Portrait of Young Officials in the Famous Scenery of the Red Chamber: A Strange and Profound Psychological Portrait
Let's take a look at the description in the book first, and then analyze the background and meaning of the mapping:
-smell the truth before you see it. This is an ambush in an ordinary and subtle place: turning a blind eye does not mean that you don't know anything.
-Baoyu has a good eye. At first glance, it looks like a hairpin with a different head. How thick can a hairpin be? And you have to have a thick head with flowers in your hand to draw the ground with a sharp hairpin, right? So this picture is weird! Because only the macro close-up of the film can do this-more and more shows that this event is not true, but comes from the subconscious self-reminder in the deep heart.
-close-up, at first glance, there seems to be no big problem here. But when you think about it carefully, the problem is: Baoyu is standing, Lingguan is squatting to draw words, and the two are basically face to face. Lingguan not only draws words, but also chokes. He must have bowed his head. Think again, what does Baoyu think of her face?
-Switch from close-up to panorama. This time, I can see more details clearly Absurdity is the same as the last paragraph, only more intense. I haven't looked up yet, okay?
-even the hair clasp on the other person's head can be seen clearly, but I don't see people drawing words on the soil? Thought it was digging a hole and burying flowers? Is this blurry or is the lens unreal? Isn't that what you should see invisible, but what you shouldn't see clearly?
-What could be more ridiculous? Eighteen strokes and then guess the word "strong"? Blind? Can't see? Special function?
-suddenly saw the word "Qiang", and then immediately saw the thousand! This is another effect that only the focal plane will show! In reality, this situation is psychologically interpreted as a psychological blind spot-automatically filtering things that are considered unimportant and exaggerating their existence when they are considered important or confused.
It can be seen that what Baoyu saw was just what some subconscious in his own heart wanted him to see.
This is a summer afternoon, under the rose frame, a dream.
Related reading: The Fourth Dream of A Dream of Red Mansions-Jia Baoyu's Dream of Hua Xu.
To add another paragraph, why am I sure that Baoyu and Lingguan are face to face, because it is clearly written in the article: Lingguan saw Baoyu when he looked up, instead of turning around or turning around:
But obviously, Baoyu didn't crack his dream-he only saw the young official's face and figure resembling Daiyu.
As mentioned earlier, this chapter is actually the foreshadowing of pear fragrance court's understanding of the 36-time embroidered mandarin duck dream. This time, Baoyu knew that the girl was an old official, and then Jia Baoyu witnessed the show of love between Jia Qiang and the old official.
Then when Baoyu went back, he thought he realized-what did he realize? Let's see what the author says:
I can't get it all, so just from now on, everyone has their own tears?
This is called comprehension? Who does he think will cry for him? So he will devote himself wholeheartedly to this person from now on, living and dying for her. There is no doubt that this person is Lin Daiyu.
It's a pity that every time Baoyu thinks he understands, it will basically be proved to be nonsense in the end-the author has already paved the way once, so I won't say it again.
The author didn't let Daiyu Baochai refute Baoyu this time. After all, it is a party, but cunning left a foreshadowing. Who can explain the taste?
So has Jia Baoyu's so-called understanding of pear fragrance court really come true? I want to say: life is like a play like a dream, and he really achieved another hammer.
In fact, the subconscious in my heart has been warning him to pay attention to Baba and Qiang Chang and the thousands of Qiang that followed. These are two unreasonable and absurd macro close-ups (there were no photographic equipment in those days, and they could only be screened by dreams and minds), but he skipped it and just focused on the surface, with a thin face and a thin waist.
Actually, it was an unrecognizable hairpin with a concept first. What was the age when Qianqiang suddenly appeared?
Xue Baochai, don't forget, live forever in Heng Chang, never leave, and stay young forever.
One strand is a hairpin (for both men and women), the other is a hairpin (for women), and Baochai is divided into two strands to become a single strand, representing the couple's departure.
What did Baoyu do just before he ran to the edge of the rose stand? Do you remember? Dally with Bai Jinchuan, and then run away with oil on the soles of your feet when you see Mrs. Wang suddenly and violently-we know that Kim was thrown out because of this, and then swallowed their anger and jumped into the well and died. Then, her mourning clothes are Xue Baochai's new clothes.
Bai Jinchuan, Xue Baochai, Jin Chai fell into the well, jade feather melted into mud, so who is the girl crying under the Bai Yutang frame?
Say those two words again, never forget, never leave. In fact, it is the initial heart of being a son, a husband, and even a man.
Protecting Lin Daiyu and Xue Baochai has always been the happiest thing for Jia Baoyu. The most obvious performance is his ecstasy after Lin Daiyu won the first prize of Chrysanthemum Poetry.
But after witnessing Baochai and Daiyu become bosom friends, he didn't realize his secret joy: he was not afraid of Daiyu being polluted by Baochai, but privately asked, "When will Meng Guang take over Hongliang's case?" .
His long-cherished desire is that he should be with her, or that she should have a beautiful style, not always so serious and dignified, and let her eat rouge at will and play with her every day.
Because of the wrong cognition, the subsequent behavior is naturally wrong, but this mistake will not be written on the front of the story and can only be repeated.
The day when Xiao Guan painted Qiang was Duanyang Festival, which also deepened his understanding of Baoyu. He didn't understand, but fell into a maze:
The origin of Duanyang Festival is not in memory of Qu Yuan as we usually think, but from the exorcism theory and the transformation of Yin and Yang from the summer of May to Japan and China-The Book of Rites and the Moon Order records: "In midsummer, Yin and Yang struggle, life and death are divided, and gentlemen fast." The sun is the strongest on this day, and the anode will harm the body, so it is necessary to avoid poisoning.
The knowledge of ancient astronomical almanac is quite different from our usual daily understanding: the summer solstice hides and dies, and the winter solstice returns to Fuyang.
You think the red powder is a skeleton, and the skeleton you think is a new life.
You see what Jia Baoyu did next-subconsciously kicked the flower pearl of the dragon robe man to his mouth and vomited blood, disheartened.
The attacker really doesn't like me. I don't feel wronged that she was kicked by Baoyu. The problem is that this timing is really wrong. Like Jia Jing who died at that time, she was also the scapegoat of patriarchy, and she also wore a dragon robe.
Therefore, Hony's birthday party may really be the last time before it was deposed-I have analyzed it earlier, and I realized that pear fragrance court is a precursor to the rebellion of Jia Lian and Jia Zhen.
-Baoyu's so-called emotional understanding: opening the cage for the old official-in fact, it is really obsession, five poisons possessed, evil invasion, and death is coming.
Related reading:
From Jia Qiang's instigation of the school to Baoyu's understanding of pear fragrance court, hidden water will lead to rebellion
Fang Qun held a shroud red banquet, hidden under the tender flowers of dark waves.
After all, this is a kind of love. It is the grotesque appearance of the stone after mapping an event that happened in Gaotang dream to Hua Xu's dream. Or you can think about what a three-dimensional object looks like when it enters a two-dimensional space-a ball becomes a circle, or a square becomes a square: although most of the information is lost, it can still be barely recognized and recovered.
Finally, dreams are our subconscious, but we can never really understand them in time, because we often go our own way and have no time to know ourselves.