Ancient buildings in Guifeng

The Cai family’s ancestral temple is located in the center of the village, facing south and facing north. It covers an area of ​​1,390 square meters and has a construction area of ​​731 square meters. It is a two-entry single-eave wooden building on the top of the mountain. It is the earliest foundation of the Cai family. . The ancestral temple is backed by green mountains and faces green water. It has a majestic dragon vein and a handsome desk hall. Mr. Geography called it "a flying phoenix holding a book".

The original ancestral temple was built in the Song and Yuan Dynasties. On the night of June 22nd in the 55th year of Qianlong’s reign in the Qing Dynasty (1790), a fire broke out in nearby houses, damaging the ancestral temple, so it was rebuilt on the old site the following year. The existing buildings are basically complete. On the central axis are the main hall, the patio and the lower hall. The main hall is a three-story building with a mixed structure of stacked beams and piers. Thick beams and columns, angled cornices, carved beams and painted buildings are simple and elegant. It has five rooms in width, and the bright room is tall and spacious. There is a shrine at the head of the hall, where the ancestors of the past dynasties are placed for worship in the spring and autumn. There are plaques such as "Jiufeng Yuxiu", "Jinshi", "Juren", "Wenkui", "Wukui" and "Five generations under one roof" hanging high in the hall.

There are two round windows on both sides of the hall on the third floor, housing the eyes of Danfeng. Stepping down along the 11-level vertical belt is the patio. The ground is entirely paved with bluestone slabs, with flower stands and bonsai placed on both sides. There are side rooms on the left and right, and there are 9-level Ruyi stepping stones in the side corridors. The building of the lower hall is simple and elegant, and the main ridge of the roof is painted with various flower patterns, which are colorful and lifelike. There are two round flower windows on both sides of the foyer, and two doors in each secondary room. In front of the 11th level of the hall, there are three front bays, with a wall in front of them. The whole building is surrounded by stone corridors, and there are five-story flower terraces behind the house. There are small wells on the left and right sides of the flower terrace ditch with clear springs, known as the "dragon eyes" of Feng Shui. Judging from the architectural style, the ancestral temple is not luxurious, but in the eyes of Cai's descendants, it occupies a very important position. Cai's Ancestral Hall is located upstream of Shiyin Bridge. It was built in the eighth year of Emperor Kangxi's reign in the Qing Dynasty (1669), when Cai Maoxiang (named Yunhe) became a Jinshi in high school and took charge of the construction in the third year. According to Guifeng's "Cai Family Genealogy", it was a prosperous time and the Cai family was at its peak. Since then, it has become one of the most important monumental buildings of the Cai clan.

The Cai Family Ancestral Hall is a binary single-eave, resting-top, raised-beam wooden building with a direction of 270 degrees. It covers an area of ​​948 square meters and has a construction area of ​​616 square meters. On the central axis are the main hall, the middle hall and the mountain gate Huabiao. It is five rooms wide, and the left and right rooms are connected to the bright room, forming a spacious hall. The ground is paved with stone slabs and lime soil, which is extremely solid. The main hall is the main place for ritual activities. It is built using the column reduction method, that is, the beam-lifting style is combined with the bucket-passing style, so it has a five-clawed dragon component. There are four pillars planted in the hall, which is more than 10 meters wide. There is a shrine in the main lintel, and a spiritual tablet is erected in the niche that reads "The Emperor of the Qing Dynasty conferred the title of Confucian scholar Lang Hanlin Academy Jishi Sixth Ancestor on the throne of Xu Anren, the concubine of Yingcai Gong". The lintel hangs a couplet inscribed by Cai Xin, Prime Minister of the Qing Dynasty Qianlong and a cabinet scholar, "People know the source of water and trees, and the appearance of the temple reflects the virtues and merits of the ancestors." There are plaques "Zhu Cun", "Jinshi", and "Brothers Juren" hanging on the forehead, and a plaque hanging on the left, which reads: "The emperor ordered Shao Xiangyu, a bachelor of the cabinet and minister of the Ministry of Rites, to inspect Fujian and other local admiral colleges, to be recommended by Wen Kui and Tongzhi in the Wuchen Year. Zhongwu Gongsheng Cai Yangzhangli". On the left side of the front, there is a plaque of "Brother and Sister, Master" written by the present person, and on the right side of the front, there is a plaque of "Master" written by the current person. Stepping down along the vertical belt is a patio, with flower stands on the left and right. There are wing rooms on both sides, forming a hall-like structure. The plaque "Father and Son Raise People" is hung in the middle hall, the lintel hangs the couplet "The most beloved origin is Chongyuan Ding, Shangqi family inherits Jun Mo", and the outer corridor hangs the scroll "Zonggong merits bring blessings, ancestors' virtues spread the family's reputation" Union. In front of the central hall is a small courtyard. There is a stone flagpole in the courtyard, and exotic flowers and plants are planted beside it. You can smell the fragrant fragrance.

