China Naming Network - Feng Shui knowledge< - Watercolor hand-painted illustration steps-zero basic watercolor tutorial|Jimmy Illustration "Embrace" (including detailed pictures)

Watercolor hand-painted illustration steps-zero basic watercolor tutorial|Jimmy Illustration "Embrace" (including detailed pictures)

Teach you how to draw classical beauties: an introductory tutorial on ancient hand-painted illustration techniques

Light smoke touches your fingers,

A piece of pink fragrance lingers, and you are intoxicated.

Chen Yun frowns, a wisp of light fragrance, the attic is low, who is the orchid pavilion, the clouds and phoenix on the temples? The flowers are still young, and the rouge is charming. Half of it is jade brocade, showing pink makeup.

Walking around the lotus, the feather fan is light.

Step1: Line draft

1. Create a new layer on the blank paper and roughly draw a dynamic draft of the character. Draw the outline of the flower in the foreground and the branches behind it.

2. Draw the general outline of the clothing based on the character's dynamics, and also outline the general composition of the scene.

3. Reduce the layer transparency. Create a new layer and start drawing line drawings, starting with the eyes. Line drawing is a secondary creation process, so you must be careful.

4. Draw the outline of the eyes. Then draw the facial features of the nose, paying attention to the shape of the nose from the 45-degree side.

5. Follow the draft and outline the face and ears. Create a new layer and draw the general direction and interspersion of the character's hair.

6. Draw the bun shape of the hair and refine the interspersed hair.

7. When drawing a headdress, you can refer to photos of traditional headdresses or design your own, paying attention to details.

8. Create a new layer and slowly draw the line drawing of the clothes starting from the collar. The turning of the lines can be drawn according to the softness and hardness of the material of the clothes. The lines on softer fabrics are smooth and soft, and the lines on harder fabrics are smooth and soft. The lines are strong.

9. Continue to improve the clothing, and pay attention to the overlapping relationship when drawing. At the same time, pay attention to the elegant feeling of the streamers.

10. Add patterns to the collar and other places of the clothes. The patterns can refer to traditional clothing. The pattern should be drawn according to the direction of the clothes.

11. Create a new layer and draw the flowers in the foreground. Flowers can be drawn according to personal preference, or you can draw one first and then copy it to achieve the feeling of a cluster of flowers.

12. Continue to create a new layer and draw the leaves and the trunk and ribbon behind it.

Step2: Coloring

Skin coloring

13. Create a new layer and give the picture a light green background. Do not spread it all over or To fill, pick some key areas and lay them out, leaving some space for the picture.

14. Create a new layer and fill in a background color for the skin.

15. Continue to create a new layer and add a layer of shadow to the corners of the eyes, the triangular fossa, the bottom of the nose and the overlapping lines. Then create a new layer and paint a bright red color at the end of the character's eyes.

Coloring the facial features

16. After adjusting the blush, fill in a base color for the eyes. Then deepen the upper eyelid area.

17. Choose a gray cool green and add a layer of reflection under the eyes. Then choose a dark color that is the same color as the eye base, and add pupils to the eyes. Use a few bright colors to add some light under the eyeballs to highlight the eyes.

18. Choose a red color, adjust the brush hardness to the lowest level, and apply a layer of color to the end of the eye. Draw eyeliner on the character. Because the character drawn this time is a charming one, the eyeliner should be raised a little. You can first outline the eyeliner with dark blue, and then use a darker color to press the shape. After the eyeliner is finished, the eye makeup comes out.

19. Use dark red-gray color to press the nose, and use cold color to brighten the edge of the bridge of the nose.

20. Lip makeup is what the ancients called "red lips". Use a red color close to pink like this, and dot the upper and lower lip beads, so that the feeling of red lips begins to appear. Darken the color around the lip line, and finally add highlighter, so that the entire facial makeup is completed.

Color your hair

21. Color your hair. First create a new layer, fill the hair with a base color, and then use a bright color to brighten the highlights. Then continue to deepen the structural parts of the hair.

22. Create a new layer, and follow the line drawing of the hair to add a shadow shape to the hair. This step should be done slowly. Deepen the place where the hair intersects to highlight the volume of the hair.

Then reduce the size of the brush to a small size, draw some thin white hair strands, and add highlights to the hair.

23. Color the headdress. First create a new layer on top of the hair layer, be sure to press it on all layers of the hair, and then fill the base of the headdress. For color matching, you can refer to some photos of traditional jewelry.

24. Fill in the color of the headdress and add a layer of gold edge to the headdress. Shape beads. It feels the same as drawing a circle, first add the shadow, then the reflection and ambient color, and finally the highlight.

