Can literary expression be created?
In literary works, there are various forms of expression, and it is precisely because of the use of a large number of forms of expression that the connotation of literary works can be greatly enriched, the expressive force can be greatly improved, and the artistic charm can last forever. The following is a brief analysis of common expressions in literary works to help students master the expression skills of works.
(1) Combination of repression: "repression" means repression, which is manifested in the degradation, criticism, denial and even uglification of the performance object; "Yang" is praise, which is manifested in raising, praising, affirming and beautifying the object of performance. The combination of these two expressions can receive special performance effects. Sometimes in order to praise things, they are often derogated first, in sharp contrast; Sometimes, it is to praise the performance object for belittling, forming a strong contrast before and after. This is what we often say: rise first and then fall, restrain first and then raise, or restrain first and then raise. Example:
A good name is fragrant around trees, and Yiyi accompanied her to Qiu Guang. If you teach this thing to be worth storing, should it be exhausted by giants? Will. (Luo Yin's "Money Flowers")
In the first two sentences, Qian Hua's name is well written, lovely and amiable, and it is for Yang; The last two sentences are ruthless, playing hard to get, exposing the ruthlessness and insatiable greed of the exploiter, that is, suppressing. The more attractive and fragrant the money is, the more it can reveal the essence of the exploiter, form a sharp contrast and highlight the theme of the poem. Another example is:
The rain in the early morning moistened the dust of the land, the inn of the inn, the branches and leaves of the inn, and a new leaf Sincerely advise friends to drink a glass of wine, and it is difficult to meet their loved ones when they go out to Yang Guan in the west. (Wang Wei's "Send Yuan Er An Xi")
Like a bird, she still flapped her wings and felt sorry for herself, leaving Beijing for more than ten years. A gentleman is poor, who wants to meet today without paying for drinks? (Gao Shi "Don't be big")
The scenery of Wang's poems is fresh and bright, light and dusty, away from friends, it should be relaxed and carefree; Willow leaves are green and full of vitality. Friends should feel excited and full of vitality. However, although the scenery is good, but friends will be foreign guests, melancholy arises spontaneously. First raise and then suppress, the scenery is sad. The scenery in Gaoshi is vigorous and sad, gloomy and dim, and the snow flies like geese, which really hurts people. However, when the poet sees that his friends will stay away from him, he thinks more of "he who knows the city should know the king", and is open-minded and heroic, giving people strength and encouragement. Restrain first and then promote, and the scenery is lined with lofty sentiments.
(2) Point-surface combination: "Point" is a concrete object. Strengthening the description of points can make the content of literary works concrete and flesh and blood; "Face" is a comprehensive summary of the situation. Paying attention to the description of face can make literary works have universal significance and deepen the theme. The combination of point and surface can make literary works both concrete and general. Example:
During the Three Kingdoms period, you made unparalleled achievements, and you gained a permanent reputation by invading. This river won't divert the stones from your disposal, and you will always regret that you will destroy Wu's unwise. (Du Fu's Eight Arrays)
On the whole, The Reflection of the Three Kingdoms, Split, Bound by His Greatness is written by Zhuge Liang, who made the most outstanding contribution in the process of establishing the situation that Wei Shuwu was divided into three parts and stood on his own feet. This is "face"; "Eight Pavilions Stand in Its Name" writes from specific aspects that Zhuge Liang created an eight-array map, which made his reputation more prominent. This is the "point". The first two sentences not only describe Zhuge Liang's overall performance, but also praise his contribution to the military, which well reflects his outstanding military talents.
(3) Combination of motion and static: "Motion" is a form of action to describe things; "Static" is to describe the static state of things. Cicada is quiet in the forest, but Tonamiyama is quieter. On the contrary, the chirping of cicada birds shows the silence in the depths of the forest, which is the artistic dialectical relationship between motion and silence. In literary works, we can use the methods of contrast and contrast to write static by moving, or to write static by moving, so as to see static in moving and static in moving, thus profoundly expressing the thoughts, feelings and behaviors of characters and making their images more attractive; Let the plot ups and downs, more fascinating. Example:
Birds are flashing their eyes under palm leaves, a hundred green moonlight,
In my dream, I shook my shoulders uneasily. On a night like this,
Then, a green coconut fell into the sea, making all hearts ripple, ripple. ...
