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Cultural Common Sense in the Preface of Tengwangge

1. Seeking the cultural knowledge related to the preface of Tengwang Pavilion

According to the historical records, Tengwang Pavilion was built by Tang Gaozu's son-Tengwang Li Yuanying. It is said that Tengwang Li Yuanying was unhappy when he was transferred from the original Suzhou secretariat to Hongzhou (now Nanchang, Jiangxi) as the governor. When he left, he took all the cabaret musicians set up in Suzhou to Hongzhou. One day, some of Teng Wang's aides, in order to please their master, suggested that they should bring singing and dancing musicians to the hills on the banks of the Ganjiang River and hold a banquet on the hills near the river, so that they could not only drink wine, but also watch the beautiful scenery of the country and listen to singing while watching the dance. Teng Wang was very happy and adopted this idea. But when they got to the river, there were rocks and thorns all over the hills. Geisha and maiko couldn't dance at all. Tengwang had no choice but to leave angrily, unhappy. Soon, some aides suggested simply building a pavilion on the hills near the river, which could not only show the beauty of mountains and rivers, but also enjoy the music of singing and dancing. Tengwang couldn't help smiling after hearing this, so he ordered the aides to start construction, which was completed in the fourth year of Tang Xianqing and rebuilt in the second year of last year. Later, Yan Boyu became the governor of Hongzhou. To celebrate. It was the ninth day of the year, and Yan Gong ordered his husband Wu Zizhang to write a preface in advance, hoping to praise his talents in public when entertaining guests. What a coincidence, it happened that Wang Bo's relatives passed by here at this time, and he was naturally invited to dinner. When Yan Gong pretended to ask all the guests to preface Teng Wangge, all the guests understood Yan Gong's meaning and refused to be competent. Only Wang Bo was new here and didn't know the inside story, so he relied on it. Stereotype! " As soon as the voice fell, he came to preach that "the flying pavilion is full of blood, and there is no land under the ground", and he exclaimed: "Good! Good sentence! " Then I saw "sunset and lonely Qi Fei, autumn waters * * * the sky is the same color" and "old and strong, I would rather move my heart? Poor and strong, do not fall into the ambition of Qingyun ","Yang Yi does not meet, caressing Lingyun and cherishing himself; When the clock meets, why should I be ashamed to play running water? I even exclaimed, "What a genius!" After the preface was completed, all the guests were surprised. Since then, Tengwang Pavilion has become as famous as Wang Bo's Preface to Tengwang Pavilion. This magnificent Tengwang Pavilion has lasted for more than 1,3 years, and it has been destroyed and built repeatedly after many dynasties. Today, the Tengwang Pavilion we see was rebuilt in 1983 in the style of the Song Dynasty. It is 54.4 meters high, with three floors in the attic and four floors in the dark. It stands on the riverside and is very spectacular.

2. Ask for cultural knowledge about the preface to Tengwang Pavilion, which was built by Tang Gaozu's son, Tengwang Li Yuanying. According to legend, when Li Yuanying, the King of Teng, was transferred to Hongzhou (now Nanchang, Jiangxi Province) from Suzhou, he was unhappy. When I left, I brought all the cabaret musicians formed in Suzhou to Hongzhou, and raised them in the governor's mansion. I didn't ask about political affairs, but I indulged in debauchery and wanton fun all day long, but I still couldn't get rid of my troubles.

One day, in order to win the favor of his master, some aides of Teng Wang suggested that they should take the singing and dancing musicians to the hills on the banks of the Ganjiang River and hold a banquet on the hills near the river, so that they could not only enjoy the beautiful scenery of the country, but also watch the dance and listen to the singing. Teng Wangyi was very happy and adopted this opinion. But when they got to the river, they saw that the hills were covered with rocks and thorns, and the geisha and maiko could not hear and dance at all. Teng Wang had no choice but to leave in anger and be unhappy.

