of the ancient working people in China. (6) Walking through the Neijinshui Bridge, there is an open square in front of you. In the middle is a palace-style building, which is the Taihe Gate. There is a majestic bronze lion squatting on both sides of the door. (7) The palaces in the Forbidden City are arranged along a north-south central axis, and the three main halls, the last three palaces and the imperial garden are all located on this central axis. And spread to both sides, straight from north to south, symmetrical left and right. (8) Walking along this central axis, you can see that the whole building complex of the Forbidden City is square. People in ancient China knew that the sky was round, so it was hard to say and do it. Inadvertently, it becomes the opposite of founder, so it is still square, which makes people feel steady and steady. In fact, what is compatible with Founder is harmony. Buddhism often says that harmony does not hinder. In the Forbidden City, the two are integrated. If Founder is talking about architecture, then harmony is understood as the profound cultural accumulation and vicissitudes of the historical background of the Forbidden City. I swam twice in Tiananmen Square and returned outside the noon gate. In the appearance of the palace gate, I have always been in awe of the weather at the palace gate, and I am amazed, which is extraordinary! Before the May Day holiday, I will swim in the palace with my friends, and I appreciate the palace more. After all, it is a palace. Only this kind of weather has opened my mind and made me sigh! Glazed mandarin duck tiles, vermilion paint, columns, carved beams and painted buildings, and three-story marble stone altar overlooking the southern things make people sigh that "a gentleman should live here"! At this time, I not only feel that today's high-rise buildings are different from them: today's high-rise buildings are different, and they are very dazzling in front of others. Let people see, it is refreshing and confusing! The main hall of the ancient palace is also grand, packed, arrogant and manly. Let people respect, innocent! This is my experience of visiting the Forbidden City. The difference between ancient and modern pavilions is the change of people's temperament since ancient times. (10) Zhonghe Hall is the place where the emperor rested before attending the ceremony of the Hall of Supreme Harmony, and accepted the worship of the deacons. There are four characters in the center of the hall, which are "Allow trance". Two four-legged unicorns stand on the left and right sides of the throne below, all made of gold, glittering and magnificent. (165438+ The designer of the Forbidden City thinks it will show the majesty of the emperor and shock the world. The palace behind requires a deep courtyard and a compact building. Therefore, the six palaces in the East and West are self-contained, each with its own palace doors and walls, which are arranged in an orderly manner. Together with the palace lanterns and embroidered beds, they are all arrangements to meet the needs of luxury life. Behind the palace is the backyard. In the backyard, there are cold carved pines and cypresses, exquisite rockeries with beautiful rocks, and buildings, pavilions, pavilions and pavilions around them are beautiful and quiet. (12) The Palace Museum is arranged along a north-south central axis, and the three main halls, the last three palaces and the imperial garden are all located on this central axis. And spread to both sides, straight from north to south, symmetrical left and right. This central axis runs through the Forbidden City, Yongdingmen in the south, Drum Tower and Bell Tower in the north, and runs through the whole city. It is magnificent, carefully planned and extremely spectacular. (13) A huge stone carving in the middle of the back steps of Baohe Hall is very eye-catching. This is the famous stone carving of Yunlong, which is carved with clouds, blue sea water and steep cliffs. Nine lifelike Youlong are playing with beads among the sea water, cliffs and flowing clouds, which makes people imagine. (14) Every rainy day, the rain falls on the three platforms above the three halls of Taihe, Zhonghe and Baohe, and the merged water flows out from the mouth of the stone carving faucet, forming a spectacular scene of thousands of dragons spitting water. (15) Beijing is a famous national historical and cultural city with a history of 3,000 years. Beijing was once the capital of six dynasties in history. During the two thousand years since the Yan State, many magnificent palace buildings have been built, making Beijing the city with the largest number of royal palaces, gardens, temples and tombs in China. Among them, the Forbidden City in Beijing, called ouchi Miyagi in the Ming Dynasty and the Forbidden City in the Qing Dynasty, was originally a palace in the Ming and Qing Dynasties, inhabited by 24 emperors. The magnificent building perfectly embodies the traditional classical style and oriental style of China. It is the largest existing palace in China and even the whole world, and it is a precious cultural heritage of the Chinese nation.
