Can the prospect of real estate also see Feng Shui? Did Meng's Feng Shui case mention it?
Liu Yong
Chilling cries, pavilions late, showers early. Doumen Zhangyin ③ Careless, nostalgic, ④ Lanzhou ruined. Holding hands and staring at each other with tears, I was speechless and choked up. ⑥ I want to smoke thousands of miles, and ⑥ I want to sink into the sky. ⑧
Since ancient times, feelings of sadness and parting are even more worthy of being left out in the cold. Where did you wake up tonight? Yang Liuan, the evening breeze and the waning moon. After the new year, pet-name ruby should be a good time to exist in name only. Customs are strange, who to talk to. ⑩
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(1) this song was originally a Tang song. According to legend, Emperor Xuanzong of the Tang Dynasty avoided An Lushan and went into Shu in disorder. It rained for several days, and the bell rang on the plank road. In memory of Yang Guifei, I wrote this song, and later Liu Yong used it as a tune. Also known as "the sound of rain slowly rings". Up and down, 103, rhymes.
2 showers: showers.
(3) Drinking in Doumen Tent: Set up a tent outside Kyoto and hold a farewell party. Not in the mood; No mood, listless.
Nostalgia: one is "stay where you are".
⑤ Lanzhou: According to Story Club, Luban once carved a magnolia tree into a boat. Later used as a good name for the ship.
⑥ Choke: I choked with sadness and couldn't speak. One is "flat throat".
⑦ Go: Repeat, indicating the distance of the trip.
8 Dusk: Clouds in the evening. Shen Shen: Look deeply. Chutian: The southern sky. In ancient times, the lower reaches of the Yangtze River belonged to the State of Chu, so it was called.
Nine years: year after year.
Attending amorous feelings: love between men and women.
Liu Yong writes more slow words and is good at narrative. This word shows the scene that the author left Beijing and went south to bid farewell to the pavilion. The last farewell film, from the rain break at dusk to the farewell of the capital, to the destruction of the blue boat, tearfully facing each other and holding hands to say goodbye, describes the parting scene and the parting mode of both sides in turn, like a dramatic song with a story, showing a sad scene. The next film tells the story, bearing the word "read" and setting different scenes. Affectionate since ancient times, can be ignored in the clear autumn season. Read Where to Go for Night Wine, Yang Liuan, and Xiao Feng Canyue. The latter two issues were left out in the cold, and the last two sentences were dyed with the sentence "Tonight". "Where will I wake up tonight?" A "Zhang Yin" remote connection shows that although you are "not in the mood", you are still drunk after drinking. "Yang Liuan Xiao Feng Canyue" concentrates on a series of images that are easy to touch and leave, creating a desolate and desolate realm that cherishes people. Below this, we can express our feelings, write straight, not too heavy. From tonight on, we think of the years, the smoke from a thousand miles away, and who we are speechless to. The time we expressed was long before I met her, but it was a longer circle of endless concern after we broke up.
Ding Fengbo
Liu Yong
Since the beginning of spring, I have been sad and sad, and my heart is cocoa. In the morning, flowers are spent on the tip, and the warbler wears a willow belt, but she still lies on the musk. Warm and crisp, tired of enjoying single clouds (sound duǒ). Tired of combing. Nothing! When hatred and fickle feelings are gone, there is no audio book. If I knew, I would regret not locking the carved saddle. When I arrived at the phoenix window, I was only concerned with that person, like a pipe, and I was rigidly attached to teaching chanting lessons. Follow the town and don't give up. Needle and thread are idle. Sit with Yi. And me, so as not to let young people suffer from yin deficiency.
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This is a poem about love, which has a distinctive folk flavor and is the representative work of Liu Yong's "slang words". In the tone of a young woman (or prostitute), this word expresses the lovesickness after leaving her lover and depicts the image of an innocent young woman.
It is said that Schumann, a famous poet in the Northern Song Dynasty, is very familiar with this word and has his own different views. Once, Liu Yong went to see Yan Shu. "Gong Yan said,' Does Xian Jun compose music?' Sanbian said,' Just like Xianggong, you can also compose music.' Gong said: "Although I wrote a piece of music, I never said,' I sat on that colored line carelessly.' Liu then retired. "(see Zhang Shunmin's Painting Spectrum), it seems that the content and expression of the word Liu Yong were unacceptable to the literati at that time, and its description of love and young women's inner activities was straightforward, hot and bold. Use a pen to be pungent and undisguised. This is quite different from Schumann's elegant words, which are implicit, harmonious, calm, graceful and rich. However, as long as the word Ding Fengbo is comprehensively analyzed, it is difficult to draw the conclusion of "vulgarity" and "revealing pornography".