The gate tower is small and gorgeous, with "Cai's Ancestral Hall" written on the forehead, "Deer and Bamboo (Lu Zu) Double Celebration" on the left forehead, "Crane Longevity and Pine Ling" on the right forehead; "Phoenix" on the left wall eaves "Peony in the morning, mandarin ducks playing in the water, four plum blossoms blooming, peacocks in full bloom, and fish leaping over the dragon gate" group painting. On the right wall eaves are a series of paintings: "Longevity and peace, flowers blooming and wealth, plums and magpies competing for spring, proud frost and autumn chrysanthemums, joy and fragrance". The couplet inside the door reads "Lanshui's family has a far-reaching reputation, and Xishan has a long history". The top of the door couplet reads "Sheng Qi's ancestor Wu Wei cultivates and studies", and the bottom reads "Yi Jue's grandson seeks for thrift and diligence". The door is framed by stone, and the heavy door panels are painted with statues of the two door gods Yu Chigong and Qin Shubao, which look very majestic.

It is worth mentioning that the whole temple is built with 80 huge fir pillars, and the wide beams are inlaid with mortise and tenon without the need for nails or irons. The structure is tight and full of characteristics. Those who come to the hall feel a sense of admiration. The Stone Lion House is located on the right back side of the village, with a direction of 113 degrees. It is named after the exquisite stone lion hidden in the house. The house was built by the 25th generation of the Cai family, Jiachao Gong, during the Jiaqing period of the Qing Dynasty. It is five rooms wide and three rooms deep, covering an area of ​​590 square meters and a building area of ​​486 square meters. It is a two-bay wooden building with a roof and a top.

Main structure and cultural connotation:

As soon as you walk into the mountain gate (Mentouzai), you will see a finely carved stone couplet, which reads: "Three admonitions and high achievements are in Su Huang Above, the origin of the Jiufeng sect comes from Zhu Li. The four words "Zi Qi Dong Lai" are written on the forehead. (Su Huang: refers to Su Dongpo and Huang Tingjian; Jiufeng: refers to Cai Yuanding, a Neo-Confucian scholar of the Song Dynasty; Zhu Li: refers to Zhu Xi and Li Dong). The main idea of ​​the first couplet is: Cai Xiang (former bachelor of Ruiming Palace, one of the "Four Great Masters" in the Northern Song Dynasty in my country)'s achievements are not inferior to Su Dongpo and Huang Tingjian; the main idea of ​​the second couplet is: Cai Yuanding (a Legalist and Neo-Confucianist of the Southern Song Dynasty, self-titled " Jiufeng", Zhu Xi's first disciple)'s knowledge originated from Zhu Xi and Li Dong. It shows that the owner is determined to uphold the ancestor's way of life, and also shows that his status is extraordinary. Since the Ming and Qing Dynasties, the Cai family of Guifeng has adhered to the teachings of the sages (Yuan Ding) and passed down the classics and history to the family. Therefore, those who entered the official position through the imperial examination have been prosperous for a long time. The origin of the school can be traced back to Zhu Xi and Li Dong.