56 browse 8062019-10-16.
Introduce the symmetrical beauty of the Forbidden City in Beijing.
Looking at the future keywords of the documentary from the characteristics of the Forbidden City: the broadcast of the Forbidden City documentary stunt large-scale TV documentary "The Forbidden City" in CCTV has attracted the attention and debate of the media, cultural circles and film circles. It became a very important cultural phenomenon in 2005. Some people think that "in the process of China documentary development, the innovation and experiment of the Forbidden City is undoubtedly a milestone." Looking at the whole film of The Forbidden City, we can easily find that, as Zhou Bing, the general director of the film, emphasized when talking about the creative concept of The Forbidden City: innovation. He said: "Whether a movie is good or not depends on how many original factors there are. Lies in the innovation of ideas and information; Lies in the innovation of artistic creativity; Lies in the use of new technologies. " This documentary has made a lot of attempts in artistic creation. This also represents the basic characteristics and route of future documentary creation. These characteristics can be summarized as three points: First, the application of modern technology and the continuous expansion of the exhibition stage. Thomas Skinner, an international judge who was awarded the Magnolia Award at the 4th Shanghai TV Festival, said: "The reason why China documentaries can't go out of the world is to pursue the' absolute truth' of the recorded content and give up the application of various advanced technologies and methods." [1] The maturity of computer 3D animation technology has brought revolutionary changes to image art ... Movies, TV dramas and other mass media tools are swimming in the changes brought about by computer 3D animation technology, and TV documentaries, an artistic style born in the cracks, will certainly not lag behind this trend. In order to make the shot picture more perfect and shocking, the Forbidden City adopted international advanced animation technology and borrowed various shooting techniques from movies. 3D production combined with real-life shooting, time-lapse shooting (such as clouds over the Forbidden City) and fixed-point shooting has laid a good foundation for improving the quality of the entire Forbidden City. From this, we can feel that 3D animation has also brought many changes to the creation of documentaries. Broadening the authenticity of time and space has always been a difficult principle to follow in documentary creation, especially for historical documentaries like the Forbidden City. As a building, the Forbidden City has undergone tremendous changes in both time and space during hundreds of years of historical changes. How can we show such time and space almost truly? Computer technology can be completed. In the opening credits of the Forbidden City, the lens first shows the solemn interior of the Hall of Supreme Harmony, and the yellow picture gives people a very real feeling. However, as the camera moved back, the door was pushed out, and the appearance of a group of tourists brought history down to the present. One shot goes through time and space. At the beginning, the documentary shows a bright moon hanging high in the sky, and then the camera moves down, breaking through the clouds, showing the prospect of the earth. In the process of falling slowly, it shows the whole change of Beijing from the Zhou Dynasty to the present in the form of animation. The application of these technologies shortens the boundary between time and space, and shows thousands of years of history in simple changes, so that the audience can see at a glance. In the exhibition space, the application of computer technology is even more powerful. The Forbidden City is a complex and huge architectural system. Traditional aerial photography can only show appearances, but if the real scenes are reproduced one by one, it will break the audience's overall impression of it. However, through computer animation, these two methods can be well combined. In the Forbidden City, computer stunts show us such a scene of the Forbidden City: move quickly from the main entrance to the north, cross Tiananmen Square, cross the entire Forbidden City along the axis of the Forbidden City, and then move the lens up to show the panoramic view of the Forbidden City, or go back. This breakthrough in the sense of space undoubtedly shows the whole picture of the Forbidden City in a more three-dimensional way. The breakthrough of time and space expands the stage of documentary, which makes the documentary's expression of time and space no longer bound, but expanded to a greater extent, making the creation and display of history and big space themes more relaxed and vivid. The diversification of expression and the change of expression are the obvious characteristics of the Forbidden City. In order to better explain and show the content that traditional methods can't achieve better results, the application of modern technology has also played an important role here, with timed shooting, fixed-point shooting and time-delay shooting coming on stage one after another. In the Forbidden City, this technique can be seen everywhere. When showing the Millennium changes of Beijing, the original picture description and explanation can only give the audience an abstract impression. But through the processing of computer technology, the historical changes of Beijing are displayed in the form of animation, which is true and intuitive. It left a very deep impression on the audience. When showing the structure and