The heroine's feelings in self-protection have gone through several stages, and each stage contains ghosts and gods.
But the pure hostess didn't know that she gave her heart, which she had saved for many years, to this man who thought she was a lover, and sent him to Heqi with deep affection, and she was still worried that he would blame herself for delaying the wedding. This shows that she was completely in love and could not extricate herself.
second, waiting at her parents' home is like looking at a husband's stone, and she is heartbroken and even "weeping", always looking forward to picking herself up as soon as possible. When I saw them, I was all smiles. I told him that birthdates and I hit it off and wanted to take a lot of things from home to my husband's house. It was really "water spilled by my married daughter"
The mulberry leaves were still green, but the man's heart was far away from her, so the hostess couldn't help but send out the feeling that "women shouldn't be too infatuated with men" and she was unhappy.
the four mulberry leaves are yellow, and the man becomes completely half-hearted and doesn't come back all day. The hostess is sad and heartbroken, and she wants to be broken. I remember that I have been married for so many years, and the man treated her like this, and I can't help but feel resentful. As the saying goes, "The deeper I love, the more painful my heart will be." I am more and more heavy on heart breaker. < P > Looking back on the past, I recall that I work hard now, and I can't help but regret it. I have to sigh repeatedly that I am as blind as a bat, and I am married to such a conscientious dog.
The six women have become disheartened at this time, and the so-called "pledge" is just their own wishful thinking. Men simply "don't think about the opposite". In this case, it is better to make a clean break. From now on, although it is a slave society, the woman who is deeply grieved resolutely draws a line with the ungrateful people, which is also a blessing in misfortune.
Self-protection is a narrative poem mixed with lyricism. It describes passionately and vividly the process of her love, marriage, abuse and abandonment with Mong through the self-report of a divorced woman, expressing her remorse and attitude of rejection, and profoundly reflecting the phenomenon that women in ancient society were oppressed and damaged on the issue of love and marriage. Before marriage, she bravely broke through the shackles of etiquette and resolutely lived with Meng, which was a valuable thing at that time. It stands to reason that married life should be harmonious and beautiful. However, contrary to expectations, she was used like a cow and horse for self-protection, and even beaten and abandoned. Why? It was because women had no status in society and family at that time, but were only vassals of their husbands. This political and economic inequality determines the inequality between men and women in marriage, which enables the Mongols to play with and abuse women at will without being punished, and has the right to abandon their wives and dissolve their engagement. The word "beginning with chaos and ending with abandonment" can sum up the evil behavior of self-protection against women. Therefore, although she bravely broke through the feudal shackles, her fate finally ended up with the fate of women who resigned under the pressure of their parents' orders and matchmakers' words. "The scholar's anxiety can still be said; "Don't tell me about your daughter's worries!" The poet complained bitterly about the injustice of this society, which deepened the ideological significance of this poem. The tragic experience of the heroine in the poem can be said to be the epitome of the fate of Qian Qian's absolutely oppressed and damaged women in class society, so it can win the admiration of later readers.
The structure of the poem "Meng" is in line with its story and the author's passionate and fluctuating emotions when he narrates it. The poem consists of six chapters, each with ten sentences. The first and second chapters are about retrospection. In the first chapter, I narrate that I am determined by my first love. The second chapter describes that he fell in love, broke through the shackles of the matchmaker's words and married Meng. When the poet narrates here, his emotions are extremely passionate, and his grief and remorse merge, which interrupts the narrative. In the third chapter, she tells a group of innocent young girls who are beautiful, telling them not to indulge in love, and pointing out the inequality between men and women. The fourth chapter expresses resentment against the self-protection's ingratitude. She points out that this is not a woman's fault, but the capriciousness of self-protection. The fifth chapter, followed by a narrative, describes her toil and abuse after marriage and her brother's ridicule and self-injury. The sixth chapter describes the mutual love in childhood and today's deviation, denounces the hypocrisy and deception of the self-protection, and resolutely expresses the feelings of self-protection. These are the reappearance of the author's experience, inner activities and emotional changes, and the structure is strict, forming an eternal and moving poem.