Lightly thundering across the horizon,
A piece of green moonlight tells about tropical places.
Ten green moonlight, green hometown ...
(Night in Li Xiaoyu)
The outstanding features of this poem are "moving to write silence", "birds blink under palm leaves and shake their shoulders uneasily in dreams", "flashing" and "shaking", as well as the dynamic description of splashing and rolling behind them, which set off the quiet and serene atmosphere at night. Another example is:
The Yangtze River in Wan Li is as white as practice, and the mountains in Hu Aishan are as green as lakes. The river sail is as fast as an arrow, and the mountain spring flies as fast as electricity for several feet. The sunset dew, the new moon is a beginner, and the word "rainbow" comes like a line. (Zhou Deqing's "Sai Qiu Hong Xunyang Scene")
In this Yuanqu, the writing method of "combination of static and dynamic" was also adopted. One or two sentences describing the rivers and mountains in the song focus on outlining the vastness of the rivers and mountains, which is a static picture. Three or four sentences about sails and springs focus on the rapid flight of river sails and mountain springs, which is a dynamic lens. Five or six sentences about the changing state of clouds and the moon are also touching scenes. Through the description of dynamic and static, the whole song makes the work like a ups and downs, three-dimensional spectacular landscape film.
(4) combination of narration and discussion: "narration" is to describe the situation of things; "Discussion" is to express the author's point of view. In ancient poetry, "narration" is often the basis of "discussion", which is the sublimation of "narration" and the finishing touch. Example:
There are two people in Yilu who have experienced poverty. One is a fisherman and the other is a farmer. If you hadn't met at that time, you would be a hero.
Tang Wu meets, and the wind is like a tiger and a dragon. The ups and downs are only a joke. Until now, thousands of years later, who will compete with you! (Wang Anshi's Preface to Langtaosha)
In this poem on history, the first three sentences are all expressed by "narration" and the last two sentences are expressed by "discussion". The part of "Syria" tells the story of Yi Yin and Lu Shang's humble origins and various embarrassing experiences. The part of "discussion" is that if Ilu and Ilu are not reused when they meet two wise and talented people, Shang Tang and Wu Zhou, they are just buried heroes, and it is impossible to build a career that has made contributions in the contemporary era and surpassed the Millennium. These comments pinned Wang Anshi's feelings and hopes. At the time of writing this word, as a reformist politician in the Northern Song Dynasty, he was about to carry out his own political reform thought. He hoped Zongshen could understand the people like "commercial martial arts" and support political reform. At the same time, he also hopes that he can be as lucky as "Yilu" and meet a wise Lord and make great achievements. This shows that Wang Anshi gained spiritual strength from historical facts, was encouraged, strengthened his determination and courage to carry out reform, and also made this poem different from the general and vague works of ancient poets and poets chanting history.
(5) Blending scenes: "Emotion" is an emotional factor expressed in the works and an important content of poetry; "Scene" is the description of the scenery in the works. In ancient poetry, "emotion" and "scenery" often combine harmoniously and complement each other. However, modern literary works constitute the artistic conception of blending scenes, which are usually written in such ways as "touching the scene to create feelings", "borrowing the scene to express feelings", "expressing feelings with scenes" and "expressing feelings with things".