construction process of the Forbidden City, it is also very intuitive and easy to understand to use three-dimensional animation to show the structure and construction process of the main hall of the Forbidden City. It is also the main hall. When he experienced a fire and was burned down, he did not use traditional but boring explanations, nor did he use real fire scenes to increase the cost, but used simulated scenes, which was more real and economical. The use of modern tools has brought long-term benefits to the expression of documentaries and enriched the means of expression. Individualization of creative expression, how to make a historical truth more modern, how to convey more information in a limited picture, and how to integrate more creators' thoughts and emotions. With the more application of technology, the above problems can be revealed implicitly, and the personalized style of documentaries is becoming more and more obvious. In general documentaries, personal opinions always lack individuality for one reason or another. The display of the picture also lacks individuality and pursues truth. The application of technology not only lightens the function of understanding and speaking, but also increases the expressive language and personality characteristics of the picture. The Forbidden City is showing such a personality. The cloudy sky highlights the heavy sense of history, and the rolling dark clouds and the instantaneous changes of seasons show the changes of history. The overall tone of the picture is dark yellow and black, solemn and profound. Zhou Bing thinks: "In the whole shooting process, we strive to pursue the photographer's creativity and unique discovery perspective. I have always been eager to show extraordinary visual effects in this film. As long as the creative display is within our control, we must let our creators and audiences have extraordinary visual experience and present strong touching pictures ... In our films, we try to present extraordinary visual creation in many chapters ... "[2] But in the Forbidden City, especially in the first three episodes, the production of three-dimensional animation is a bit excessive. Just as some viewers mentioned in the comments: "Computer stunts are used too much. Since it is a historical documentary, it should be based on physical objects and the picture is too embellished ..." Technology can only be a means forever. In a documentary, it can only serve the theme of expressing reality, so it cannot be a kind of interference. The rendering of artistic techniques leads to the inner truth. Oxford Modern Advanced English-Chinese Dictionary interprets the root document of documentary as a record of human nature (facts or events expressing human nature), while Longman English Dictionary puts it more directly, "Providing facts through art: documentary". From here we can see the important role of artistic characteristics in authenticity. So the truth of documentary does not exclude artistic expression. In the investigation of artistic expression, we can also find the proper use of artistic expression, which has a very strong response to the documentary and achieved good results. " "The Forbidden City" specially hired professionals with international standards such as photography, music creation and animation production to join. Including Zhao Xiaoding, who was nominated for the Oscar for Best Photography; Hu Yuan, who won the Golden Eagle Award for Best Documentary, Director and Photography; Chi Pingmian, who has been a first-class photographer in Japan for 33 years; Su Cong, who won the Oscar for Best Music; Tang Jianping, director of the composition department of the Central Conservatory of Music; and Zhang Guangtian, a famous composer. This powerful lineup ensures the visual and auditory effects of the program. Increasing the aesthetic feeling of the picture has always been an aspect that documentary programs have not paid much attention to, but it has become very important in the production of feature films in recent years. Under the concept of "we require it to present extraordinary visual creation", the Forbidden City has almost become a model in terms of the aesthetic feeling of the picture. He made full use of the beauty of composition and color, even the beauty of technology to express the beauty of the Forbidden City. In the Forbidden City, the creator deeply understood the symmetrical beauty of the Forbidden City and integrated him into the composition of the documentary itself. When panoramic images of the Forbidden City are displayed, the lens almost always moves back and forth along the central axis. There are many corners of Daming Lake in the film. , is a relatively common symmetrical composition. The other is the principle of setting off the foreground and background commonly used in photography. That is, in the foreground of the main screen, a smaller object related to the theme is used as a foil, which not only enhances the aesthetic feeling of the screen, but also enriches the content of the screen or increases the interest. We often see such shots in it. The main picture is a towering tower with a clear or semi-fuzzy little lion in the foreground. The picture is no longer monotonous, which enhances the aesthetic feeling and gives people sufficient imagination space. In the use of color, the picture uses all the elements, including computer technology. With the help of computer technology, the blue sky, red walls, yellow tiles and green trees are extremely bright and dazzling. The overall color tone, almost adopts the picture rendering method of shooting mtv, which enhances the visibility of the picture.
