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Poems describing skirts in Tang Dynasty

1. The poem "Qin Gong Shi" describing Hanfu.

Don

Luo Yue shirt welcomes the spring breeze, and jade carving Kirin is reddish.

On the first floor, there is a banquet for immortals, with a strong blowing sheng fragrance at the bottom of the account.

The wine on earth is warm in spring, and the flowers grow in the shade during the day.

Flying window for drinking, ten nights copper plate greasy candle yellow.

Bald and stubborn parrot in small sleeve, purple embroidered Ma Xia stepping on a roaring tiger.

Golden banquet is burned in Guangxi, and the Millennium is cooked at midnight.

Tongying Yongxiang rode a new horse, and the inner room was full of colorful paintings.

Open the door and weigh the money with rotten water, and the Yellow River has flowed to you.

God, bad luck still exists, and Qin Gong will live his whole life.

Luan Qing didn't give it back and slept drunk for a whole month.

"I left Jia Zhi and worked in Daming Palace in my early years."

Don

The red-hat rooster just announced that in the morning, the keeper of the robe brought Yuyun furs.

Nine doors of heaven reveal the palace and its courtyard, and the coats of many countries bow to the pearl crown.

Shang Mo Sang

HanYueFu

Southeast corner of sunrise, shine on me, Qin Lou.

Qin has a good daughter who calls herself Luo Fu.

Luo Fu likes raising silkworms and picking mulberry in the south corner of the city.

Moss is a cage system and cassia twig is a cage hook.

There is a bun on the head and a bright moon in the ear.

Qi is the lower skirt and Qi is the upper skirt.

When Monkey saw Luo Fu, he straightened his shoulders and smoothed his moustache.

When the teenager saw Luo Fu, he took off his hat and hung his head.

The tiller forgets to plow, and the hoe forgets to hoe.

Angry and resentful, he sat watching Luo Fu.

2. The origin of Chinese poems.

The clothes worn by the Han people from the Three Emperors and Five Emperors to the Ming Dynasty are called Hanfu. Hanfu is a traditional national costume handed down by the Han nationality for thousands of years, which can best reflect the characteristics of the Han nationality. Every nation has its own national costume, and Hanfu embodies the national characteristics of the Han nationality. During the thousands of years from the Three Emperors and Five Emperors to the Ming Dynasty, the Han people, with their own wisdom, created a rich and colorful Hanfu culture and developed a unique clothing system-Hanfu system. The profound, well-organized, well-established and beautiful Hanfu is a rare treasure in China, which is worthy of every China person's pride. Objectively speaking, the national costumes of the Han nationality in some historical stages, such as China's flag dress/cheongsam/mandarin jacket, can never be called "Hanfu" because there is no normal evolution and convergence with the real Hanfu.

General characteristics

The main characteristics of Hanfu are horizontal collar and right lap. Instead of buttons, they are tied with ropes, giving people an impression of freedom and elegance. These characteristics are obviously different from the costumes of other nationalities. Hanfu can be divided into formal clothes and regular clothes. From the shape point of view, there are mainly three kinds: "top and bottom clothes" (ancient top refers to bottom skirt), "deep clothes" (top and bottom clothes are sewn together) and "skirt" (short clothes). Among them, the coronation under the coat is the most solemn and formal dress for emperors and officials; Robe clothes (deep clothes) are common clothes for officials and scholars, while skirts are popular among women. Ordinary working people generally wear short clothes and pants. Accessories headdress is one of the important parts of Han costumes. Ancient Han men and women put their hair in a bun and fixed it on their heads. Men often wear crowns, towels, hats and so on. , different shapes. Women's hair can also be combed into various styles, and they can wear all kinds of beading, walking and other accessories. The temples on both sides are richly decorated, and some wear curtain caps and hijabs.

Men's style

"The Yellow Emperor ruled the world by hanging down his clothes" has spread since the Qing Dynasty (represented by the costumes of Qin and Han Dynasties) and lasted for Xia, Shang, Zhou (Spring and Autumn and Warring States), Qin, Han, Three Kingdoms, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties, Five Dynasties, Song, Mongolia and Ming Dynasties, and influenced Japan, North Korea and other countries. This is the most common style of Japanese kimono.

T-shirts popular since Sui and Tang Dynasties (worn by Emperor Taizong and Li Shimin) continued in Tang Dynasty, Five Dynasties, Song Dynasty, Mongolia, Yuan Dynasty and Ming Dynasty, and influenced Japan, Korea and other countries. Song Taizu and Ming Taizu wear this kind of clothes. So far, the clothes worn by the Japanese emperor on some occasions are all variants of this Hanfu.

There are relatively many styles of women's wear, but there are only two basic styles:

Large breasted right collar (also represented by Qin and Han costumes).

