Collection of thesis comments, doctoral thesis academic comments

Collection of thesis comments, doctoral thesis academic comments

One article

Express Education’s thesis "Research on the Evolution of Landscape Painting Methods" is based on the evolution of Chinese landscape painting methods. Starting from this, it sorted out the origin and evolution of landscape painting methods from the aspects of "green changes", "ink changes" and "brush and ink changes", and made a detailed and well-documented development of the inheritance and development trend of Chinese landscape paintings in the 20th century. discussion. It can be seen that the author of the paper has put a lot of effort into collecting historical materials, analyzing ideas, and sorting out concepts. The evolution process of landscape painting is clearly divided into stages and elaborated accurately. It puts forward its own opinions on the key issues of "change and immutability", giving readers a clear outline. The paper is original and provides valuable results for the theoretical research and creative practice of contemporary Chinese landscape painting.

The paper has clear text, pictures and texts, rigorous study style, and standardized writing, which reflects the author's comprehensive quality and academic skills.

Meets the requirements for a doctoral thesis in fine arts.

It is recommended to continue to enrich and expand on this basis and write a monograph.

Part 2

Chinese landscape painting is a large category. There have been many discussions on specific painting methods in the past dynasties, and there are many valuable results. However, it is rare to treat landscape painting techniques as a system and summarize and analyze its characteristics and evolution from a macro perspective. The author of this article started from the perspective of his own advantages in practice and chose this topic that is rich in tradition and has practical significance, which deserves recognition.

The paper has a clear framework and summarizes the changes in landscape painting techniques into four paragraphs, which reflects its own academic thinking and speculative conclusions, and has its own original ideas. What is particularly worthy of recognition is that many of the analyzes can closely grasp the ontology of "techniques". They are not just empty talk, but are highly credible in reading. This is an achievement that can only be obtained by having direct experience in practice and being able to read and think.

The writing of this article complies with the standards for doctoral graduate thesis, has a good academic level, reflects the results of three years of study, and can enter the defense process.

The argumentation perspective of the paper focuses on the ontology of the elements of pen and ink, which is both a strength and a disadvantage. That is, the motivation for the four changes does not necessarily come from within the pen and ink. The era, concepts and even functional requirements may also play an important role. effect. It is recommended that a broader perspective be adopted in future related research.

Part 3

This paper grasps the key to the transformation of Chinese landscape painting methods. In the evolution of the expression methods of landscape painting, it sorts out the cultural roots behind the changes in external means and the identity of the painting subject. Spiritual pursuit to find out the evolutionary context of the external expression and intrinsic value of Chinese landscape painting. In the historical development of Chinese painting, whether it is changing the subject matter from focusing on figure painting to focusing on landscape painting, or changing the expression method from green to ink, it has profound cultural roots and is by no means a simple renovation of techniques. Therefore, by exploring the intrinsic causes of the expression methods of landscape painting, we can understand the interactive relationship between the expression methods of Chinese landscape paintings and the cultural spirit. When this paper explores the reasons for the evolution of Chinese landscape painting methods, it firmly grasps the cultural origins behind it, places the changes in painting methods into the cultural environment of the time, and combines metaphysical principles and metaphysical techniques. First, it broke through the shortcomings of only analyzing its technical function when discussing painting methods without paying attention to the cultural inheritance of painting methods. It strives to make changes in the expression techniques of Chinese painting conducive to the enhancement of its spiritual connotation. The paper closely follows the development context and rules of traditional landscape painting, reveals the "constancy" and "variability" of Chinese painting in the historical evolution, and strives to seek the practical role of traditional landscape painting methods in the creation of current landscape paintings, which has great influence on contemporary Chinese painting. Healthy development in inheritance and innovation has practical significance.

This paper not only focuses on the exploration of traditional landscape painting methods, but also compares and analyzes the impact of Western painting on Chinese landscape painting methods, and finds out the gains and losses of Chinese painting in the process of absorbing foreign painting elements. , which has a practical effect on how we find a way out for the development of Chinese painting in a modern context. This paper also provides a useful reference for the development prospects of Chinese landscape painting in its thinking about the tradition and modernity of Chinese landscape painting, local and foreign, which will undoubtedly have a positive effect on the inheritance and innovation of the development of Chinese landscape painting.