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Shen Congwen's Post-reading Experience of Sansan Primary School

After reading 1 in the third primary school, Shen Congwen felt that early autumn had come and the weather was getting cold. I looked through Shen Congwen's collection of novels Alice China's Travels, and read one work after another from Bai Zi, which unconsciously produced a contrast inside and outside the body. It seems that the surrounding air gradually turns from dark blue to light blue, while my heart turns from cold to warm. Shen Congwen's words, like a warm wind, blew on my unprepared heart.

A novel named Sansan, with a soft and weak word "Sansan" that makes people involuntarily lower their voices, is enough to arouse my infinite curiosity.

Anyone who has seen Sansan knows that the little girl lives in Yangjiabao, her father died young, and she lives in the mill with her mother. Mother, mill, raising chickens and pond are the whole of life. One day, the consul brought a young man from the city to recuperate. Sansan, who has always been isolated from the world, has encountered this doomed love. The young man finally died, but Sansan's love didn't. This love will haunt Sansan for a long time, and it will haunt us readers who are distressed for a long time.

The first thing that touched me about this novel was its language. The mother, the steward, the young people in the city and the white hat girl are also the main figures. They are all older than three or three, and their words are gentle, sophisticated and soft. But the three three words are direct, concise and car-scrapping. This combination of hard and soft words firmly grasped my heart to continue reading, and also put Sansan's true and pure character on the paper.

When you are naughty, you will say, "mom, mom, look, someone is rude and is fishing for our fish." Come and break his pole. Come on! " "I won't give you eggs to eat, but I don't want to sell them to you. I don't want your money. You can bring a big piece of gold from home and buy an old crow's egg there. Sansan said angrily, even if I am stingy. I feed the eggs to the shrimp, not to anyone! We don't envy other people's gold treasures. You talk about gold and threaten others. "

When I am willful, I will say "Mom, take me to see it", which seems to be both an order and a requirement. "Mom, that you should let her worship you as a foster mother tomorrow. She has read books, and her mother has only recently liked reading books. " "Sansan will never come back, Sansan will never come back."

When I am shy, I will say, "Who gives them eggs, Mom, Mom, I say … they are bad people!" " ""Mom, it's strange that you are willing to talk empty talk with an old woman. " "The somebody else's daughter-in-law don't you tube? " .

This children's language is my favorite. Children's language is aristocratic, direct, vivid and not rigid, just like Sansan. Her tone reveals arrogance. How important it is for me to ask you to do what you have to do. With the growth of age, we gradually began to be polished by social reality, and gradually began to unconsciously say something irrelevant. The innocence revealed by human nature is getting farther and farther away from us, and we can't help feeling that the biggest sorrow of people is that they can't be their true selves.

Let's talk about love again Love is the theme of San San. Although it also involves platitudes in Korean dramas, such as the birth and death of the hero, Sansan only got an unsuccessful love in the end. But Shen Congwen wrote the hero's death lightly, which opened readers' eyes and deliberately highlighted the love that Sansan didn't vent like a flower, just like Qin Keqing said in A Dream of Red Mansions, "This kind of love that is not revealed.

I always miss this little girl in a few days because of the persistent pain of my fingers. She is so familiar and warm, just like the heroine in A Letter from an Unknown Woman written by Zweig, two little girls in one middle school and one west are the same as the first love, the same indescribable love and the same love without guidance and help, so I can't help but jump out and say a few words for Sansan.

"In this world, there is nothing better than a child secretly hiding an unknown love, because this kind of love is hopeless, humble, pleasant and warm. This is completely different from the passionate and insatiable love of adult women. Only lonely children gather all the enthusiasm. I'm inexperienced and unprepared. I plunged into fate, just like falling into the abyss. "

These words of Zweig made my feelings simply and thoroughly devoted to this fruitless love. Life is wonderful because of its variety, and it is also terrible because of its variety. If there is no change, there will be no young people in this city. Because of this change, young people will eventually become a dream. No, maybe he is a dream.

Whose youth is not accompanied by dreams? No one grew up with flowers and scars? May all the "three three" in the world take a good look at their true selves.

