Wei zi tou Shi complete collection
Work with designers to design and make headdresses, and send samples to garment factories for customization. It breaks the traditional pattern of fixing ornaments on the head and face, and skillfully applies the hairpin, hairpin, step shake, women's dress, cymbals and flowers in historical life to the stage image.
Kyubi no Youko Phoenix, Seven-tailed Phoenix, Double-headed Phoenix and Opposite Phoenix are designed for queens, princesses and official widows. Designed partial phoenix, single phoenix, crested hairpin and medium phoenix for the general scholarly family; For poor women, designs such as Yuntou, Ruyi, Bletilla striata and Xiaozhufeng were designed.
The flowers on the headdress of Shaoxing opera are also very particular, so you can't wear them casually. The color of the headdress is the same as that of the transformed clothes. Mainly in the middle color, there is no special demand. Generally, headdresses are not particularly bright, and they pay great attention to the coordination of color and clothing from the perspective of personality. Pay attention to the balance of wearing flowers and decorations, the layering of wearing flowers and buns, and the primary and secondary balance of the size of flowers.
In order to match the embroidery on clothes, the makers like to stick colorful broken sequins on the petals. Shaoxing opera actors like to wear silk flower, nylon silk flower, pearl flowers and velvet flowers at weddings and funerals.
Yue Opera also made unique and novel headdresses in ancient costumes. This headdress has long braids on the back of the head, bangs fixed on the forehead and sideburns fixed beside the ears, and then various forms of bun are put on the top plate of the headdress. On the basis of historical life style, the small headdress has greatly lengthened the sideburns around the ears, and the back of the head likes to let loose long hair, which naturally hangs over the shoulders and wears a bun or crown on the top of the head.
The fake bun of Yue Opera is made of loose hair, sponge and lead wire, wrapped with old black gauze towel, and then wrapped with hair weaving (braided curtain), so it is as natural and real as the real bun in appearance (a few Yue Opera troupes use black velvet or golden velvet to make the bun). But it absorbs light on the stage, so it is generally not used.
This fake bun can be made into various strips and semi-arc tubes, and can be changed into various bending shapes according to different requirements. This bun has a strong sense of reality, lively and natural shape and great plasticity. This hairstyle has played a great role in hairstyle, and it has also formed a certain hypothesis in the reform of Shaoxing Opera for decades. For example, the bun with noble status or decent personality is often dominated by straight bun and symmetrical bun; Lively, young or low in status, they are often biased, linked and linked, but they are not static.
In the early 1960s, Yue Opera began to look for the source of historical life. In archaeology and painting, women's horse-falling bun, bun, ring bun, cross bun, anti-wan bun and vertebral bun were changed and applied to the stage of Yue Opera.
The designers of Shanghai Yue Opera also designed their own collars, such as earrings, bracelets, concentric locks, happiness locks and wishful locks. In the 1970s, retired artists specializing in jewelry were hired, and all kinds of jewelry were made. Qi Feifei of Shanghai Jing 'an Yue Opera Troupe, Tao of Luwan Yue Opera Troupe, Pei Hua, Zhu Xiulian and Ding Xinglian of Shanghai Yue Opera Troupe have all made great achievements in combing hair styles and making headdresses.
Conclusion After reading the above content, do you think it makes you feel the charm of art? The headdress of Yue Opera is similar to that of ancient women in China. According to the gorgeous degree of headdress, you can judge the identity of the characters. It has a strong historical flavor.