What does it mean that the prince's family is poor in peony?
Parrots are expensive in Longzhou of Qin, and peonies are poor in the princely family. Explanation: Parrots were abundant in the Longzhou area of Qinzhou and were very valuable at that time. Rich families and dignitaries rushed to buy peonies at the expense of all their fortunes. Title of the poem: "Xian Shuo·Peach Blossoms and Hundred Leaves Cannot Make Spring". Real name: Wang Jian. Nicknames: Wang Zhongchu, Wang Sima. Font size: Zhongchu. Era: Tang Dynasty. Ethnic group: Han. Birthplace: Yingchuan (now Xuchang, Henan). Date of birth: 768 AD. Time of death: 835 AD. Main works: "The Newlywed", "Three Platforms in the Palace", "Looking at the Moon on the Fifteenth Night", "The Tiaoxiao Ling", "The Tiaoxiao Ling", etc.
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If peach blossoms and hundred leaves cannot make spring, a crane will not live up to a thousand years.
Parrots are expensive in Longzhou of Qin, and peonies are poor in the princely family.
The singing head dances back and forth again and again, and the temples and eyebrows are renewed day by day.
Encourage Liujie to ride out and always imitate the madman when we meet.
2. Background
In the Tang Dynasty, especially after the mid-Tang Dynasty, the ruling class competed with each other for luxury and leisure from top to bottom. This poem is written in response to such a social trend and reveals a very important social issue. 3. Translation
Peach blossoms and blind leaves will not become spring, and a crane will not live up to its beauty even if it lives for thousands of years.
When peach blossoms bloom on the branches, no one says it is spring. Even if a crane lives for thousands of years, no one sees it and becomes a god.
Parrots are expensive in Longzhou of Qin, and peonies are poor in the princely family.
Parrots were abundant in the Longzhou area of Qinzhou and were very valuable for a while. Rich and powerful people rushed to buy peonies at all costs.
The singing head dances back and forth again and again, and the temples and eyebrows are renewed day by day.
The singing and dancing are never the same again and again, and the way you dress up, trim your temples, and draw your eyebrows is new every day.
Encourage Liujie to ride out and always imitate the madman when we meet.
The sound of drums in the Tianjie of Kyoto can only be seen riding horses, and people are dancing and dancing like crazy people when they meet
IV. Wang Jian's other poems
"Looking at the Moon on the Fifteenth Night" , "The Newlywed", "The Former Residence of Li Chushi", "Xiao Song", "Dan Ge Xing". 5. Appreciation
The title of the poem shows the originality. The purpose of using the ironic "Xianshuo" as the title is to harmonize the title of the poem with the humorous and lively style of the poem, so that the purpose can be found in the laughter. The first couplet "Peach blossoms with hundreds of leaves cannot become spring, and cranes that live for thousands of years will not be immortal." The peach blossoms with hundreds of petals are in full bloom, which means that spring has arrived on the earth. The second sentence continues the first sentence: "A crane lives for a thousand years" is a miraculous thing, but it also says "it is not a god". Writing in this way can, firstly, create a twisting and uneven tone, making the start of writing abrupt and particularly shocking. The second is to make the poem attractive. Judging from the conception of the poem, these two sentences are a powerful preparation in advance to introduce the following four sentences that are contrary to common sense social phenomena. The hundred-petal peach blossoms and thousand-year-old cranes immediately pale in comparison to those abnormal social phenomena. The four sentences on the chin couplet and the neck couplet describe the extravagant life of the rich and nobles. The author selects the four most prominent and universal life phenomena of wealthy and aristocratic families to expose them. From one spot, the whole picture can be seen, thus showing the bad habits of the entire upper class society at that time, praising the rich, fighting for wealth, and pursuing pleasure. The first is to feed parrots: "Parrots are expensive in Qinlongzhou". In the Tang Dynasty, the society advocated raising parrots, especially in the capital. Some expensive parrots were worth a lot of money. In this way, even Longzhou, the birthplace of parrots, seems to have become a treasure. The poem says "Parrots