After reading Shen Congwen's Thirty-three Primary Schools, I feel that two clear and winding rivers are as blue as a spiritual sky. A group of waterwheels outside Yang Mill, like a group of idlers, tirelessly sang songs with vague meanings day and night. ...

In this way, the leisurely and fresh scene of Sansan unfolds in front of my eyes, and it seems that I have entered the pretty world of Sansan in a faint narrative.

The sole owner of Zhangjiakou Bunker Mill is Sanhe and her mother. Crying and laughing, Sansan grew up with cats, chickens, ducks, fish and shrimp in the pond. Steamed buns are a paradise and self-sufficient. All the scenery there is lush, charming, beautiful and elegant. Sansan's life is like calm water in a pool, as clear as practice. Like Cui Cui in Border Town, Sansan is innocent, beautiful and kind. "They are like flowers of freedom beside mountains and streams. They have no spontaneous conscious thinking, let the four seasons of life change naturally, and just live simply and simply according to their own life nature. They are so simple, live freely and calmly. In the face of simple daily life, they get happiness in their own habits, but there is no lack of imagination of good feelings and happiness from fantasy. "

Shen Congwen is full of enthusiasm and love for this land and the people here. He showed us the most touching side of the fortress. Accordingly, through indirect description and profile description, the author also depicts a picture of urban life, and the impression of the city in the article is always vague and distant. From the works such as Sasha Vujacic, we realize that Shen Congwen actually saw a self-sufficient village like Xiangxi, which was ignorant, closed and conservative. However, Shen Congwen is always willing to write such a natural beauty with a faint prose style, and create a fresh and far-reaching pastoral mood in his novels with a gentle style. He always has a pure love for this land.

The appearance of the young master in the city has brought the difference between the countryside and the city. The laughter of the manager and the men in the city made the self-respecting little girl angry. She understands this gap and tries her best to defend herself with self-esteem. The nurse in the city asked her a lot about the countryside. Although she was curious about the city, she didn't ask MISS ZHOU around her and acted like a "smart person". In the third night of the dream, I imagined that dogs would scare people into the water. It is also a dream for the master and the duke to exchange their own money for eggs from Sansan, and they trade with Sansan in a disdainful and indifferent tone. Sam San told them in a haughty manner that I wouldn't sell it to you because people threatened him with gold. Later, they made a fool of themselves in front of Sansan, and were chased into the water by a big dog, looking embarrassed.

Sansan didn't have much contact with men in the city from beginning to end, but she was very curious about the city and people here. She and her mother even fantasized about building a city with huge boulders. Out of this curiosity, she had a hazy love affair. She feels that city people are beautiful in her heart and eager to see that kind of life. In reality, she and her mother still have to guard the mill and can't go into the city. Although, they had that dream.

When she heard people around her poking fun at her about marrying Sansan to a man in the city, when she met a man in the city talking about his behavior with the steward, she couldn't tell people to go away, and she couldn't go away herself. Sansan was in a hurry and felt her face like Xia. Sansan is really curious, blushing and opening her heart.

At the end of the novel, the young master from the city suddenly died. However, life goes on. When city people disappear from their sight, their lives are doomed to return to peace. As for fruitless love, it may be because of the sudden death of men in the city, or because of the gap and difference between the morbid city and the ancient town in the border town. In any case, Sansan and her mother went to the relief after a short loss. This may be the best ending. Just like Border Town, Nuo was sent away and waited, where everything came from the truest soul, perfect and beautiful. In this way, Shen Congwen showed a simple and sincere beauty of human nature. The same is true of San San, which has a short interlude and then returns to calm and loss, but never puts the city and the peripheral places in opposition and contradiction. This may be the best ending.

Seeing Shen Congwen's Sansan Primary School, I feel that Sansan has a strong flavor of border town, just like some villages in western Hunan. The same simple girl, Cui Cui, San San; Also lost the feelings of youth, reading is not a taste!

Sansan itself is also a tragedy of love. The man she loved died suddenly, the love dream of Sansan was shattered instantly, and the fantasy and desire collapsed instantly ... but from the text, we can't feel the taste of "sadness". Shen Congwen skillfully uses the tragedy of love to connect reality with the ideal world. Because Shen Congwen thinks this is an ideal reality.

