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Calligraphy Works of Empty Mountain after Rain

The calligraphy works of Kongshan after the rain are as follows:

Extended data:

An autumn night in the mountains: an empty mountain after the rain, standing in the autumn evening. Yuesong asked, the crystal stone in the stream. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.

Appreciate:

This poem is a masterpiece of landscape painting. It depicts the charming scenery of the mountain village and the simple fashion of the villagers in the evening after the rain in the Qing and autumn of Chu, shows the poet's satisfaction with the pastoral life and seclusion life, and shows the beauty of personality and society with natural beauty.

The whole poem perfectly combines the cool autumn after the rain in an empty mountain, the light of the bright moon among pine trees, the sound of clear spring on the stone, the laughter of happy women returning to the bamboo forest and the dynamic harmony of fishing boats crossing the lotus, giving people a rich and fresh feeling. It is not only like a fresh and beautiful landscape painting, but also like a quiet and beautiful lyric music, which embodies the creative characteristics of painting in Wang Wei's poems.

The first part is about autumn scenery in the mountains after the rain. Because there are few people here, naturally some people come from Toyama. The word "empty mountain" points out that this place is like a paradise. At the beginning of Shan Yu, everything was new, and it was early autumn evening. It is conceivable that the air is fresh and the scenery is wonderful.

It is already dark, but there is a bright moon in the sky; The flowers have withered, but there are pine trees covered. The mountain spring is clear, flowing through the rocks, like a pure white plain, shining in the moonlight, what a quiet and clear natural beauty! Wang Wei's Ode to the Four Saints on Economy once praised the noble sentiments of the two sages, saying that "there is no evil wood in the shade, and drinking water must be extreme."

The poet himself is such a noble-minded person. Isn't the pine tree and the clear spring on the stone this month the ideal state he pursues? These two sentences are picturesque, free and easy, and have little strength.

The poet in the Neck Couplet wrote "Bamboo Noisy" first, and then "Lotus Moving", because the courtyard girl was hidden in the bamboo forest, and the fishing boat was covered by lotus leaves. At first, I didn't see it. When I heard the noise of the bamboo forest and saw the lotus leaf, I found Miss Huan and the lotus boat. This writing is more realistic and poetic.

I wrote that there were waves of singing and laughing in the bamboo forest. It was some innocent girls who came back with a smile after washing clothes. The graceful lotus leaves spread out to both sides one after another, overturning countless pearl-like crystal drops. It's a fishing boat going down the river, which cuts the tranquility of the moonlight in the lotus pond.

There are such a group of carefree, hardworking and kind people under the bright moon and among the bamboos and violets. This harmonious and beautiful picture of life reflects the poet's longing for a leisurely life, and at the same time, it also sets off his aversion to dark officialdom from the opposite side. These two sentences are cleverly written, but the pen does not show traces, which makes people feel unique.

Couplets are the poet's feelings. Although spring has gone, autumn is better and I would like to stay. He likes to return to nature, cherish mountains and rivers, advocate a quiet and indifferent pastoral life, and is unwilling to go with the flow. I hate the deep sea beyond words.

The two couplets in the middle of the poem are all about scenery, but each has its own emphasis. Couplets focus on writing things, so that things are clear and clean. Neck ties focus on writing people and hope for political communication with people. At the same time, the two complement each other. Spring water, pine, bamboo and purple can be said to be a portrayal of the poet's noble sentiment and an ideal environment for the poet.

This poem expresses the poet's personality beauty and an ideal social beauty with natural beauty. On the surface, this poem only uses the method of "Fu" to shape mountains and rivers, and gives a detailed and touching description of the scenery. Actually, it's full of comparisons. The poet's description of the scenery is rich and intriguing.