Landscape Description of Shuihulin Feng Chong Snow Mountain Temple

Lin's "Snow Mountain Temple" is one of the wonderful chapters in "Water Margin", which has always been praised by people, in which environmental description plays an important role. The description of the environment in Lin's Snow Mountain Temple is concise and vivid, and the scenes blend, which not only shapes typical characters, but also promotes contradictions and conflicts, showing the theme. This paper tries to discuss from these aspects. The section of the Snow Mountain Temple in the Forest in Water Margin is a masterpiece that has always been praised. Starting with the description of Lin Chong's innocent death, the author reveals the rich and complicated features of feudal society. The article is simple and simple, expensive as gold, but it can win people's hearts and get pregnant. Especially in the description of the environment, the pen is profound and profound, revealing the content, which plays an important role in the expression of characters, plots and themes. Lin Chong, the hero of Lin Xueshan Temple, is a typical figure in The Water Margin and a representative of China people. He has two typical characteristics: self-discipline and resignation. He doesn't want to speculate, climb up, and change the existing social hierarchy. He just wants to maintain his family life in the existing social class. In order to maintain this ordinary small family life and never make trouble, he would rather avoid giving in, even if he was bullied, he would have to submit to it and compromise for the whole family. He is just a well-behaved citizen. If Gao Qiu hadn't cornered him, he would have lived in obscurity and never become an outlaw, just like his father-in-law. In order to better highlight this typical figure, the author pays special attention to the role of environmental description, organically combining the description of natural environment with the hero's life experience and even the whole social background. The author designed a season of "Time flies, but winter comes early" for Lin Chong to go to Liangshan. When Lin chong walked on the road to the forage field, "it was the winter weather, with dark clouds gathering and the north wind rising gradually, but it was still snowing the day before." Lead-like clouds hung heavily, and goose feather-like snow was rolled up by the whistling north wind. Lin chong and cha sent two "no place to eat" all the way. It can be seen that the forage field fifteen miles outside the east gate of Cangzhou City is a very desolate place, where you can't smell chickens and dogs and you can't be human. Only the gray sky, the white land and the bleak color just set off Lin Chong's mood here and now. The loess wall of the forage field, the barn made of seven or eight straw houses, and the surrounding haystacks are as simple as braziers, pots, bowls and dishes. Besides grass, it's still grass! In the meantime, Lin Chong was the only one breathing life. What about the residence of the fallen hero? "I looked at the hut on my back, all around it collapsed and was shaken by the north wind." These words not only laid the groundwork for the collapse below, but also formed a strong contrast with Lin Chong's warm home in Tokyo, where he basked in the sun and warmed his fur around the stove! When he stepped into this room, how could he not recall the lost warmth and happiness? Lin Chong went out to sell wine, and the author wrote about his series of actions: only when he picked out the wine gourd, covered it with charcoal, put on a felt hat, took the key, dragged the grass hall door, locked the grass hall door, and took the key, he strolled to the east. This group of close-ups not only describes Lin Chong's cautious handling, but also has obvious functions: the author gradually narrows the gray background around him, suddenly enlarges Lin Chong's lonely image, and strongly emphasizes isolation and loneliness. This unique and concrete living environment is unique to exiled prisoners. With a series of actions, there is only a lonely atmosphere, that is, the "eyah" sound dragging on the grassland door seems to be clear and audible. The cool Lin Chong stepped on broken jade. "Walking against the north wind, the snow is very tight." The word "tight" makes people feel the strength of the wind, the density of snow, the speed of cooling, and the wind and snow are mixed. Linchong is getting farther and farther away, the forage field is getting smaller and smaller, the world is getting bigger and bigger, and the darkness extends to the horizon of Ye Ping. What a vast scene and profound connotation it has written in just a few strokes! There is no doubt that the author loves the hero very much. He is so sensitive to his situation, the tone between the lines is cold, and his feelings are depressed and sad. Lin Chong bought wine from the hotel, and the author wrote snow for the third time. Lin Chong came back against the north wind. Look at the snow. It's getting tighter at night. "Naturally, these two swaying huts were flooded with snow, because the snow was getting tighter and tighter. So he had to turn around and look for the mountain temple. " Looking inside, there is a glittering statue of a mountain god in the temple, with a judge and a child on both sides and a sheet piled on the side. Tuan Tuan seems to have no neighbors or temple owners. "This ancient temple not only adds a desolate, cold and lonely atmosphere, but also provides an activity place for the following plot. Lin Chong sat down in situ and found a place to settle down. Judges, imps, mountain gods shining with golden light, staring at the boundless darkness, accompanied by Lin Chong, whose family and country were difficult to vote for. That