The main building is a binary wooden structure with bucket arches and angled roofs, and is very ornately decorated. There are walls built around the house according to the terrain, which can prevent cold and warmth and provide safety. The main room (middle hall) is divided into the Ming Room, the Second Room, and the Tip Room. The ground is made of Sanhe soil, which is extremely solid. There are wing rooms on the left and right in the front, with a patio in the middle, built with vertical belts and treads, and the patio is entirely paved with bluestone slabs. Connected to the wing rooms is the nave. Because fir is abundant in the south and is light, tough and corrosion-resistant, the entire building is made of fir. The foundation of the house is entirely made of bluestone, with a hanging belt stamp in the middle and Ruyi stamps on both sides. The central pillar of the main hall is pierced with wooden sculptures of two dragons facing each other. There are six ancient dragons in total. The bird with its head raised up is replaced by two cranes in the center, two phoenixes facing the sun on the left, and two unicorns on the right. The ridge purlins between the front porch and the secondary room are built with rolling shed arches, with a bracket in the middle. On the left bracket are a combination of double unicorns, empty city plan, "Fu" and "Jubilee" figures; on the right bracket there are lions, horses and "Shou". The "Lu" figure wood carving combination is full of local characteristics. There are three wooden reliefs on the left and right of the corridor dado. In the right corridor dado are Fengchao Peony, left are Bogu Qiuju, and right are Bogu Orchids. In the wall skirt of the left corridor are Fengchao peonies, Bogu narcissus on the left and lotus on the right. At the junction of the main room and the wing room, due to the terrain difference, in order to prevent rainwater from splashing, a splash wall was placed on the left and right sides, and relief paintings were painted on it. The main contents include landscapes, flowers, ladies, flowing clouds and ancient patterns. The wing is a single-story building with two rooms in width. The two sill windows are hollow wood carvings. In the left sill window are abstract woodcut group carvings of "Fu" and "Lu". The upper one is inlaid with two "Qin and chess" patterns, and the lower one is "Calligraphy and Painting" patterns; the right sill window is In the middle are abstract woodcut group carvings of "Longevity" and "Jubilee", with inlaid "pine and plum" patterns on the top and "bamboo and lotus" patterns on the bottom.

Stone carvings are another feature of the house: the carvings on the pillar base of the main hall include "Carps Leaping over the Dragon Gate", "Songs and Cranes Prolonging Their Life", "Kirin Sending Children", "Deer and Bamboo Double Celebration", "Immediately" "Female Marquis" etc. The most gorgeous thing is the stone inscription on the forehead of the main entrance of the central hall: "Aiwulu" is written in the middle, "Juren" is written on the left, and "Youyi" is written on the right. The relief below the stone gate: the middle circle is Tai Chi, the outer circle is flame, which is a metaphor for the sun, the left and right are two phoenixes and two bats, the sides are auspicious clouds, and the bottom is rolling waves. The composition of the entire picture means "Two Phoenixes Chaoyang". On the side of the stone door frame is Ruyi. On the front, there are carvings of a warrior in armor, supporting a stone beam with one hand. On the right side, there are reliefs of a unicorn delivering a child, a pair of lions playing with a ball, and a longevity star with a pole. Below the door pillars are embossed tangled flowers, squirrels and ancient dragons. A square stone carving pattern is inlaid on both sides of the door, with a long-life lock in the middle. The surrounding frames are engraved with musical instruments, chess, calligraphy and painting, and relief sculptures of the Eight Immortals. The building is located at the back of the village, with a direction of 170 degrees, covering an area of ​​594.6 square meters and a construction area of ​​520 square meters. It is a binary bucket-type wooden building. It is the childhood home of Mr. Cai Longhao, a Taiwanese compatriot.

Due to the steep terrain, another floor slab was built on the right side to serve as a hall, so it was called the "Louping Hall". The main building is still well preserved.

Main structure and cultural connotation:

The door of the floor hall is made of stone and is connected to the surrounding walls. On the forehead above the door are the four characters "Jishao Xishan", the left hand is "Bingshen Zhongdong Yue" (the 13th year of Shunzhi in the Qing Dynasty, 1656 AD), and the right hand is the inscription "Huang Shaofang worships the title". There are murals painted on both sides of the gate. The picture on the left shows a horse-riding official wearing Yuan Dynasty costumes, with guards in front and a canopy behind. The picture on the right shows a scholar. There is a full moon painted on the upper left side, and there are two people holding cinnamon branches inside, which means "the toad palace wins the laurel". In fact, this door is the gate of the gatehouse. It folds into the foyer and has a closed door in the middle. You can go in and out from both sides when walking normally. The middle door is only opened during major festivals. There is an arched money bank on the left and right sides of the gatehouse and at the corner of the wing room, with the words "Tong Yun" written on the left forehead and "Zi Qi" written on the right forehead. Behind the gatehouse is a patio, and the ground is entirely paved with bluestone. Step along the vertical belt to reach the main hall.

