Unexpectedly, Peisi Chen is the king of punk.
The cynicism and maverick in hip-hop and my being in the coolest spiritual field in the world soon conquered all the young people.
Under this trend, we boast that people stop saying "this person is a punk" and say "this person is a hip-hop". The coolest people in the world have become PG One, MC Jin and your boyfriend TT.
Music is undoubtedly the best aphrodisiac for young people, and it is also a vent bucket for people's anxiety and helplessness in this big society.
Those maverick hip-hop musicians with temper and personality are so handsome and cool. They told me that I was the best and idol singers were rubbish.
You are absolutely right. Not like those sluts.
Now think about it, today's hip-hop music is like rock music in the 1990s, and Hip-hop in China seems to be the red flag of that year.
Several concerts ignited everyone's enthusiasm, and everyone said that today is the best era of Chinese rock and roll. So those cool and cool young people began to run to Beijing one after another, saying that they wanted to do rock and roll.
At that time, Peisi Chen was still a corner of the Spring Festival Gala. His and Zhu Shimao's Spring Festival Gala works, such as eating noodles, policemen and thieves, and making movies, can always be played repeatedly on CCTV, which constitutes a generation's memory of the Spring Festival Gala.
But our popular male god Peisi Chen is not only a comedian, but also a director who really understands cult movies.
One of the most amazing is his self-directed movie "96 Rock Guide", which tells the absurd story of people's fascination with rock and punk in the late 1990s.
At the beginning of the story, Peisi Chen played a musician who had a long-standing reputation in the Chinese rock circle. Shapi dyed with colorful cockscomb lashed out at the waiter in the bar. He pointed to the MV of Michael Jackson's "Bad" played in the store and said sharply:
"As long as you see me later, don't put this garbage for me! Bah! "
While he was meditating on the roof, he met three migrant workers, Liu Jinshan, Yao Erga and Li Qi, who had just been bitten by bedbugs. In order to get rid of the bedbugs, the three people kept twisting back and forth on the rooftop rhythmically.
When Peisi Chen saw this scene, he couldn't help feeling that their body language was particularly rock-and-roll. He stepped forward and said to them very excitedly, "I didn't know what art is until today, thank you!" "
Then, Peisi Chen was suddenly inspired by this rock style, and decided to combine these three migrant workers into a rock band, and named the band Bug.
Next, Peisi Chen gave a lesson to the Bug band, making them have the necessary quality of the rock circle-"uncivilized".
He asked three migrant workers to complete 700 swearing sentences and 100 obscene actions in seven days, and taught them, "Is that all you young people in modern art can say?" Listen to me! "
The second stage of training is destruction, so that these three migrant workers can destroy everything they once had:
Let them throw away the photos of their wives. "I know I will find more beautiful women when I become famous, and not one, but many."
Abandoning his son, "If you want to live a chic life, you can't have a home!"
At this time, Peisi Chen, who was moved to collapse, told them, "You have become world superstars!"
Then, under the guidance of Teacher Shapi, the Bug band composed of these three migrant workers became really famous and became a household name all over the country, giving countless rock youths a shot in the arm and receiving a 360-degree brainless compliment from the TV host:
"Yes, I saw what real humor is today."
At the end of the movie, when Peisi Chen made a lot of money with the Bugs, he broke up the band and disappeared from the stage.
A few months later, among the people repatriated by the relevant departments, three blind people who looked like bug singers were found.
The film is extremely absurd and ironic. In the 1990s, with the vigorous development of bands such as Panther and Tang Dynasty, more and more people began to covet the big cake of rock music.
New bands have sprung up like mushrooms after rain, but most rock albums are of poor quality, which is an obvious way to make money.
But the lifestyle and lifestyle represented by rock and roll deeply attracted the young people at that time. They swarmed, fainted with excitement at every concert, and sent some tramps and incompetent people to the altar.
Some netizens in Zhihu commented, "Rock and roll has a dinosaur-like appeal to young people."
Under such circumstances, underground rock music has suddenly become a gold-sucking artifact on the ground, and uncivilized and rude musicians are regarded as "cool" and "rebellious" signs and become the object of young people's worship.
Is this the golden age of rock and roll? Maybe, after all, such a brilliant figure as Magic Rock Sanjie was born during this time.
However, there is mud and sand everywhere. At that time, Li went to Beijing and said, "There is no rock in Beijing, only slackers."
Although it is rare to see such sharp Peisi Chen and cult movies now, these stories are still sharp today.
When many people are addicted to the coolness and style behind "underground music", most of them may not really understand the connotation of the music itself.
When "underground" becomes a sharp weapon to absorb gold, underground is no longer a real rebel. They just used the strategy of music and became part of the overlapping business model.
They have become the trend followers in this era of social consumption, and are no longer reformers.
Business is a part of music, which is understandable. The rise of hip-hop music in China is a good thing.
It came to the music circle in China with the unique language in the subculture system, trying to break the inherent cognition of domestic audience to music for so long.
But behind the fanaticism and rebellion, we need to be alert, whether we are addicted to music or the fanaticism of "I am the best in the world".
Who is the real punk? Who is the real hip-hop?
Anyway, Peisi Chen was really a punk that year.
Movies like this and Peisi Chen are less and less common in China. The truth is ugly, and it always brings disaster, so more and more people don't want to say it.
However, those fanatical and absurd stories in cult movies are still going on in China society and will not end easily.