China Naming Network - Fortune telling knowledge - Do you still want to be lucky after reading peach blossoms?

Do you still want to be lucky after reading peach blossoms?

(of men) love luck

(A) the origin of the word "Peach Blossom Luck"

Peach will burn its glory when it dies, and its son should stay at home when he returns home.

Peach died, and it is true that Peach's son returned to the family.

Peach dies, its Ye Zhenzhen, its son returns, and its home is appropriate.

-"National Wind". Nan Zhou. Yao Tao "

This is a poem in The Book of Songs, commonly known as The Book of Songs-Nan Zhou-Yao Tao. This poem describes a woman's wedding scene and praises the beauty and virtue of the bride. The coat is when the peach blossoms are in full bloom. There is a woman as beautiful as a peach blossom, with beautiful appearance, who can have children and make the descendants of the groom's family as fruitful and flourishing as a peach tree. She is a very suitable candidate for the groom's family. Therefore, when the ancients praised and congratulated this marriage, they often said that "it is not only a gift from the Duke of Zhou, but also a poem". This is the place where the ceremony was made.

(B) the origin of "Peach Blossom Luck"

The word "Peach Blossom Luck" was originally a fortune-telling term.

The "Peach Blossom Luck" in Numerology is based on the position of the five elements in the "birthday": longevity, bathing, crown, official, prosperous emperor, decline, illness, death, tomb, extinction, embryo and nourishment. If the Universiade and the fleeting time are transported to the "bathing" stage, it is called "Peach Blossom Luck".

Among the twelve earthly branches, "Woods You Mao" is a peach blossom, and the "eight characters" of life are also composed of ten heavenly stems and twelve earthly branches, so everyone sometimes meets "Woods You Mao". If this "meridian You Mao" appears in the "eight characters" of life, it is called peach blossom into life.

The fortune of life (fortune-telling terminology is called "Universiade") is one every ten years. The age of life (fortune-telling terminology is called "fleeting time"). The combination of the two is called "luck". (It is often said that good or ill luck is among them. )

People who encounter "Peach Blossom Luck" in life are called "Peach Blossom Luck", but "Peach Blossom Luck" has both good and bad.

(C) "Peach Blossom Luck" folk custom

Jiang Niang and the Peach Blossom of Cuihu Lake

On this day last year, in this door,

Peach blossoms set each other off in red;

I don't know where to go.

Peach blossoms are still smiling in the spring breeze.

The poem "Chengtou is Nancun" written by Cui Hu is very popular, and many people can recite it. However, the poet did not fully realize that there was a touching love story hidden in this poem. The story is full of the innocence of talented people and beautiful women, and the plot is tortuous and magical. People call it "Peach Blossom Luck", also known as Peach Blossom Luck.

Cui Hu was born in Boling County during the Zhenguan period. He was born in a scholarly family, gifted, elegant and aloof. He usually buries himself in a cold window and seldom associates with others. Even if he takes time to travel occasionally, he likes to be alone. This year Tomb-Sweeping Day coincides with a rare sunny day. Outside, peaches and willows are green, butterflies and bees are flying, the breeze is blowing slightly, and the spring is lingering. In the afternoon, it is a warm spring. Cui Hu, who studied hard all morning, was deeply infected by the breath of spring and decided to go to the suburbs to enjoy the hospitality of spring. So I put down my books and walked out of the city alone with great interest. Along the way, willows danced, warblers sang, the sun was warm and the weather was beautiful. Study hard, I don't know that spring is already strong, and he suddenly feels refreshed. Along the way, endless red flowers and green grass, spring mountains and spring water, he enjoyed the gifts given by nature without knowing the distance of the road. Unconsciously, he had left the city and suddenly felt a little sour and thirsty. He wants to find a country farmer to have a rest and ask for some water so that he can return to the city before sunset. This place is remote and farmers live in scattered places. He looked around and saw a hut in the corner in the middle of a mountain not far away, so he stepped up and walked towards the mountain. Near the foot of the mountain, the huts that can be seen in the distance are covered with peach trees at the moment, leaving only a magnificent peach forest in front of us: peach blossoms are burning, covered with branches, the breeze blows, and the fragrance lingers around people, making people suspect that they have strayed into the peach blossom source. Walking along the winding path between peach trees, there is a small courtyard surrounded by bamboo fences in a small gap, which is simple and elegant. There are three huts in the yard, all made of bamboo boards and thatch, which are simple but neat. Cui Hu thought, "Who is the master, living in such a unique place?"

