Electronic tabloid templates and materials about the Spring Festival. A4. Thank you urgently
The publisher is written below the topic, and in the middle, news or digests about the Spring Festival are written. Other places can be divided into 4 sections. The topic can be: Hip-Hop celebrates the Spring Festival
The content can be: The origin of the Spring Festival: The Spring Festival is the most distinctive traditional festival in China. It marks the end of the old lunar year.
The new year has begun. People will bid farewell to the cold and monotonous winter and welcome the vibrant spring.
The Spring Festival was originally called "New Year's Day". Du Taiqing of the Sui Dynasty said in the "Five Candles Collection": "The first month is the Dragon Moon, and the first day is the Yuan Day, which is also the Zhengchao and Yuan Shuo." The original meaning of "Yuan" is "head", which was later extended to "beginning". Because this day is the first day of the year, the first day of spring, and the first day of the first month, it is called "Sanyuan"; because this day is also the first day of the year. Chao, the dynasty of the moon, and the dynasty of the sun, so it is also called the "Three Chaos"; and because it is the first lunar day, it is also called the "Yuan Shuo". Wu Zimu of the Song Dynasty explained in "Meng Liang Lu": "The first day of the first lunar month is called New Year's Day." The explanation of the word "Dan" in "Shuowen Jiezi" is "From the sun to the sky, one is the ground." It means that the sun has just risen from the horizon, which means morning. Because they represent the first morning of the year and the first morning of the first month respectively, they are called "New Year's Day" and "Zhengdan".
In addition to the above titles, the Spring Festival is also called "Kai Nian", "Kai Sui", "Fang Sui", "Hua Sui", etc. Among the many titles, "New Year's Day" is the most common and the time is the most common. long.
Due to different calendars in different dynasties, the season of New Year’s Day is also different. The ancient Chinese calendar is a lunisolar calendar, which requires taking into account the positions of the sun and the moon. Therefore, when determining New Year's Day, it is necessary to first determine that it is in a certain season, and then select the new moon that is similar to this season as New Year's Day. Since one year is not equal to the 12 lunar calendar days, the difference is about 11 days, so a leap month needs to be set up every three years to adjust the seasons. Ancient Chinese astronomers once figured out a simple way to determine the relationship between the month sequence and the seasons. This is to determine the moon sequence based on the direction of the handle of the bucket at dusk, which is called the December Jian. Starting from the north and turning eastward, the ground is divided into 12 directions. The direction pointed by the handle of the bucket at dusk is the month of that month. The Zi month, the Chou month, and the Yin month are respectively equivalent to the eleventh, twelfth, and first lunar months. .
China is an ancient multi-ethnic country. Different nationalities in different historical periods have determined their own New Year's Day based on their own cultural traditions and customs, that is, changing it to "Zhengshuo" and correcting the time of the first day of the lunar month. Emperor Zhuanxu and the Xia Dynasty both used the first lunar month of Mengchun as the Yuan Dynasty, that is, using the Xia calendar of the Jian Yin period, the first day of the first lunar month was New Year's Day; the Shang Dynasty used the Yin calendar, and the Yin calendar Jian Chou took the first day of the twelfth lunar month as the New Year's Day; the Zhou Dynasty used the Zhou calendar, and the Zhou Dynasty used the Zhou calendar. The first day of the eleventh month of the lunar calendar was used as New Year's Day; the Qin Dynasty used the Qin calendar, which marked the first day of the 11th lunar month as New Year's Day; the Qin calendar was still used in the early Western Han Dynasty, and was switched to the first year of Taichu in the Han Dynasty (AD 104). The Taichu calendar created by Sima Qian and Luo Xiahong reused Jianyin's Xia calendar, with the first day of the first lunar month as New Year's Day. From then on, except for Wang Mang and Emperor Ming of Wei who once switched to the Yin calendar of Jian Chou, and Empress Wu and Su Zong of the Tang Dynasty switched to the Zhou calendar of Jian Zi, all dynasties used the Xia calendar until the end of the Qing Dynasty.
The word "Spring Festival" has different meanings in different historical periods. During the Han Dynasty, people called the first of the twenty-four solar terms the "Spring Festival". During the Northern and Southern Dynasties, people called the entire spring "Spring Festival".
After the victory of the Revolution of 1911, the Nanjing Provisional Government stipulated the use of the lunar calendar among the people in order to "accommodate the farming season" and "facilitate statistics". The Gregorian calendar was implemented in government agencies, factories, mines, schools and groups, and the first month of the Gregorian calendar was used. One day is New Year's Day. However, most people call the first day of the first lunar month of the Gregorian calendar the "Gregorian year", and the first day of the first lunar month is still called "New Year's Day".
On September 27, 1949, the First Plenary Session of the Chinese People's Political Consultative Conference passed the use of the Gregorian calendar, which is the world's common epoch, and designated the first day of the first month of the Gregorian calendar as New Year's Day, as the New Year; because The first day of the first lunar month is usually around the beginning of spring, so the first day of the first lunar month is definitely the "Spring Festival".
