Hedong Fenyang Taifu View in Exploring the Ancient Times
? Near the mountain gate, above the red walls on both sides, there are three-color glazed dragons inlaid. The yellow dragon is running up and down, bared its teeth, which is very scary. Yellow, green and white glaze works are excellent in terms of shape, movement and color. Looking up again, there is a line of yellow glazed plum blossoms on the blue glazed tile roof, which shines in the sun. "This is so elegant!" When I first saw Hedong, I had a preliminary understanding of glass. The glass craft in Ming dynasty is unparalleled in the world, and it really deserves its reputation.
? As soon as I entered the gate, I was told: "The back hall is being repaired, but the fare remains unchanged." Shine in! I know quite well that once I get in the door, where can't I get in?
? The front yard, at first glance, is something from the late Qing Dynasty, the Republic of China and even modern times. The favorite bodhisattva pine nut Guanyin, which people need most, occupies several rooms. Although carved beams and painted buildings, there are many suspended sculptures, but the characters' expressions are dull, the five senses look the same, with small mouth, small nose and small eyes. The figures are basically in proportion to the human body. Anything with strong practicality is often not up to standard in art, and there is no art without personality.
? The backyard is the hall of the great emperor Haotian, and the ancient meaning is coming. The building has a spirit, telling future generations that the solid wooden columns and open halls, unpretentious structure and mottled appearance are the remains of the Jin Dynasty! My heart is exulting. Into the temple, in the dark, I saw the scaffolding, and it was really overhauled. Left through right, climbed the narrow wooden ladder, and finally stood in front of a large mural.
? Since the dark-faced and solemn scientific emperor is sitting in the temple, the figures on the murals should be his subordinates-all kinds of immortals. On the east wall, faces with different expressions are scrambling to express their thoughts: military commanders with thick black moustaches and frowning brows are worried about the war; The chubby, round-faced civil servant even said that he had gestures to state important opinions. His beard is sparse and his eyes are slender and elegant. Two people are discussing and analyzing a difficult problem. You and I have a hearty conversation, and the face of the literati is presented in their eyes and gestures. The most incredible thing is that these two people just stopped talking and looked out of the picture, squinting! It's like hearing the call of "I" more than 500 years later, and you two have the meaning of jumping out of the picture. This expression makes people feel creepy. There are also four quite young officials, with immature expressions and puzzled eyes. They are newcomers who have just entered the DPRK as officials. Immortals are all officials, and the subordinates of Emperor Haotian are all mortals. At that time, the civilian military commander was a trustworthy object of help in the hearts of ordinary people, and the fairy was like this. Goodbye!
? The Western Wall is a portrait of a lady. Taoist nepotism is ostentatious, the crown is luxurious, the white face shows compassion, and the facial features have the beauty of meditation, which is comparable to non-secular people.
? Looking at those good officials with bright eyes like water, looking at those literati with slender eyes, and the elderly with vicissitudes of life and depression, I feel that I went to court with them, indulging everything in Daming and enjoying the joys and sorrows. When you are on a wooden scaffold, face to face with the murals, it is not surprising that you have such an illusion. When you walk into the murals, you walk into the Ming Dynasty, and all kinds of lively and clear expressions are thought-provoking. At that time, the image of Qingming officialdom was amazing.
? Walking out of the gate, I saw a stone building. Stone buildings with obvious sense of time should be the remains of Jin Dynasty. 1200 years, years of wind erosion, still standing. On both sides of the road, there are three statues, which are said to belong to the Sui Dynasty. I feel like the Northern Wei Dynasty or the Eastern Wei Dynasty. The figure can't see the details clearly, but the figure's shape and thin posture are the same. /kloc-Meeting in 0/600 years makes me feel very happy. The Northern Wei Dynasty, the former Jin Dynasty, the Great Ming Dynasty and the Qing Dynasty were all connected at once. It is fate to meet the ancients again in the land of China.