25. Use the same method to color all the headgear. Don’t forget to also paint women’s nails with beautiful khaki!

Coloring clothes

26. To color clothes, this step is to separate the clothes into layers and fill them with color. Tu, there can also be some virtual and real changes. Create a new layer and fill the pattern of the clothing with a color. The color scheme here is blue, and you can match the colors yourself when painting.

27. Continue to draw accessories, and use a large brush to press the structural points of the clothes. On the clothing layer, draw the shadow of the clothing pattern. This step also requires patience.

28. Create a new layer and draw a shadow on the streamers. After completion, adjust the color according to the picture, lighten the color of the clothes and accentuate the color of the streamers.

Color the background

29. Create a new layer and drag it below the character layer as the background. Fill the trunk with color and darken the flowers in the foreground.

30. Create a new layer, fill the ribbon with color, and pay attention to adjusting the color.

31. Create a new layer under the flower and fill the leaves with color. Fill the camellia with white, and then add yellow to the stamens. Create a new layer on the background and draw the dense leaves in the distance.

32. Detail the flowers, deepen the roots of the leaves, and adjust the color of the leaves.

33. Outline the leaves and outline the shape and shadow of the rhizome. Adjust the color of the foreground flowers to brighten some parts so that the picture doesn't become too dark. Finally, add some flying petals and wild geese in the distance to complete the painting. How to draw good watercolor illustrations?

When doing watercolor and gouache paintings, just like other paintings, you must pay attention to the methods and steps, from the whole to the part, and from the part back to the whole, so that the work can gradually reach depth and perfection. Generally, it goes through five stages, namely layout, sketch, coloring, in-depth characterization, and adjustment. In the order of coloring, it is generally better to start with the color of a large area or the main objects in the picture. This is beneficial to determining the tone of a picture and maintaining the correct general relationship of the whole painting. Some artists are accustomed to starting with light colors or starting with darker parts like oil paintings. Each has its own strengths and should be decided based on the specific situation and personal painting habits. Pay attention to planning when coloring. For example, a certain part of the picture needs to be colored when the base color is still wet, and another part must be added after the base color is completely dry before adding other colors. This must be done step by step with a plan in mind. , which is very helpful for depicting different characteristics of objects and expressing the sense of space and quality of objects.

The techniques of watercolor and gouache painting are relatively diverse, but they are generally divided into two types: dry painting and wet painting. The so-called dry painting means using less water. It does not mean dry rubbing with paint without adding water. When painting, you need to wait for the previous layer of color to dry before applying the second layer of color. The layers are added up and the previous layer of color is combined with the second layer. The second layer of color has clearer boundaries, so it is also called multi-layer painting. The dry painting method should strive to be sure and accurate in order to express clear shapes and various levels and decent turning relationships. What you should pay attention to when using dry painting is: don’t rush to cover when the background color is still dry to prevent the background color from spreading; and the number of times of color covering should not be too many. Covering too much or stacking the color too thick will make the color gray and gray. Becoming greasy. The dry painting method is not subject to time constraints, making it easy to paint calmly and easy to master. It is very helpful for beginners to exercise strict modeling abilities. However, the dry painting method is not easy to bring out the flowing characteristics of water color. If it is not used properly, it will cause dryness, stiffness and other shortcomings.

Wet painting is a method that uses the dissolution of water to naturally join two colors to each other. When painting, while the color of the front brush is still wet, connect the back brush to make the paint The connection with the pen is soft and the edges are moist.

The wet painting method is used to express smooth and delicate objects. It is also suitable for painting distant views, dark parts and reflective parts of objects. In the wet painting method, you need to pay attention to the amount of water and the timing of writing. How much water should be used, and how wet the background is to make the color suitable for painting. All must be carefully studied. In addition, when the background color has dried and still needs to be wet-joined, you can first use clean water to moisten the area before painting on the color, or after the color is painted, use a clean pen dipped in water to lightly brush on the edge of the color block, or you can Achieve the effect of wet painting.

In gouache painting, the painting method is more thick, and the wet painting method is more thin. The so-called thick or thin are also relative and should be based on the specific object and the intention of the painting. , flexibly adopt corresponding expression methods. Many artists often use dry and wet painting methods alternately, showing both dry and wet, with varying thicknesses. In some places, more water is used to render and infiltrate, while in other places, blocks of color are used to cover or juxtapose them, so as to achieve the best picture quality. The unity of diversity makes the work more perfect. "Spring on the Pujiang River" is an example of the combination of dry painting and wet painting.

Here we introduce several types of character and landscape works that are completed using dry painting and wet painting methods. In terms of processing techniques, some use block surfaces as the main representation of objects, while others use a combination of lines and surfaces. The method of expressing objects can be used as a reference for beginners when painting.