Approaching Chai Men, he knocked at the door and shouted, "I passed by in spring and wanted to ask for some water!" " While calling the door, he guessed that it must be an old man with white hair, bamboo sandals, beautiful appearance and elegant speech who opened the door. With a creak, the door opened, only to find a young girl coming out. Cui Hu was surprised. The girl's clothes were very pale, but there was an elegant and refined look in her eyes. He explained his purpose again, and the girl stared at him brightly, thinking that the newcomer was harmless, and politely led him to sit down in the thatched cottage and go to the kitchen to prepare tea. Cui Hu looked around and saw that the indoor windows were clean and spotless. There is a row of bookshelves against the wall. The bookshelf is full of poems, pens and inkstones are listed on the table, and a couplet is hung in the middle of the wall. The couplet reads: "How many catkins turn over the snow, and countless peach blossoms soak in the clouds." The sentence is elegant and interesting, which is definitely different from the style of ordinary rural farmers. On the desk by the window, there is a poem with wet ink, which reads "Yongmei" five-character quatrains:

Plain, bright, Leng Xue, fragrant, Ren Xiaofeng;

Poor muddy like me, scattered in this mountain.

This poem must have been written by the owner here. It seems that I am lamenting my bumpy life experience through plum blossoms, but it is so full of sadness and helplessness. What kind of characters live in seclusion here? What kind of mood and experience led to such helpless words? A series of question marks floated in Cui Hu's mind, which made him interested in the cottage surrounded by peach blossoms and its owner. He wanted to find out.

At this moment, the girl came out of the kitchen with a tea tray. She gracefully walked up to Cui Hu and saw the other person staring at the couplets on the wall, as if commenting. She smiled knowingly and gently called, "Xianggong, please have tea." Cui Hu turned her head from thinking and saw the girl coming towards her. Her face is white and red, with eyes all over her face. She didn't wear makeup, and the plain cloth set off the innocence and beauty of the girl, just like a peach blossom in the spring breeze, showing people the elegance of life. At that time, Cui Hu some tybalt slain, the girl seemed to perceive his intention, immediately lowered his eyes. A kind of shyness adorns her more moving, and Cui Hu can't help but feel uneasy and can hardly rely on herself.

But after all, he is a scholar who reads a lot and is considerate. Cui Hu tried to stabilize her emotions so as not to be rude in front of girls. He politely took the teacup, took a sip of tea, pretended to indicate his surname and village calmly, and then politely asked the girl's surname and home. The girl seemed reluctant to mention this, but simply said, "Little Red Mom, she lives here with her father." Not to mention the surname and family background, there seems to be something to hide, and Cui Hu is naturally inconvenient to ask more questions.

However, the couplets on the wall, the poems on the table and the people in front of us all reveal that the owner of this hut must have an extraordinary origin. Cui Hu's mind formed a fog, but since people didn't want to talk more, he had to put it aside. They were silent in the room for a while, and Cui Hu turned the topic to the scenery. He praised the pleasant scenery here, just like a fairyland, which is a rare place for spring outing. The girl just listened to him, smiled and nodded as if she agreed, but didn't speak. Speaking of spring, Cui Hu is full of poetic sentiment, commenting on famous sentences about spring outing in ancient and modern times. Finally, he said, "When the flowers bloom, you must pick them straight, and don't wait for them to be empty." . Say that finish, he looked at crimson niang meaningfully, waiting for her response. Hui Ling's crimson mother certainly understood what he meant. In the spring season, in the face of such a young, imposing and talented young man, why not fill her heart with spring in Seeds of Love? But how dare a girl who knows books and manners open her heart in front of a strange man? She sat there shyly and silently, and two pieces of Xia Hong dyed her cheeks red. She occasionally glances at Cui Hu with affectionate eyes, and when she meets Cui Hu's eyes, she quickly takes it back. Looking at your toes more shyly will look cute. Facing the girl's confusion, Cui Hu didn't know what to do. He couldn't do anything more enthusiastic and frivolous after reading the sage book.