night, Lin Chong ran around in the snow, and there was no place in the world! The author didn't write about his sadness, but with the passage of the plot, it is not difficult for readers to imagine the changes in his thoughts and feelings at this moment. Memories of the past, immediate sadness, the pain of departure, and unspeakable grief and indignation all came to mind like a flood. Lin Chong has always been a warm-blooded man who is generous in helping others, willing to make friends with heroes all over the world, save people in emergencies and go through fire and water for his friends. For Li Xiaoer, he is just an ordinary bartender, and Lin Chong is equally enthusiastic about him. Such a hero is in such a situation because he has a beautiful wife! Lin Chong's innocence and misfortune are obvious, but no one can help him. It is also in these places that the ulcers in feudal society are exposed to the fullest. The author did not directly condemn it, but appealed to the pen and ink of the image. Isn't it sharper and incisive? The north wind roared up and down, with flying snow. Isn't it like Lin Chong's pent-up anger? How can this kind of complaint without a door not affect his worried thoughts! Lin Chong, who never thought of making mistakes and making trouble, wanted to make peace in the concession even if he was wronged. It is unforgivable to be so displaced! The author closely combines the description of the environment with the image, psychology and behavior of the characters. The pen is concise, economical, rich and full, and its appeal has produced enduring effects. After Lin Chong entered the mountain temple, the role of environmental description in characters, plots and themes became more and more obvious. The progress of the plot changed from calm to tense rhythm, the theme was sublimated, and the characters' thoughts made a leap from quantity to quality. After Lu and other three people set fire to the forage field, there was nowhere to escape in the snowstorm, so they had to run to the mountain temple to settle down. Meeting Lin Chong here seems accidental and full of inevitable factors. While watching the fire, the three of them proudly poured out their secrets. The ghost of feudal officialdom openly exposed its cannibalism and essence here. Even a stone in the temple is not casually dispensable. Lin Chong bravely pushed the stone against the door, but when Lu and others ran to the door of the temple, they "pushed the door with their hands, but it was stuck by the stone and could not be pushed open." This stone not only shows the brawn and spirit of 800,000 imperial guns, but also creates a narrow road to the enemy. One door, three doors, the author narrowed the distance between the two sides to one door, and the situation was tense and explosive. When Lin Chong heard all the conspiracies with his own eyes, new and old hatred came like a landslide and tsunami. The burning forage field made him realize that even if he escaped death, he could not escape the death penalty. The fire suddenly burned an umbilical cord that he finally connected with feudal society, and drove him to a dangerous cliff, no way back. His chest is full of anger, blood surging, unable to think, very impulsive. So he gently lifted the stone, held a spear, opened the temple gate with his left hand and shouted, "Throw it at the thief!" " This earth-shattering roar shows that Lin Chong's resistance to tortuous development suddenly jumped to the boiling point. The hero Lin Chong finally broke free from the shackles of his neck and spirit and broke out of the paper. There are three people holding a brake, which is written like a volcano erupting and magma splashing. At this time, the fire in the forage field is burning more and more brightly, the wind helps the fire, the smoke rises, and half the sky is as red as blood. This strong color is a portrayal of the fire of revenge in Lin Chong's heart. The fire was all over the sky, and the body was lying at the foot. When Lin Chong arrived here, he had to throw away all illusions and make up his mind to move forward. His character has undergone a qualitative change. Go into the temple and drink all the wine in the gourd. "I lost both the gourd and the gourd. I raised my gun and went east." Only in this sentence, Lin Chong's image of turning around to the east without hesitation is getting higher and higher in the readers' minds. This article describes that there are no miscellaneous branches blocking the reader's sight, and the weather is magnificent, with profound implications and great appreciation value. There are only four sentences about the snow scene in the article, but we seem to be in a frozen place, rushing out of the forage field with Lin Chong in the snow and rushing into the mountain temple, worrying about him, worrying about him, being sad for him and being happy for him. I can't help but enter the specific realm arranged by the author, and accept the concept of propaganda of my works with conviction. In a word, the environmental description in Lin's Snow Mountain Temple has two characteristics: first, it does not cover everything, but leaves a large blank, which causes readers to associate, supplement and create with their own life experience; The second is to describe feelings with scenery, so that the objective scenery description has strong subjective feelings, and the subjective feelings are expressed with distinctive image characteristics. The author organically combines these two characteristics with Lin Chong's personality, family background and social environment, highlighting the typical character image of Lin Chong, thus effectively deepening the theme of the government forcing the people to rebel. Source: Reading Mid-Autumn Daily after class