Illustration of drawing water-how to draw a pool with multiple lines

Tools/raw materials:

oil painting stick

, colored lead, pencil, eraser,

toilet paper

or tissue paper, a blank sheet of paper.

1. Divide the length of a rectangular piece of white paper into three parts, the left and right parts are equal, and the middle part is equal to the left or right part.

2. Lightly paint the color of the tree with red oil pastels and orange oil pastels.

3. Wipe it gently with toilet paper or tissue paper and draw it carefully with colored lead.

4. Gently paint the color of the shadow with black lead.

5. Use turquoise oil pastel with dark green oil pastel to gently draw the outline of trees and grass.

6. Wipe the toilet paper or tissue paper gently, and draw with black lead and green lead.

7. Use

dark blue

oil pastel to gently outline the landscape.

8. Wipe it gently with toilet paper or tissue paper first, and then draw it with dark blue lead.

9. Sketch the outline of the mountain with a dark orange oil pastel, and then draw it with black lead and golden lead.

1. Draw the sun with red lead and golden lead, and then draw two pigeons with black lead and black oil pastel as an ornament, as shown in the following figure. How to draw a pool with multiple lines

How to draw a pool with multiple lines

How to draw water? Ultra-detailed water drawing tutorial! The expression of water in background painting When painting the water surface, we should consider the expression of water in the painting to a great extent, so that the water is full of vitality and vigor. I want to draw the expression of water into a net in the illustration. But in places like the water entrance, you can't always use this net shape. Let's first introduce the painting method of this appearance and what this appearance is.

1 the appearance of painting water. Draw a curve at random and connect it into an ellipse. You don't have to draw the correct ellipse, just connect it randomly through curves. Append around the original ellipse. Continue to add blocks with winding paths through freehand brushwork. After dividing a larger area, continue to add on the outside. Draw the details of the water surface.

2 illustrates the general process, and the detailed part will be explained here. Acute angle If the blocks are randomly arranged, there will be places with acute angles instead of curves. Complement the curve in the acute angle part, so that the acute angle also becomes part of the curve. Colour the corner white. If the white part is too big, it will be more conspicuous and can be divided by opening holes.

3 adjust the template line. The lines don't have to be as thick. On the contrary, it looks more real when it suddenly becomes thinner or smaller. Use the Eraser Tool to erase to adjust the shape. What is 4 Sanjiao? From here, let's think about what we drew before 23. On the curved surface of light glass or water, the sharp reflection of light and its concentration as refraction and lens can form the appearance of light. We call him Sanjiao. Caustic photographs of glass and glass balls. The light is violently reflected on the curved surface of pineapple, and a lens-like aggregate is formed through twists and turns. The caustics of the sea can also form the same shape as pineapple. Sanjiao is not on the water, but under the water.

4 We can know that the caustics are not on the glass surface, but penetrate the glass and shine on the desktop. In other words, if it is water, it is not sleep, but it is formed at the bottom of the water after penetrating the water. However, the form of illustration seems to be reflected on the water. In the case of the above picture, the highlight and causticity at the boundary between the box and the water are connected, obviously on the water surface. The focus is the phenomenon of light concentration caused by the twists and turns of the surface.

5 reflected caustics can form the appearance of walls and other surfaces, while curved caustics can form the appearance of water bottom. It won't work if coke is sprinkled on the water. See the angle of causticity? Causticity is not formed on the water surface, but on the bottom of the water, so you can see causticity only when you can see the bottom of the water. That is to say, it can be seen more clearly in shallow water, especially in deep water, which will be more difficult from the side.

6 precautions when drawing ripples In the following NG example, the waterline is separated from the bottom of the box at the side. However, the ripples on the water surface did not have any impact. If you want to use water lines and ripples at the same time, you need to draw water lines on the bottom of the water. ▲ The waterline of sleep and the ripples of sleep ignore each other. ▲ The waterline is in the water drop, but the ripple is on the water surface, so there will be no contradiction.

7 is the water ripple causticity or bubbles? In front of the waterline is the caustics. However, how to draw watercolor illustrations?

watercolor painting and gouache painting, like other paintings, should pay attention to methods and steps, from the whole to the part, and from the part to the whole, so that the works can be deepened and perfected gradually. Generally, it goes through five stages, namely, left picture, sketch, coloring, in-depth characterization and adjustment. In the order of coloring, it is generally better to start with a large area of colors or the main objects in the picture, which is beneficial to determine the tone of a picture and keep the general relationship of the whole painting correct. Some authors are used to starting with light colors or starting with deep parts like painting oil paintings, and each has its own advantages, which should be decided according to the specific situation and personal painting habits. When coloring, we should pay attention to planning. For example, a part of the picture needs to be colored when the background color is dry, and the other part must be colored after the bottom color is completely dry. This should be done step by step, which is very helpful for depicting the different characteristics of the object and expressing the sense of space and quality of the object.