"Touching the scenery and feeling" refers to the natural scenery and its changes in literary writing, which triggers the author's association, arouses and touches the author's inner thoughts and feelings. "Lyricism by borrowing scenery" means that the author expresses the subjective feelings of the characters or himself through the description of natural scenery and life scenes. "Sentiment in the scenery" means that the author observes and describes the objective natural scenery with strong feelings (such as joy, sadness, depression, hesitation, etc.). ) It is produced by the characters' or authors' own experiences or situations in writing, and consciously or unconsciously projects this subjective feeling into the description of objective scenery, and endows it with objective scenery. "Lyricism of images" means that in literary creation, the author expresses his strong feelings and sincere feelings for the characters or the author himself through a detailed and concrete description of the characteristics of natural scenery. Let's look at the following example first:
Old vines are faint crows, small bridges are flowing, and old roads are thin horses. When the sun sets, heartbroken people are at the end of the world. (Ma Zhiyuan's "Tianjingsha Qiu Si")
The title of this poem is Qiu Si, which refers to a depressed, lonely and sad mood. This kind of mood is called "autumn" because "autumn" is a catalyst. Qiu Si was triggered by autumn scenery, so autumn scenery had to choose it. Xiao Ling chose the most distinctive autumn scenery, such as "The Dead Vine" and "The Old Tree", which is most conducive to showing Qiu Si. The nine kinds of autumn scenery in the first three sentences constitute a series of images, which show the heartbroken people's unique feelings about those scenery, and well reflect the combination of people and things, and the blending of emotion and scenery. In the eyes of heartbroken people, the plants in autumn are "old" and "withered", and the lonely "west wind" is blowing on its desolate "ancient road", and even its own mount has become a "thin horse". At dusk, the "family" next to the "small bridge running water" reminded him of his homesickness. But he can't go home, and that "home" is not an inn where he can stay, so he has to ride a thin horse, brave the west wind, endure hunger and continue his wandering journey. Because the "feeling" of "heartbroken man" and the "scenery" of autumn are seamlessly combined, this poem has become the eternal swan song of "Qiu Si". Look at the following "Immortal Insomnia" (excerpt):
Jiang Feng is like a fire, holding a cold fire on the shore. At dusk, the ship arrived in Suzhou. However, this beautiful ancient city is just another place that touches Zhang's sad feelings.
The river slept, the boat slept, the boatman slept, and the people on the shore slept. Only he fell asleep, and the deeper the night, the more awake he became, like a dead tree with fallen leaves and roots, like an empty nest where Liang went. ……
The moon is slanting to the west, looking listless. Birds are singing, rough and hoarse, crows. The moon was darkened by its frequent cries. On the river bank, I think it's frost grass. The stars in the night sky are like clear frost, and the grains are all desolate.
Now that the beard has reached the corner of his eye, he feels as if it is cold, and that sinister chill is waiting for the frosty flowers condensed in early autumn to decorate his bleak young face.
Fishing and fire on the river two three, what are they doing? Fishing, right, or shrimp? Do they also cast nets? Times are hard! Even a handsome fisherman can't help jumping into the storm, can he?
However, hard work is also a kind of happiness! Tonight, the moon is bright, the frost is cold, the people who are at ease are sleeping, and the people who work are working early. Only I, Zhang Ji, don't accept anything. I have neither the right to work nor the right to sleep. ...
The bell rang, the strange late-night bell of Hanshan Temple. Generally, drums and morning bells are ringing in temples, and the "midnight bell" in Hanshan Temple is shaking the earth. The bell is close to the water's edge. For others, the sound is the vague background music in their sleep. However, in him, one by one hit the heart, right in the middle. The bell is beautiful, but does it hurt?
He couldn't sleep, so he pushed the pillow up and wrote the word "a night-mooring near maple bridge" in the dark. ……
(Excerpted from Zhang Xiaofeng's Immortal Insomnia)
In this passage, the author pays great attention to the description and rendering of the environment, which is closely related to the protagonist's mood at that time (the process of the poet Zhang Ji's failure in the imperial examination and staying in Suzhou when he left the capital). At that time, the poet felt ashamed and depressed, but the sad atmosphere of the setting of the moon, the frosty night, fishing in the river and the midnight bell all touched his sadness, which made the night scene of Qiao Feng in his eyes deeply sad because of his mood, and this sadness was an important reason for his writing inspiration. It is this kind of writing style that touches the scene, contains feelings in the scene and blends scenes, which makes the protagonist's melancholy gradually increase until the peak, and at the same time makes the article complete in one go.
