Comment on 202 1 cross talk sketch in Spring Festival Evening, Yun-peng Yue's creativity is pleasing, but Jia Bing can't bring a star.
What has changed is that cross talk programs have increased, and in recent years, there has rarely been a "grand occasion" of three cross talks in one party.
What hasn't changed is that the stars still appear together in the sketch program, which is another grand occasion popular in recent years.
On the whole, this year's Spring Festival Evening comedy shows have a good overall effect, but there are still some problems. This paper will comment and grade the eight comedy programs in the Spring Festival Evening from five aspects: creativity, content, performance, effect and aftertaste:
First, Yun-peng Yue and Sun Yue's "Song of the 30th Anniversary"
This is a very pleasant idea. Looking back at the classics can not only draw the charm of classic songs, but also have excellent live interaction effect because of the high singing degree of classic songs.
Compared with the Spring Festival Evening in 2020, the performances of Yun-peng Yue and Sun Yue have greatly improved. Their performance is relaxed and the field control is first-class, which is a bit like the small theater of Deyun Society. He even learned Jiang Kun's demonstration movements at the Spring Festival Evening of 1990, and shook hands with the audience while singing.
If it's a pity, the pace of this cross talk is a little too fast, and it's really in a hurry as Yun-peng Yue said. If the details can be extended for five minutes, the effect will be better.
Creativity: 8 points Content: 7 points Performance: 7 points Effect: 8 points Aftertaste: 7 points.
Comprehensive score: 7.4 points.
Second, the "twists and turns" of Jia Ling, Zhang, and others
Creativity is very old-fashioned, which is one of the most common sketch creative routines, misunderstanding.
Fortunately, Jia Ling's team performed well, especially the key figure Jia Ling. If this sketch is not Jia Ling's wonderful performance, it will basically collapse, and Jia Ling's performance level is vividly displayed in this sketch. She even took the time to pay tribute to Teacher Zhao in her poems.
There is an obvious groove in the sketch. In order to make up for the burden of "chef or bonesetter", let a doctor walk the streets in a white coat? This has been seriously divorced from life, comedy can be dramatic, but not too lost. This has nothing to do with absurdity. It's called ignorance.
Creativity: 6 points content: 7 points performance: 8 points effect: 7 points aftertaste: 6 points.
Comprehensive score: 6.8 points.
PS: Jia Ling can score 9.5 points for his personal performance.
Third, The Balcony by Shang Daqing, David, Qin Hao, Claudia and others.
202 1 The most special sketch theme is hard to find in other years. There are many stars, but the whole is not bloated. The plot is funny and moving, and the language design is in place.
This sketch has three highlights. One is that the delivery of drones is very smooth. Although the action is not big, it is not easy to play so stably on this occasion of the Spring Festival Evening. After careful observation, the author thinks that Shang Daqing just made a remote control, and the actual operation was done in the background.
And the combination of Qin Hao and King Yan Hui. In recent years, a pair of acting schools that have not been popular all the year round have finally soared, and even partnered on the Spring Festival Evening. It's really a good meal, and I'm not afraid of being late.
Another highlight is the final "unsealing" of the sketch. However, this is sensational, but this is just sensational. Even when watching the replay, the author will still cry for this passage. This feeling of being highly compatible with the plot, creativity, scene and TV is excellent.
Finally, I feel a little "distressed" about the two stars, Sun Xi and Loura. They haven't spoken for more than ten seconds in the sketch. Fortunately, there is a chorus behind, otherwise the appearance time will not catch up with a drone.
Creativity: 9 points Content: 8 points Performance: 8 points Effect: 8 points Aftertaste: 8 points.
Comprehensive score: 8.2 points.
Four, Sun Tao, Wang Xun, Amanda and others "cleaning"
If you put it in the whole sketch world, the creativity of this program is not old. If you put it on Sun Tao himself, he almost copied his past works, which is equivalent to "copying" himself. I have seen several sketches of Sun Tao with similar themes.
In the performance, Sun Tao and Wang Xun are as steady as ever. The old bones in comedy are just old bones. Although Amanda is also Sun Tao's old partner, her role is not very likable, and she looks a little embarrassed. Of course, the most embarrassing thing is Z.TAO, who also joined in the fun. It is more appropriate to put the burden of "a lot of fish" made by the laughter team on him. It makes no difference whether this sketch has him or not.
Creativity: 6 points content: 7 points performance: 8 points effect: 6 points aftertaste: 6 points.
