The writing formula of "Bi Na"

The writing formula for "Bi Na"

The writing formula for "Bi Na". In life, I believe that many friends still write in the wrong order. Maybe they didn't listen carefully to the lessons when they were young. , causing the order of strokes to be wrong. Below I have compiled the writing formula for Yi Na. Let’s take a look together. Writing Tips for Bi Na 1

1. Square characters are not square, but they are good at both left and right. (Tian Bai Hui)

The yin strokes are thin, and the right yang strokes are thick and clear

2. The italics should not be slanted, and the whole should be straight. (Wugu Zhizi)

Although the slant is obvious, the main function is to stand firmly.

3. The middle stroke is long and the lower stroke is long, and the cross arms should be clear. (Xiwu Lou'an)

A single pass without losing the mainstay.

4. Eight-crossed herringbone, with the top of the cross in the air. (Meet Jinming)

The lower part should be aligned, not east-west.

5. Cross under the eight characters, also in the middle of the characters. (Heavenly Father Wen Zhi)

If it is tilted east to west, the character will not be formed.

6. Originally, the characters were straight, with horizontal strokes running diagonally upward. (Master Wang Shengzheng)

If it is flat or low, it will reduce the beauty.

7. There are words but no straight strokes, and the strokes are slanted. (Yi Mu Li Nai)

Those who are partial should be slightly corrected to achieve overall beauty.

8. The upstroke should not be long, the downstroke is the main work. (Pi mutually stand together)

The overall arrangement should be moderate between the two divisions.

9. If the left and right sides are vertical, the left side should be short and thin. (The page is solid because of its nature)

The right vertical line is thick and strong, and the main stroke is rounded.

10. There are horizontal and vertical lines. Remember the horizontal and vertical lines clearly. (Mumi Zhuwei)

The vertical length must not be reduced, and the long wind can be suppressed.

11. Some words have many strokes, long horizontal lines and short vertical lines. (Dyeing millet frame with mulberry)

The nidu should be contracted, and the emptiness should be filled with points.

12. The character B is originally skewed, and the curvature is hard work. (Yi has begged)

It is better to live than to die. If you don't have enough time, you will be windy.

13. If the book is thin, it will not reduce the appearance if it is thick. (Divination of Moon Earth)

This character should not be long to avoid emaciation.

14. There are points up and down, and the upper point points inward. (Also fry the lamb)

The lower point should be outward, with roots in the west and east.

15. Use the dot as the edge of the word, and take care of the top and bottom. (Leng Ci Honghai)

Stand up and look down at the starry sky. Tips for writing strokes 2

1. The rule of starting strokes: dot, belt, turn

It is suitable for starting strokes straight down. The reason why this writing method is taught is to facilitate students to learn running script in the future. .

Dot: Any stroke starts from a dot.

Hold the pen vertically and use it at an angle (45XXXXX) (the default is this angle, and it can be adjusted accordingly for different styles of regular script). The pen strokes start from light to heavy, creating an almond point with a sharp front and a round back. It is required that the stroke should be light and the angle should be oblique. The length of the point should be written according to the thickness of the stroke. Do not blindly stretch it to avoid causing trouble in the next step.

Band: It is used to write the outline of the starting point of the pen and to facilitate the transfer of the pen.

Taking the horizontal stroke as an example, after the almond point is written, the brush moves in the direction of the stroke (horizontally right, vertically downward, left downward, downward right, upward right) and the side edge is drawn to form a flat shape. The quadrilateral block surface not only writes the outline of the starting point of the pen;

it also facilitates the pen tip to change direction without leaving any trace, ensuring the next step of the center stroke. Note: Do not lift the brush when carrying it. Cover the head and tail of the dot (subject to the fact that the head and tail of the dot cannot be seen), and write three straight sides and two squares.

Turn: It is to adjust the direction of the pen tip to meet the requirements of the center.

After the flat quadrilateral block is formed, the tip of the pen does not need to be lifted, and then the thumb and index finger are used to rotate the pen barrel counterclockwise (horizontal and pointed are for counterclockwise rotation, vertical and tilt are for clockwise rotation, and the stroke is for writing) The direction is consistent with the same point, so there is no need to rotate), driving the pen tip to adjust counterclockwise;

Make the original pen tip direction change from left forward to left, then moving the pen to the right is a horizontal center stroke. . Note: Do not lift the brush when turning the pen. Use your thumb and index finger to rotate the pen barrel directly to drive the pen tip to rotate on the paper. Like a seesaw, let the pen tip and pen heel contacting the paper move toward the center of the stroke at the same time until the pen tip meets the center requirements. .