(6) Contrast: "Contrast" refers to using similar or opposite conditions between things to highlight something with something as a foil; "Contrast" is to compare and compare two opposing characters and things or two different aspects of the same character and thing, which plays a prominent role. Contrast positive and negative, followed by no owner. Example:
I like flowers, but I have no leisure to play with them. Because of self-knowledge, I dare not invite famous flowers to live. I just want to order all kinds of grass flowers. There is a kind of sunflower, also called immortal, which is colorful when it blooms and looks good in the grass. I planted it several times and it didn't work. "Even if you can't die, you will die." We often laugh at ourselves like this.
Hosta flowers, on the other hand, never need someone to take care of them, but thrive on their own. On both sides of the Yuedongmen path in the backyard, a few shoots were transplanted casually, and in the second year, there were green leaves and white flowers, which dotted the scenery in late summer and early autumn. There is a small piece of land outside my door. The original two rows of flowers have now formed a green row, completely covered the ground. In the morning or dusk, a white flower with a handle is held high, vaguely like a white sail on a green wave, and I don't know where to go. Some plants hide some small creatures in the lush branches and leaves, which is frightening. Hosta flowers are always clean Maybe it's the smell. No insects are allowed to get close to each other. (Zong Pu's "Embrace Autumn")
Before writing Hosta Hosta, the author first wrote his own experience of planting flowers, especially the death of the sun flower, which is known as the "fairy", reflecting the exuberant vitality of Hosta Hosta.
Palace Epang Palace is fluttering, singing and dancing are peaceful. Jinguyuan Jade Building is underground, adding a new king of new york; The ancient willows on the embankment and the dragon boat exhibition on the river show Wal-Mart. I can't bear to look back, the east wind is still coming, and wild flowers bloom in late spring.
Yu Ji died on the banks of the Wujiang River, and the war has burned the red cliff. General Ban Chao died in Yumenguan in vain. The sad flames of Qin and Han Dynasties have made countless people miserable, and those who study can only sigh deeply.
(Zhang Kejiu's "Two Flowers Singing and Homesickness")
Among these two Yuan songs, the first three sentences of the first one are allusions: First, Qin Shihuang built Epang Palace in Lishan Mountain to entertain himself; Second, Shi Chong, a rich man in the Western Jin Dynasty, built Jingu Garden in Luoyang for fun. Third, Yang Di "built a dike to plant willows" and built the Grand Canal in Yangzhou. The last three sentences describe the bleak scene of spring, which is in sharp contrast with the prosperous events of the first three sentences. A hot and a cold, a prosperous and a declining, a nothingness, a joy and a sadness, makes people feel infinite. Three cases are selected in The Later Song: Farewell My Concubine, Wu Shu Breaking Cao, and Ban Chao Joining the Army. The last two sentences, "Mourning Qin and Han Dynasties, painting charcoal by strangers", are about ordinary people who have made sacrifices from generation to generation. Considering the connection before and after, the author actually intends to reveal a reality: heroic beauty is more common in records, but reading 2 1 history, how can ordinary people have that status! On the basis of this contrast, it finally inspires the soul-stirring of "the scholar sighs for life". In these two Yuan songs, the use of contrast forms can be said to have produced remarkable artistic effects.
(7) foreshadowing: "foreshadowing" refers to the hints of people or events that will appear in the future in the works. Proper use of foreshadowing can make the appearance of characters or events appear natural and reasonable. "Caring" refers to the necessary response to what has been written before in the work. Proper use of quotation can make the structure of the work appear compact and tight, and help readers understand the context of the work and the internal relationship between the various levels of the article.