Not long after, some aides suggested that a pavilion should be built on the hills near the river, which can enjoy the beauty of mountains and rivers as well as the music of singing and dancing. Teng Wang couldn't help smiling after hearing this, so he ordered his staff to start construction, which was completed in the fourth year of Tang Xianqing and rebuilt in the second year of Shangyuan. Later, Yan Boyu became the governor of Hongzhou, and on the ninth day of the ninth lunar month, he feasted guests here and climbed high to compose poems to celebrate. On the ninth day of the year, Yan Gong ordered his husband Wu Zizhang to write a preface in advance, hoping to praise his talents in public when entertaining guests. What a coincidence, at this time, it happened that Uncle Wang's mother passed by here and was naturally invited to dinner. When Yan Gong pretended to ask all the guests to preface Teng Wangge, all the guests understood Yan Gong's meaning and refused to say that they were incompetent. Only Wang Bo, who was new here and didn't know the inside story, took pains to improvise. This made Yan Gong extremely unhappy, so he was watched secretly, so he immediately reported the sentence to him. When I saw Wang Bo write "Nanchang Old County, Hongdu New House" at the beginning, I couldn't help but shake my head and say, "Alas-cliche! Stereotype! " As soon as the voice fell, he came to preach that "the flying pavilion is full of blood, and there is no land under the ground", and he exclaimed: "Good! Good sentence! " Then I saw "sunset and lonely Qi Fei, autumn waters * * * the sky is the same color" and "old and strong, I would rather move my heart? Poor and strong, do not fall into the ambition of Qingyun ","Yang Yi does not meet, caressing Lingyun and cherishing himself; When the clock meets, why should I be ashamed to play running water? I even exclaimed, "What a genius!" After the sequence was completed, all the guests were surprised. Since then, Tengwang Pavilion has become as famous as Wang Bo's Preface to Tengwang Pavilion.

This magnificent Tengwang Pavilion has lasted for more than 1,3 years, and has been destroyed and built repeatedly after many dynasties. The Tengwang Pavilion we see today was rebuilt in 1983 using the style of the Song Dynasty. It is 54.4 meters high, with three floors in the attic and four floors in the dark. It stands on the riverside and is very spectacular.

3. Cultural knowledge of preface to Lanting Collection

The preface to Lanting Collection is a preface. The preface, also called preface, is a practical style, which is the same as postscript. The preface at the beginning of the volume is called preface, and the postscript at the end of the volume is called postscript. Its function is to recommend and introduce someone's work or a certain material, and explain the writing process and writing. Others are invited to write it, which is called "Preface to Others". Besides introducing the works, there are often some comments in his preface. No matter in ancient times or today, there are articles called "Preface", such as Preface to the Orchid Pavilion, Preface to Tengwang Pavilion, which describes the banquet in the attic, Preface to Send Ma Sheng to Dongyang, which encourages others, and Shout, which explains the reasons for writing. What kinds and characteristics does it have?

The preface mentioned by modern people is an applied style written in front of a book or poem, stating its writing reasons, contents, styles and other matters, and also writing "narration" or "thread". The preface mentioned above and Mr. Zhang Dainian's preface attached at the back of this article all belong to this category. However, the situation in ancient times is different from now, and the preface mentioned by the ancients contains more meanings than. Sima Qian's Preface to the Historical Records of Taishigong began. The Han Shu written by Ban Gu contains the Biography and the Fa Yan written by Yang Xiong contains the Preface to Words. The early prefaces were not all written in front of the article, but the single article was prefaced, and the whole book was prefaced until the Selected Works of Zhaoming written by Xiao Tong in the Liang Dynasty. Articles with similar preface are called "Postscript" or "Postscript". In the family of preface, there are variations such as "Small Preface" and "Introduction". The so-called "Small Preface" is a short preface that is exciting or originated from the narration before poetry and prose. Xu Shizeng, a Ming Dynasty writer, said in "Distinguishing Styles": "A small preface is also named for the big preface." " Liu Zongyuan once wrote the article "Praise and Introduction to the Thunderbolt", which is also called "inscription and postscript", "postscript tail" or "the back of the book". Yao Nai's "Compilation of Ancient Literatures" in Qing Dynasty: "The inscription and postscript, after the brief compilation, will be followed by the words, and all the books and poems of the history will be quoted in an orderly manner before. It is called "after a certain topic" or "after reading a certain topic", such as Li Ao's "After a Prince Yan Dan" and Han Yu's "Reading Xunzi". Ouyang Xiu first called this kind of article a postscript, and his Collection of Ancient Records has several "postscript" attached to his treasured inscriptions. Wang Xizhi's Preface to Lanting Collection belongs to the "preface and postscript"

4. Overview of Tengwangge Culture

In Wang Bo's Preface to Tengwangge, "Three rivers and five lakes, while the wild scenery is controlled, which leads to Ouyue (the geographical position of Tengwangge)", the geographical orientation has created the traditional orientation of culture.