The Spring Festival generally refers to New Year's Eve and the first day of the first lunar month. But among the people, the Spring Festival in the traditional sense refers to the period from the twelfth lunar month's eighth day of the twelfth lunar month or the twelfth lunar month's twenty-third lunar month to the fifteenth day of the first lunar month, with New Year's Eve and the first day of the first lunar month as the climax.
During the traditional festival of the Spring Festival, my country's Han nationality and most ethnic minorities hold various activities to celebrate. These activities mainly focus on offering sacrifices to gods and Buddhas, paying homage to ancestors, eradicating the old and bringing in the new, welcoming the new year and receiving good fortune, and praying for a good harvest. The activities are rich and colorful with strong national characteristics.
The origin of Spring Festival couplets: Spring couplets originated from Taofu. "Peach symbols" are rectangular peach boards hung on both sides of the door in the Zhou Dynasty. According to "Book of the Later Han Dynasty and Etiquette Records", the peach charm is six inches long and three inches wide, and the two gods "Shen Tu" and "Yulei" are written on the peach wood board. "On the first day of the first lunar month, a peach charm is made and placed in the household. It is called a fairy tree and is feared by all ghosts." Therefore, "Yanjing Chronicles of the Years" of the Qing Dynasty said: "The Spring Festival couplets are also peach charms."
During the Five Dynasties, in the court of Western Shu, someone wrote couplets on peach symbols. According to "History of the Song Dynasty and Family of Shu": Meng Chang, the Lord of Later Shu, ordered Zhang Xun, a scholar, to inscribe a peach wood board, "because he was not a craftsman, and he wrote the inscription in his own Mingbi: 'New Year's greetings, and the festival number Changchun'". This is our country's The first Spring Festival couplets. Until the Song Dynasty, Spring Festival couplets were still called "Taofu". There is a line in Wang Anshi's poem "Thousands of households are always replacing old talismans with new peaches".
In the Song Dynasty, the peach charms were changed from peach boards to paper, called "spring stickers".
In the Ming Dynasty, Taofu was renamed "Spring Couplets". Chen Yunzhan of the Ming Dynasty recorded in "Hao Yun Lou Miscellanies": "The creation of Spring Festival couplets dates back to the Ming Dynasty. In the imperial capital of Jinling, before New Year's Eve, a decree was suddenly issued: Spring couplets must be added to the doors of the houses of public ministers and common people. A Spring Festival couplet appeared on the occasion of the emperor's visit." Zhu Yuanzhang Not only did he go out of the city in disguise to watch the laughter, he also wrote Spring Festival couplets himself. He passed by a house and saw that there were no Spring Festival couplets posted on the door, so he went to inquire and found out that this was a house that castrated pigs and had not hired anyone to write them for them. Zhu Yuanzhang specially wrote a Spring Festival couplet for the pig man, "Cleaving the road of life and death with both hands, and cutting off the roots of right and wrong with one knife." The association is appropriate and humorous. After Ming Taizu advocated it, Spring Festival couplets became a custom and have been passed down to this day.
One of the Spring Festival legends: Staying up late on New Year's Eve
Staying up late on New Year's Eve is the custom of not sleeping on the last night of the old year and staying up late to welcome the arrival of the new year. It is also called staying up late on New Year's Eve. The common name is "staying through the year". Looking into the origin of this custom, there is an interesting story spread among the people:
In ancient times, there was a ferocious monster that lived scattered in the deep mountains and dense forests. People called them "Nian". It has a ferocious appearance and a ferocious nature. It specializes in eating birds, beasts, and scale insects. It changes its taste every day, ranging from kowtowing insects to living people, making people talk about "New Year". Later, people gradually grasped the activity pattern of "Nian". It would rush to crowded places to taste fresh food every three hundred and sixty-five days, and its appearance time would always be after dark, until the rooster crows and dawn. , they returned to the mountains and forests.
Having calculated the date when the "New Year" would be rampant, the people regarded this terrible night as a critical moment, called it "New Year's Eve", and came up with a whole set of ways to celebrate the New Year's Eve: every day. On this night, every household has prepared dinner in advance, turned off the fire and cleaned the stove, fastened all the chicken pens and cattle pens, sealed the front and back doors of the house, and ate the "New Year's Eve dinner" hiding in the house. The dinner has an unlucky meaning, so it is very sumptuous. In addition to having the whole family gather around to dine together to express harmony and reunion, one must also offer sacrifices to the ancestors before eating, pray for the blessings of the ancestors' gods, and spend the time in peace. That night, after dinner, no one dared to sleep, so they huddled together and chatted to strengthen their courage. Gradually, we formed the habit of staying up late on New Year's Eve.
The custom of keeping the year old arose in the Northern and Southern Dynasties, and many literati in the Liang Dynasty wrote poems about keeping the year old. "One night lasts two years, and the fifth watch divides two years." People light candles or oil lamps and keep vigil all night, symbolizing driving away all evil plagues and looking forward to good luck in the new year. This custom has been passed down to this day.