My father likes bluegrass and will go to the mountains in a few days to bring some wild orchids back for cultivation. A few years later, more than 100 varieties were planted in our yard, as if we were going to build a bluegrass garden, and people from more than ten miles away in Fiona Fang came to enjoy it. Father is not proud of this, he is a little angry; I went into the mountains again, but I never brought back those wild bluegrass. This surprised me. When I asked him, I refused to say anything, but once I went into the mountain again and was asked to go with him: "Go to the mountain! ? "(Excerpt from Jia Pingwa's visit to Lan)
Why is father's attitude towards bluegrass inconsistent? Seeing this, we may all have this question. This is a "foreshadowing" of the article. With the deepening of reading, the following article gives us the answer. My father prefers wild orchids that grow near the water in Shan Ye, because "it doesn't grow for appreciation, but exists with its own characteristics" and "obviously has its spirituality". Because of the foreshadowing, my father's confession is not abrupt.
(8) Expressing one's will by supporting things: It means that the author expresses the deeper meaning in his works through the description of specific things. Proper use of ideographic means can express deep meaning deeply and vividly. For example:
When pine trees were young, they grew in deep, deep grass and could not be seen. Now they are found to be much taller than weeds. Those trees that don't recognize that they can soar into the sky, until it enters the sky, people say it is tall. (Komatsu of Du Xunhe)
This poem is rich in meaning. Komatsu in the poem is still young and plain as grass. If we can recognize it as "Lingyunmu", cherish it and cultivate it, it will be learned and meaningful. However, it is this word "knowledge" that people of the times lack. Therefore, the poet lamented that short-sighted "people of the time" would not take Komatsu as a pillar. How many Komatsu were destroyed and hacked because of "ignorance"! And this song "Komatsu" buried in the deep grass is actually a self-portrait of the poet and a portrayal of those outstanding talents who were born in poverty at that time. Although they are young and talented, they can't serve the country and have been down and out all their lives. Another example is:
The spring breeze swayed the willow branches in the wind, and the tender buds gave off a light yellow softer than silk. In the wild garden in the west corner of Yongfeng, no one has ever belonged to that person. (Bai Juyi's Yang Liuzhi Ci)
The first or second sentence of this poem describes a willow tree that grows luxuriantly and shines with beautiful light. It dances with the wind, light and graceful; The color is light yellow, which is more attractive than yellow "gold"; It has a lovely charm, softer than silk thread. However, it is in a lonely "barren garden" with its back to the sun and its back to the cold. No one appreciates it, so it has to be lonely all day long. Its experience is like the situation of those talented people who can't be born in their place. This object-chanting poem expresses the poet's regret for Yongfeng Willow. In fact, it is the author's feeling about political corruption and talent being buried at that time.
(9) Sketch: "Sketch" is to draw a vivid and vivid image with the most concise pen and ink, also called "simple pen"; "Fine description" refers to the description and rendering of objects with rich colors to highlight the characteristics of things, also known as "meticulous painting". "Sketch" such as:
Lin Chong and Cha Bo resigned from the camp together, and they took the road and threw them into the forage field. It's winter weather, clouds are gathering, and the north wind is rising, but it has already rolled up a heavy snow. ……
Only that Lin Chong ... strolled to the east with the key, and then ... walked with his back to the north wind. It snows heavily.