The main body of the main hall

is a two-story hilltop building. The floors of the hall and corridors are made of Sanhe soil, which is very solid. There are wood carvings on both ends of the arches and fangs around the hall, and the central pillar is carved with ancient dragon Shuangqing, plum blossoms, sparrows, lotus supports, etc. A shrine is set up at the head of the main hall to establish the ancestor's shrine. There are two gilded double crane wooden plaques on the forehead, which look lifelike. There are wooden carvings of ancient dragons and five bats on the ridge purlins between the inner eaves of the front corridor. The reliefs on the wooden wall skirts on the left and right sides of the front porch include Bagua (Tai Chi) chrysanthemums in a vase, Bogu hanging chime, longevity vase peony, Guqin sword and the story of the Eight Immortals. There are stone carvings on the base of the corridor pillars. On the left are the Eight Immortals inlaid with music, chess, calligraphy and painting, and on the right are the Eight Immortals inlaid with chrysanthemums, plums, peach and peony. There is an ancient stone well next to the left wing. The water is crystal clear and the entrance is as sweet as honey.

The main hall and open room

There is a splash wall on the roof at the junction with the wing room. Its main function is to prevent rainwater from splashing. Painting on the splash wall is another feature of this residence. The inner side of the right wall is embossed with partridges, pomegranates and orchids; the outer side is embossed with landscape paintings of green pines and colorful flowers. The composition of the picture seems to be the appearance of the door of this house. The couplet on the door reads: "The weather is good and you can enjoy peace and happiness, the country is peaceful and the people are stable and peaceful." The inner side of the left wall is embossed with turtle doves, green lotus, and autumn chrysanthemums; the outer side is embossed with landscape gardens, etc. The Houmenshan House is an independent building and was built in the late Ming and early Qing years. It covers an area of ​​more than 3,000 square meters, with a construction area of ​​1,400 square meters and a direction of 113 degrees. It is a wooden building with three entrances and double eaves on the top of the mountain. According to records, this house has produced one civil and military official and seven scholars. It has a strong cultural atmosphere and has a great influence in Guifeng Village.

Main structure and cultural connotation:

It is said that the Houmenshan mansion cost 13,000 taels of silver and took more than ten years to build. The entire foundation is built on the edge of a steep mountain. The stone buttresses are built from the bottom of the mountain stream to a height of more than 30 meters and up to 14 floors. The central axis of the main building is composed of the main hall, the middle hall, the lower hall, and the wing rooms in order. The right side is the annex, and the left side is the annex, study, study building, inkstone washing pool and cliff carvings. It is surrounded by earth and stone walls on all sides. The owner of the house imitated the structure of an official mansion and built it with exquisite materials and fine workmanship. The main hall is a two-story building with five rooms in width and a very spacious open room. The ground is made of Sanhe earth, which is still extremely solid after hundreds of years. Four pillars are planted in the hall, with octagonal granite pillar foundations underneath. Because the hall is wide, it plays the role of dispersing the stress on the main beams. It is different from other buildings and is very unique. The main lintel is a vermilion gate with niches, which is uniquely constructed. The main pillars of the hall are carved with five dragons and inlaid with five blessings (bats); the base of the moon beam is carved with dragons and phoenixes, and the center pillars are carved with bats, chrysanthemums and birds. The base of the hall pillars is made of lotus petals, and the belly is engraved with patterns such as mandarin ducks playing in the water, sika deer and bamboo, lotus mandarin ducks, cranes and longevity. The main hall hangs plaques such as "Guozhi Pinghan", "Wen Kui" and "Wukui". Unfortunately, they were destroyed during the "Cultural Revolution", leaving only the plaques. There are two movable screens beside the front corridor of the hall, with paintings of ancient landscapes and Eight Immortals crossing the sea in the middle. The wall skirt of the front porch is carved with wood carvings in the shape of an ancient dragon wrapped around branches, the upper window is a hollow flower window, and the wood carvings below the window include two lions playing with a ball. The main hall and the middle hall are combined with a splash wall. The left wall is embossed with gourds, banana fans and pine cranes; the right wall is embossed with pine cranes, winter plums and calligraphy, swords and chess. The rest of the space is painted with Ruyi and curly grass halo paintings. The window grilles on the side chambers are all in the ancient Chinese character "Shou", and are accompanied by twining flowers, creating a unique composition.

