China Naming Network - Eight-character fortune telling - Eight-character calligraphy sentence regular script

Eight-character calligraphy sentence regular script

Regular script, as a calligraphy style, must have been formed slowly in history, and it is recognized that it evolved from official script, and the time should be in the Eastern Han Dynasty. Traditionally, regular script was initiated by Wang Cizhong in the Eastern Han Dynasty.

Regular script, also called regular script, regular script, regular script or original script, is a common font in China's calligraphy. Its glyph is square, unlike the flat one written in official script. Its characteristics are: square shape, straight strokes, can be used as a model, hence the name. Regular script is the main style of Chinese characters. The model, that is, the model, is the standard font.

Some ancient calligraphers believe that regular script evolved from ancient Chinese characters and began in the Eastern Han Dynasty. 1~2 cm in small print, 5 cm above in large print, and the middle in Chinese characters. But this is just a general division. In fact, there have also been small characters of 10 cm and large characters of1.8m. ..

We still have to copy the ancient calligraphers and learn the conclusion of harmonious books. The ancients had a saying when learning calligraphy: "To learn calligraphy, we must start with the pattern, and to write, we must start with the big characters. Yan (Zhengqing) is used as the method of Chinese characters, while Europe (Yang Xun) is used as the method of Chinese characters. When Chinese characters are ripe, they will gather into small characters and take Zhong Wang as the method. " However, according to the practice of calligraphers in past dynasties for many years, it is not appropriate for beginners to learn too big words first, and it is more appropriate to start with Chinese characters.

The rules of regular script are not complicated, and the main forms are nave, couplets, banners, horizontal accounts and sectors. The first is neatness. The arrangement of characters is equidistant between words and lines, which gives people a steady and solemn visual effect. This form is most suitable for regular script in a strict sense. In the arrangement of regular script, the word spacing and line spacing are basically the same, but some line spacing is greater than the word spacing; They are all written vertically from right to left, and those with fewer words are still written from right to left; Modern Chinese is written horizontally from left to right. This method can also be used under special needs, but it is better to write vertically from right to left.

There were few official scripts in the early "regular script", with a slightly wider structure, long horizontal drawing and short straight drawing. After the Eastern Jin Dynasty, the north and the south were divided, and calligraphy was also divided into two factions. The calligraphy style of the Northern School has inherited the legacy of Han Li. The brushwork is simple and rigorous, but the style is simple and rigorous, so it is called "Weibei". Southern calligraphy is more sparse and beautiful than letters. During the Northern and Southern Dynasties, because of regional differences, personal habits and book styles were very different. The book in the north is strong, and the book in the south is rich, each of which is wonderful and inseparable. Regular script in the Tang Dynasty, like the prosperity of the national situation in the Tang Dynasty, is really unprecedented. Calligraphy style is mature, and calligraphers come forth in large numbers. In terms of regular script, Yu Shinan, Ou Yangxun, Chu Suiliang in the early Tang Dynasty, Yan Zhenqing in the middle Tang Dynasty and Liu Gongquan in the late Tang Dynasty all regarded his regular script works as models of calligraphy.