China Naming Network - Ziwei Dou Shu - "after rain the empty mountain, stands autumnal in the evening" from which poem?

"after rain the empty mountain, stands autumnal in the evening" from which poem?

an autumn evening in the mountains by Wang Wei?

original: an autumn evening in the mountains? (Tang) Wang Wei

after rain the empty mountain, stands autumnal in the evening. ?

moonlight in its groves of pine, stones of crystal in its brooks.

bamboos whisper of washer-girls bound home, lotus-leaves yield before a fisher-boat.

and what does it matter that springtime has gone, while you are here, O Prince of Friends?.

The empty mountains are bathed in a new rain. At night, the air is cool, as if it were autumn.

the bright moon sheds clear light from the pine gap, and the clear spring water gurgles on the rocks.

the bamboo grove is noisy and knows that the laundry girl is back, and the lotus leaves are swaying like a canoe.

in spring, wheatgrass may as well let it rest, and in autumn, the king and grandson can stay for a long time.

note: (1) míng: at sunset, it will be late.

(2) Empty mountain: an empty and lonely Shan Ye. New: Just now.

(3) stones of crystal in its brooks: It's the scenery after the rain.

(4) bamboo noise: laughter and noise in the bamboo forest. Noisy: Noisy, here refers to the rustling sound of bamboo leaves. Huàn: A girl who washes clothes. Huan: Washing clothes.

(5) whatever: whatever. Chunfang: Flowers and plants in spring. Rest: dissipate, disappear.

[6] Wang Sun: It originally refers to the children of nobles, and later it also refers to people who live in seclusion. Stay: stay. This sentence uses Huainan Xiaoshan's "Recruit Hermits" in reverse: "When Wang Sunxi returns, he can't stay in the mountains for a long time", and Wang Sunshi also refers to himself. Reflect the omnipotent mind.

Appreciation: This poem is a masterpiece of mountains and rivers, which embodies the poet's noble feelings and pursuit of ideal realm.

"after rain the empty mountain, stands autumnal in the evening." In the poem, it is clearly written that there is a female fishing boat. How can the poet write that it is an "empty mountain"? It turns out that the lush trees in the mountains cover up the traces of people's activities, which is called "there seems to be no one on the empty mountain, and yet I think I hear a voice" ("Luchai"). Because there are few people here, "Who knows that someone is coming in the gorge, outsiders viewing only empty mountains and thick clouds" ("Taoyuanxing"); Naturally, someone from Fuchiyama came. The word "empty mountain" points out that in addition, it is like a paradise. In the early days of Shan Yu, everything is new, and it is the evening of early autumn. It is conceivable that the air is fresh and the scenery is wonderful.

"moonlight in its groves of pine, stones of crystal in its brooks." The sky is already dark, but there is a bright moon in the sky; The flowers have faded, but there are pines like a cover. The mountain spring is clear, flowing over the rocks, like a pure white plain, shining in the moonlight, what a quiet and clear natural beauty! Wang Wei's "Ode to the Four Sages on the Economy" once praised the noble sentiments of the two sages, saying that "there is no evil wood in the yin, and drinking water must be radical." The poet himself is such a noble-minded person. He once said, "It's better to rest in the wild forest than to drink the stream, so you don't have to sit on the beam and see the princes in the rough." "("Xian Shi Xing Gong ") This month, the pine trees and the clear spring on the stone are the ideal realm he pursues, aren't they? These two sentences are picturesque, free and easy, and have no effort. Such touching and natural scenery writing has reached the level of artistic perfection, which is beyond the ordinary people's learning. "bamboos whisper of washer-girls bound home, lotus-leaves yield before a fisher-boat." There was a burst of singing and laughing in the bamboo forest. It was some innocent girls who washed their clothes and returned laughing. Graceful lotus leaves spread to both sides one after another, overturning countless pearl-like crystal drops. It was the fishing boat flowing downstream that cut the tranquility of the lotus pond moonlight. Under this pine and bright moon, among this green bamboo and violet, there are such a group of carefree, hardworking and kind people. This pure and beautiful life picture reflects the poet's ideal of living a quiet and simple life, and at the same time, it also sets off his dislike of dirty officialdom from the opposite side. These two sentences are written skillfully, but the pen does not show traces, which makes people feel that it is clever. The poet wrote "Bamboo Noisy" and "Lotus Moving" first, because the Huannv was hidden in the bamboo forest, and the fishing boat was covered by lotus leaves. At first, I didn't see it. When I heard the noise of the bamboo forest and saw the lotus leaves blooming, I found the Huannv and the lotus boat. This writing is more true and poetic.

The two couplets in the middle of the poem are both about scenery, but each has its own emphasis. Zhuan Lian focuses on writing things, which are fragrant and clear-minded; Neck couplet focuses on writing people, and hopes for political communication with people. At the same time, the two complement each other. Spring water, pine, bamboo and violet can be said to be the portrayal of the poet's noble sentiment and the environment of the poet's ideal realm.

Since the poet is so noble and noble, and he found a satisfactory paradise in the seemingly "empty mountain", he couldn't help saying, "and what does it matter that springtime has gone, while you are here, O Prince of Friends?!" Originally, "The Songs of Chu Recruit Hermits" said: "When Wang Sunxi returns, he can't stay in the mountains for a long time!" The poet's experience is just the opposite. He thinks that "in the mountains" is better than "in the DPRK", clean and simple, and he can stay away from officialdom and lead a totally clean life, so he decided to retire.

an important artistic technique of this poem is to express the poet's personality beauty and an ideal social beauty with natural beauty. On the surface, this poem only uses the method of "Fu" to model mountains and rivers, and makes a detailed and touching description of the scenery. In fact, it is full of comparison. The poet expresses his ambition through the description of the landscape, which is rich in connotation and intriguing.

Creation background

This poem is written when Wang Wei lived in seclusion in Zhongnanshan and went to Wangchuan for another job (villa) in early autumn.

Author: Wang Wei (71-761, once said 699-761), born in Puzhou, Hedong (now Yuncheng, Shanxi), is a poet of the Tang Dynasty, and is known as "Shi Fo". Su Shi commented on it: "The poem is full of paintings; Watch the painting, there are poems in the painting. " In the ninth year of Kaiyuan (721), he was a scholar and served as Tai Lecheng. Wang Wei is a representative of the poets in the prosperous Tang Dynasty. Today, there are more than 4 poems, including Acacia and an autumn evening in the mountains. Wang Wei is proficient in Buddhism and is greatly influenced by Zen. Buddhism has a Vimalakīrti Jing, which is the origin of Wang Wei's name and word. Wang Wei's poems, paintings and calligraphy are very famous, very versatile and proficient in music. Together with Meng Haoran, it is called "Wang Meng".

reference

ancient poetry network: http://so.gushiwen.org/.