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What are the Quyi? Are you studious?

There are many kinds of Quyi in China, such as speaking, rhyming, sitting, standing, rapping, singing and dancing. According to the script characteristics, performance forms and music forms, it can be generally divided into five categories: storytelling, cross talk, allegro, drum music and rap books.

Storytelling category

The characteristic of storytelling is to talk without singing, and an actor tells a story. "Comment" is to comment with comments. Li Yu said that storytelling is the "talk is gossip, things are straightforward" in Random Thoughts. Storytelling is generally spoken in Mandarin, and some people use local dialects, such as Sichuan Storytelling and Hubei Storytelling. Lian Kuoru (1902- 197 1), a well-known storyteller, has a unique style of storytelling, and has unique opinions in storytelling. His good books are The Romance of the Eastern Han Dynasty and The Romance of the Three Kingdoms. He often broadcast lectures on the radio during his lifetime, which made him famous in Kyoto. He once praised "every family listens to storytelling and cleans the streets of Lian Kuoru". In recent years, the ballad "The Story of Yue Fei" written by Liu Lanfang, a middle-aged actor of Anshan Quyi Troupe, warmly and sincerely praised the national hero Yue Fei, mercilessly lashed the traitor Qin Gui and other scum, and achieved the purpose of saying new books and reviewing new books, and the audience loved the audience and hated the audience, which was welcomed by hundreds of millions of listeners. An actor, a piece of awakening wood and a fan have produced the artistic charm of "all of them have one mouth and the whole stage thunders".

Crosstalk class

Crosstalk is developed from folk jokes and has the characteristics of being relaxed, lively, funny and humorous. You can also increase the knowledge of the masses through humorous language and performance to meet the requirements of mass culture and entertainment. The most common form is one stand-up crosstalk, and two people fight each other. Few people perform in groups of more than three. The one-man show in the south (funny) and the photo album in Sichuan all belong to this category. Hou is the most famous crosstalk performer in China, who has made great contributions to the innovation and development of crosstalk. In 1930s, he studied under the famous crosstalk actor Xu Degui, and made his first performance in Beijing from 65438 to 0939. For more than forty years, he has learned from others in speaking, learning, teasing and singing, and is good at learning to sing Peking Opera and local operas. Try to be vivid, vivid, concise and pure in language; Advocate humor and oppose talkativeness; Attach importance to improving the style of crosstalk art. His representative works include drama talk, the war between Guan Gong and Qin Qiong, and career change. Hou 1979 retired from the stage and mainly engaged in the study of crosstalk art.

Allegro class

Allegro includes Allegro, Allegro Counterpart (Digital Treasure), Allegro Shandong, Allegro Tianjin, Zhushu and other schools. Recite by one or two actors, with bamboo boards, knots and copper coins (Yuanyang). Allegro is a simple narrative, with no storyline, dry board and fast pace. After adding stories and characters, it developed into Allegro. Shandong Kuaishu evolved from Bamboo Allegro, mainly telling the story of Song Wu. Gao Yuanjun, a famous artist from Aauto Quicker, was on the verge of despair in Jiangnan before liberation. After joining the army in the early days of liberation, with the help of the army's quyi workers, he devoted himself to the innovation, innovation and popularization of fast-paced books, which made them more widely developed among the soldiers, workers and farmers. Over the past 30 years, he has collaborated with others to create more than a dozen new songs, such as "One Car of Sorghum Rice", sorted out more than a dozen traditional programs, and summed up his experience in creation and performance. The 400,000-word Selected Works of Gao Yuanjun Shandong Kuaishu, published by 1982, reflects the pioneering role played by this master in the reform, innovation, popularization and improvement of Kuaishu art.

drum music

Drum music is very musical, mainly singing lyrics. Two thirds of the songs in Quyi belong to this category. To sum up, it can be divided into seven types:

(1) Tanci Tanci is popular in southern China. Generally, two people play and sing, one plays the three strings and the other plays the pipa, which is called double gear. There is also a person who plays and sings by himself. Suzhou Tanci and Yangzhou Tanci have exactly the same performance form, and pay attention to "rap". The "book cap" sung before the book is opened is called "open". There are many schools of Tanci in Suzhou with their own characteristics. At present, the main schools are Jiang tune, Zhu Xueqin's Qin tune, Xu Lixian's Li tune, Hou Lijun's Hou tune and Yang Zhenxiong's Yang tune.

(2) Drum is popular in North China and Northeast China. Usually accompanied by three strings, the actors sing along with the drums. Some don't have to be accompanied by musical instruments, but only sing with drums. It is the product of the Yellow River Basin, prevailing in the late Qing Dynasty and evolved from folk songs. One of the earliest northern drums is the Ploughshare Drum (namely, Shandong Drum and Pear Drum). Its melody is developed from a folk song combined with productive labor in the rural areas of northern Shandong, with strong local color and simple and healthy local flavor. Why is it called "big drum"? There are several different versions of this. It is said that drums are developed from farmers' yangko, and farmers sometimes beat drums to lead songs. Yangko drum was originally very big, but later it was changed into a small drum with reference to the flat drum used by monks to teach soil. It is said that drum ci used to be good at performing great books, such as Romance of the Three Kingdoms and Romance of Sui and Tang Dynasties. Therefore, the book in charge of the lyrics of the drum is called "Drum Book", or drum for short.

There is also a saying that drumming is to attract the audience and bring everyone together, that is, "drumming to tell stories", which was later misrepresented as "drum writing" In a word, no matter how to explain it, there is no doubt that drums are born and raised from the people. There are more than 20 kinds of drums in China, most of which are named after regions. Such as Xihe Drum, Shandong Drum, Jing Yun Drum, Laoting Drum, Beiban Drum, JD.COM Drum, Fengdiao Drum, Pinggu Drum, Tangshan Drum, Nanyang Drum, Shangdang Drum, Northeast Drum, Anhui Drum, Heluo Drum, Hubei Drum, Taiyuan Drum, Guangxi Drum, Changsha Drum, Jiangxi Drum, Jiaodong Drum, Huainan Drum, etc. According to musical instruments, there are iron drums, wooden drums, plum drums, pear drums and voiceless drums. Easy to learn, not easy to learn!