Cui Hu, who rarely contacts girls at ordinary times, naturally doesn't quite understand girls' minds. Seeing the girl was silent for a long time, I thought I had offended her. So I secretly guard myself, and unconsciously I have some convergence in my words.

At that time, it was very important to pay attention to "men and women giving and receiving without kissing". It is an exception that an unmarried man and woman can serve tea and be alone in one room. It doesn't matter in the country, but it's a big mistake in the city. Two young and ardent hearts are stirring in the warm sunshine in the spring afternoon, and they are deeply attracted to each other. However, these two young people who have received etiquette education have no further deviant behavior. Seeing that the sun had set, Cuihu got up, thanked her earnestly, and reluctantly said goodbye to the girl. The girl sent him out of the gate and leaned against Chai Fei.

Silently watching Cui Hu gradually walked away. Cui Hu also looked back from time to time, only to see a girl holding a peach blossom, swaying in the spring breeze with gorgeous peach blossoms in front of the door, sighing in her heart: What a wonderful picture of spring scenery! But he couldn't see the infinite attachment in the girl's eyes.

An accidental meeting in spring has aroused ripples of love in the hearts of Cuihu and Jiangniang. However, the love between men and women is some embellishment in life for men, but it is the whole of life for women. Since Cui Hu left, Jiang Niang has been obsessed with him. The shadow of that charming young man haunts her mind day and night, making her miss him so much that she can't mention it to anyone. Cui Hu returned home, immediately immersed in heavy homework, studying hard day and night, and his mind was no longer concerned; The meeting between Chun and Jiang Niang can only be put on hold for the time being, so as not to be in a bad mood and neglect your studies.

Time flies, and the next spring is another sunny day. Looking at the peach blossoms blooming all over the city, Cui Hu couldn't help but be moved by the scene before him, recalling the old things in the south of the city last spring. The flame of emotion rose in his heart. In the irresistible impulse, Cui Hu was excited and eager to go all the way to the city to find old dreams. The flowers bloom as before, and the spirit is still pleasant, but these scenery did not arouse Cui Hu's interest. He only has the Iraqi people in the peach blossom in his heart. Looking around, he finally found last year's cabin, but everything remained the same, as if the spring affair happened yesterday. Approaching the yard, there was silence inside. He shouted through the bamboo fence, "I passed by in spring and wanted to ask for some water!" " "He repeated last year's language, looking forward to last year's scene again. I haven't seen the girl open the door for a long time, so he called several times: "Jiang Niang! Mothers! " There was no answer except a faint echo. On closer inspection, a bronze lock hung quietly on the door of the hut, announcing that the owner was gone. Suddenly, Cui Hu felt like a gourd ladle of cold water, and his fiery heart was half cold. Push Chai Men away and sit under the peach tree in the courtyard.

Colorful petals fell on his skirt, but still no girl came back. It's time for the sun to set again. He took pen and ink out of the window lattice and wrote a four-line poem on the door in disappointment. This is the first song mentioned at the beginning, "The title is South of the City". After the topic was finished, he still felt unfinished. He pondered it twice and wanted to change the third sentence to "Where is the human face going?" On second thought, it is not appropriate to use the word "today" in the seven-character quatrain, so let's stick to the original sentence. Look at the word "peach blossom" mentioned twice in the poem, but it is not too repetitive. Instead, it highlights the theme and renders the atmosphere.