are expensive in Qinlongzhou", which reflects the grand occasion when dignitaries spend huge sums of money to buy expensive parrots. The first is to appreciate peonies: "The prince's family is poor in peonies." The price of peonies is high, with prices reaching tens of thousands per copy. It can be seen that the extravagance of the upper class society was getting more and more intense at that time, and it had reached the point of going crazy. One is to appreciate singing and dancing: "The singer dances back and forth all the time." Each piece of music in the singing and dancing in the Tang Dynasty is one time. The couplet of a large piece of music depends on the rapidity of the sound and the slowness of the beat. It has procedures such as starting the song, arranging it all, entering the break, and finishing it. The so-called "the singer dances back and forth again and again" refers to the new tricks of singing and dancing, which are surprising and surprising. At that time, wealthy people enjoyed the singing and dancing and were mesmerized. "The young people in Wuling are fighting for their heads, and they can't count the number of red silk songs" (Bai Juyi's "Pipa"), which is a true portrayal of this situation. The purpose of the poet's renovated songs and dances is to criticize the abnormal mentality and custom of wealthy people who spend a lot of money on fun, fun, and novelty. One is a woman's dress: "The sideburns and eyebrows are renewed every day." In the Tang Dynasty, the concubines, maids, princesses of emperors, family members of dignitaries, and singing girls and dancers in the palace were constantly seeking new and different styles of clothing, hairstyles, and eyebrow styles, and they changed rapidly. Emperor Xuanzong of the Tang Dynasty once designed ten eyebrow styles such as distant mountains, three peaks, and hills. Li Shangyin's poem "Butterfly" has the so-called "eight-character palace eyebrows". By the mid-Tang Dynasty, sideburns and eyebrow styles were constantly updated. The old style of "small head, narrow clothes, indigo dots and slender eyebrows" (Bai Juyi's "Shangyang White-haired Man") is no longer fashionable. On the surface, this sentence refers to the rapid changes in women's clothing, but in fact it criticized the luxury and extravagance of the entire society at that time. The rich and powerful families compete for luxury and pursue a hedonistic life, which is not only reflected in these aspects. It is endless to explain and talk about. After the poet showed the previous scenes one by one, he summarized them in the last couplet: "Encourage the Sixth Street to ride out, and when you meet, you will always imitate the madman."
"When the street drums sounded in the morning and the curfew was lifted, the dignitaries and wealthy dignitaries in the capital rode out one after another. The words "always imitate the madman" criticized that no one at that time could get out of the mud without stopping. The last two sentences of the poem give a precise explanation to the unexpected verses in the first couplet: the poet intends to use contrasting techniques to make a horizontal comparison, and the peach blossoms of the 1000-year-old crane have a thousand-year life span. Compared with the rich and powerful people riding wildly on the street, it is not so strange. The life of those rich and powerful people who praise the rich and fight for wealth is really surprising. There are more strange things in the world. The poet's criticism of reality is extremely poignant and penetrating. The most important feature of this poem is its implication. The content of the poem is serious and important. It criticizes the arrogance and licentiousness of wealthy people and their pursuit of endless pleasure, but it is not implicit in its expression. Dew, as the title of the poem says, seems to be "talking", everything seems to be said inadvertently, and there seems to be a hint of praise between the lines, but there are hidden needles in it, it seems to be complimentary but actually derogatory, it seems to be flattery but actually. Irony. In addition, the unexpected beginning and the reasonable ending also add a lot to the poem.
Poetry of the same dynasty
"Three." "Gu Shi", "Warm Cui", "Farewell to Xu Kan", "Poems of Hate", "Inscription on Jiadao Tomb", "Couplet of Tiantai Zen Garden", "Song of Everlasting Sorrow", "Recalling Jiangnan", "Spring Journey to Qiantang Lake" , "Yin of the Dusk River".
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