Spring Festival Legend 2: Wannian created the calendar
According to legend, in ancient times, there was a young man named Wannian who had an idea when he saw that the seasons were very chaotic at that time. The plan to set the seasons accurately. But he couldn't find a way to calculate time. One day, when he was tired from going up the mountain to chop firewood, he sat under the shade of a tree to rest. The movement of the tree shadows inspired him. He designed a dial to measure the sun's shadow and measure the time of the day. , later, the dripping spring on the cliff inspired him, and he started to make a five-layer clepsydra to calculate time. As time went by, he discovered that every three hundred and sixty days, the four seasons cycled around again, and the length of the days repeated themselves.
The king at that time was named Zu Yi, and he was often distressed by the unpredictable weather conditions. After Wannian found out, he took the sundial and the clepsydra to see the emperor and explained to Zu Yi the principles of the movement of the sun and the moon. After Zu Yi heard this, Long Yan was overjoyed and felt that it made sense. So he left ten thousand years to build the Sun and Moon Pavilion in front of the Temple of Heaven, and built the sundial platform and leaky pot pavilion. He also hopes to accurately measure the laws of the sun and the moon, calculate the accurate morning and evening times, and create a calendar to benefit the people of the world.
Once, Zu Yi went to learn about the progress of the ten thousand year test calendar. When he climbed up to the Temple of the Sun and Moon, he saw a poem engraved on the stone wall beside the Temple of Heaven:
The sun rises and sets three hundred and six times, starting all over again.
There are four seasons of vegetation and trees, and there are twelve circles in one year.
Knowing that the Wannian Calendar had been established, I personally went to the Sun Moon Pavilion to visit Wannian. Wan Nian pointed to the sky and said to Zu Yi: "Now is the end of the twelve months. The old year is over and the new year has begun. Please pray to the king to set a festival." Zu Yi said: "Spring is the beginning of the year, so let's call it the Spring Festival." It is said that this is the origin of the Spring Festival.
Winter passed and spring came, year after year, ten thousand years after long-term observation and careful calculation, an accurate solar calendar was formulated. When he presented the solar calendar to his successor, his face was full of silver. Must. The monarch was deeply moved. In order to commemorate Wannian's achievements, he named the solar calendar "Wannian Calendar" and named Wannian the sun, moon and longevity star. Later, people hung pictures of longevity stars during the Chinese New Year, which is said to commemorate the ten thousand years of high moral character.
Spring Festival Legend Three: Pasting Spring Festival Couplets and the Door God
It is said that the custom of pasting Spring Festival couplets began in the Hou Shu period more than a thousand years ago, which is evidenced by history. In addition, according to the "Jade Candle Collection", "Yanjing Chronicles" and other works, the original form of Spring Festival couplets is what people call "Peach Talisman".
In ancient Chinese mythology, it is said that there is a world of ghosts. There is a mountain in it. There is a big peach tree covering three thousand miles on the mountain, and there is a golden rooster on the treetop. Whenever the golden rooster crows in the morning, the ghosts who wandered out at night will rush back to the ghost land. The gate of the ghost realm is located in the northeast of the peach tree. There are two gods standing by the gate, named Shen Tu and Yu Lei.
If a ghost does something harmful to nature at night, Shen Tu and Yu Lei will immediately discover it and catch it, tie it up with a rope made of awning reed, and send it to feed the tiger. Therefore, all the ghosts in the world are afraid of Shen Tu and Yu Lei. So people carved their images out of peach wood and placed them at their doorsteps to avoid evil and harm. Later, people simply engraved the names of Shen Tu and Yu Lei on peach boards, believing that doing so could also suppress evil and eliminate evil. This kind of peach wood board was later called "Peach Run".
In the Song Dynasty, people began to write couplets on peach boards, one without losing the meaning of peach wood to suppress evil, the other to express their good wishes, and the third to decorate the door for beauty. Couplets are also written on red paper, which symbolizes joy and auspiciousness, and are pasted on both sides of doors and windows during the New Year to express people's best wishes for good luck in the coming year.
In order to pray for the good health of the family, people in some places still retain the habit of sticking to the door god. It is said that if two door gods are posted on the door, all monsters and ghosts will be intimidated. Among the people, the door god is a symbol of righteousness and force. The ancients believed that people with strange looks often have magical talents and extraordinary abilities. They are upright and kind-hearted, and it is their nature and responsibility to catch ghosts and demons. Zhong Kui, the ghost-hunting master that people admire, has such a strange appearance. Therefore, the folk door gods always have angry eyes and ferocious looks, holding various traditional weapons in their hands, ready to fight any ghosts who dare to come to the door. Since the doors of Chinese houses usually have two doors opening opposite each other, door gods always come in pairs.
After the Tang Dynasty, in addition to the previous two generals Shen Tu and Yu Lei, people also regarded the two Tang Dynasty generals Qin Shubao and Yuchi Gong as door gods. According to legend, Emperor Taizong of the Tang Dynasty was ill and heard ghosts calling outside his door, making him restless all night. So he asked the two generals to stand guard by the door with weapons in hand, and the next night there were no more ghosts to disturb him. Later, Emperor Taizong of the Tang Dynasty asked people to draw the images of these two generals and paste them on the door. This custom began to spread among the people.
Reference materials: extracurricular books