Hong Kong master Su Minfeng, let's see why this person is so powerful.

Lin Guoxiong's theory of "phase" on Su Minfeng's facial features are that his upper lip is thin and his teeth are uneven, which makes him easy to cause trouble. Chicken's beak and ears, including the neck. His face is not full enough, his cheekbones are crossed, he speaks with confidence and self-reliance, thinks he is right in everything and refuses to accept other people's opinions. The forehead is low, the master and the teenager are not lucky, and the mountain forest, Qiu Ling and Tomb are not full enough. It is rare for parents and ancestors to help, so we have to struggle and win everything by ourselves. It is precisely because of this background that once you are transported, you will easily be incoherent. The shape of the eye is mainly caused by knife injury or surgery, so you should pay attention to it yourself. The nose is too thin, the alar is not rich enough, and the volume is narrow. The biggest advantage of its face is that the yintang is wide enough. Yin Tang is wide, with nose tip and protruding cheekbones, and the cheekbones and noses are proud of each other. This kind of appearance can be based on the real materials in the number of techniques. In addition, job design, Kao and planting potted plants are also very suitable. His chin is thin and steep, he is fifty-one or two years old, and his luck is getting worse, which is bad luck. Even if we save for hunger now, people will not be happy if there is no shortage of material life. On the whole, because it is relatively weak, it is a big ups and downs, and the luck can rise quickly, but it can also fall quickly. If you live in a foreign building today, you can live in a arcade tomorrow. I have been in trouble all my life, and I like to be an arrow target. The more besieged I am, the happier I am when I am "backed up". Because he knows that he has no right and wrong, that is, he has no operation, and he is happy only when he is around. However, I would like to advise that engaging in the art and mathematics industry is not just a matter of ten or eight years, but a lifelong career. We should think about how to spend the evening.