This word truly reflects the loneliness, depression and lovesickness of young women. In the first movie, the loneliness of young women is set off by gorgeous spring scenery and beautiful scenery. The first three sentences, written in spring, are colorful. Therefore, young women are even more worried. It implies that she had a passionate love life with fickle people in the past spring. In three words, it is a rare beauty to write that the sun is shining in the sky, singing and dancing, but she is afraid of touching the scene and being above it. After three sentences, I'm too lazy to dress up after writing a thin book. This is consistent with the spirit of "The Book of Songs Feng Wei Bo Xi", "I am from my uncle, and my head is like a flying canopy. If there is no ointment, who is suitable? " It shows the constancy of love. The last three sentences tell the real reason why this young woman is "tired of combing her hair": "When I hate my fickle feelings, I have no news." At this point, we found that the original film used flashback technique, which not only summarized the three levels in the film, but also naturally led to the direct expression of the following inner activities and feelings. The next movie is about inner regret and longing for a better life. The first three sentences point out the word "regret", which reflects the young woman's regret. Then use the word "lock" to match this, showing the sincerity and enthusiasm of feelings and the fierceness of character. In that feudal society, where fame and fortune were very important, it was undoubtedly a bold rebellion for a boudoir young woman to dare to imagine "locking" her husband at home for love. The young woman's behavior can remind people of Lin Daiyu's criticism of fame and fortune and career economy in A Dream of Red Mansions, and it is also closely related to the thoughts and feelings reflected in Liu Yong's He Tianchong. Six sentences are the imagination and pursuit of an ideal love life. They sat in the brightly lit study, reciting and writing poems, learning from each other, and were inseparable all day long. The last three sentences clearly show the treasure of youth and the love of life.
This word has a strong flavor of folk songs. It comes down in one continuous line with the love poems in The Book of Songs, Shang Yang in Han Yuefu, Bodhisattva Man in Dunhuang and other famous folk songs. It not only absorbs the characteristics of folk songs and retains the flavor of folk discourse, but also has distinctive characteristics of the times. Compared with the above famous folk songs. It can be seen that the author did not use traditional metaphor, nor did he use objective and concrete images to compare and imply the intensity and firmness of his love, but directly expressed and sang his feelings. In ci, unrestrained emotional passion is naked and obviously civic. This is an objective reflection of the high prosperity of the city during Liu Yong's life.
Another feature of this word is its popular language, natural tone and pure line drawing. Compared with Liu Yong's Lin Yuling and Nocturne, its style is different and obvious. This shows that Liu Yong has achieved great success in learning folk words. He expanded the creative position of "slang words" and enriched the content and expressive force of words.
yellow
Liu Yong
Who owns the garden in sunny days and spring? Warm method urges, the valley is peaceful, orioles dance, and the fragrant trees are moved at first. Seeing the wet golden clothes, Ye Ying speaks like a spring. Xiao Lai's big branches are rough, as if whispering his heart and profound meaning.
There is no evidence. When warm smoke comes out, I go swimming with bees. Wild tracks, two calls, and finally dance in the fog. When I was on the farm, I was in the depths of the flowers. At this time, Haiyan was spared.
Dou Baihua
Liu Yong
Whispering frost floating tile, green curtain light cold, Nagato quietly locked. In late autumn, when I saw chrysanthemums, tears of Chongyang fell like beads and my face flooded. The voice of love is far away.
Infinite bitterness, send love empty [bad belt] model. Should be an emperor. At the beginning, I complained about my resignation, but now I am the first enchanting in the palace, but I fly proudly everywhere.
Secondly,
The weather is warm and sunny. Light fog and low cage incense tree. The pond is lightly dipped in tobacco and the curtain is idle. Tired of spring sleep, I throw my time on mowing grass and ignore the mood of going for an outing. Zhu Hu is all day long.
Instead of hating, Shu Jing was slow and difficult. If you are young, you will sleep drunk. There is no one in the deep courtyard, and the swing is dismantled at dusk, and the empty lock is full of flowers and rain.
third
Full of palaces and slender waists. You can't be old until you are old. She just got married and tied her hair in a bun. The first time I learned to make up seriously, just like a beautiful figure drawn from a sculptor or sculptor, my face showed a kind of fear and shame. Every gesture is very charming and lovely.
