How to distinguish the imitation cornucopia of Qianlong in the late Qing Dynasty and the early Republic of China

The seal script of Qianlong period is the imperial ware of the official kiln, and there are obvious traces of use around the caliber, with a caliber of 38. Cm, base diameter 26 cm, height 12 cm. Qianlong period:) 1, with regular shape and appropriate proportion. Although the appearance curve is not as beautiful as that in Yongzheng period, it is still smaller than that in Jiaqing and Daoguang periods. The early model is as good as Yongzheng, but it is flat in the later stage. Since then, the modeling styles of past dynasties, except those that can abide by the L-style of Qianlong in the early years of Jiaqing, have declined in turn and gone from bad to worse. 2. The carcass is fine in the early stage and thick in the later stage. 3. Although there are many manifestations of blue and white, most of them are stable pure blue. At first, there were three colors: black brown, blue gray and light blue. The colors were calm and the patterns were clear. 4. Jun kiln glaze is different from Yongzheng, and its color is composed of emerald green and dark blue. 5. Enamel color, also known as "ancient" or "porcelain tire painting enamel", generally has the blue material of "Qianlong year system". 6. Bronze color is painted on porcelain with pastels and gold, imitating the red, green and blue rust spots of ancient bronzes. This is the invention of porcelain color in Qianlong period. 7. In Qianlong porcelain, red, yellow, blue, green and other colors are popular for painting, which can be called color painting. 8、

Some colored lands are painted with a round light, which is called painting. 9. Colored raceway has appeared since Qianlong. This kind of raceway is drawn with tools, just like rolling, so it is called raceway. 10, there is a pastel porcelain with a hundred flowers, s 12. The craftsmanship is extremely high, exquisite, beautiful and strange, which is rare in the history of porcelain making. 1 1, patterns and ornamentation, distinctive characteristics of the times, meticulous brushwork.

The layers are distinct, and the painted phoenix is rigorous and delicate. 14, the foot is wider than the previous work, the foot ridge is round, and some parts are painted with yellow or black glaze. Near the foot glaze, there are many small sawtooth marks left by scraping the carcass. 12, the year of the official kiln, most of which are printed with six characters of "Qing Gan Long Year System", and some of which are also printed with four characters of "Gan Long Year System". There are fewer regular scripts. Family collections on folk kiln utensils are not popular. I have a six-piece set with a ceramic bottom, such as dry-long. I don't know if it's true or not. How to identify and evaluate? 2007- 1 1-26 06:43 The questioner adopted the Qianlong dynasty for 60 years. Because of the large span, it is not only rich in varieties, but also different in early, middle and late styles, so it will be more complicated to identify. Generally speaking, Qianlong artifacts are not as good as Yongzheng. But the production is still fine and luxurious. (There are also many rough products in folk kilns) Basically, the tire quality is fine and there are not many impurities, while the carcass of large vessels is heavier and the particles are thicker and more obvious; Small porcelain has no coarse particles, and the exposed part is brushed with mud to protect water. The glaze color is mainly bluish white, with a small amount of pink white. There are few orange peels on the glaze. Blue and white colors include blue, gray blue and gray white. Pastel porcelain is well-made, and its mouth and bottom are painted with turquoise color, which is the characteristic of Qianlong period. The bottom pattern is also monotonous, far less abundant than that in Kangxi years. Actually, it just depends on a few words. There is an old rhyme. Modern imitation is a copy of gourd, but it can't copy that charm. If you want to identify the authenticity, you'd better find a local expert. China is the hometown of porcelain, and its invention is the great contribution of the Chinese nation to world civilization. In English, China and China are the same word. China's early porcelain appeared in the middle of Shang Dynasty in BC16th century. Because the firing process of both the carcass and glaze layer is still rough, and the firing temperature is low, it shows originality and transition, so it is generally called "original porcelain".