..... (Lin Chong) bought another bottle of gourd wine, wrapped two pieces of beef, ... went out of the gate and still came back against the north wind. Look at the snow. It's getting tighter at night. (Excerpted from Windson Snow Mountain Temple)
What is extracted is that the three direct descriptions of snow in the article are "line drawing". In the first paragraph, when Lin Chong first arrived at the forage field, it was windy and snowy. One by one is about the size of snowflakes; "Quantity" is about the strength of the north wind; "One day" covers a wide range. The second paragraph describes the snow situation when Lin Chong went out to sell wine: "It snowed heavily". When I came back from selling wine, I further highlighted the magnitude of snow: "Look at that snow, it is getting tighter and tighter at night." The word "tight" in these two places clearly describes that a snow is getting heavier and heavier. The above description, although not much ink, does give people the impression of heavy snow. There are "details" such as "Lin Daiyu enters Jia Fu" to describe Jia Baoyu's appearance:
..... Suddenly, I saw that the servant girl had not finished reporting, and a young childe came in: wearing a purple and gold crown with a bunch of hair embedded in it, Qi Mei and Erlong grabbed the yellow amount of pearls; Wearing a red arrow sleeve and a two-color golden butterfly, wearing colorful silk flower long tassels, covered with azurite with colorful satin tassels; Little boots with green satin soles. If the face is like the mid-autumn moon, the color is like spring flowers, the sideburns are cut with knives, the eyebrows are like ink paintings, the face is like a peach award, and the eyes are like eyes. If you are angry, sometimes you will laugh, get angry and be affectionate. There is a golden wreath around her neck, and a colorful silk sash with a beautiful jade tied on it. (Excerpted from Cao Xueqin's "Lin Daiyu enters Jia Fu")
In the article, Jia Baoyu's dress and appearance are described in great detail. After reading it, we were even very clear about the color, texture and pattern of his clothes, as if there was a vivid portrait in front of us.
(1) The suspense of foreshadowing: "foreshadowing" is a description of the environment, mood and atmosphere before the appearance of the main characters or the occurrence of major events or the arrival of climax. In order to create the artistic effect of "ready to come out" and "rain is coming"; "Suspense" refers to the fact that literary works deliberately create some unknowns or details that stimulate readers' interest and tension at the key points of plot progress, leaving the details behind.
Regarding "bedding", let's look at the following description ("Ming Hu Ju Listening to Books"):
After stopping for a few minutes, a girl came out of the curtain ... Suddenly, the drum broke and (the girl) sang in a crisp voice, like a new warbler coming out of the valley and a milk swallow returning to its nest. Seven words per sentence, dozens of sentences per paragraph, slow or urgent, high or low; Among them, where the adjustment is made, there is no shortage of changes. I feel that all the songs are out of tune, thinking that I have finished watching them.
There are two people sitting next to him. One of them asked the man in a low voice, "This must be a white cow, right?" One of them said, "No, this person is called Black Girl, and she is the sister of White Girl. His timbre was taught by Bai Niu. If he is better than Bai Niu, I don't know how far he is from it! His benefits can be said, but the benefits of white girls can't be said. His benefits can be learned, but the benefits of white girls cannot be learned. Think about it, in recent years, who is so stubborn and doesn't learn their tune? It's just that there are at most one or two sentences to the point of black girl. If the benefits of a white girl are never as good as his. " (Excerpted from Liu E's "Ming Hu Ju Listening to Books")
This paragraph is about black girls. The author wrote her singing skills to an amazing extent, as if she had run out of words. Then combined with the audience's comments, it shows that "his timbre was taught by Bai Niu"; "His benefits can be said, but the benefits of white cattle cannot be said"; "His benefits can be learned, but the benefits of Bai Niu can't be learned" makes the article vivid, which naturally leads to the protagonist of this article, Bai Niu, laying a good foundation for the key content of the article-Bai Niu's wonderful singing skills, and making readers interested in Bai Niu's singing skills.
As for the use of the "suspense" technique, let's specifically look at the following "wage earners":
There is a Shenzhen wage earner in Xiaoyan Village, and that is Faye Wong's Man Bao, Gui.
Gui came back from the Spring Festival wearing a plaid suit, brown oxhide shoes and dark sunglasses that everyone thought were hooligans. Pretend that the whole village is talking about it. Fortunately, the children of the first grade went to Faye's house to pay New Year's greetings, and Agui gave each baby a dollar, so people realized that Agui was not a rogue, but a boss. As a result, the old and young in the village began to approach Agui.
Gui, what are you doing in Shenzhen? Someone tried to find out why Gui had money, but Gui just laughed and didn't answer. Even aki's father Faye doesn't know. But people are 200% sure: Gui is really rich.