For Sansan, her world is cruel. The outside world is changing as always. This is a door that she once opened and can never open again. Perhaps, before she opened it completely, the door closed tightly, and she never had a chance to see the world behind it again.

And Sansan, like her mother, once thought about going far away, encountering a marriage that had no time to start, and also thought that "if you go out, you will never come back." But later, she married the owner of the mill. After her husband died, she became the owner of the mill, covered in chaff and ashes, and lived a quiet life day after day, because she knew that she could never go out again ... She had already put everything down and deeply rooted in this landscape. But, who knows if she regrets it, I'm sorry?

In fact, maybe the mother's life is still the fate of San San, maybe San San will become a woman like her mother and finally calm down.

Who knows, life is a cruel game, with joy and anger, sadness and joy ... just the spice of life, and it doesn't affect her path. The road is her own, as long as she has a firm belief, she will not repeat her mother's mistakes ... However, there is no perfect life in life, and everyone will have some flaws and defects, but it is because of these small flaws that life becomes more perfect. ...

Even after the rough waves, the pool of time will be as calm as ever. The sadness of those years also sank to the bottom of the pool and was forgotten, but it remained in my heart forever. In her gaze or deep thought, in her late-night dream, that sadness was like a touch of sunset light, refracted on the water, showing the past years.

Thank you, Mr. Shen Congwen, for bringing me so many insights. I understand that life is not as perfect as you think, and some flaws are necessary, so we can move towards them and be a "perfect person".

Thank you, Mr Shen Congwen!

Shen Congwen's feelings after finishing the third elementary school 4 Shen Congwen's pursuit of novels is mainly manifested in two aspects: 1 the pursuit of perfect human nature. Perfect humanity, perfect society and perfect nature are integrated to form a unique "Xiangxi World". In Shen Congwen's novels, the natural scenery of Xiangxi is always a colorful part. This is also the whole soul and cornerstone of Shen Congwen's novels. In Shen Congwen's Three Three, the hero is a group of kind, sincere and beautiful people, regardless of his status as a farmer. As a landlord or a small businessman, Shen Congwen's reflection on the "unchanging" and "changing" Xiangxi world with beautiful humanity constitutes his special cultural speculation. This unique aesthetic concept is also unique in the history of China's modern novels. Reflections on Shen Congwen's Sansan

After reading the characters written by Shen Congwen, you will deeply realize that "women are made of water". Sansan in the novel is no exception. Shen Congwen described Sansan as a kind, naive, reserved and simple woman. This is also the evaluation and requirement of China's cultural values for a perfect woman. From Sansan, we can see Shen Congwen's life pursuit of harmonious coexistence between man and nature. 15-year-old Sansan still remains childlike and simple, completely unaffected by worldly things, and keeps company with fish in the river and ducks by the stream all day long. Sansan's worry is that there are more fish in the river than his mother knows. If these are not the harmony between man and nature, it is completely impossible.

Divide the "sphere of influence" in your own river, and no outsiders are allowed to fish. Obviously, we can see the "selfishness" of Sansan, but under this selfishness, Sansan is really pure and kind. She never really stopped the fisherman, but went back and told her mother that these things were interesting for her mother and daughter. The fisherman who was stopped by Sansan was not angry because of Sansan's blocking, but unconsciously played a joke on Sansan. In Shen Congwen's pen, it is.

The story of Sansan is a love tragedy in itself. The sudden death of a white-faced man in the city shattered San San's fantasy and longing for love, but we can't see the "sadness" in the love tragedy from the novel. Shen Congwen is willing to write love tragedy, which he thinks is an ideal reality. Beautiful love is destroyed by images, which will also make people feel sad in a beautiful and ideal world. Shen Congwen skillfully used the tragedy of love to shape the real world and the ideal world of Xiangxi.

From the novel, we can see Shen Congwen's praise and yearning for the ideal western Hunan world, but we can clearly see Sansan's mother's yearning for urban life, which is caused by the sense of distance between city dwellers and country people, thus resulting in estrangement and ignorance. Sansan's mother envies city life very much, but she doesn't know that city life is not as comfortable as she looks. She doesn't know that more people in the city want to escape there and hope to live a free and peaceful life like them.