Unfortunately, the heart has not learned to love her husband actively. It's late at night. If you don't want to get into the honeymoon quilt, you can untie Luo Shang and carry Ying Ying on your back, but you are told to sleep first.
Night Music
Liu Yong
The frozen cloud is bleak, and the boat is a leaf, leaving Zhu Jiang on a whim. Across thousands of valleys and rocks, across the depths of the stream, the raging waves gradually subsided, and the firewood wind blew. More business travel. Sail and sail, pan-paint beneficial birds (sound y) and dance across Nanpu. Looking at sparkling wine, clusters of smoke villages and rows of frost trees. When the sun went down, the fisherman went home. The decline of lotus is scattered, and the decline of yang is hidden. On the shore, in twos and threes, there are girls wandering on the beach. Avoid pedestrians and smile shyly. Because of this, the embroidered pavilion is lightly thrown, and the waves are hard to stay. After the sigh, what is the basis about Ding Ning? Sadness leaves the bosom, and emptiness hates returning late in the year. I have tears in my eyes, and I am afraid of Lu Jing Road. The sound of breaking the rainbow is far away and the sky is wide.
Although this word is also a work of love and acacia, its writing is different from that of Ling. It is not a scene at another time, but focuses on what you have seen and heard since then and your own tragic mood. The nostalgia for Xiuge and the distant view of Shenjing in his poems not only reflect the poet's wandering life experience, but also reflect his dissatisfaction after his career was frustrated.
This article is one of the longest songs in Liu Yong's ci, with more than 140 words, and it is one of the new Yuefu poems he created with old topics. The whole word is divided into three parts. This is also the author's initiative. In Dunhuang Quzi Ci before Liu Yong, there were no three stacks of works, and there was an obvious division of labor among the three pieces of the word. Experience on the way to writing the first film; The second thing I saw on the road; The third movie expresses the sigh of leaving home.
Restricted by the form of long tune, layered narration is the main artistic feature of this paper. The length of this word is long, so the layout of the article will naturally become one of the main problems to be considered when writing lyrics. The success of this word is precisely reflected in this. Obviously, the word is ingenious, tactful and clear-cut, which makes the three paragraphs have their own key points and becomes a seamless artistic whole, which well conveys the author's complex inner activities. Although the first two films are all about what they saw and heard on the road, the division of labor and the echo of the two films are not only distinct, but also very clear in writing. The first movie started with bad weather, which set off the depression. With a stroke of a pen, the quiet scene of "crossing the deep stream" suddenly appeared. The last five sentences are strategic positioning, which generally describes the lively scene of business travel. There are many twists and turns in One Piece. In China's movies, I remember what I saw when I was traveling on the boat. First, I outlined my vision: wine cellar, frost tree and smoke village; Close-up and painting: the fisherman rings the bell. The girl lost playing with gauze. This picture from far to near, colorful and vivid, all started from the two strings of "looking at the middle", which subtly and naturally led to the third part. The third movie is a touching scene: at first I left home, and after sighing, I had no evidence. I finally hated it when I was old, and finally I entered the play because of my feelings. The whole article is extremely open and closed, which fully shows the author's ability to arrange cutting and layout. As Jia Bizhai Hua Ci said: "This long tune cannot be separated from this pen."
Followed by the description of the scenery, realistic and delicate. From the folk songs of the Tang and Five Dynasties to the poems of the early Song Dynasty, although they all inherited and carried forward the artistic tradition of blending scenes in China's ancient poems, comparatively speaking, the authors generally paid more attention to lyricism. Even if they write scenes, they are quite rough because of the limited space, and the scenery in them is often just a foil to feelings. Liu Yong further combined emotion into the scene with the description of slow words, which provided a broader world for the blending of scenes. His long tune makes the scenery more colorful and vivid, and can show his sentimental feelings in twists and turns. For example, in the second picture, the author's experience of "Lang Ping is hard to stay" is intertwined everywhere. If it is a simple short trip, how can it have such a colorful experience? "sparkling wine" is so easy to arouse guests' association with farewell banquets; "Several rows of frost trees" and "the loss of lotus", the sad autumn colors are so closely intertwined with the troubles of the journey. Between the lines, the scene blends and achieves a high degree of transformation. As far as the scenery in the second part is concerned, it is a unique masterpiece not only in Liu Yong's ci, but also in the whole song ci.