Wang Bo, a poet in the Tang Dynasty. The word zi an.

There are more than 8 poems written by Wang Bo, including preface, table, tablet and ode, and more than 9 poems. Wang Bo's anthology, which had 2 volumes, 3 volumes and 27 volumes earlier, was not circulated.

There are 16 volumes of Wang Zian Collection compiled by Zhang Xie in Chongzhen of Ming Dynasty; Wang Zian's Annotations, written by JIANG Qingyi, Jiaxu of Tongzhi in Qing Dynasty, is divided into 2 volumes. In addition, Yang Shoujing's Records of Japanese Visits recorded 1 volume of the ancient paper "Prince Anwen", and copied 13 of them (actually 12, of which 6 were incomplete).

Luo Zhenyu's "The sequel to the miscellaneous works of Yongfeng Township People" has another volume of "The Lost Articles of Wang Zian Collection", with 24 articles, that is, 12 articles added to what Yang did not have, and supplemented the six incomplete articles recorded by Yang. Roche's preface also mentioned that "Tomioka Jun (Qian Cang) kept Wang Zian Collection (Volume 29 and Volume 3) in Kyoto, Japan", and according to the first set of Tang Chao Ben photocopied by Imperial University in Kyoto, Japan, there were two volumes of Wang Boji's Remnants, and the cloud said "Save the 29th to 3th", which was immediately collected by Tomioka.

The Chronicle of Wang Zian was published in Yao Darong's Collection of Relieving Daowei Zhai in the third year of Qing Xuantong (1911). Tengwang Pavilion, rebuilt in 19 * * * A.D., has a complete landscape restoration of poetry, calligraphy, painting, piano, dancing and singing.

It is not a copy of Tengwang Pavilion, nor is it a cosmetic technique for cultural inheritance. Mr. Zhang Youmao, a world poet, a scholar of Tengwangge culture, a famous master of ci and fu, a pioneer of contemporary parallel prose ci and fu movement, an online activist, a leading figure in tea culture and a cultural celebrity, made an incisive exposition on the essential connotation of "Tengwangge culture": "Tengwangge is a cultural heritage of Chinese studies, history and the world."

5. Wang Bo culture of Tengwangge culture

In the Tang Dynasty, Wang Bo Teng Wang Gaoge was in Linjiang Zhu, and Pei Yu sang and danced.

Draw a building that flies toward Nanpu Cloud, and the bead curtain rolls up the rain in the western hills at dusk. The shadow of the idle cloud pool is long, and things change for a few years.

where is the emperor in the pavilion today? Outside the threshold, the Yangtze River flows by itself. This is a seven-character classical poem.

The first four sentences describe the prosperity of Tengwang and Tengwang Pavilion. The last four sentences are written as time goes by, things change, prosperity is difficult for a long time, and only the river flows naturally, which is an eternal witness of human history.

The added commentary "The Correct Voice of Tang Poetry" says: "It is beautiful and quiet, so it is better, which is the unique short song of Tang people". "Selected Poems of Tang Dynasty": "Only one conclusion, how many practices will be opened later".

Wang Fuzhi commented on this poem in Selected Comments on Tang Poems: "It's both a dilemma and a strong one. The word' Pei Yu Ming Luan' is more important than light. "

In the third year of Tang Gaozong's reign (676), the poet went all the way to visit his father, passed through Hongzhou (now Nanchang, Jiangxi), attended a banquet hosted by the governor of Yan, and made an impromptu preface to Tengwang Pavilion. At the end of the preface, he attached this concise and implicit poem, which summarized the contents of the preface. The first sentence comes straight to the point, pointing out the situation of Tengwangge with simple and old brushwork.

Tengwang Pavilion was built by Tengwang Li Yuanying, son of gaozu Li Yuan, when he was the governor of Hongzhou. Therefore, it is located at the gate of Xizhang River, which is newly built in Jiangxi, and faces the Ganjiang River. You can look from a distance and overlook it. The following "Nanpu", "Xishan", "Idle clouds", "Tanying" and "Yangtse River outside the sill" all originated from the first sentence "Gao Ge Lin Jiang Zhu".