Browse 382520 16-04-09
Two or three sentences describing the face of the Forbidden City
The Forbidden City, formerly known as the Forbidden City, was the administrative residence of emperors in Ming and Qing Dynasties. Among them, carved beams and painted buildings, elegant scenery, many antiques, dazzling, is a famous tourist attraction.
Browse 8012017-11-21
Why is the shape of the Forbidden City oblique?
Why is the shape of the Forbidden City oblique? According to China's ancient astrology theory, Ziweiyuan (i.e. Polaris) is located in the center of the sky, where the celestial emperor lives, corresponding to heaven and man. According to the emperor's residence, it is also called the Forbidden City. After the third emperor of the Ming Dynasty seized the throne, Judy decided to move the capital to Beijing and began to build the palace, which was completed in the 18th year of Yongle in the Ming Dynasty (1420). 19 1 1 year, the Revolution of 1911 overthrew the last feudal monarchy in China-the Qing Dynasty. 1924, the emperor Puyi was expelled from the palace. For more than 500 years, 24 emperors lived here and ruled the whole country. The Forbidden City is surrounded by a wall with a height of 10m and a moat with a width of 52m. The city is 96 1m long from north to south and 753m wide from east to west, covering an area of 780,000 ㎡ with 8,700 houses. There are gates on all sides of the city wall, of which the Wumen Gate in the south and the Shenwu Gate in the north are now exclusively for tourists to visit. The layout of the palace buildings in the city extends along the central axis to the east and west sides. Red walls and yellow tiles, colorful buildings and carved beams, resplendent and magnificent. The halls and terraces are patchwork and magnificent. In the evening, it is like a fairyland on earth. In the south half of the city, there are three halls, namely, Taihe, Zhonghe and Baohe, as the center, supplemented by Wenhua and Wuying on both sides. It is the place where the emperor held a court meeting, which is called "the former court". In the northern half, there are three palaces, namely Gan Qing, Jiaotai and Kunning, and six palaces in the east and west, with the imperial garden as the center. There are temples in Fengxian and Huangji on the east, and hall of mental cultivation, Yuhua Pavilion and Cining Palace on the west, which are places where emperors and queens live, hold sacrifices and religious activities and handle daily affairs. It is called "the back bedroom". The total building area of the front and rear palaces is163,000m2. The layout of the whole palace is rigorous and orderly, and every inch of bricks and tiles follow the feudal hierarchical etiquette system, which embodies the supreme authority of the emperor. In the era of feudal monarchy, ordinary people could not and dared not approach. The palace where the emperors of Ming and Qing dynasties lived was called the Forbidden City. There are two Forbidden Cities, one in Beijing and the other in Nanjing. Why is this Forbidden City called the Forbidden City? It turns out that ancient astronomy in China said that according to the long-term observation of celestial bodies in space, Wei Zixing lived in the center of the sky, with an eternal position, and was the residence of the Emperor of Heaven. Therefore, the heavenly palace where the Emperor of Heaven lives is the Purple Palace. The feudal emperor claimed to be the son of God, and he was the real dragon emperor. And the palace where they live is compared to the purple palace in the sky. They prefer to live in the Purple Palace, rule the country by virtue, be naturalized on all sides and come to Korea on all sides, so as to achieve the goal of maintaining long-term rule. In order to maintain their authority and dignity and consider their own safety, the Ming and Qing emperors built palaces, which were both magnificent and heavily guarded. The city is not only full of palaces and pavilions, but also surrounded by a wall more than 10 meters high and a moat 52 meters wide. Moreover, there are many outposts and high security. Needless to say, the average person is absolutely not allowed to look at the balcony and gazebo, even in the corner of the door. In the Ming and Qing Dynasties, except maids, eunuchs and guards who served the emperor and his family, only officials and privileged people were summoned to enter. This is where outsiders can't cross the line. Therefore, the imperial palaces in Ming and Qing Dynasties were both called Purple Palace and Forbidden Area, so they were called Forbidden City. The Forbidden City in Beijing covers an area of 724,250 