Third, the language is beautiful and concise, and it is good at using words. "Nocturne" belongs to "elegant words" in Liu Yong's ci, but it also has some characteristics of "slang words". Its artistic language is mostly carefully refined from spoken language, simple, vivid and natural. For example, "on the shore, in twos and threes, you can swim around the girls, avoid pedestrians, and laugh shyly". It is natural, lively and pure, and a few words will be lively and interesting. Due to the long space and large number of words, the author uses quotations in appropriate places (such as "Guo", "Geng", "Wang" and "Reading"), which can not only make the whole word loose but not rigid, but also call for answers and close the whole article, making the whole article more cautious.
Finally, the musicality of language. Many of Liu Yong's works are written for musicians and geisha, so he pays great attention to the coordination between the phonology of words and the melody of music. He is very particular about the cadence of language, the rhyming of two tones, the four tones of yin and yang, the elimination of tones and the rhyme of sentences. In the "explanation" of the word "Yulinling", we have made a brief introduction. Here, let's supplement the usage of the word "disyllabic". In the third film of this article, the following four sentences "I came because of my thoughts" all have the word "de-voiced", but in the eight words "What is the basis for deciding after sighing", four de-voiced words are actually used. De-sounding has the function of rising tone and warning loudly, which perfectly combines the phonology of words with the expression of thoughts and feelings. Ci theorists therefore praised Liu Yong for "getting the right tone", which shows that if a poet is proficient in temperament, it will be of great benefit to the creation of Ci.
Caiyungui
Liu Yong
Gao Heng sailed briskly towards dusk. Unload Yun Fan and Shui Yi Fish Town. At dusk and when it is picturesque, the river is quiet and the bright moon flies away. It's better to listen. The village in the distance is in charge, which leads people to heartbroken. At this time, the waves are windy and the years are boundless.
It hurts. The banquet was affectionate and desolate. Don't come to the hardest part, the sleeves are in accordance with the contract, and there is fragrance. It can be regarded as a phoenix pillow, and I will never think about it at night. Love, only Qi Lin, an unforgettable word.
Pimp a butterfly
Liu Yong
Looking at the rain, the clouds were broken, quietly looking at Qiu Guang. The bleak evening scene made Song Yu sad. The wind is light, the apple is old, the moon is cold and the leaves are yellow. Emotional distress. Where is the old friend, the smoke is boundless.
Unforgettable, literary cocktail party, a few lonely romances, repeated star frost. The sea is vast and the mountains are far away. I don't know where Xiao Ting is! Reading Shuang Yan's hard-to-trust letters, returning home at dusk with no knowledge. Looking at each other in the dark, the sunset stands in the broken sound.
This word describes the feelings of missing friends during the journey, and the word "looking at the place" dominates the whole article. Writing the scene of rain and clouds, the twilight is boundless, naturally causing Song Yu's sad association in autumn. Facing autumn scenery, the poets cut out the most typical water wind, apple blossom, moon dew and Wu Ye, and described them with words such as light, old, cold and yellow. They found that Qiu Guang was covered with paper. The word "emotional distress" turns to nostalgia for old friends.
Pour a glass.
Liu Yong
Emu falls in the frost continent, geese cross the smoky island, and autumn colors are clearly drawn. At dusk, the rain suddenly stopped, and the small park stayed overnight in the hills of Wei Village. The moon sets and the breeze blows the Qiang flute. Worry, idle grass, cut and sing like weaving.
In order to remember Fang Rong's farewell, the water is far away. I want to embroider the pavilion deeply. I want to know that I am haggard and damaged. I am a passer-by. In the Chuxia, the clouds return, the high returns to the people, and the lonely and crazy traces. Wangjing country. The empty eye is broken, and the far peak is condensed.
At dusk in autumn, waterfowl landed on Reed Island, and geese lined up, which was a river scene in late autumn. Sailing ashore, the guest has lived in the village post station, feeling sad. Is it Guan Shanyue who smells the flute at night? Is it plum blossom fragrance? Add a little resentment. After the flute, there was another chirp, and the guests couldn't sleep. It is of great help to make a fuss about autumn songs.
A butterfly in love with flowers
Liu Yong
It's easy to lean against a dangerous building. (2) Looking at the extreme spring sorrow, the sky is dark. (3) In the afterglow of the grass, who will lean on the bar and be silent.
