Qin's Writing Skills of Snow Scenery
The first part describes the snow scene in the north, which is warm and cold at first, showing the magnificent mountains and rivers of the great motherland.
Original text:
Look at what the northern countries have shown: a hundred miles of frozen Go; Thousands of miles of snow. Looking inside and outside the Great Wall, I only feel embarrassed; When the river rises and falls, it loses momentum. The mountains are like dancing silver snakes, and the highlands are like advancing wax elephants, all trying to match the sky in height. When the weather is fine, look at the sunny market. What a charming sight!
Translation:
The scenery in the north is frozen for thousands of miles, and the snowflakes in Wan Li are floating. Looking inside and outside the Great Wall, there is only boundless whiteness left; The Yellow River, which is wide up and down, suddenly lost its surging water potential. The mountains are flying like silvery white pythons, and the hills on the plateau are running like many white elephants, all trying to compare with God. On a sunny day, it's especially nice to see red sunshine and white ice and snow complement each other.
Extended data:
Creation background
1936, the red army organized troops to March eastward, preparing to cross the yellow river eastward to fight against the Japanese army. When the Red Army set out from Zichang County and advanced to Yuanjiagou, Alex Gao Village, Qingjian County, the troops rested here for 16 days. From February 5th to 20th, when Mao Zedong lived here, it snowed heavily. The Great Wall is covered with snow, and the uplifted Qin Jin Plateau is covered with ice.
The weather is so cold that even the roaring Yellow River is covered with a thick layer of ice, losing the waves of the past. Late at night, Mao Zedong lives in the home of farmer Bai Zhimin. Seeing this scene, I was deeply touched and filled in this word. Qinyuan Spring Snow was first published in Chongqing Xinmin Daily Evening News magazine on June1945+065438+1October 14, and then officially published in poetry magazine on June 1957.
"Northland scenery, thousands of miles of ice, Wan Li snow", always writing northland snow scene, introducing readers to a silver world of snow and ice in vast expanse. It not only highlights the poet's impression of the snow scene in the north, but also creates a unique and elegant environment, which can complete the whole article. Scenery in the North is the main sentence of the last film.
The words "thousands of miles" and "Wan Li" are intertwined, that is, thousands of miles are frozen and Wan Li snows. The poet's vision is extremely broad, but "A Thousand Miles" and "Wan Li" are far beyond his vision. It is the poet's vision that extends in imagination, and his artistic conception is more open and his boldness of vision is very grand. The world is vast, pure and all-inclusive.
"Frozen" is quiet, and "Snow Gone with the Wind" is light, quiet, moving, and there is a moving dance in silence. "Looking inside and outside the Great Wall, there is only a vast expanse; Up and down the river, surging losses ",is the snow scene of a large-scale exposition. The word "king" dominates the following until the sentence "I will try to compare with God." "Wang", which means to climb high and look far, is very imaginative. It shows the poet's own image and makes people feel the author's heroic interest.
Under the word "Wang", the Great Wall, the Yellow River, the mountains and the plateau, which can best reflect the northern landscape, are displayed, which is also the image of China. "Inside and outside the Great Wall" is from south to north, and "going up and down the river" is from west to east. Such a vast area is in line with the previous sentences of "a thousand miles" and "Wan Li". The magnificent artistic conception shows the poet's broad mind and magnificent charm.
"Only the residual awn" and "sudden loss" take care of "snow drift" and "freezing" respectively. The word "Weiyu" strengthens the whiteness. The word "lost" describes the speed of change and the intensity of cold awe, which reminds people of the majestic momentum when the rolling river is not frozen.
These four sentences give the frozen snow scene more concrete and rich intuition with visual images, making the weather more magnificent. "Mountain dancing with a silver snake is like a wax elephant, trying to compete with the gods", which shows a lively and unrestrained momentum by using dynamic description.
Adding a sentence "I want to compete with the weather" shows that "mountain" and "original" are connected with the sky, and there is a vibrant situation and competitive vitality. "Mountain" and "Primitive" are still lifes. Write their romantic imagination of "dancing" and "flying" to turn static into dynamic. Of course, because of the ups and downs of the mountains in the distance in the heavy snow, there is indeed a sense of movement in the mountains and grass, and also because of the poet's emotional leap.
Let the nature in front of the author appear lively. "It must be sunny, look at that red dress, especially enchanting" is a virtual scene, in contrast to the real scene in the previous ten sentences. Imagine a clear sky after snow and dig out a new atmosphere. The scene in the snow is majestic in the boundless sky, while the scene behind the snow is delicate and charming.
The word "look" is juxtaposed with the word "look"; "Red Dress" compares the beautiful scenery of mountains and rivers to girls' clothes, and describes the gorgeous scene in which the red sun and snow complement each other. "Extraordinary Enchanting", the passion of praise is beyond words.