square meters, not counting the moat and the green belt between the moat and the city wall. The building area of the palace is 155000 cubic meters. The Forbidden City is a rectangular city with a length of 96 1 m from north to south and a width of 753 meters from east to west. Surrounded by a wall with a height of more than 10 meter, the outer circumference of the wall is 3428 meters (there is a moat with a width of 52 meters outside the wall, which is an important facility to protect the Forbidden City). There is a gate on each side of the city wall, with the meridian gate in the south, the Shenwu gate in the north, the Donghua gate in the east and the Xihua gate in the west. There are four beautifully designed turrets at the four corners of the city wall. The Forbidden City in Beijing was built in the fifth year of Yongle (1404 ~ 1424) and in the fifteenth to eighteenth years of Yongle. The whole construction project was built by the Marquis of Chen Gui, with Wu Zhong as the planner. The Forbidden City is located in the center of the capital, and the central axis passes through the center of the imperial city, that is, through the three halls and palaces of the Forbidden City. The main entrance of the Forbidden City is the noon gate of the south gate, which is the highest gate in Miyagi. At the noon gate, major ceremonies such as Amnesty and prisoner confession were held. Its north gate is Shenwumen, its east gate is Donghuamen, and its west gate is Xihuamen. As a Miyagi in Ming and Qing Dynasties, the Forbidden City is also divided into two parts: the outer court and the inner court. The outer court is the place where the emperor works. All major national activities and ceremonies are held abroad. The outer courtyard consists of the central axis consisting of Tiananmen-Duanmen-Wumen-Hall of Supreme Harmony-Zhonghe Hall-Baohe Hall, and the halls and corridors on both sides of the central axis. The Forbidden City is the residence of the emperor's empress, including Gan Qing Palace, Jiaotai Palace, Kunning Palace, Royal Garden and six palaces on both sides. The Forbidden City in Beijing is the palace of emperors in Ming and Qing Dynasties. From the fifth year of Yongle in the Ming Dynasty (A.D. 1407), Ming Chengzu concentrated craftsmen throughout the country and recruited 200,000 to 300,000 migrant workers and military workers. 14 years later, this magnificent palace was built. After it was used in the Qing Dynasty, it was only partially rebuilt and rebuilt, and the overall layout remained basically unchanged. It is a masterpiece of China's ancient architectural art and a concentrated expression of China's imperial power thought in autocratic society for more than two thousand years. The wall of the Forbidden City is about 3,000 meters in circumference, covering an area of 720,000 square meters, with a construction area of 6,543,800 square meters and more than 9,000 houses. The plane of Miyagi is slightly rectangular, with a tall city gate in the east, west, south and north, an exquisite turret in each corner of Miyagi, surrounded by a moat with a width of 52 meters, forming a fortified and magnificent castle. Like the imperial palace in China, the overall planning and architectural form of the Forbidden City completely obeyed and reflected the requirements of the ancient patriarchal clan system, highlighting the supreme imperial power. All palaces are divided into "outward" and "inward" parts. The outer court is dominated by three halls: Taihe, Zhonghe and Baohe, with Taihe Gate in front and Wenhua Hall and Wuying Hall on both sides. Judging from the function of the building, the outer court is the place where the emperor handles government affairs and holds court meetings. Naturally, it is in the front of the Forbidden City, while the inner extension is mainly Gan Qing Palace, Jiaotai Hall and Kunning Palace. In the Ming Dynasty, it was the place where the Empress lived, located behind the Forbidden City. There are living things on both sides of this group of temples, such as Liugong, Ningshou Palace and Cining Palace. Finally, the imperial garden. Miyagi also has a royal duty room and some service buildings, as well as a low room where eunuchs and maids live. It is located between the main entrance of Miyagi and Tiananmen Square, and the palace is built on both sides of Imperial Road. Outside the house, the ancestral temple is in the east and the national altar is in the west. Jingshan in the north of Miyagi is another group of buildings attached to the palace. Taihe Gate, built in the 18th year of Yongle, is the south gate of the three main halls facing the outside world. It