The techniques of watercolor painting and gouache painting are quite diverse, but they are generally nothing more than dry painting and wet painting. The so-called dry painting, that is, the meaning of using less water, is not to dry-wipe only with pigment without mixing water. When painting, you should wait for the previous layer of color to dry and then apply the second layer of color, and add it layer by layer. The previous layer of color and the second layer of color have a clear boundary, so it is also called multi-layer painting. Dry painting should strive to be positive and accurate, in order to show a clear shape and a variety of levels and decent turning points. Dry painting should pay attention to: don't rush to cover when the background color is not dry to prevent the background color from flooding; And the number of color coverage should not be too much, most of the coverage or the color pile is too thick, which will make the color gray and greasy. Dry painting is not limited by time, so it is easy to paint calmly and easily mastered, which is very helpful for beginners to exercise strict modeling ability. However, the dry painting method is not easy to play the characteristics of water color flow, and it will produce dryness and stiffness if it is not used well.

Wet painting is a way to make two colors naturally join each other by using the dissolution of water. When painting, the back pen is connected before the color of the front pen is painted, so that the connection between pens is soft and the edges are moist. Wet painting is used to represent smooth and delicate objects, and it is also suitable to draw distant views, dark parts and reflective parts of objects. Wet painting should pay attention to mastering the amount of water and the timing of writing, how much water should be used, and to what extent the background color is wet enough to paint the color properly, all of which should be well studied. In addition, when the background color is dry and still needs to be wet, you can first wet the color with clear water before painting it, or after painting the color, you can brush it lightly on the edge of the color block with a clean pen dipped in water, which can also achieve the effect of wet painting.

In gouache painting, thick painting is more common in painting, while Bo Tu is more common in wet painting, and the so-called thickness or thinness is also relative. We should flexibly adopt corresponding expression methods according to specific objects and painting intentions. Many authors often use dry and wet painting alternately, and the dry and wet paintings are presented side by side, with a good thickness. In some places, they are rendered and infiltrated with more water, while in others, they are covered or juxtaposed with color blocks, so as to achieve the unity of diverse pictures and make their works more perfect. Spring in Pujiang is an example of the combination of dry painting and wet painting.

This paper introduces several figures and landscape works completed by dry painting and wet painting respectively. In terms of handling techniques, some objects are mainly represented by blocks, while others are represented by lines and surfaces, which can be used as a reference for beginners to draw.

dry painting, which uses gouache to paint thick, shows the ups and downs of characters' faces, with obvious brushstrokes and strong picture effect.

The wet painting method is based on watercolor Bo Tu, with more water in the pigment and obvious color infiltration flow, and the combination of line and surface makes the main body of the picture more clear.

dry painting is the main method, watercolor and gouache are used together, and some decorative effects are adopted in modeling and color setting to show the magnificent and extraordinary features of the object.

The sky, distant mountains, water surface, etc. are all represented by the method of color infiltration, so that the scenery in the painting is subtly and naturally combined to show the boundless and smoky atmosphere of the fishing ground after the rain.

In addition to the above two main techniques, watercolor painting and gouache painting are also based on the sketch of the picture and painted with light colors. Such as the popular pencil watercolor. Pen watercolor and charcoal watercolor are also popular forms of expression. This method is generally suitable for expressing fine images. The author first draws the outline, physical structure and black-and-white relationship of the object with a sketch tool, and then adds transparent and bright large colors to make the picture rigorous and lively, thus producing a special aesthetic feeling. This kind of works, because they can fully express the characteristics of object shape and color, are often used by many authors to collect creative materials and record their lives; This method of combining sketch and color is also widely used in architectural renderings, stage art costumes, modeling, scenery and other design drawings. In the production order, it is generally to draw a sketch of the bottom first, and then color it on it, or both can be repeated (charcoal watercolor, which can be fixed by spraying glue first and then colored, or let its charcoal powder and watercolor pigment melt naturally. Both methods are wonderful). Among them, the pen watercolor is used to prevent the ink from seeping and polluting the picture, and there are also lines that are painted with a pen after the water color is painted. Pen watercolor ink is suitable for drawing ink. Besides black, other colors of ink can also be used.