Colored porcelain is one of the great inventions in ancient China. "Porcelain" and "China" are the same word in English, which fully shows that China's exquisite porcelain can be regarded as the representative of China. The production of high-grade porcelain is much more difficult than ordinary porcelain, so the ancient royal family collected a lot of exquisite porcelain. Porcelain, as one of the luxury products in ancient China, has spread to various countries through various trade channels, and exquisite ancient porcelain has been collected by a large number of collectors as an antique with collection value. There were some high-quality porcelains in ancient China, but some were not in China. When Europeans and Americans get married, they especially like to send high-grade porcelain tea sets. The Qianlong dynasty lasted for 60 years, so it was not only rich in varieties, but also different in styles in the early, middle and late stages, so it would be more complicated to identify. Generally speaking, Qianlong's artifacts are not as exquisite as Yongzheng's and the atmosphere of Kangxi's, but the production is still fine and luxurious. (There are also many rough products in folk kilns) Basically, the tire quality is good and there are no impurities, while the carcass of large vessels is thick and has obvious coarse particles. Small porcelain

There are no coarse particles, and the exposed parts are brushed with mud to protect water. The glaze color is mainly bluish white, with a small amount of pink white. There are few orange peel lines on the glaze. The blue and white colors are blue, gray blue and gray. Pastel porcelain is well-made, and its mouth and bottom are painted with turquoise color, which is the characteristic of Qianlong period. The bottom pattern is also monotonous, far less abundant than that in Kangxi years. In fact, it is not easy to say it in a few words. Modern imitations copy gourds, but they can't imitate that charm. If you want to identify the authenticity, you'd better find a local expert. During the Qianlong period:) Most of the official kiln years were six-character seal, and some also had four-character seal. There are fewer regular scripts. Family collections on folk kiln utensils are not popular. In the old society, every household would do a general cleaning on the 24th of the twelfth lunar month to create a brand-new environment for the new year. This is the so-called "sweeping the year", because "dust" and "Chen" are homophonic, and sweeping away dust means sweeping away all "bad luck" and "good luck", which reflects people's desire for good luck and good luck. As this nursery rhyme says, "Sweep the cornucopia of gold and silver." . There is a treasure in the cornucopia that children and grandchildren don't need. "Dragon cornucopia; Dragon is an eternal theme in China official kiln porcelain. In feudal times, the dragon was the symbol of the emperor. It virtually represents the emperor. In the era of strict hierarchy, even the princes and ministers were afraid of the golden dragon with five claws. Four claws are pythons and five claws are dragons. Only the royal family can use the five-claw dragon, which has the same shape. One more paw will get you killed. The dragon pattern in Qing dynasty was magnificent, with a plump back and strong body, which shocked the world with its behemoths. (The dragons of the Ming Dynasty are fierce and mighty, and most of them are decorated with twisted ribbons on their chests, wearing flame patterns and roaring in the clouds to show their domineering. ) and bottom payment; The Qianlong year system was the official kiln porcelain of Jingdezhen during the Qianlong period of the Qing Dynasty, which was exclusively used by the royal family. There was no such fund among the people.

"A sweep of gold, two silver, three cornucopia. There is a treasure in the cornucopia that children and grandchildren don't need. " In the old society, every household would do a general cleaning on the 24th of the twelfth lunar month to create a brand-new environment for the new year. This is the so-called "sweeping the year", because "dust" and "Chen" are homophonic, and sweeping away dust means sweeping away all "bad luck" and "good luck", which reflects people's desire for good luck and good luck. The cornucopia is a treasure in China folk tales. It is said that Shen Wansan became rich in his early days because he had a cornucopia. This allusion comes from Zhou's Collection of Different Lights: "At the beginning of the Ming Dynasty, when Shen Wansan was young, he saw a fisherman with more than 100 frogs, picked them up, bought them in an iron pot and raised them in a pond. Then the noise was so loud that I couldn't sleep. In the morning, I drove it away When I saw frogs surrounded by a earthen basin, I thought it was an instrument for washing hands. Three thousand wives accidentally left a silver hairpin in the basin, and there were countless silver hairpin, so they tried it with money and silver, so wealth dominated the world. The book "Lantern Picking" says: "When Shen Wansan was young in the early Ming Dynasty, he saw a fisherman holding more than a hundred frogs, so he picked them up, bought them with cups and raised them in a pond. Then the noise was so loud that I couldn't sleep. When I went to drive in the morning, I saw frogs all surrounded by a clay pot. If it's different, I'll think it's a hand washer. Three thousand wives left silver hairpin in the basin, and there were countless silver hairpin, so they tried it with money and silver, so it was rich in the world.