I plan to get drunk, (4) treat wine as a song, and (5) it is strong and tasteless. (6) I don't regret my belt widening, (7) I was wasted by Iraq.
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(1) This word was originally a song by Tang Jiaofang, and it was renamed to take the meaning of Jian Wendi's sentence "Stepping over the steps and falling in love with butterflies". Also known as "Magpie Stepping on the Ground" and "Wu Fengqi". Two tones, sixty characters, and rhyme.
(2) Dangerous buildings: high-rise buildings.
(3) gloomy: unknown.
(4) plan: plan. Boring: careless and wild, out of place.
(5) Sing a song about wine: Talk about Cao Cao's Short Songs. When: It means the same as "right".
(6) strong: reluctantly. Le Qiang: Force a smile.
(7) The belt is gradually widened: it means that people are gradually getting thinner. Chinese version of "Ancient Poetry": "The day of parting is far away, but the day of clothing is slow."
This is a sentimental word. In the last film, it was written about climbing high and looking far, leaving sorrow and parting. "Stay in a dangerous building" and "dangerous building" imply that the lyric hero has a high foothold and must swim far. Yi shows the hero's long-standing and deep nostalgia. But I didn't expect that the result of "leaning" was "looking forward to spring sorrow and gloomy clouds." "Spring sorrow" is to leave sorrow to the longing for the future. It's not that "spring sorrow" is hidden in my heart, but it comes from a distant horizon. On the one hand, we strive to avoid mediocrity, turn the intangible into the tangible, turn the abstract into the concrete, and increase the visual and flowing sense of the picture; On the other hand, it is also because its "spring sorrow" is caused by the scenery in the sky.
Then, the phrase "grass is smoke" explains what the hero sees when he looks at the horizon. The phrase "who can speak for themselves" is not only a feeling of self-reliance, but also a lament of not seeing Iraqis and having no regrets. The word "speechless", if there are thousands of thoughts.
In the next film, in order to get rid of his troubles, the hero decided to drink crazy songs: "I'm going to get drunk." However, trying to be cheerful will eventually make you feel "tasteless". From "quasi-handle" to "tasteless", the brushwork is turbulent and quite turbulent. Nodes "the belt is getting wider" write tenderness with a healthy pen, and swear that I am willing to be thinner and haggard for missing Iraqis. "Never regret", that is, "I will never regret when I die", shows the hero's perseverance and persistent attitude, and the poetic realm is sublimated.
He Shang's Wrinkled Shuixuan Poem holds that Wei Zhuang's Four Towns says, "Whoever is a romantic teenager in a foreign land, my concubine is suspected of marrying for life. Even if you are mercilessly abandoned, you can't be ashamed. These sentences are "decisive speech is really wonderful"; The last two sentences of this word are based on Wei's words, but they are "angry and elegant". "In fact, Yan Feng has said in" The Magpie Treading on the Moon "that" the wine is often ill before the flowers bloom every day, and Byakki Smoker is not afraid of being thin ".Although the language is decadent, it also belongs to its category. Later, Wang Guowei said in "The Tales of the World" that "the great cause of ancient and modern times, the great scholar of a university must pass through three realms", and what he borrowed to describe the "second realm" was that "clothes are getting wider and wider, and people are gaunt for Iraq". This is probably a persistent and firm character and persistent attitude summed up by Liu Yong's two sentences.
Hechongtian
Liu Yong
On the gold list, I lost hope. How to be a temporary legacy of the Ming Dynasty? If you fail, you must struggle. Why talk about mourning? A talented scholar and poet naturally wears white clothes. Yanhua alley is a stranger, as Danqing barrier. Fortunately, there are people in the right place, I can look for them. And snuggled up to the red jade, had an affair, and life was smooth sailing. Youth is a soldier. Endure the superficial name and sing shallowly!
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This is a famous song that directly expresses ideas. It is different from ordinary live lyricism, which melts the lyrics of lovers' scenes, but it can still deeply impress readers, because it expresses the author's strong and true thoughts and feelings, showing a kind of contempt for officials and fame and fortune.
