Are Q, Kong Yiji, Runtu, Xianglinsao, Juansheng and Zijun characters in which Lu Xun book?
Ah Q comes from "The True Story of Ah Q", Kong Yiji comes from "Kong Yiji", Runtu comes from "Hometown", Sister Xianglin comes from "Blessing", Juansheng and Zijun come from "Sorrow of Death".
1. "The True Story of Ah Q"
"The True Story of Ah Q" is a novella written by Lu Xun. It was written in December 1921 and was first published in Beijing's "Morning News Supplement" ", later included in the novel collection "The Scream". ?
The novel was written at the end of 1921 and is divided into nine chapters. The novel is set in rural China before and after the Revolution of 1911. It tells the story of Ah Q, a wandering farmhand in Weizhuang, who, although he is "really capable" of work, has nothing, and even his name has been forgotten.
The novel criticized the feudal, conservative, vulgar, corrupt and other social characteristics of Chinese society at that time, and effectively revealed the life scenes of the old Chinese people and their morbid conditions in dire straits.
2. "Kong Yiji"
"Kong Yiji" is a short story written by the modern literary giant Lu Xun. It was first published in the sixth volume of "New Youth" in April 1919. No. 4, later compiled into "The Scream", is Lu Xun's second vernacular novel after "Diary of a Madman" on the eve of the May 4th Movement.
The novel describes that Kong Yiji was poisoned by the decadent feudal ideas and the imperial examination system. He was mentally pedantic and insensitive. The tragic image of being finally swallowed up by the feudal landlord class.
The article is not long, but it profoundly exposes the poisoning of the spirit of intellectuals by the imperial examination system at that time and the "cannibalistic" nature of the feudal system, which has a strong anti-feudal significance.
3. "Hometown"
"Hometown" is a short story written by the modern writer Lu Xun in 1921. The novel takes "my" activities of returning to my hometown as a clue, follows the plot arrangement of "returning to my hometown" - "being in my hometown" - "leaving my hometown", and based on what "I" sees, hears, remembers and feels, and focuses on describing the leap. The characters of Tu and Yang Ersao reflect the reality of rural bankruptcy and the miserable life of farmers before and after the Revolution of 1911;
At the same time, it profoundly points out the mental suffering suffered by the working people due to the influence of the traditional concepts of feudal society. Constraints cause the distortion of innocent human nature, causing indifference and isolation between people. It expresses the author's strong dissatisfaction with reality and his strong desire to transform the old society and create a new life. The novel was selected as a junior high school Chinese language, ninth grade (volume 1) by the People's Education Press.
4. "Blessing"
"Blessing" is a short story written by Lu Xun, a writer during the Republic of China. It was written on February 7, 1924, and was first published on March 25, 1924. It was published in Shanghai's "Oriental Magazine" bimonthly, Volume 21, No. 6, and was later included in the novel collection "Wandering".
The work describes an intellectual who left his hometown and "I" returned to his hometown at the end of the lunar calendar and stayed at the house of his fourth uncle (Master Lu Si) to prepare a "blessing". The tragedy of the maid Xianglin's sister-in-law dying of exhaustion. ?
By describing the tragic life of Mrs. Xianglin, the novel shows the author's sympathy for oppressed women and ruthlessly exposes feudal thoughts and ethics.
It also explains that enlightenment intellectuals like "I" in the article were indifferent and overwhelmed by the current social situation of people's selfishness and the harsh world at that time.
5. "Sadness"
"Sadness" is a short story written by the modern writer Lu Xun in 1925, which uses love as the theme to reflect the fate of intellectuals during the May Fourth period.
The novel uses the inner monologue of the protagonist Juansheng, who is full of sorrow and anger, to tell the story of how he and Zijun broke through the many obstacles of feudal forces, pursued marriage independently, and established a warm family. However, soon their love failed, and in the end. It ends with one "injury" and one "passing away".
The novel reflects the conflict between individuals and society through the description of Juansheng and Zijun who strive for individual liberation and marital independence but end up with a tragic ending: liberation of individuality and marital autonomy without the liberation of the entire society. is impossible to achieve.
The language of the novel is beautiful and concise, full of poetic charm; the deliberate repetition of some sentences at the beginning and end not only plays a connecting role in the structure, but also has a sense of right and wrong, strengthening the sense of right and wrong. The lyrical atmosphere helps to express the theme; some sentences are written euphemistically and implicitly, with profound meaning, thought-provoking and deepening the theme.