Oil painting style ink painting

Oil painting is an imitation of objective nature, with exquisite and rich effects, which can well express the texture and sense of quantity of the painted object, and the light, tone and atmosphere are realistic. Western culture pays attention to external forms or phenomena, so it is cheap to imitate nature as much as possible, which is exactly what eastern wisdom does not believe.

Chinese painting requires freehand brushwork, not realism as the highest standard. Image is different from concreteness and abstraction, with the help of both realism and abstraction. Realism is also freehand brushwork, so it depends on the development of philosophy and literature. Chinese painting expresses its feelings with the help of natural images, and pursues the integration of "things" and "me" inside and outside, because painting does not take shape as the highest standard.

There are striking similarities between the modern artistic concept of western painting and the traditional art of China. In other words, it is the oriental traditional art that exerts a subtle influence on the western modern art. The limited space, the composition between plane spaces and the rebellion of space emphasized by western modernists are completely a copy of China's scattered perspective and emphasis on hierarchy. Accused as a bridge from the west to the east, existentialism emphasizes concrete life, which coincides with Zen's emphasis on personal experience. Even Liang Kai's "Ink Splash Fairy" is interpreted as being on a par with the western "performance art". Muxi's "Six Persimmon Paintings" proved to be the concept of "minimum art". Shi Tao's "Shiwan Garden" design and description of rocks are said to be exactly the same as "Pop Art". Su Shi's "Zhu Zhu" is interpreted as similar to "conceptual painting".