Different from the deep clothes in Qin and Han dynasties, the big-breasted and low-breasted clothes in Sui and Tang dynasties were divided into top and bottom clothes, and the clothes were no longer connected together like deep clothes. These two styles of women's clothing had a great influence on the national costumes (women's clothing) in Song and Ming Dynasties and in Japan and South Korea. During the Sui and Tang Dynasties, Han women also wore Hu clothes with narrow sleeves and tight lapels, but those Hu clothes were basically worn as fashion clothes (or out of curiosity), rather than traditional Han clothes. During the Song and Ming Dynasties, Han women also wore some other styles, but the influence was not wide.

You can see that the costumes of Qin, Han, Tang, Song and Ming are different in some places, but the main parts are the same. The basic style of deep clothes in the Western Han Dynasty is the same as that of Hanfu in the Ming Dynasty, but the details are different. * * * Sex is big chest, right collar, wide robe and big sleeves. In fact, Hanfu, like big shirts, wide robes and big sleeves, was still worn by Han people in the Tang Dynasty, but in the north centered on Chang 'an, it was mainly round neck, while in wuyue, it was similar in the Song and Ming Dynasties. It was during the Nara period of Niao (China Tang Dynasty) that Japanese kimono was introduced to China and developed into today's Japanese kimono.

What is the style of Han costumes? If we compare the Han nationality with the European nationality, we will find that they are obviously different in many ways. For thousands of years, the overall style of Han costumes has been light and simple. The ancient robes of the Han nationality can best reflect this style. The main feature of this kind of robe is its wide sleeves and simple shape, but once it is worn on people, it is different, looks different and has strong plasticity. Although we can't see all kinds of prototypes of this kind of clothing now, from the silk paintings of Han Dynasty and some figure paintings left over from Wei, Jin, Sui and Tang Dynasties, we can still get a glimpse of its divine feature-the simple Chinese coat attached to people with different postures, which suddenly has a fresh vitality, soft and smooth lines and makes people think. Simple and plain clothes add a natural charm to them. Robe clothing fully embodies the gentle, quiet, refined and calm national character of the Han nationality, as well as the simple, natural, subtle, euphemistic, elegant and fresh aesthetic taste. The shoes of ancient Hanfu are also very particular, which are reflected in traditional paintings and operas. Its Hanfu is also a legacy of the Five Dynasties and the Jin Dynasty. "When the Yuan Dynasty revised the Liao history, it even opened up a" Hanfu "for Hanfu.

National integration. After only a few decades, Xianbei and other ethnic minorities in the Central Plains have basically merged with the Han nationality.

3. What poems describing the prosperous Tang Dynasty are not suitable for common rhyme and love Qiushan? _ _ _ _ Tao Yuanming's Return to the Garden Part I

Daohuaxiang said a bumper harvest. Listen to the frogs. _ _ _ _ Xin Qiji's Xijiang Moon Walking the Huangsha Road at Night

An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer. _ _ _ _ Wang Wei's My Wangchuan Cabin in Wangchuan Village after a Rain clears up/Autumn returns.

At noon in summer, the sun is very hot, farmers are still working, and beads are dripping into the soil. _ _ _ _ Li Shen's Two Antique Poems/Two Peasants

The mountains and plains are all green, and the sound of Zigui is raining like smoke. _ _ _ _ April in rural Weng Juan

The trees in the garden are lush, and the crystal dew rises in the sun. _ _ _ Anonymous "Long song"

Plum golden apricot fat, wheat white, cauliflower thin. _ _ _ _ Fan Chengda's "Four Seasons Pastoral Miscellaneous, Part II"

Although the children don't plow and weave, they also learn a kind of melon in the shade of mulberry trees. _ _ _ _ Fan Chengda's Miscellaneous Seven in Summer Village

I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas. _ _ _ _ Tao Yuanming's Three Songs of Returning to the Garden

Looking at Noda from the front door alone, the moon is in the sky and the flowers are like snow. _ _ _ _ Bai Juyi's Night in the Country

During the day, weeding in the fields and rubbing hemp thread at home at night, the men and women in the village took on all the housework. _ _ _ _ Fan Chengda's Miscellaneous Seven in Summer Village

The narrow path covered with vegetation, the night dew wet my clothes. _ _ _ _ Tao Yuanming's Three Songs of Returning to the Garden

Ten miles in the west of the field is ripe with fragrant rice, the hibiscus fence is long with bamboo filaments, and the hanging fruit is green and yellow. _ _ _ _ Fan Chengda's "Shajiang Village Road in Huanxi"

There is no waste of heaven and earth, and the toiling peasants are still starving to death. _ _ _ _ Li Shen's Two Antique Poems/Two Peasants

Jojo and Fu Tian greet each other cordially. Wang Wei's "Farmhouse on the Wei River"

I want to open up wasteland in Minamino and keep my humility to the fields. _ _ _ _ Tao Yuanming's Return to the Garden Part I

Turtledoves crowed outside the curtain, it was drizzling around, and several idle winter fields crossed the river to the beginning of spring ploughing, taking advantage of the spring rain to hoe the ground. _ _ _ _ Zhang Yan's "Crossing the River with Clouds and Shadows" has recalled the spring in Xizi and Hangzhou many times.

Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night. _ _ _ _ Tao Yuanming's Three Songs of Returning to the Garden

Plums are green, plums are yellow, vegetables are fat, wheat is ripe, and sericulture is busy. _ _ _ _ Zhu Yunming's The First Summer Mountain

The boat passed through the shallows, and the struggle between grass and grass was scattered around, and the little egret in Shuitian Bay Aha was swept away. _ _ _ _ Wen's "Li Zhou Nan Du"

When people don't know the hardships of farmers, they will say that Tanaka was born. _ _ _ _ Yan's happy farmhouse

There is nothing like dancing, let alone looking forward to the New Year on the field. _ _ _ _ Formerly "Su Daozhi"

Sunset shines on the market, and cattle and sheep go home along the path. Wang Wei's "Farmhouse on the Wei River"

Tianjia hedge has a small winding path. Clouds and trees are open and clear. _ _ _ _ Zhou Bangyan's Yu Meiren Shuli Amethyst Tian Jiaxiao

In the middle of the night, the tiger took advantage of the small tillage, and the cow gradually could not walk. _ _ _ _ Yan's happy farmhouse

Father plowed Harada, son? This mountain is barren. _ _ _ _ Nie Zhongyi's family

The cuckoo flies to persuade early ploughing, and the hoe flies at the spring eye. _ _ _ _ Yao Nai's "Mountain Tour, Cuckoo Ku Flying to Advise Early Tillage"

This old friend prepared a delicious meal and invited me to his hospitable farm. _ _ _ _ Meng Haoran's Passing Old People's Village

4. Reflect the culture of ethnic minorities in the Tang Dynasty, and briefly explain the poems of women's clothing in the Tang Dynasty. At that time, women's clothing was particularly rich, and the basic composition was skirts, shirts and purses. According to Xu Laoweng, the wife of a scholar in Yizhou, Tang Dynasty, "Huang Luo's silver mud skirt, five-halo silver mud shirt, single-line silver mud scorpion, cover Yidu big clothes." A civilian woman's clothes are recorded in Lost Records: "A child is holding a box with a green skirt, a white shirt and a green wallet." It can be seen that these are the three elements of women's clothing in the Tang Dynasty, and these three basic elements are essential regardless of their status.

Take these three basic clothes as an example. When dressing, cover the petticoat inside the skirt waist. The skirt waist is extremely high, and the petticoat is wide and long. For example, in Meng Haoran's poem "Chun Qing", "clothes are wrapped in grass when sitting, and skirts sweep plum blossoms when walking".

Above the waist, half-naked chest, of course kabuki is still the most exposed. In this regard, there are also many corresponding descriptions in Tang poetry. For example, there is a saying in "Meeting Neighbors" that "the skirt is half naked"; There is a saying in "To Song Ji" that "the snow lamp on the chest shines obliquely".

The skirt should be tied with a gauze belt above the waist and tied in front of it, hanging long and graceful. There is a poem in "Give a Pipa Prostitute" that "a pair of nepotism ties, send an oriole and a lonely goose early".

There are many colors such as red, purple, yellow and green, and the red skirt is the most fashionable. "Five Days of Visiting Prostitutes" is a portrayal of "Mei Daisheng wins the day lily color, and the red skirt envies pomegranate flowers", and traces of scarlet can often be seen from the pottery figurines unearthed from the tomb of Tang Dynasty.

However, the ladies of the Tang Dynasty were not satisfied with this. They even embroidered various patterns on skirts, and even woven precious and beautiful birds on skirts. See "A Book of Ruling and Ruling": "Because the son of An Le made a hundred birds' skirts, the government imitated them". The brave pursuit and creation of women is certainly commendable, but from the perspective of protecting the ecological environment today, I will inevitably be hurt by those innocent birds.

The purse, also called silk, is worn outside the skirt. As can be seen from the murals in Dunhuang, during the Northern and Southern Dynasties, female customers had silk-throwing costumes. However, although the custom of throwing silk is left over from the Northern and Southern Dynasties, I think it does not rule out the influence from Persia. The reason is that this custom is not inherent in the Han nationality and has not been used by previous generations of ethnic minorities. It was Persians who used clothes in Asia at that time. After the opening of the Silk Road, clothing customs will naturally enter the Central Plains with Buddhism.

