Ou Yangxun's calligraphy has eight characters.

In terms of style, Ou Yangxun's calligraphy not only fused and fused the characteristics of regular script in Han Li and Jin Dynasties, but also participated in the inscriptions in the Six Dynasties, which can be said to be widely adopted by various schools. Its main characteristics are neat and rigorous, tall and vigorous, although the font is slightly long, it is appropriate to leave white space, the middle palace is tight, and the main pen is stretched, which is bold, dense and vivid. We can also see that Ou Yangxun's calligraphy works are mainly stippling, with a tight structure and strong balance. Most of the fonts expand to the right, but the center of gravity is still stable and there is no inclination, but it is very interesting and dangerous.

I think Ou Yangxun's calligraphy is exquisite in brushwork and rigorous in structure. This is very valuable for beginners of European calligraphy. Many people complain that it is difficult to learn European calligraphy because the stroke shape of every word can't be changed at will. If you change the shape of the whole word, you will lose a lot of charm, and then the position of each stroke cannot be changed at will. Because it was changed at will, the focus of the whole word shifted.

As can be seen from the book "Literature and Art Collection" edited by Ou Yangxun, Ou Yangxun is a more rigorous person. The average reader is very strict, not to mention the person who compiles books. Ou Yangxun, in particular, has a stubborn personality. Therefore, it has created a unique imposing style of combining rigidity with softness in European calligraphy.