Yan Zhenqing calligraphy font couplet picture

Yan Zhenqing is one of the famous calligraphers in China, and his calligraphy style is deeply loved and appreciated by people. Now Yan Zhenqing's calligraphy fonts, after people's research, have been created into couplets, which have very high characteristics. The following is a picture of Yan Zhenqing's calligraphy couplets.

The high-definition picture of Yan Zhenqing's calligraphy is a couplet, which is one of the traditional cultures in China, also known as couplet or couplet. It is a antithesis written on paper, cloth or engraved on bamboo, wood and columns. The antithesis of couplets is neat and even, which is a unique artistic form of Chinese language. According to legend, couplets originated from Meng Changjun, the master of Shu after the Five Dynasties. Couplets are the treasures of China traditional culture.

Yan Zhenqing's appreciation of calligraphy and font couplets has a long history. It is said that it originated from Meng Chang, the master of Shu after the Five Dynasties. His inscription on the peach symbol on the bedroom door panel:? New Year's Day in Qing Yu, Cargeno. Changchun? , refers to the text? Topic peach personality? (See "Shu Konglang"), which is the earliest couplet in China and the earliest Spring Festival couplets. [4] This statement is based on the words quoted by couplets scholars in Qing Dynasty in Couplets Conghua, but according to the study of Couplets Overview, will it be quoted? Work with its words? Change to? Not cooperating with its words? The original text of Shu Lang Lang thinks that this couplet comes from a new rather than a new hand. Different historical materials in the Song Dynasty have different opinions on this, and some people classify the author as the son of Meng Yun. So who is the author of this pair of Spring Festival couplets is still an unsolved case.

The parallel style of couplets originated from the Ci and Fu in the Eastern Han Dynasty, which flourished in Wei and Jin Dynasties and in the Southern and Northern Dynasties. As can be seen from the name, parallel prose is a dual style, which is mostly composed of antitheses. The continuous use of such antithetical sentences is also called parallelism or parallelism. Liu Xie in Wen Xin Diao Long? What is the evaluation of the parallel style of Ming poetry? It's strange that you have to fight for a price if you choose a hundred words. ? Take Wang Bo's Preface to Wang Tengting in the Early Tang Dynasty as an example;

When Wei is in September, the sequence belongs to Sanqiu. The water is cold and the pool is clear, and the smoke is purple. Yan Yan likes to walk on the road and watch the scenery to worship Afghanistan. Near the Emperor Changzhou, it is the old fairy temple. Mountains and clouds are heavy; Feige is full of blood, and there is no land under it. Heting ancient bamboo, the haunt of poor islands; Gui Dian Lan Gong is the posture of hills.

Embroidered, Yamahara full of vision, Kawasawa full of vision. Yan Lu, the hometown of Zhong Mingding's delicious food; Ge boat maze, green finch Huanglong axis. Clouds selling rain Ji, colorful. The lonely ducks fly together in the sunset, and the autumn water is the same as the sky. Fishing boats sing late and resound all over the coast of Peng Li; Yan Zhen was stunned by the cold, and his voice broke Hengyang's pu.