The dry painting method uses thick gouache to express the ups and downs of the characters' faces. The brushstrokes are obvious and the picture effect is strong.

The wet painting method mainly uses watercolor thin coating. There is more water in the pigment, and the color seeps and flows more obviously. The method of combining line and surface makes the main body of the picture more clear.

Mainly dry painting, using both watercolor and gouache, and using some decorative effects in modeling and coloring to express the majestic, majestic and colorful characteristics of the object.

Using the method of watercolor wet painting, the sky, distant mountains, water surface, etc. are all expressed through the method of color penetration, so that the scenery in the painting is combined subtly and naturally to achieve the expression of rain. The vast and smoky atmosphere of the back fishing ground.

In addition to the above two main techniques of watercolor and gouache painting, there is also a method of applying light colors based on the sketch of the picture. Such as the widely popular pencil watercolor. Pen watercolor, charcoal watercolor, etc. are also popular forms of expression among the masses. This method is generally suitable for expressing fine objects. The author first uses a sketch tool to draw the outline, physical structure, black and white relationship, etc. of the object, and then adds large transparent and bright colors to make the picture both rigorous and lively, thus creating a special of beauty. This type of work, because it can fully express the characteristics of both form and color, is a method often used by many authors to collect creative materials and record life; architectural renderings, stage art costumes, shapes, scenery and other designs Most of the pictures also adopt this method of combining sketch and color. In terms of the production sequence, you usually draw the sketch of the bottom layer first, and then add color on top, or you can do both repeatedly (for charcoal watercolor, you can spray glue to fix the charcoal sketch before coloring, or you can leave it to charcoal powder Melt naturally with watercolor paint, both methods have their own benefits). Among them, pen watercolors are used to prevent ink from seeping out and smearing the surface. There are also cases where watercolors are applied as a base and then pen lines are applied on top. The ink for pen watercolor is preferably drawing ink. In addition to black, inks of other colors can also be used.

In addition, there are many specific techniques to choose from in terms of using materials and tools to fully and perfectly depict objects:

Paper dipping method. That is to put the drawing paper in clean water, soak it and then take it out to paint while it is wet. This method is easy to achieve the effect of moisturizing and glossy colors and smooth brushing. Because the color liquid in the painting naturally seeps out, the objects depicted are subtle and vivid, almost like painting on raw rice paper.

Powder color method. It is a painting method that mixes thick or thin paste into the color. It is characterized by smooth brushing, thick color liquid without bleeding, and helps to better express the body and use brush strokes. The works painted by paste color method have rich and bright colors and clear and powerful shapes. It has some advantages of oil painting while still fully reflecting the advantages of watercolor painting.

Washing method. It refers to washing the painted area to achieve the desired effect. This method can also be used to modify and adjust the picture.

You can use a sponge to wash a large area, and absorbent paper can be used to absorb the washed color liquid in some areas.

Leave it blank. It refers to the method of leaving those blank and bright parts in the picture. Some of them use the "flying white" method, that is, inadvertently leaving blank spots in the painting pen; some use wax or oil pastels to draw blank points and lines in the required parts before painting; On the painted picture, while the color is still wet, use a knife or pen to "scrape" the required blank space, such as expressing tree trunks, waves, beards, hair, glass or metal highlights, etc., which has good effects.

Only through practical exploration can the application of the above methods gradually become more comfortable and produce ideal results.

Watercolor and gouache are a type of color painting, which use color to create an image. For knowledge on the use of color, please refer to the chapters in the oil painting section of this book, which will be omitted here.

The materials and tools of watercolor and gouache are basically the same. They can be used interchangeably. The only difference is that the composition of the pigments is different. Watercolor contains a small amount of colloid and is more transparent; while gouache It contains more powder and has covering power. Many artists often use both types of pigments for painting at the same time. When painting watercolors, white powder is sometimes used for individual highlights, especially small areas of white or light colors (some are also used to leaving blank spaces on the paper, or washing out bright parts of the painting with water). When doing gouache paintings, white powder is also often used. Use watercolor pigments to enhance the transparency of certain parts of the picture, especially when depicting the dark colors of objects. Dark watercolor pigments are more effective than water pink.

The paper used for watercolor and gouache paintings is preferably white paper that is firm and tight, has moderate water absorption and does not bleed (but some use colored paper to express specific content). If the paper absorbs water too quickly, the color will not flow easily; if the paper is too smooth, the pigment will not easily adhere to it and will flow away with the water. Commonly used watercolor and gouache drawing papers, various drawing papers and watercolor drawing papers with coarse and fine lines. When making gouache paintings, in order to bring out the bright colors, white cardboard and white plate paper are also used for painting. Different types of paper have different textures and different effects. Everyone can choose according to their own painting habits. When making a relatively large painting, the paper should be mounted on the drawing board in advance to avoid wrinkles, so that the painting can be kept flat and easy to express smoothly.