In the whole feudal society, even in the so-called "saint" historical period, the imperial examination could not have the common problems of corruption, bribery and leaving behind talents. The sentences such as "A Sage Left in the Ming Dynasty" and "Failed to succeed" contain the author's own infinite bitterness and ridicule for the ruling clique. They expressed the inner feelings of many frustrated intellectuals in feudal society and won wide resonance. The social significance of this word is also reflected here. It is precisely because this word stung the ruling class that the author was frustrated, suppressed and rejected all his life. According to Wu Zeng's "Notes on Gaizhai", "When I first entered the earth, it turned into a song of Yin Ye, which spread everywhere. There is a sentence in the poem "He Tianchong":' Endure floating names and change to shallow songs'. And the emperor posted the list on the porch, and he suddenly said,' Why not drink and sing?' "The first word shows the contempt for fame and fortune, and the contempt for your dear friend is obvious.
Generally speaking, the tone of the word, its dominant aspect, is undoubtedly positive. "There is no need to talk about mourning" and "A talented person, a poet, is naturally dressed in white", which fully shows the author's attitude towards life and direction of action. History has proved that the author has been faithful to this oath all his life. He wrote a lot of lyrics for prostitutes at the lower level, which reached a quite popular level (see Ye Mengde's Story of the Summer) and achieved the social effect of "covering the metric system to the best, and the good people thought it was hard to see" (see Hu Yin's Preface to Wine). The works of an ancient poet in white are widely circulated and rare in history. The feudal ruling class excluded him from the officialdom for a long time, even ruined his political future, but on the other hand, it just helped him. It is because he has been an official for a long time and wandered in the lower classes that he became a unique poet in the Northern Song Dynasty and a great poet with turning significance and far-reaching influence in the history of China's Ci. After his death, he won the sympathy and respect of the lower classes, especially prostitutes. From the legendary activities such as "Hanging Liu Qi", it can be seen that he really gained such an important historical position as "White Dress".
In the past, it was pointed out that this word contained the meaning of "self-mockery", and at the same time, it was pointed out that this word reflected the "decadent thoughts and decadent lives" of literati in feudal times when they were frustrated. These are undoubtedly correct and must be pointed out today. But at the same time, we should also see the other side of the problem. When the author is frustrated, he goes to the "smoke alley" to "look for" and "the only thrill". This "the only thrill" is actually the author's confidant, that is, "neither of us is happy-forever." Such thoughts and feelings not only show the author's feeling of wandering in a foreign land, but also show the author's sympathy for prostitutes. This has both certain social significance and negative resistance. Judging from the words "cuddling to red jade" and "having an affair, life is smooth and paying for your youth", the author's attitude is obviously negative and decadent, but we should also see that it contains many unspeakable difficulties. In feudal society, a person dares to express his "depravity" so directly. Is there no suspicion of "rebellion" against feudal "etiquette"? Those respectable upper ruling classes don't know how despicable they are in playing with women, but they pretend to be "elegant" and "solemn" on the surface. Compared with the word Liu Yong, I really don't know how many times to be pure and noble. The author despised the "floating name", but openly filled in the "colourful love songs" despised by the ruling class, leaving the lyrics widely sung, which is his contribution to history.
The conception, level, structure and language of this word are different from Liu Yong's other works. The whole article is straightforward, with few allusions, which is not only very close to folk songs, but also retains some spoken dialects at that time, such as "how to get there", "arguing" and "being afraid of you". The whole word is written naturally and smoothly, as plain and easy to read as words. Not only in Liu Ci, but also in Northern Song Ci, such works are rare. This kind of "easy to understand, homely" and "easy to digest in the mouth" language is the true meaning of the word and the artistic effect obtained after refining. It seems to be a prejudice to accuse Liu Yong of being too vulgar and shallow.
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Xuemeixiang
Liu Yong
Quiet and small, dangerous buildings are independent and clear. I feel sad about autumn, and so did Song at that time. The fishing market is lonely and cold, and the water town is full of Wu Ye's sorrow. Chu Tiankuo, the waves soak in the sunset, and thousands of miles dissolve.
Miss Kerry in the breeze, ignore your face and fold your eyebrows. Unfortunately, in those days, Dun was a good boy. Elegant and graceful, full of body, water flows in the west and water flows in the east. No resentment, no desire for love, and pay for it.
Slow rolling sleeve
Liu Yong
Idle windows are dark, lonely nights last forever, and it is difficult to sleep on your pillow. I thought about it carefully. I had a good time, but I didn't finish it. This life is very meaningful. Until today, I regret it. Emptiness only increases haggard. What it's like to frown at a good time.
At that time, you could cry everything. How can you live according to the former, like snuggling up to the incense and warming up, holding the sun high and still sleeping. If you count the Iraqi family, you should also get a point, and you are worried. Just like in the past, they are indifferent to each other and avoid talking about it.