The situation in Tengwang Pavilion is so good, but who will visit it now? Wang Teng, who built the pavilion in those days, was dead. He came to the pavilion and held a banquet, sitting in a horse-drawn carriage with a phoenix bell and full of beautiful Yu Pei. The luxurious scene is gone forever. The first sentence is about space, the second sentence is about time, the first sentence is full of enthusiasm, and the second sentence is depressed.

The poet uses the method of "sweeping with standing", which naturally makes readers feel the ups and downs. A few sentences have included the theme of the whole poem.

There are only fifty-six words in this poem * * *, among which there are pavilions, rivers, buildings, curtains, clouds, rain, mountains, pools and shadows that belong to space; The words that belong to time are long days, things change, stars move, several autumn days, and where is it now. These words are mixed together, and there is no feeling of overlapping bedsteads. The main reason is that they all revolve around a center-Tengwang Pavilion, and each of them plays its role in the arch of the moon.

The poem ends with antithetical sentences, which is very distinctive. Generally speaking, antithetical sentences are mostly used in the middle section, which plays the role of arrangement.

It is used for ending, and it is not juxtaposed like two doors (called fan pair in terms), but opened and closed, taking a "lateral potential". The reader only feels its flow, but doesn't think it is dual, which shows Wang Bo's extraordinary talent. Later, Du Fu's seven-character poems, even seven-character quatrains, often used this technique, such as "back from this mountain, past another mountain, up from the south, north again-to my own town!", "Mouth fat powder medicine with grace, jade tube silver poppy under the nine clouds", "Wandering butterflies always dance, comfortable charming warblers just crow" and so on.

This shows Wang Bo's influence on the development of Tang poetry. Ten years in a boat to the five lakes, fireworks are thousands of miles away.

where can I find a map of butterflies without reducing the unicorn pavilion? The turbulent sound of Nanpu flows in the sunset, and the spring scenery of Donggao takes a cloud hoe.

Wang Han Wenyan fought the bulls, but he didn't believe that he was ashamed of Lu. Sitting for a long time is carefree and carefree.

Sparse the stars and gather the fishing fire, and multiply and expose the wet river. Looking at the evening, I will learn the sound of Chu tonight.

because of pity for the good bamboo branches, it was translated into Yu Zhanghang. Cui Wei's ancient pavilion is at the head of the river, and it is late autumn when he is ill.

Baiyun Wu Chuhe in the window, and the red sun flows between the waves. The mountains and rivers are full of tears, and the songs and dances have been heard by the emperor.

Wan Li is like Wang Can in Jingzhou. The boat went south to return home in a hurry, and the riverside sunny building was even a line.

Nanpu and Xishan are all in sight, and the ancient people's feelings can't be exhausted! Where the king sings and dances, the dangerous pavilion is open to the west wind. Even the clouds are green in the evening, and the sunset in the smoke river is red.

a noble writing is elegant, while a beautiful algae is skillful. Lonely chardonnay rises outside the threshold, striving for the pen.

fortunately, there is nothing to do when the cabinet is closed. Go upstairs and chat forever. Going to Xiali to open, the continent is full of shapes.

the faint river is full, and the birds are flying. The people in the city are half a ship, and the trees in Tianjin are full of maple oranges.

I have felt different from time to time, and my feelings are different. If you don't agree with me, you will know who you are alone with.

I have been single-minded all my life, and I met the superior rank. Misery is sent to the country, and it is shameful to manage people.

although blunt and self-encouraging, cangjie is not real. If Chen Li is ineffective, Xie Bing will learn from Zhi Shu.

the tower rests on Nanpu, and the west hill is visited every day. Wan Wan Luan crane, high smoke room.

Xianjing is still here today, but Hongya has been gone for a long time. I don't teach you gold, but it's hard to climb a feather driver.

there are thousands of peaks on the eaves, and people are full of thoughts. Don't get involved, I shall close my door and be at peace.

When the whitewater waves cross the river, where will Chen Fan Xu Ru go? Sorrow came up to Tengwang Pavilion and took a tablet from Wengong. Cui Wei has been on the shelf, and Di Zi used to sing and dance.

The curtains on all sides open clear fog, and the flute and drum in the air conceal the spring thunder. Gou Shan-man said that Lapras would go, and the Three Seas heard that Huahe would return.

only the three kings are engraved, and the berries grow every year. tall