Appreciation of Baliuzi Yiwei Pavilion
The parting and lovesickness between the author of this word and a singer he once loved. The whole word begins with love, and suddenly rises, during which it is vividly narrated, or remembering the joy of parting, or the pain of parting, or sighing the sadness of reality, and expressing a "hate" word in my heart.
During the Yuanfeng period, Qin Guan met an affectionate woman. The curtain of dreams, ten miles of tenderness, always haunts him. On the way back, I was leaning against the dangerous building alone. Looking back, there was endless grass and endless resentment. Expressing feelings with herbs is a common technique in poetry. Here, Qin Guan strengthened it to the extreme with the word "coming back to life after all", so the predecessors called it "the pen of genius" Lovers broke up. The joy of the past has turned into running water; When can the broken string be continued? He almost lost his mind in the face of misty rain. Just then, the annoying oriole cried in his ear again. Fighting orioles, all their music comes from trees. He was really annoyed!
First of all, the biggest feature of Qin Guan's ci is "attaching importance to emotion". Lyricity is originally the feature that ci is longer than poetry. Qin Guan made this feature very big and it was very obvious in this word. The first poem overlooks the pavilion, thinking of breaking up with a beautiful woman, and goes straight into it with emotion, pointing out that the word lies in a "hate" It is also a sight to get rid of hatred with the metaphor of "fragrant grass". Recalling that "Liuwai" and "Waterfront" broke up, the poet used "sadness and shock" to express his feelings, and he fell into reality and was infinitely sad. The next paragraph of the word is set to write "hate" With words such as "Why not do it", "Nakan" and "Huang Li cried several times again", the feelings of parting after breaking up with beautiful women and the "hate" of life experience that one's talents can't be displayed are further integrated in one place, and they are concretized and visualized, so as to achieve the realm of scene blending.
Secondly, the artistic conception of this word is implicit, long and intriguing. Qin Guan is good at conveying his sad and confused feelings through melancholy and hazy artistic conception. In this poem, the last piece of grass with "I am still alive" wrote "farewell hate", which makes people feel that the poet's farewell hate is like the original grass, which is tall again in the spring breeze and will live forever. Why is this happening? The next poem creates three situations to tell us why: "jathyapple dreams quietly, the spring breeze is ten miles tender", joy and pleasure all go with the running water, "the string is broken, and the emerald fragrance disappears", and the poet's helplessness about his short life and about to leave is beyond words. The second is the rendering of the situation when leaving. "Fragments fly late; _ _ After a storm comes a calm. The poet's melancholy and sad emotional connotation is very rich, which is a wonderful scenery. Third, at the end of the two sentences, the feelings are bound by the scenery, and the voices and emotions are very strong. " The needle solidified, and the oriole cried a few times. "The word" you "not only echoes the pen of" leaning on the dangerous pavilion, hating the grass and resurrecting ",but also highlights the two mentioned above again. Qin Guan is so good at using pictures to speak, lifting weights easily, and expressing dignified thoughts in an understatement, such as Youlong dancing in the air, like the spring breeze blowing willows.
The next three sentences "for no reason" further recalled the joy of gathering at that time. "For no reason" means somehow saying that God has a good reason to give her an elegant posture and fascinate the author. The second sentence of "jathyapple" describes the party situation, and borrows a poem by Du Mu, "Thirteen watches, cardamom ends in early February. The spring breeze is ten miles along Yangzhou Road, and I don't know when to roll up the bead curtain. " There is no hint of any superficial disease in A Farewell. The three sentences of "Why" (the meaning of "Why" is the same as that of "How") lament that good times are not frequent, but scattered. "The string is broken and the fragrance is reduced." It is still a farewell with images, beautiful and sad. "That's comparable", and then I wrote the scene in front of me to melt my feelings.
"Pieces of flying flowers come late, and it is rainy and bright" is a sad scene. When you look at this scene with deep sadness, you are even more disappointed, so you use the word "nakan" to pick it up. At the end, "The oriole cries several times", which means that it is integrated with the scenery and has endless leisure. Hong Mai's "Four Paintings of Rongzhai" (Volume XIII) says: "Eighty-six Confucius said:' Pieces of flying flowers delay, misty rain clears the cage. Just as the pin fell, the oriole sang again. "The sentences are clear and steep, which excites celebrities. There is a sentence from Du Mu in Yu Jia's old edition of Lan Yi Qu Ji, but he remembers the last sentence:' Indus fans, the shade moves.' Qin Gong cover effect, seems to be less than also. Hong Mai pointed out that these two sentences in Qin Guan's ci were detached from Du Mu's ci.
It is easy to use antithesis in language, such as Liu Waishui, jathyapple Spring Breeze, Su Qin Cuigan and Hua Fei Canyu, especially the combination of jathyapple and Hua Fei, which is not only beautiful in language, but also unique in artistic conception. The whole word is mixed with scenes, and scenes and feelings are inseparable, which can be described as touching and original.
Finally, the language of this word is fresh and natural, the words are commensurate, and the words are exquisite without axe marks. The predecessors once commented: "The words of a child are better than his feelings, and the feelings of young people are better than his words. Those who are commensurate with their feelings only swim less. " Qin Guan's ci can achieve such superb language achievements: on the one hand, he is good at refining words. In this word, the words "flying flowers make it late and residual rain makes it clear" are intertextual, meaning that flying flowers and residual rain are making it clear. The "Nong" and "cage" here are not only harmonious in sound and rhyme, but also have unlimited imagination. If you carefully taste them, you will find them very appropriate and vivid. On the other hand, Qin Guan is good at putting ancient poems into words, making them more expressive and achieving the effect of shine on you rather than blue. The phrase "leaning against the dangerous pavilion", called "the pen of inspiration", actually transcends the phrase "hate like spring grass, go further and live more brilliantly" in Li Houzhu's Qingpingle. "jathyapple has a secluded dream with a curtain, and the spring breeze is ten miles tender" is the secret use of Du Mu's "Yangzhou Road has ten miles of spring breeze, so it is better to roll a bead curtain"; Hong Mai's Rongzhai Essay thinks that the last two sentences are imitations of the end of Du Mu's epigraph with the same title, that is, "the phoenix tree moved into the shade". Whether the imitation is true or not, it is an indisputable fact that Qin Guan's two sentences are far more beautiful than Du Mu's. It can be seen that Qin Guan's inheritance of predecessors' languages is creative, and only creation can show its vitality.
"Love hurts and leaves since ancient times", and the grass can't shovel off hatred the next day. What I hate is that the curtain of dreams has already drifted away with the wind, that tenderness has long since left us, and the person who wrote the lyrics has long since left us. However, his gentle and implicit ci style and famous sentences written on it will remain in the world and let us remember it forever.