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Good luck in Chinese painting and landscape painting techniques

Jiang Wei's landscape painting method: expressing aesthetic style with skillful pen and ink skills

In the creative exploration of landscape painting, if it is unique, self-contained, conforms to life, conforms to the times and resonates with nature, it can be regarded as an excellent landscape work.

First of all, the stone in front is in harmony with light and shade, and the outline of the stone is outlined by the lines on the middle side. Pen can not only outline the thickness of the stone, but also reflect the texture and thickness of the stone. Use the pen flexibly, don't be too cautious, pay attention to the enthusiasm and touch-up of the pen. The pine trees above the rocks are more dense, paying attention to the overall looseness and natural branches, which are expressed by the brush strokes of pine needles and are thick and full.

In the same way, sketch the stone on the right with thick ink, pay attention to the structural characteristics of the stone, use a strong pen, and the stone mountain is strong and neat. Give the rock a rugged shape. The texture of a gem is expressed by dyeing.

Described the pine tree on the stone with freehand brushwork, mastered the shape of the tree, with height and height, vivid and natural. Pay attention to the density and density of pine needles and leave them blank naturally. Cinnabar and moss on the top of the mountain.

The distant mountains are towering, described by vermilion and vermilion. Attention should be paid to the close shot, prospect, ups and downs, the reality on the top and the emptiness on the bottom, and the bottom is shallow and faint, showing a sense of clouds and fog. The height of the top of the mountain is composed of different levels. The key point of cloud performance is to leave blank space, the morphological structure should fluctuate, and pay attention to the overall spatial level and the connection between reality and reality. Finally, tidy up.