The above just takes the horizontal stroke as an example to illustrate the rules of starting point, leading and turning. The starting point of other strokes can be deduced by analogy. As for the similarities and differences in the starting points, belts and turns of the five most basic strokes of horizontal, vertical, left, lift and hold, please see the table and.

2. Rules of writing: center strokes

After the completion of the three steps of starting a stroke, the center strokes are followed by strokes. During the stroke process, Always keep the tip of the pen pointed in the opposite direction to the direction of the pen movement, and at the same time, the tip of the pen must always be kept in the center of the stroke, following the movement of the wrist;

The pen barrel can be tilted in the direction of the pen tip (not in the direction of the pen movement, nor in the direction of the pen movement) The strokes fall on both sides, otherwise it will cause dragging or slanting). The greater the tilt of the pen barrel, the greater the friction between the pen tip and the paper. The pen moves forward against resistance, and the strokes written will naturally be powerful and beautiful (see Figure 3-3). ).

3. Rules for closing the pen

After the writing is finished, the next step is to close the pen. There are two ways to close the pen:

(1) Close the front Pen: flick, pick, fold, turn

When the center stroke reaches the end, the first step to close the pen is to rebound and lift the pen (the less elastic the pen or the wider the pen stroke, the more it must be rebounded and lifted) ), because horizontal strokes, vertical or short vertical strokes, and reverse strokes require lighter strokes to successfully complete the strokes. Therefore, rebounding and lifting is a key step to successfully finish the pen. Here I use the word "bounce" to summarize this step of rebounding.

The second step of "picking" summarizes the upward stroke of the stroke (for horizontal strokes) or the left stroke of stroke (for vertical strokes). The purpose of this step is to cooperate with the third step of "folding" Create edges and corners to emphasize the styling effect of the strokes. Note: When picking, use a one-point pen to pick lightly, and do not use heavy strokes.

The third step of "folding" summarizes that after the "picking" of the pen tip, the pen is folded (the direction is parallel to the direction of the starting point) to the lower right to form a square shape, which is formed by turning in a circle in the next step. The arc closing pen creates a contrast between the square and the circle. Note: This step still requires a light folding pen.

The fourth step "turning" summarizes the circular recovery. After completing the "folding", the wrist drives the brush to easily turn the tip of the brush and gently retract it from below. The entire stroke is successfully completed.

This method can be used to close the pen with vertical dew, short vertical strokes, or reverse strokes.

(2) Lu Feng's pen closing: flick, tilt, kick

Lu Feng's pen closing is to write the pen edge. The same as the Zangfeng pen closing, the first step also requires rebounding and lifting (this step is also called "bounce"), but this rebounding and lifting is performed repeatedly and continuously, and the pen is moved lighter each time until the pen edge is written. With repeated rebounds and lifting, in order for the pen tip to gradually close up, the pen tip must be tilted in the direction pointed by the tip of the pen (this step is called "tilting");

In the last step, the pen tip is quickly kicked out of the paper , forming the stroke (this step is called "kicking"). This method is used for all basic strokes such as the vertical strokes of the hanging needle, the strokes of the strokes, the strokes of the strokes, and the closing strokes of the hooks. What needs to be noted is: if you want to draw a beautiful stroke, you must turn the pen in place when starting the pen. Only when you turn the pen in place, can you write the stroke to the center line of the stroke when drawing back, thus producing a beautiful appearance.

Tip 3 for writing with a pinch point

The hard-pen calligraphy tips for writing with a pinch point horizontally and vertically are as follows:

The horizontal direction should be slightly slanted and the vertical direction should be smooth (3) The vertical writing method should be smooth and the upper part should be hanging. Needle (middle)

Long horizontal and arced, short horizontal and thick (King) Long vertical hanging needle and short vertical column (Nong) The upper part is hidden and the edge is exposed (Jiahua)

Horizontal can be To the left, not to the right (thousands). The left side hangs vertically, and the right side hangs vertically (together). The left side hangs downwards and extends across the bottom (exit).

Remember (inside) that the sky covers the earth. The left side is slightly shorter and the right side is vertical. Long (door, vertical)

Short and long, the angle is moderate, the upper and horizontal are short (coming)

Long and high, it is clear to write that it should be urgent rather than slow

The key is to return to the front and the front is upward. The key is short and the length does not exceed the hook (person)

The key is to return to the front and the point is downward.

Point The wonderful use of taking the balance point is to have a horizontal and half suspended position (market)

Pay attention to the two points looking at each other, and there is no vertical point to the right (wide)

When taking the momentum of a single point, it must be solemn and vertical. Always look for the straight line (Song Dynasty)