In addition to skirts, tops and purses, women's dresses in the Tang Dynasty also had half arms. Half-arm is a half-sleeve blouse that is sleeved outside the blouse. This custom is influenced by the dress customs of Ju Chi people in Xinjiang.

Li He's "Song of the Tang Dynasty" contains the poem "Silver Luan steps on half an arm", and the mural of Princess Yongtai's tomb also contains the image of a lady with half an arm. Princess Li Xianhui of Yongtai is the seventh daughter of Tang Zhongzong Li Xian, the granddaughter of Wu Zetian, and married Wu Yanji, the nephew of Wu Zetian. Later, Wu Yanji offended Wu Zetian, who sentenced the princess and Xu to death. Li Xianhui died at the age of 17. There are colorful paintings on the tomb door and tomb wall, as well as a group of exquisite stone-lined ladies' paintings. The young woman in the painting, wearing a long silk scarf on her shoulders, or enjoying flowers, chatting, looking for poems, or dancing and teasing birds, is a portrayal of the tomb owner's life before his death.

The painting of Princess Yongtai's tomb is still in the style of the early Tang Dynasty. Women often wear tight-fitting narrow-sleeved dresses, and the elegant and elegant styles of the Northern and Southern Dynasties are still visible. After the prosperous Tang Dynasty, Bai Juyi's "Spring Dreams and Hundred Rhymes" became the mainstream of fashion, the characters were "short and fat", and the main aesthetic orientation of clothing style began to be fatter and wider.

5. Describe the principle of chastity in the poems of Tang Dynasty.

Xiangyun first bloomed,

Poetic and picturesque.

I like letting a hundred flowers blossom,

Laugh and listen to a hundred schools of thought contend.

Taizongtu

Big heart, big heart,

Call me Iron Horse.

Read through the ages,

Exclusive in the world.

Someone's original intention

Do not disgrace the future mission,

Across the Song, Yuan, Ming and Qing Dynasties.

Simplify the spectrum of poetry rhythm,

Revive the glory of Datang.

Two for the road (Tang Du Fu)

On March 3rd, Spring Festival, the weather was fresh, and many beautiful people gathered in Qujiang, Chang 'an.

Dignified attitude, lofty and quiet personality, plump skin, thin and moderate figure.

Embroidered gold and silver silk unicorn in late spring.

The delicate leaves hanging far from their temples (turning "uniformity" into "horror") hung down their temples and lips.

The beads behind them pressed the waist [clothes] and weighed the body steadily.

Several of them are relatives of the imperial concubine and two wives of Guo and Qin.

The jade steamer is served with fragrant pots and purple humps, and the crystal plate is served with delicious white fish.

Rhinoceros tendon is tired for a long time, and the finely crafted Phoenix meat cleaver is rarely used.

The eunuch flew away, afraid to raise the dust, and the cook came to the sea, enjoying delicacies.

When the solemn flute and drum call the gods, guests should restore the miscellaneous things to reality.

Finally, ride slowly, a noble knight! Take it off in the pavilion and put it on the embroidered carpet.

Snow-like duckweed is easy to fall and cover, and bluebirds fly to the ground in red silk handkerchief.

Yang Jiaqi's flame is extremely powerful and unparalleled. Please don't go near it, lest the Prime Minister be furious!

6. Liu Yuxi's poem "Wuyi Lane" describing the prosperous Tang Dynasty

There are some weeds blooming by the Suzaku Bridge, and there is only sunset at the corner of Wuyi Lane.

Swallows under the eaves of Wang Dao and Xie An have now flown into the homes of ordinary people.

Year: Tang Dynasty

Author: Du Fu

Works: Two Memories of the Past

Back in the heyday of Kaiyuan, there were thousands of families in the small town. Rice is fat and white, and public and private warehouses are rich.

There are no wolves and tigers on the road in Kyushu, which is a good day to travel. Wan Qi, Lu Mao, driver class, male plow female mulberry.

The sage in the palace plays the cloud gate, and all friends in the world are sticky. There has been no catastrophe for more than 100 years, and Uncle Sun has learned Xiao He's law.

Do you smell a piece of silk worth 10 thousand yuan? Today, a field is bleeding. Luoyang Palace was burnt out, and the Fox and Rabbit Cave was newly demolished in the ancestral hall.

I can't bear to ask my age, but I'm afraid I'll leave at the beginning. My junior minister, Lu Chong, was powerless, and the imperial court remembered his official title.

Zhou Xuan zhongxing looked at my emperor, spilling blood and Jianghan's physical strength declined.

7. Find a picture of Taizong, a poem describing and praising the Tang Dynasty.