was called "Fengtianmen" in the early Ming Dynasty and "Taihe Gate" in the Qing Dynasty. It is located on the first floor of Sumitomo Stone Pavilion, which is three meters high. It is nine rooms wide, four rooms deep and 23.8 meters high. It is the tallest and largest door among the existing ancient buildings in China. Its roof is in the form of double eaves and hills. There are a pair of tall bronze lions in front of the door. On both sides of Taihe Gate are Zhaode Gate and Zhendu Gate. There are Concord, Xihe and Gate 2 in the courtyard. All the doors are connected, and there are special buildings in the northeast corner and northwest corner. All these doors, buildings and bedrooms are smaller in scale and volume than Taihe Gate, which makes Taihe Gate stand out in the whole square. After entering the Taihe Gate, it is a larger courtyard. It is still 200 meters wide from east to west and about 190 meters deep from north to south, which is enough to accommodate a guard of honor of 10,000 people. In the wide courtyard are three halls of the outer court: Hall of Supreme Harmony, Hall of Zhonghe and Hall of Baohe. The Hall of Supreme Harmony is the tallest building in Miyagi, Beijing in Ming and Qing Dynasties. Including Sumitomo, the three-story building is 35.05 meters high, and the total height of the kiss is 37.44 meters. Each floor is in the form of Sumitomo, surrounded by Bai Yushi railings, with a promising stigma above and a beheaded head below. Every pillar is decorated. Its halls are eleven rooms wide and five rooms deep, with a building area of 2,377 square meters. It is also the largest wooden temple among the existing ancient buildings in China. The double eaves on the top of the temple, that is, the "four houses" of Yin Shang Dynasty, are "supreme". The number of horns and buckets jumping on the roof is also the largest; Sculptures on the imperial road and railings, colorful paintings in the hall, and patterns of algae wells all use the dragon and phoenix theme representing imperial power, and only here can the Japanese regulations, Jia Liang, bronze turtles and bronze cranes on the platform be displayed. The golden throne of the Qi Diao Dragon in the temple is a symbol of the autocratic imperial power. The Hall of Supreme Harmony is the place where the emperor held the enthronement ceremony, celebrated and received congratulations from civil and military officials. If a general is ordered to go to war, he will also be printed in the Hall of Supreme Harmony. In the Ming Dynasty, court examinations and New Year's Day banquets were also held in Taidian. The Zhonghe Hall behind the Hall of Supreme Harmony is a building with a square plane, three rooms deep and three rooms wide, surrounded by a long corridor, covering an area of 580 square meters. The roof is a single eaves, pointed, copper tires, gold-plated roof, which is where the emperor went to the Hall of Supreme Harmony to rest. The main entrance of the Forbidden City is called Gan Qing Palace. In front of it is a flat courtyard, commonly known as Hengjie. To the south of Hengjie is Baohe Hall, and to the north of Houbaohe Hall, you can reach Hengjie by going to the lower three-story abutment, so this is the handover part between the outer court and the inner court. Gan Qing Gate is located in the north of Hengjie, with the center facing south. It is a five-bay, single-eave roof built on the mountain, and there is a white stone platform under the roof. The specifications of the dry Longmen are slightly lower than those of the main entrance of the three halls, and the screen walls decorated with glass on both sides of the door are splayed. This pair of screen walls is made of brick, with glazed eaves on the red wall and a glazed sumeru pedestal under it. The center and four corners of the wall are also decorated with glazed tiles. Located in the north of Gan Qing Palace, Kunning Palace is also a big hall with nine rooms wide and double eaves. It was the main palace where the Empresses lived in the Ming and early Qing Dynasties. During the Shunye period of the Qing Dynasty, according to the customs and habits of Manchu, the Kunning Palace was transformed, which was mainly divided into two parts: the east and the west. A circular kang was added along the wall in the west, and a cauldron was put indoors. In the east of Kunning Palace, the emperor's wedding room was built, and the entrance was changed to the east. There are double-happiness palace lanterns, a double-happiness golden screen wall on a red background, a Zhang Longfeng bed on the north wall, and colorful gauze embroidered with the ancient philosophers hanging