The middle hall

It is where the owner of the house receives ordinary guests. The middle hall is the living room. There are ancient dragons and birds carved on the middle pillars and beams. There are three doors at the back of the hall. The main door is usually closed and can only be opened for important weddings and weddings. However, it can only be entered and exited from both sides. The bright room and the main hall are relatively small, and the secondary rooms, tip rooms, and end rooms are connected to the wing rooms. The shape of the lower hall is basically the same as that of the middle hall. The difference is that it has a side chamber on the right and a gate on the left. It is carved with wood carvings such as double rhombuses, entwined branches and flower sparrows, money patterns, double circle patterns, etc. There is another Shimen Pavilion under Men Touzai. The inscription and couplets are basically destroyed. Only the words "Four Welcomes and Gifts" in the second couplet are found.

The study room

is a major feature of the late Ming and early Qing dynasties in Guifeng. Almost every ancient building has one, and there are ponds, flower gardens, etc. around the study room, which shows that the local area at that time The Chua family attaches great importance to culture. The library, study room and cliff-carved inscriptions in Houmenshan are located about 20 meters to the left of the attached house. There is an inkstone washing pool of about 30 square meters in the middle. The environment is quiet and suitable for practicing literature and martial arts. Although the library has collapsed, the study room is also tilted and dilapidated. But the strong atmosphere still lingers. The back right side of the inkstone pool is engraved with "Living Source", and the back left side is engraved with the cliff inscription "Steaming Clouds". On the wall of the main hall of the study, there are many good news about the achievements of those times, which adds a bit of scholarly charm and elegance to the place. According to records, the descendants of this house were awarded one Juren, two Gongsheng, and six Scholars in the high school examination. It is truly a scholarly family worthy of the name. It is located on the mountainside on the left back side of the village, facing Ding Xiangxun (45 degrees). It is a binary single-eave and bucket-type wooden building. On the central axis are the back hall, wing rooms, second hall and gate pavilion. There are horizontal buildings on the left and right, and Huabiao Mountain Gate is built on the left. It covers an area of ​​1026 square meters and has a construction area of ​​893.75 square meters. It was first built in the twelfth year of Qianlong's reign in the Qing Dynasty (1747).

Main architecture and cultural connotation:

The special feature of this mansion is that the second hall is the main hall, which is nearly 8 meters wide. Tall and magnificent, the architecture is unique. Legend has it that when the owner of the house was building the house, he heard that Xiao Gong Bodhisattva (the patron saint) would not enter the two-story house, but the foundation was already in place and it was inconvenient to make changes, so he gave up the idea of ​​building a two-story house. That's why the second hall of the house is used as the main hall. The main hall of the second hall is equipped with a lintel, and behind it is a shrine to worship the ancestors' spiritual tablets. The two doors are usually closed and opened during sacrifices. A pair of couplets hangs on the main lintel. The upper couplet reads "Great cause curtains the cultivation of virtue" and the lower couplet "Dun Lun is studying". After hundreds of years, it is still as bright as new. The beams in the second hall are carved with ancient dragons, and there are various flowers and birds below.

The back hall

is a double-story wooden building with clear front, secondary, slight, and end rooms, and two rooms in depth. There is a horizontal house outside the corridor, which is three rooms deep. There is a vertical belt stepping on it, with 11 levels of drop. The most special thing is that the elephant stone is concave inward, about 0.5 meters deep, making the hanging belt of the stamping part suspended in the air. The patio is entirely paved with stone slabs. On both sides of the patio are double-bay rooms. The window grilles are slightly simpler. The yin and yang pillars of the front corridor are carved with patterns such as lotus and crane, toad palace holding laurels, magpies climbing plum blossoms, and male officials on the left and female attendants on the right. The patio is paved with bluestone slabs, the edges are curved, and the workmanship is very particular.

The lower hall

is relatively short, and the wood carvings in the middle hall are ancient dragons, bats and flowers. The front right is the wing room and the left is the gate pavilion. On the left side, 25 meters away from the main house, there is a Huabiao Mountain Gate. There are four large cursive characters inscribed on the forehead, "Merritory Lan Shui", "Ju Yue, Ding Mao Year (1747)" on the top, and "Lin Ci Ti" on the bottom. It is decorated with patterns such as magpies climbing plum blossoms, summer lotuses and autumn chrysanthemums. The Houmentian House is located on the hillside on the right side of the village, facing east and west. It covers an area of ​​more than 1,000 square meters and a construction area of ​​more than 600 square meters. It is a wooden building with three entrances and double eaves on the top of the mountain. It is five rooms wide and three rooms deep, and is surrounded by walls. It was first built in the Xianfeng period of the Qing Dynasty. According to reports, the owner had an unexpected accident in the late construction period of the house, and the ground part was not renovated in time, which forced the project to be interrupted, leaving some defects. However, in terms of its artistic atmosphere, it can be regarded as the best among the existing buildings in Guifeng, and it is also unique among the folk houses in this province. In particular, the woodcarving art is exquisite in craftsmanship and numerous in number. It can be regarded as the best of all kinds of ancient buildings in Youxi County.