Comprehensive score: 6.6 points.
Five, and Chen "old parents"
A good idea. Really, this idea combines the two "pain points" of many children's burdens and parents' burdens in modern society. This is interesting, ironic and reflective. This is a very accurate theme of modern society, which can be compared with Jiang Kun's classic crosstalk "anxiety".
Unfortunately, Chen, still not, the level. There is a big gap between Liang Zuo, Tang Jiezhong and Jiang Kun in work structure and performance level. There is really no way to do this. The two boys have tried their best, but not to that extent.
What makes people speechless is that in their cross talk, there is a baggage "selling fish" that Ma Lisan personally demonstrated on TV. They changed from selling fish to selling seafood. Ma Lao has explained in detail the main points and methods of this burden. Unfortunately, he and Chen still haven't shaken well, which may be related to tension and limited time.
Creativity: 9 points Content: 7 points Performance: 7 points Effect: 7 points Aftertaste: 6 points.
Comprehensive score: 7.2 points.
Six, Jia Bing, Nini, Bao Beier and others' Happiness in Spring.
The theme of high-speed rail is very popular in the Spring Festival Evening in recent years. The creativity of the sketch has not broken away from the strange circle of gathering less and leaving more, and the overall structure of the sketch has not broken away from the routine of several happy families and several sad families.
Compared with the old routine, the most frustrating thing about this sketch is that it has almost become a place for stars to join in the fun. Except Jia Bing, all the others belong to the film and television circle and variety circle, and most of the stars are embarrassed, which leads to the poor effect of this sketch and some of them are distracted. For these film and television variety stars, Jia Bing, who plays skits, obviously can't impress them.
Fortunately, Jia Bing's performance is quite good. In addition, Nini's lines are really strong, obviously better than other stars. Their partner is the only highlight of the sketch and the biggest surprise. If you score separately, you can reach 9 points.
By the way, the writer of this sketch is Lou Chen, so the author estimates that the role of Nini may have been tailored for Ren Zihui at the earliest, and she is tall and has played the object of Jia Bing. Even if she doesn't play that role, Ren Zihui can play the head office of a female security guard. Unfortunately, in order to make way for the star, she only reported two stops.
Creativity: 6 points content: 7 points performance: 7 points effect: 6 points aftertaste: 6 points.
Comprehensive score: 6.4 points.
Seven, Zhang Kaili, Zhang Guoqiang, Wan Qian, Allen and others "urged marriage on holidays".
This should be the work of Xiao Ai's studio. Creativity is neither old nor new. The "pain point" close to the people, especially the elders, is very grounded.
There is also a phenomenon that stars cluster together, but to be honest, Wan Qian and Allen are better than Zhang Kaili and Zhang Guoqiang in this sketch.
The problem of the two predecessors is that their lines and performances are a bit exaggerated, which is in contrast to their status. Wan Qian's lines, expressions and little moves are really awesome, which makes the author almost lose his way. In addition, Allen's earthy love story may collapse on others, but it is appropriate on a handsome young man.
This is the ingenuity of plot line design. What kind of people say what kind of lines, other sketches will naturally look awkward when twisted. In this sketch, it is good to let Xiao Xianrou say Xiao Xianrou's lines have no sense of disobedience.
Creativity: 7 points Content: 7 points Performance: 8 points Effect: 7 points Aftertaste: 7 points.
Comprehensive score: 7.20.
Eight, Li Yinfei and Ye Peng's "Treason"
This idea is invincible. Comparing the traditional Hawking with the current webcast is undoubtedly a great theme. Tradition and innovation, bringing the old with the new, inheriting the old and bringing forth the new, complement each other.
Judging from the performance of the two actors, Ye Peng may be more brilliant. After all, he is a traditional performer, and Ye Peng has always been an underrated performer. There are some problems in Li Yinfei's performance, such as platitudes. This time, his singing is far worse than that of Ye Peng.
The problem with this work is that Li Yinfei's performance is a bit weak, and it is also one thing that the imitation of the Spring Festival Evening scene cannot be too open. Crosstalk is much more interesting if it is in a small theater.
Creativity: 9 points Content: 7 points Performance: 7 points Effect: 6 points Aftertaste: 6 points.
Comprehensive score: 7 points.
To sum up, the final ranking of comedy programs of 202 1 CCTV Spring Festival Evening is:
Balcony-the song of the 30th anniversary-such parents are urged to get married on holidays-selling-twists and turns-cleaning-for the happiness of spring.