The commonly used brushes are flat pens and round pens made of sheep or wolf hair. The one with elasticity and large water storage capacity is better. The size of the pen depends on the size of the painting. Generally, three or four brushes of different types are enough when painting. In addition, you can prepare an outline pen and a shading pen for painting large areas of color.

Other tools such as palette boxes, water bowls, picture clips, drawing boards, easels and other tools do not have certain specifications and can be selected according to practical principles. The color palette box is used to hold the extruded pigments and arrange them in separate compartments. The pigments should be arranged in the order of depth, lightness and coldness. The general order is:

White, lemon yellow, medium chrome yellow, khaki, orange, Vermilion, scarlet, crimson, rose red, ocher, ripe brown, olive green, grass green, ultramarine, blue, green lotus, black.

The palette box comes with a tablet for color mixing. When mixing colors, if they appear to be too mixed or not white, the remaining paint on the palette should be washed with water and newly mixed paints should be prepared. If you are making large-scale works indoors, you can use porcelain basins or glass ( Stick white paper underneath) to match the color.

In addition, some authors also use auxiliary tools such as scrapers, loofah tendons, sponges, and crayons to express various artistic effects. For example, in the picture, the flash of water, small branches, snowflakes and other places that are difficult to free are often scraped out with a knife, and the effect is very vivid. Crayons are also used for parts and fine prints that are difficult to leave. Since the oiliness of crayons cannot combine with water to leave a natural blank space, you can write boldly without restraint when coloring. Use a sponge and loofah tendons to absorb some of the wet color on the painting to create a moist and rich effect. Use loofah tendons to pat on the painted gouache color base to produce a special effect of vigor and mottled light and shadow. Of course, such auxiliary tools can only be used appropriately, especially for beginners, it is best to use them as little as possible.

Zero basic watercolor tutorial | Jimmy's illustration "Embrace" (including detailed pictures)

Pictures | Wennuo Noma_Fairy

Noma's painting Day130 copying Jimmy

—Preface—

Mr. Xu at home said that he likes Jimmy the most, and has always thought about having the opportunity to paint one. Recently, he has not used watercolors for a long time, so he changed the first painting with new paints and gave it to him.

Pigment: Meijile Master Gold 34 Color Pack

Paper: 32k Baohong Medium Coarse 300g

Brush: Black Swan No. 10 Qiu Hongzhai Yousi

(_Meijile Gold is a strong Amway product. Although the diffusion is average, the color is bright and easy to dip. The mixed colors are also very clean, great!)

Draw the outline with pencil, and pay attention to the rounded outline of the dolphin's body. At the same time, this illustration itself can leave a draft line, so it is not rubbed too lightly.

Add some light blue to the wet painting, and add an extra layer of blue to the upper section and corners to deepen it. It doesn’t have to be completely uniform. The dense feeling creates an ocean atmosphere.

Put 2.3 layers of bright colors in permanent red, orange, and yellow, and add brown or green complementary colors to deepen the edge shadows and increase the three-dimensionality.

Since ancient times, red and blue have come out of CP, haha, the bright little red riding hood and the background look very beautiful together!

The main body of the dolphin is high-grade gray, you can use the remains in the palette, and the red Green, blue orange and other complementary shades of gray. Because gray tones have different color casts, if you want to draw the desired color, it is best to try it on paper before painting.

Pay attention to the three-dimensional effect and the relationship between light and dark, and add some heavy colors to the edges. The paving here is relatively light, and I will continue to pave it with heavy colors several times later.

1. Continue to add several layers of gray, and use two pens with a rubbing and chapping pen to draw the texture of the dolphin's skin.

2. Below the hat, at the fins and tail, add a heavy color to the shadow part to show the relationship between light and dark (black needs to be mixed in when the gray is not heavy enough).

3. Use ripe brown and black to highlight the facial features and edges.

Use red-orange and add plenty of water to cover the skin color, and mix in orange in the shadows.

While the skin tone is dry, use two pens, one for dotting and one for blending, to draw bubbles of different shades.

_The eye shadow here is mixed with white ink and blue to make the pigment have a certain coverage.

Use orange, brown, black and other colors to blend, and draw the hair in 3-4 layers. First lay out the color generally, and then draw the hair one by one!

_Because I'm too lazy to wait for it to dry, I can use a hair dryer here~ Just paint one layer and continue painting~

I'm self-taught hand-painting with zero foundation, and the simple drawing group practice is in progress.

Daily engaged in: simple brushwork/colored pencil/watercolor/sketch

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