Main building and cultural connotation:

The main hall is a two-story wooden building with five rooms in width and three rooms in depth. The Mingjian (main hall) is spacious and elegant, with exquisite carvings. On the central pillar is a Ruyi Chuan Dou, below is a five-clawed ancient dragon, and the entwined chrysanthemums are substituted for Fang.

There is a shrine on the main lintel, and the whole large square is engraved with floral patterns such as "Double Life", "Scroll", and Ten Thousand Bats and Flowing Clouds. On the left side of the hall, the entire large-fronted square is carved with tornadoes, musical instruments, and stories about people; on the right side of the hall, the entire large-fronted square is carved with "longevity" coins, screen-style scrolls, and personal stories. The inner eaves of the open room of the front porch are carved with music, chess, calligraphy, paintings and character stories, and the overhangs are carved with peonies, longevity peaches, pomegranates, calligraphy and swords, etc. The inner eaves of the secondary room of the front porch are engraved with Qing Dynasty "Taiping Tongbao" coins and "Yuanshou", and the outer eaves are engraved with peonies and dragon patterns. The contents of the left and right large square beams and the wood carvings on the inner and outer eaves of the front porch are roughly the same. The floor and patio of the hall have not yet been renovated and are a bit messy.

The exterior skirt of the front porch

The four windows are carved with ancient vases, chess, calligraphy and painting, the Eight Immortals (bats), longevity and birds and beasts; the window grilles are carved with crabs, shrimps, vases, and chess and calligraphy. , Bogu, Dark Eight Immortals, etc. The carving style on both sides is roughly the same, but the content has changed. There are wing rooms on both sides in front of the main hall, and the carvings on the beams in the corridor of the wing rooms are another feature of the house (see picture). The carvings on the front and back of the first fang in the left wing are peonies; the front and back of the second fang are carved with two carp; the third fang is carved with immortal pine; the corners are carved with twining flowers. In the right wing, the first fang is carved with Ruyi peonies and the back is carved with a basket of flowers; the second square is carved with three fish playing in the water and the back is carved with three fish; the third square is carved with wooden brocade flowers on the front and back; and the corner is carved with peony branches. The eaves of the corridor behind the nave are carved with chrysanthemums, peach blossoms, etc.

There is a main lintel in the middle hall

Besides the central lintel are carved wooden squares with paintings of halberds, fighting elephants, arrow pots, saddles, bells and chimes. The main pillars of the nave are embossed with Ruyi buckets and gourds and vases. In the eaves of the main corridor are figures, pines and cranes, and in the secondary rooms are carved vases, unicorns, etc. The carvings of flowers and curly grass on the canopies outside the inner corridor are the only ones seen in Guifeng's ancient buildings and are a unique sight. The pillar base of the main hall is in the shape of a drum, the pillar base of the nave is in the shape of a melon petal, and the pillar base of the front porch is in the shape of a square bucket. In addition, it was also found that there were many success reports in the imperial examinations of Cai Zhaoyuan, the owner of the house in the Qing Dynasty, posted on the wall of the house.

There are many poems by ancient and modern literati and dignitaries praising the scenery of Guifeng, but the most famous one is that of the Qing Dynasty Wen Huadian University Scholar (made in the Qing Dynasty: there were two university scholars, one Manchu and one Han, respectively, with the first grade, concurrently with the palace and hall). Geshan Cai Xin's poem "Eight Scenes in General" written by Geshan Cai Xin: "Guifeng has countless scenic spots, and it is only five feet away from the sky. The golden rooster reflects the morning sun, and the stalagmites are the mainstays. The clouds, dragons, winds and tigers are all there. The sound of the roaring sound is so powerful. I love the spring of the spring, and the refreshing breeze of the old friends. The fragrance of the osmanthus on my sleeves in autumn, and the moonlight around the bridge are so memorable. The eight natural scenery will last forever."