In addition, there are many specific techniques to choose from in using materials and tools to fully and perfectly depict objects:

Paper dipping method. That is, put the drawing paper in clear water, soak it and take it out to paint in the wet. This method is easy to achieve the effect of moisturizing luster and smooth pen. Because the color liquid in the picture naturally permeates, the objects depicted are implicit and vivid, which is similar to painting on raw rice paper.

paste color method. That is, a painting method of adding thick or thin paste into color, which is characterized by smooth pen and thick color liquid without infiltration, and is helpful to better express the figure and use brush strokes. The works drawn by the paste color method are rich and colorful, with clear and powerful shapes. It has some advantages of oil painting and still fully embodies the advantages of watercolor painting.

washing method. It means to get the desired effect after washing in the painted place. This method can also be used to modify and adjust the picture. Sponge can be used for large-area washing, and some parts can also be used to absorb the washed color liquid with absorbent paper.

blank method. Refers to the method of leaving those blank and bright parts in the picture. Some of them use the method of "flying white", that is, inadvertently leave blank points in the pen for painting; Some use wax or oil pastels to draw blank points and lines at the required parts before coloring; Others use a knife or pen to "scrape" the required blank on the painted picture when the color is about to dry, such as showing trunk, spray, beard, glass or metal highlights, which has good results.

Only through practical exploration can the application of the above methods be handy step by step and produce ideal results.

Watercolor and gouache are one kind of color painting, and colors should be used to shape the image. For the knowledge of color application, please refer to the chapter of oil painting in this book, and we will omit it here.

The materials and tools of watercolor painting and gouache painting are basically the same, and they can be used universally. The difference is that the composition of their pigments is different. Watercolor contains a small amount of gum and has strong transparency. Gouache, on the other hand, contains more powder and has covering power. Many authors often paint with two kinds of pigments at the same time. In watercolor painting, individual bright parts, especially small areas, are white or light, and sometimes white powder is used (some are used to leaving blank paper or washing out bright parts of the picture with water). In gouache painting, watercolor pigments are often used to enhance the transparency of some parts of the picture, especially when depicting objects like dark parts, the effect of dark watercolor pigments is better than water pink.

For watercolor and gouache painting, white paper with firm and tight quality, moderate water absorption and no infiltration is suitable (but some people use colored paper for painting to express specific contents). Paper that absorbs water too quickly, the color is not smooth; Too smooth paper, the pigment is not easy to adhere and flows away with the water. Commonly used watercolor and gouache paper, there are all kinds of drawing paper and watercolor paper with coarse lines and fine lines. When painting gouache, in order to set off the bright colors, white cardboard and white paper are also used for painting. All kinds of paper have different textures and different performance effects, so everyone can choose according to his own habit of painting. When painting a large picture, the paper should be mounted on the drawing board in advance to avoid wrinkling, so that the painting can be kept flat and easy to express smoothly.

There are two kinds of brushes, flat and round, which are made of sheep's hair or wolf's hair. The one with flexibility and large water storage capacity is better. The size of the pen depends on the size of the frame. Generally, it is enough to have three or four brushes of different models when painting. In addition, one Gou Xianbi and one shading pen for painting large colors can be prepared.

Other tools, such as color mixing boxes, water bowls for holding water, picture clips, drawing boards, easels, etc., have no certain specifications, so they can be selected by themselves according to the principle of practicality. The color mixing box is used to hold the extruded pigments and display them in different frames. The pigments should be placed in the order of depth and warmth. The general order is:

white, lemon yellow, medium chrome yellow, khaki yellow, orange yellow, vermilion, scarlet, crimson, rose red, ochre, ripe brown, olive green, grass green, ultramarine, blue, violet and black.

a flat plate for color adjustment is attached to the color mixing box. When mixing colors, if it is too mixed or not white, the remaining pigments on the palette should be washed with water and the newly adjusted pigments should be allocated separately; For example, when making large-scale works indoors, you can use porcelain pots or glass (with white paper on the bottom) to mix colors.

In addition, some artists use auxiliary tools such as scraper, towel gourd tendon, sponge and crayon to show various artistic effects. Such as flashing water in the picture, tiny branches, snowflakes and other places that are not easy to be vacated, are often scraped out with a knife, and the effect is very vivid. Crayons are also used for local and fine prints that are not easy to empty. Because the oil and water of crayons can't be combined to leave a natural blank, you can boldly put pen to paper when coloring. Using sponge and towel gourd tendon to absorb some wet colors on the screen can produce moisturizing and rich effects. Flapping the towel gourd tendon on the painted gouache color bottom layer can produce a special effect of vigorous and mottled light and shadow. Of course, this kind of auxiliary tools can only be used appropriately, especially for beginners to use as little as possible.