People's guess is 200% correct. On the fifth day of the first month, Agui asked Faye to go to Shenzhen with him to see the world. Faye refused to go. Pell pestered and said, Dad, just go. At this age, if you don't see the lively world there, you won't have a chance. Faye still refuses to leave. Gui said, Dad, come with me. Anyway, I won't do anything bad there. Faye's heart lit up a little after hearing Pell's words. Finally, under the persuasion of neighbors, Faye and Agui arrived in Shenzhen.
Shenzhen, a colorful city, is a paradise in Faye's eyes. Agui accompanied his father to visit several scenic spots in Shenzhen, and finally told him how to cross the road to go home and go to work by himself. In the first two days, Faye was afraid to leave Agui's room. At most, he looks at pedestrians and vehicles at home, watching the lively scenes he has never seen before. A few days later, Faye's courage increased. You can stay away from Agui's house and look along the street. Gui is very busy. In addition to preparing three meals for Faye on time, he goes out early and comes back late all day.
On this day, Faye went to a busy place and found a chubby woman sitting there with her eyes slightly closed and her feet held by a person. Faye was curious and walked aside to watch the fun. The foot hugger is very devoted and is trimming the woman's toenails with a knife. The nails are round, the foot wrap is scraped again and again with a knife, and then painted with red oil, which is beautiful and fresh. Faye stood here absently for nearly ten minutes. The fat woman gave the foot hugger 20 yuan, and the foot hugger bowed and said thank you. The foot-binding cloth turned around, and Faye was stabbed in the head with a heavy knife: the foot-binding cloth is actually his son, Gui!
Faye gave Pell a slap in the face before A Zi called out the word "Dad". Neck muscles like earthworms scold: worthless thing, I didn't expect you to do such a job! Go home and farm honestly with me!
I didn't swallow a grain of rice tonight. The next day, no matter how Pell pleaded, Faye returned to his little rock village. Neighbors are very happy to talk about Shenzhen around Faye. Faye said that cars and houses in Shenzhen are beautiful. Someone asked if Gui was here. Grandpa said, ok. However, since then, Faye has fallen ill, making people feel more and more sorry for him: live a good life, but we are leaving.
By the time Pell came back from Shenzhen, Faye had swallowed a sigh of relief. Pell knelt beside Faye's coffin and refused to get up.
On Faye's deathbed, Agui trimmed Faye's toenails with a knife, which were round, and then applied nail polish again and again. It's beautiful and fresh. Everyone in Xiaoyan Village says Faye's toenails are beautiful and fresh.
This is the beginning of the novel. The author tells us that Gui "made a fortune", but why Gui "made a fortune" is a question that everyone wants to know, because he "laughed but didn't answer". We don't know. The author also took the opportunity of his "no answer" to open the pen and ink, and now he turns to the fact that Agui is taking his father to Shenzhen to see the world. In this way, the author sets a question (that is, "suspense"), so that readers can continue to follow his narrative and look for answers in the text. With the deepening of the plot, the mystery is revealed: Agui is just a pedicure! This is unacceptable to Agui's father, who has been kept in the dark. He immediately returned to the village and eventually died of qi disease. Due to the ingenious setting of suspense, the plot of the novel is particularly tortuous and unexpected, and the reader's interest in reading can always be maintained.
(1 1) Frontal: "Frontal" refers to direct description, that is, a concrete and vivid description and portrayal of the characters, events and environment in the work, which can also be understood as "real writing". "Side" refers to indirect description, which means to reflect and set off the main object being described by describing the personnel scenery around the object, and can also be understood as "imaginary writing".
Such an ordinary letter from home has become an inexhaustible source of happiness for my father. When I received my letter, my father was in no hurry to open it. Instead, I poured good wine, put a handful of arhat beans beside me, and sat down. Then he opened the paper, took a sip of the wine and read a line, as if he could chew between the lines. My letter turned out to be my father's "appetizer" After reading the letter, almost an hour passed and my mother came back from Tiantou. At this time, my father will be very happy to call my mother: "believe, believe!" " Whether mom wants to wash her face or not, she looks like a big book, just like what mom said, "a little dull."
