The most beautiful "operator" eulogizes human feelings.
? Operator Yongmei.
Land Tourism in Song Dynasty
Outside the bridge, the plum blossoms are lonely, no matter what.
Twilight arrival, plum blossom is helpless, exhausted, and has to withstand the wind and rain.
Plum blossoms don't want to compete for blooming, and the envy and rejection of flowers don't care.
Even after autumn, when it is ground into dirt and turned into dust, plum blossoms still emit fragrance as usual.
? The broken bridge, dusk and dusk outside the post are already lonely and sad, adding more melancholy rain and deepening loneliness. The word "more" is very powerful. The first three sentences seem to describe the predicament of plum blossom, but the second sentence, "the rain of the tiller", breaks the previous "limit" like a heavy hammer. This kind of sadness seems unbearable. So far, the emotional rendering has reached * * *, but despite the cold environment, it is still "open".
? Operator, I live at the source of the Yangtze River.
Li Zhiyi in Song Dynasty
I live in the upper reaches of the Yangtze River and you live in the lower reaches.
I miss you every day, but I can't see you, so I drink Yangtze River water.
The water of the Yangtze River flows eastward for a long time, and I don't know when it will stop, and neither will their lovesickness and parting hatred.
I only hope that your heart is the same as mine, and you will not live up to this mutual yearning.
? The whole poem takes the river as the lyric clue. Long Yangtze River water, so that one-sided lovesickness has become the expectation of both sides, and no other hatred has become eternal love and expectation. In this way, on both sides of the barrier, the heart will be permanently moistened and comforted. From "when has this hatred ever happened" to "I won't miss you", the distance between the river head and the river end has become a condition for emotional sublimation. The meaning of acacia is written in a woman's style, and water is compared to continuous feelings.
? Operator Yongmei.
Modern Mao Zedong
The spring departed in wind and rain; With flying snow it’s back again.
Although the icicles on the cliff are still hanging for miles. There is a sweet flower in it.
Joe doesn't fight for spring, he only reports it.
When the flowers bloom, she laughs in the bushes.
? The structure of this Yongmei Ci is exquisite and harmonious. In shaping the image of plum blossom, the first film focuses on the background, comparing the object with the background, so that plum blossom has a strong challenge spirit; The following film takes the object as the center, highlighting the sentiment that plum blossom is willing to hide in the flowers, and giving plum blossom a bright and cheerful personality. A word "Qiao" becomes a bridge of transition and naturalizes the realm of ci.
? Fu Bu, send Bao Haoran to East Zhejiang.
Wang Guan in Song Dynasty
Water looks like a beautiful woman's eyes, like a beautiful frown.
Where are you going? To the intersection of mountains and rivers.
Take the spring water and send you back.
If you go to the south, you can catch up with spring, and you must keep the scenery of spring.
? This is a farewell poem, which expresses the author's feelings when he bid farewell to his friend Bao Haoran in Yuezhou with a relaxed and lively style, ingenious and unique metaphor and humorous language.
? The divination operator lives in Dinghuiyuan, Huangzhou, and hangs the sparse tung in the absence of the moon.
Su Shi in Song Dynasty
The curved hook moon hangs on the sparse buttonwood; In the dead of night, the water from the water clock has been dripping.
Who saw you alone, Hong Ying.
At night, it suddenly becomes afraid, suddenly flies and comes back frequently, but no one always understands its infinite inner feelings.
It kept wandering among the cold branches, but refused to perch on any tree, and finally landed alone on the cold shoal.
? The realm of this word is indeed as Huang Tingjian said: "It is like eating fireworks and cannibalizing people. There is no thousands of books in the chest and no tacky things in the pen. How can you get this!" This lofty realm of freedom beyond the secular world benefits from exquisite artistic skills. The author "eulogizes the story with the spirit of nature", digress from the theme of God, set the context in his mind, and support people with things; In the description of the environmental background of Lonely Rainbow and Moonlit Night, the narrative of scene selection is concise, ethereal, implicit, vivid and typical.
? Operator, don't love sex.
Yan Rui in Song Dynasty
It's not love dust, it seems that my predecessor made a mistake.
When flowers bloom, it is always the monarch of the East.
You have to go anyway. Live high's appearance.
If you get a mountain flower, Mo Wen will be a slave.
? Because this is a statement to express her feelings in front of the Chief Executive, when expressing her wishes, she should take into account the specific occasions and objects and adopt a more subtle way to arouse the sympathy of the other party. But she did not feel inferior because of this, but expressed her wishes humbly, euphemistically and clearly. This is an elegant and backbone confession of a humble but respectful prostitute.
? Bu operator answering room
Wan Le in Song Dynasty
Acacia is as deep as the sea, and the past is as far as the sky.
Qian Qian has never done anything that makes people feel sad.
If you want to see it for no reason, it's hard to fight.
If there is no fate in the last life, we will meet again and bless the next life.
? The whole word is like the water of the Yangtze River, waiting for the first time, never looking back, and the meaning is still unfinished. Being a coquettish woman has always been loved by people, and its mystery lies in telling the true meaning of eternal love: life and death separate us. This is the highest realm of writing.
? Buzuzi went to empty boudoir in autumn.
Xia Wanchun in Ming Dynasty
Autumn leaves are empty, and the plane leaves are swept at night.
Unexpectedly, if we can't get together, we will miss each other.
Twelve Yushu trees are withered, and the lanterns are flickering.
After a few lines of tears at dusk, a crow crows the moon.
? It describes people's yearning for the present and the right person in the boudoir. Judging from Xia Wanchun's experience, the women in his poems are actually the embodiment of his own heart, and the women he misses are also the sustenance of his motherland or his ideal.
? Operator Chun Qing.
Qin Zhan in Song Dynasty
Spring is full of waves, and cold flowers are thin.
In the smoke of one hundred feet, no one was in the building.
Four tones are golden, two hands are thin.
Drizzt Qian Dongfeng Huan this feeling, stronger than wine.
? This is Qin Zhan's last sentence, titled "Chun Qing", and the whole article is about the love of the person he loves in spring. The first two sentences describe spring water and spring flowers, and the poet grasps the characteristics of the scenery to outline it, depicting an early spring picture with rippling spring waves, quiet and dense, chilly spring and flowery flowers. The words "transparent" and "bright" say that the spring water is crystal clear. The word "thin" depicts the bud appearance of flowers in early spring. The opening chapter is closely related to the theme, and the scene expresses the joy of the arrival of spring, which also paves the way for thinking women.
? Business Unit Operator Liu Xin
Nalan Xingde in Qing Dynasty
Liu Xin's figure is delicate, and delicate willow branches can't hang down like delicate women, so how can they stand the spring dance?
The spring breeze in February took more than a year to blow the willow branches yellow.
The same weeping willows, in the west bank of the sunset, hazy misty rain, but more love.
The small Liu Yin Gate of Qiantang River is full of foliage and hazy, which makes people think.
? This fine print is ethereal and beautiful with a pen. Although it is a portrayal, it does not hurt its spirit. As the saying goes, "a disagreement is a romantic affair", which is wonderful. The last film focuses on the modeling of weak willows, but it is already affectionate. The next film focuses on its charm, and the ending with Su Xiaozhi's Canon is more confusing and intriguing.
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