in front of the bed. The rebuilt Kunning Palace also put the original rhombus? The suspended window with fan is changed into a straight pane. Gan Qing Palace is the main hall of the last three palaces. During the Ming and early Qing Dynasties, Gan Qing Palace was always the bedroom of the emperor and queen. The shape of the palace is a wide nine-bay, double-eaved roof, and two small halls, Zhaoren Hall and Hongde Hall, are connected around. In addition to the emperor's residence, he often summoned court officials here, read the throne, handled government affairs, and even met foreign envoys in the temple. In the eastern and northern parts of the Forbidden City, there is a complete set of palace buildings, which are Ningshou Palace buildings. In the Ming dynasty, there was also a group of buildings here, but the scale was not very large; Ningshou Palace was built in Kangxi period of Qing Dynasty. This is a very complete building complex, which is divided into two parts: the front palace and the back bedroom. The second half can be divided into three areas, the middle road is residential, the east road is entertainment and the west road is garden. The whole building complex is surrounded by high walls and becomes a fairly closed independent area. The main entrance of Ningshou Palace complex is the Imperial Gate, and there is a horizontal courtyard in front of it. On the left and right sides are Xiqin Gate and Jieqing Gate, and on the south side there is a shadow wall facing the Imperial Gate, forming a light bay in front of the door. Huangjimen is in the form of a stained glass wall with three doors hanging on the lotus column on the seventh floor. There are glazed tiles on the eaves of the three doorways, buckets and beams under the eaves, rotating objects painted with colored glass are stuck on the beams, there is a stone sumeru pedestal on the door, and four water tanks are placed in front of the door. The whole gate is magnificent and solemn. In the south of Huangjimen, there is a glazed screen wall with nine dragons on it, commonly known as the Nine Dragons Wall. When I entered the Imperial Gate, I came to the courtyard in front of Ningshou. The courtyard is very wide, surrounded by pine trees, to show the special use of the emperor's father. Ningqingmen is located in the center of the north of the courtyard. It has a broad five-bay, single-eave gable roof with a white base below. There are three steps in front of the pedestal. Zhongshi is the imperial road. The east and west sides of the gate are splayed with shadow walls, and there are two gilded bronze lions on the left and right sides. The whole gate is very similar in shape and scale to the Gan Qing Gate in the last three palaces. The Forbidden City is located in the center of Beijing. It is now called the Forbidden City, which used to mean the Imperial Palace. It is the imperial palace of Ming and Qing dynasties, and it is also the largest, grandest and best-preserved ancient palace and ancient architectural complex in the world today. Among them, the Hall of Supreme Harmony is the highest and most brilliant, and grand ceremonies are held here for the emperor's accession to the throne, wedding, canonization, command and expedition. The most famous imperial palace is hall of mental cultivation, where Empress Dowager Cixi listened to politics for more than 40 years. Beijing is an international metropolis and the transportation hub of China. The major airlines in the world have flights between Beijing and other international cities and major cities in China.
2 browse1334 2016-07-17
What are the characteristics of the Hall of Supreme Harmony in the Palace Museum?
The Hall of Supreme Harmony is the largest and tallest building in the Forbidden City. It is 1 1 room width, 5 rooms deep, 64 meters long, 37 meters wide, 2,377.00 square meters high, 26.92 meters high and 35.05 meters high. It is the largest, highest-ranking and largest building in the Forbidden City. There is a broad platform in front of the palace, called the platform. There are sundial, Jialiang, Tonggui, Tonghe and 18 Ding Tong on the platform. Turtles and cranes are symbols of longevity. The sundial is an ancient timer and Jialiang is an ancient standard ruler, both of which are symbols of imperial power. His Royal Highness of the Hall of Supreme Harmony is a three-story marble carving pedestal with a height of 8. 13m and railings around it. There is a stone faucet under the railing to drain water. Every rainy season, you can see thousands of dragons spitting water Extended data:
The decoration of the Hall of Supreme Harmony is very gorgeous. Under the eaves