Reflections on the Collection of Shunxiang Cultural Heritage

On the eve of Dragon Boat Festival, I had the honor to participate in the literature collection activity organized by Yuanqu County Federation of Literary and Art Circles, "Learn to speak at the grassroots level, collect cultural relics, and publicize the countryside". In just one day, I was deeply moved by the splendid cultural background of Shunxiang. I was moved by the amazing creativity and belief of the ancients, and I was at a loss because the ancient civilization was not properly protected and trampled.

Our first stop to identify the wind is Champo City. According to the data, the site of Shang Bo Town is located 50 meters east of Shang Bo Village in Elvis Presley Town, belonging to the site of the Eastern Zhou Dynasty and the Warring States Period. The leaders of the Cultural Relics Bureau told us that this cultural site was discovered when the villagers moved to the northwest during the construction of the National Xiaolangdi Project. 1995 was designated as the first batch of county-level cultural relics protection units. In 2002, the provincial archaeological team conducted a comprehensive investigation and was designated as the fifth batch of provincial protected units in 20 16.

However, we were shocked when we approached this ancient civilization with reverence. What we saw was a ruin. Before we approached the city wall, we could smell the smell of sheep far away. A group of people tried to resist this unpleasant smell and approached it. What they saw was a terrible wall. Many caves abandoned by villagers under the high city wall collapsed, and the rammed soil layer left by the city wall was faintly visible outside. There are sand pottery ropes and clay pots in the wall. The large area enclosed by the fence is really a sheepfold. Go through the sheepfold and approach the river beach. There are no fewer than ten holes in the high earth wall. There are parasites drilling out surface soil nests like small funnels in small holes. Obviously, they are also eroding the city walls. Appreciating the city wall from top to bottom, there are thousands of impressions of loess, which really looks like mud tears after ups and downs. You can imagine how many years of sad tears this is! Teacher Zhang Kaisheng, a literary and artistic elder, said: This kind of soil seal is called flowing soil, which is a good medicine for treating nie injuries and burns in children. I think of a ballad that the old man said when I was a child: the medicine on the surface has flowed, and it will fall tomorrow. My little grandson just needed this medicine, so he wanted to stretch out his hand and buckle some, but when I raised my hand and touched the wall, my hand stopped like an electric shock, and an inexplicable uneasiness came to my mind: how can I make the wall worse like a parasite? I dismissed the idea.

Leaving the city site and looking back at the city wall, we can imagine from its height and length that this is the capital of the Tang Dynasty and must be a treasure house. How many years of wind and rain have left this ancient civilization incomplete and dilapidated, and it is about to disappear. I deeply regret that this is the precious wealth left by our ancestors! Why not know how to protect? When I saw the vertical boundary pillar of cultural relics protection, I shouted: What's the point of just protecting this ruined wall that has been trampled by ignorance? We should immediately stop uncivilized behavior, so that the ancient civilization will no longer be devastated by * *. We should dry our tears and restore the true colors of history. In this way, watching Tang Dou's cultural sites gradually eroded, we will leave eternal infamy!

Then, we successively collected several Buddhist cultural sites in ancient temples, each with a long history and profound cultural heritage. Most of them are listed as key protected units at county, provincial and national levels, and most of them have been repaired but not perfect. I strongly realize that the protection of these sites requires the people of Shunxiang to raise their awareness of protection and the strong support of governments at all levels in terms of financial, material and policy. We should actively start from me and further improve the protection measures from now on, so that the incense of this ancient civilization can flourish again and the cultural heritage can be revived.

Walking in the Buddhist holy land in the temple, listening to the endless explanations of the lecturers, admiring and worshiping the Buddha statues, admiring the antique temples, pagodas and ancient buildings, and appreciating the couplets on the ancient buildings, I have a deep belief in the gods from the bottom of my heart, and it is also a purification and baptism of my heart. Everywhere I go, I light incense and bow down. In the Jade Emperor Temple, I sincerely pray that the Jade Emperor will bless the well-being of Shunxiang people, and bless my family's prosperous business and eternal peace. At the Wali Niangniang Temple, I deeply thank the empress for the meritorious service of sending her son, and wish my children and grandchildren healthy and safe growth. In the face of the majestic Beiyang Erlang God, I put my hands together and praised him: for thousands of years, I have done justice and evil, and I will always help the people and benefit one side. Walking into Yongxing Temple, Song Cun, facing Siddhartha Gautama, I also sent my admiration and fell at his feet. ...

On that day, we were joined by several venerable Yuan Opera veterans. I drove with 87-year-old Mr. Wang Jianwu and talked all the way. From his bright words, I not only learned a lot of knowledge that I have never touched, but also deeply realized his persistence in exploring ancient culture in Shunxiang. This ancient man is seventy years old, and now he is still playing a role in the development of Shunxiang in his eighties. He has never been to college, and his life experience and experience accumulation are encyclopedias. I was deeply moved by his spirit and admired his knowledge. Shen Daguang, a national first-class screenwriter, talked and laughed all the way, and many things were in his speech. Wang Shimin, Chairman of Writers Association, takes care of every literary friend and answers every question raised by every literary friend. We feel that with him, everyone has a spiritual pillar, and we can always ask him for advice if we don't understand anything. They are all wise stars in Shunxiang, and they have crossed more bridges than we have. They are also a valuable spiritual and cultural wealth, which requires us to seek advice, listen and pass on ... I have learned a lot of etiquette from them: for example, you can't step on the threshold when entering a Buddhist temple, let alone sit on it, because it is the shoulder of a fairy. Doing so is taboo and disrespectful. When you enter λ Temple, you can pray to God and worship Buddha. I also understand the meaning that saving a life is better than building a seven-story tower: saving a life is better than building a seven-story tower. ...

It was a sunny day. Although it was already midsummer, I saw the sky was blue, the white clouds were long, the golden wheat on both sides of the road was waiting to be harvested, and there was a bumper harvest everywhere. Let me feel that this is a auspicious cloud, a symbol of good fortune, and a spiritual induction to meet us.

I think, as long as we take active actions and attach importance to cultural relics work, in the near future, the cultural heritage protection work in Shunxiang will shine on the land of China with a brand-new look.