Which do you prefer, crosstalk or sketch?
But I have to say that the sketch is transformed from cross talk, or it can be said that the sketch is initiated by cross talk. Many sketch actors used to talk about cross talk. For example, Gong Hanlin is the apprentice of crosstalk actor Tang Jiezhong, Huang Hong is the apprentice of crosstalk master Ma Ji, and Wei Fan is the apprentice of crosstalk actor Chen Lianzhong.
Also, there are actually quite a few female crosstalk performers, but they are little known, but they are also famous. For example, Lai Xiaoru (the daughter of an old artist Lai) and her younger brother came to Beijing and Tianjin in the late 1930s to "abandon the wasteland" and often quarreled and made trouble with children. One-liners, newspaper names, and so on. Yu (the daughter of Yu Fushou, an actor on the blackboard) and her two predecessors are quite successful. Without help and charity, we can get the difference between "whole product" and "cross talk" in the cross talk pile by our own strength:
1, different art forms
Crosstalk is a form of Quyi. Its basic form is to speak and learn with kung fu, and its main purpose is to make the audience laugh. Sketch is a new art form, which is a kind of drama relative to drama. Often used to express simple plots.
2. The emphasis is different.
The focus of crosstalk performance is on language, with "speaking" as the mainstay; The sketch performance focuses on time, story and "acting".
3. Different classifications
Crosstalk belongs to Quyi, just like pingtan, drum and sanxian. Sketch belongs to drama, just like drama, musical and traditional opera.
Crosstalk is as follows:
The sketch is as follows:
4. Different props
The basic narration of cross talk, a few simple words bring the audience into the plot, and rarely use external props; The sketch has various props and various stage backgrounds, and the performance can be more exaggerated.
5. The forms of expression are different.
Crosstalk emphasizes the effect of listening, and only one or several people stand in a fixed position; The sketch emphasizes the comprehensive effect of hearing, action and props, and takes to the stage to mobilize the audience's hearing and vision.