……
I was moved to learn from my mother that my father was so obsessed with my son's letter. Besides, my mother told me that your father is really funny. Every day he goes to the threshing floor to wait for the postman and asks if there is any "letter from home". Knowing this, I was moved to write to my father more diligently. This action is very conscious and sincere, and it can be regarded as a reward for the hard work and care of parents. (Excerpts from letters from home)
In this article, the author describes the deep feelings between father and son contained in this small letter. In writing, the author pays attention to using two different expressions to express the theme. The previous paragraph is a positive description, which vividly describes the father's obsession with his son's letter through a series of actions (not rushing to open the letter-pouring wine-taking beans-sitting-opening the letter-sipping wine-reading a line), and at the same time makes readers feel the deep affection between father and son. The latter paragraph is a profile description, without writing about my father's behavior, but through my mother's narrative and the corresponding changes I made after learning about this situation, it implies the sublimation of family relations. Another example is the following two ancient poems:
The spring breeze swayed the willow branches in the wind, and the tender buds gave off a light yellow softer than silk. In the wild garden in the west corner of Yongfeng, no one has ever belonged to that person. (Bai Juyi's Yang Liuzhi Ci)
It is true that China is not red, flying from sunny to snowy. Flowers often hate the wind, but Huayang loves it alone. (Wu Rong's Huayang)
They all write about willows, and white poems use positive descriptions. The first sentence is about lush willow branches and beautiful dancing. In the spring breeze, countless willow branches dance with the wind. In the second sentence, the willow branches are dazzling, tender and colorful. The spring breeze is warm, and the willow branches show thin leaves and tender buds, which look pale yellow; Slender willow branches, floating in the wind, are softer than silk thread. Write two sentences about the soft charm of spring willow as soon as possible. Wu Shi wrote a poem praising Huayang, but he didn't directly write how beautiful and special Huayang was, but wrote a hundred flowers in contrast. He pays attention to the love of flowers, their self-expression, their fragile personality and their vulnerability to the wind. This frivolous cowardice of Baihua just reflects Huayang's beautiful sentiment of indifference, firmness and courage to meet challenges. This technique has well achieved the author's purpose of praising the unique and arrogant Huayang.
(12) Metaphor symbol: "Metaphor" means "analogy", that is, two different things have similarities with each other, so compare one thing with another. Proper use of metaphor can turn prosaic into vivid, abstruse into simple and abstract into concrete. "Symbol" means that the author uses one thing to represent another while the characteristics of the original still exist, or uses one thing to represent similar or similar ideas, thoughts and feelings. For example, the image of Haiyan in Gorky's works symbolizes the psychology and feelings of the revolutionary pioneers; The image of passers-by in Lu Xun's works symbolizes the tenacious fighting spirit of seeking up and down and persisting in progress, and is the visualization of psychological and mental state; The herbs and beauties in Qu Yuan's Lisao are also symbolic. The use of "metaphor" techniques, such as:
The Yangtze River in Wan Li is as white as practice, and the mountains in Hu Aishan are as green as lakes. The river sail is as fast as an arrow, and the mountain spring flies as fast as electricity for several feet. The sunset dew, the new moon is a beginner, and the word "rainbow" comes like a line. (Zhou Deqing's "Sai Qiu Hong Xunyang Scene")
This song uses six metaphors. The first sentence is to compare the Yangtze River to "white practice" (white ribbon) and write the clarity of Qiu Jiang; The second sentence compares the lush autumn mountain to indigo (a deep blue dye) and writes the green of the mountain; The third sentence compares the light river sail in the voluminous lecture to several reed leaves. Only light reed leaves can write the feeling of flying like an arrow. The fourth sentence compares the waterfall pouring down from the majestic Lushan Mountain to lightning, and writes the steepness of the mountain and the speed of the waterfall; The fifth sentence compares the first moon rising from Ran Ran on the horizon to a semicircular round fan, and writes a "new moon".